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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EBCF8 it is the complementary color #A14307. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EBCF8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EBCF8 shade: #63BCF3, #74CEFF, #85E0FF, #96F2FF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EBCF8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EBCF8 shade: #5EBCF8, #4DAAE5, #3C98D2, #2B86BF and #1A74AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EBCF8 shade: #5DBCF8, #5D92F8, #5D68F8, #7C5DF8 and #A65DF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EBCF8 shade: #5DBCF8, #5D92F8, #5D68F8 and #5D5DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EBCF8 shade matches the following richer shades: #5DBCF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EBCF8 shade: #5DBCF8, #6BB9EB, #79B6DD, #86B3CF and #94B0C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EBCF8 shade: #5DF8E1, #5DE6F8, #5DBDF8, #5D94F8 and #5D6AF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EBCF8 shade: #0E9BF5, #36ABF7, #5DBCF8, #85CCFA and #ADDDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EBCF8 shade: #5EBCF8, #B85DF8 and #F8F65D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EBCF8 shade: #5EBCF8, #F85DBD and #BDF85D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EBCF8 shade: #5EBCF8, #B85DF8, #F8995D and #9EF85D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EBCF8 shade: #5EBCF8, #E65DF8, #F8995D and #6FF85D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 24 / 0 / 3

HEX #5EBCF8

RGB 94 188 248

HSL 203.38, 0.92%, 0.67%

LAB 72.97, -10.24, -38

 

Complementary color

CMYK 0 / 58 / 96 / 37

HEX #A14307

RGB 161 67 7

HSL 23.38, 0.92%, 0.33%

LAB 40.58, 36.39, 49

 

CMYK 59 / 23 / 0 / 5

HEX #63BCF3

RGB 99 188 243

HSL 202.92, 0.86%, 0.67%

LAB 72.95, -10.89, -35.32

 

CMYK 55 / 19 / 0 / 0

HEX #74CEFF

RGB 116 206 255

HSL 201.15, 1%, 0.73%

LAB 79.08, -13.55, -32.23

 

CMYK 48 / 12 / 0 / 0

HEX #85E0FF

RGB 133 224 255

HSL 195.25, 1%, 0.76%

LAB 84.75, -19.19, -23.5

 

CMYK 41 / 5 / 0 / 0

HEX #96F2FF

RGB 150 242 255

HSL 187.43, 1%, 0.79%

LAB 90.42, -24.18, -14.88

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 62 / 24 / 0 / 3

HEX #5EBCF8

RGB 94 188 248

HSL 203.38, 0.92%, 0.67%

LAB 72.97, -10.24, -38

 

CMYK 66 / 26 / 0 / 10

HEX #4DAAE5

RGB 77 170 229

HSL 203.29, 0.75%, 0.6%

LAB 66.51, -9.34, -37.77

 

CMYK 71 / 28 / 0 / 18

HEX #3C98D2

RGB 60 152 210

HSL 203.2, 0.63%, 0.53%

LAB 59.95, -8.2, -37.53

 

CMYK 77 / 30 / 0 / 25

HEX #2B86BF

RGB 43 134 191

HSL 203.11, 0.63%, 0.46%

LAB 53.3, -6.75, -37.25

 

CMYK 85 / 33 / 0 / 33

HEX #1A74AC

RGB 26 116 172

HSL 203.01, 0.74%, 0.39%

LAB 46.56, -4.87, -36.92

 

CMYK 63 / 24 / 0 / 3

HEX #5DBCF8

RGB 93 188 248

HSL 203.23, 0.92%, 0.67%

LAB 72.94, -10.42, -38.05

 

CMYK 63 / 41 / 0 / 3

HEX #5D92F8

RGB 93 146 248

HSL 219.48, 0.92%, 0.67%

LAB 61.36, 13.42, -56.28

 

CMYK 63 / 58 / 0 / 3

HEX #5D68F8

RGB 93 104 248

HSL 235.74, 0.92%, 0.67%

LAB 50.69, 38.79, -73.46

 

CMYK 50 / 63 / 0 / 3

HEX #7C5DF8

RGB 124 93 248

HSL 252, 0.92%, 0.67%

LAB 50.56, 50.37, -73.57

 

CMYK 33 / 63 / 0 / 3

HEX #A65DF8

RGB 166 93 248

HSL 268.26, 0.92%, 0.67%

LAB 54.78, 58.64, -66.54

 

CMYK 63 / 24 / 0 / 3

HEX #5DBCF8

RGB 93 188 248

HSL 203.23, 0.92%, 0.67%

LAB 72.94, -10.42, -38.05

 

CMYK 63 / 41 / 0 / 3

HEX #5D92F8

RGB 93 146 248

HSL 219.48, 0.92%, 0.67%

LAB 61.36, 13.42, -56.28

 

CMYK 63 / 58 / 0 / 3

HEX #5D68F8

RGB 93 104 248

HSL 235.74, 0.92%, 0.67%

LAB 50.69, 38.79, -73.46

 

CMYK 63 / 63 / 0 / 3

HEX #5D5DF8

RGB 93 93 248

HSL 240, 0.92%, 0.67%

LAB 48.18, 45.32, -77.56

 

CMYK 63 / 24 / 0 / 3

HEX #5DBCF8

RGB 93 188 248

HSL 203.23, 0.92%, 0.67%

LAB 72.94, -10.42, -38.05

 

CMYK 63 / 24 / 0 / 3

HEX #5DBCF8

RGB 93 188 248

HSL 203.23, 0.92%, 0.67%

LAB 72.94, -10.42, -38.05

 

CMYK 54 / 21 / 0 / 8

HEX #6BB9EB

RGB 107 185 235

HSL 203.44, 0.76%, 0.67%

LAB 72.11, -10.13, -32.26

 

CMYK 45 / 18 / 0 / 13

HEX #79B6DD

RGB 121 182 221

HSL 203.4, 0.6%, 0.67%

LAB 71.38, -9.38, -25.72

 

CMYK 35 / 14 / 0 / 19

HEX #86B3CF

RGB 134 179 207

HSL 203.01, 0.43%, 0.67%

LAB 70.74, -8.1, -18.97

 

CMYK 24 / 9 / 0 / 24

HEX #94B0C2

RGB 148 176 194

HSL 203.48, 0.27%, 0.67%

LAB 70.34, -5.54, -12.34

 

CMYK 63 / 0 / 9 / 3

HEX #5DF8E1

RGB 93 248 225

HSL 171.1, 0.92%, 0.67%

LAB 89.35, -46, -1.05

 

CMYK 63 / 7 / 0 / 3

HEX #5DE6F8

RGB 93 230 248

HSL 186.97, 0.92%, 0.67%

LAB 84.84, -31.7, -19.8

 

CMYK 63 / 24 / 0 / 3

HEX #5DBDF8

RGB 93 189 248

HSL 202.84, 0.92%, 0.67%

LAB 73.22, -10.95, -37.62

 

CMYK 63 / 40 / 0 / 3

HEX #5D94F8

RGB 93 148 248

HSL 218.71, 0.92%, 0.67%

LAB 61.9, 12.24, -55.43

 

CMYK 63 / 57 / 0 / 3

HEX #5D6AF8

RGB 93 106 248

HSL 234.97, 0.92%, 0.67%

LAB 51.17, 37.59, -72.69

 

CMYK 94 / 37 / 0 / 4

HEX #0E9BF5

RGB 14 155 245

HSL 203.38, 0.92%, 0.51%

LAB 61.77, -0.99, -54.11

 

CMYK 78 / 31 / 0 / 3

HEX #36ABF7

RGB 54 171 247

HSL 203.63, 0.92%, 0.59%

LAB 67, -6.77, -46.89

 

CMYK 63 / 24 / 0 / 3

HEX #5DBCF8

RGB 93 188 248

HSL 203.23, 0.92%, 0.67%

LAB 72.94, -10.42, -38.05

 

CMYK 47 / 18 / 0 / 2

HEX #85CCFA

RGB 133 204 250

HSL 203.59, 0.92%, 0.75%

LAB 79.08, -10.24, -29.5

 

CMYK 31 / 12 / 0 / 1

HEX #ADDDFC

RGB 173 221 252

HSL 203.54, 0.93%, 0.83%

LAB 85.82, -8.39, -20.11

 

CMYK 62 / 24 / 0 / 3

HEX #5EBCF8

RGB 94 188 248

HSL 203.38, 0.92%, 0.67%

LAB 72.97, -10.24, -38

 

CMYK 26 / 63 / 0 / 3

HEX #B85DF8

RGB 184 93 248

HSL 275.23, 0.92%, 0.67%

LAB 56.88, 62.51, -63.05

 

CMYK 0 / 1 / 63 / 3

HEX #F8F65D

RGB 248 246 93

HSL 59.23, 0.92%, 0.67%

LAB 94.59, -17.46, 71.22

 

CMYK 62 / 24 / 0 / 3

HEX #5EBCF8

RGB 94 188 248

HSL 203.38, 0.92%, 0.67%

LAB 72.97, -10.24, -38

 

CMYK 0 / 63 / 24 / 3

HEX #F85DBD

RGB 248 93 189

HSL 322.84, 0.92%, 0.67%

LAB 62.89, 68.38, -19.79

 

CMYK 24 / 0 / 63 / 3

HEX #BDF85D

RGB 189 248 93

HSL 82.84, 0.92%, 0.67%

LAB 91.12, -41.23, 66.31

 

CMYK 62 / 24 / 0 / 3

HEX #5EBCF8

RGB 94 188 248

HSL 203.38, 0.92%, 0.67%

LAB 72.97, -10.24, -38

 

CMYK 26 / 63 / 0 / 3

HEX #B85DF8

RGB 184 93 248

HSL 275.23, 0.92%, 0.67%

LAB 56.88, 62.51, -63.05

 

CMYK 0 / 38 / 63 / 3

HEX #F8995D

RGB 248 153 93

HSL 23.23, 0.92%, 0.67%

LAB 71.91, 30.21, 46.01

 

CMYK 36 / 0 / 63 / 3

HEX #9EF85D

RGB 158 248 93

HSL 94.84, 0.92%, 0.67%

LAB 89.48, -52.01, 64.06

 

CMYK 62 / 24 / 0 / 3

HEX #5EBCF8

RGB 94 188 248

HSL 203.38, 0.92%, 0.67%

LAB 72.97, -10.24, -38

 

CMYK 7 / 63 / 0 / 3

HEX #E65DF8

RGB 230 93 248

HSL 293.03, 0.92%, 0.67%

LAB 62.87, 72.86, -53.13

 

CMYK 0 / 38 / 63 / 3

HEX #F8995D

RGB 248 153 93

HSL 23.23, 0.92%, 0.67%

LAB 71.91, 30.21, 46.01

 

CMYK 55 / 0 / 63 / 3

HEX #6FF85D

RGB 111 248 93

HSL 113.03, 0.92%, 0.67%

LAB 87.63, -65.56, 61.5

 

Description

Color code: HEX #5EBCF8 | qconv.com Color code: HEX #5EBCF8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 188 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 188 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 24 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 24% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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