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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EBC2B it is the complementary color #A143D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EBC2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EBC2B shade: #63BC26, #74CE39, #85E04C, #96F25F and #A7FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EBC2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EBC2B shade: #5EBC2B, #4DAA18, #3C9805, #2B8600 and #1A7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EBC2B shade: #5DBB2A, #84BB2A, #ABBB2A, #BBA42A and #BB7D2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EBC2B shade: #5DBB2A, #36BB2A, #2ABB46, #2ABB6D and #2ABB94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EBC2B shade matches the following richer shades: #5DBB2A, #58CE18 and #52E005

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EBC2B shade: #5DBB2A, #63A83D, #689650, #6E8362 and #737175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EBC2B shade: #ADBB2A, #86BB2A, #5FBB2A, #39BB2A and #2ABB43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EBC2B shade: #3C781B, #4D9923, #5DBB2A, #71D33C and #8ADA5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EBC2B shade: #5EBC2B, #2ABBA3 and #BB2A99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EBC2B shade: #5EBC2B, #2A5FBB and #BB2A5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EBC2B shade: #5EBC2B, #2ABBA3, #862ABB and #BB2A43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EBC2B shade: #5EBC2B, #2AA8BB, #862ABB and #BB3E2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 77 / 26

HEX #5EBC2B

RGB 94 188 43

HSL 98.9, 0.63%, 0.45%

LAB 68.4, -52.07, 60.02

 

Complementary color

CMYK 24 / 68 / 0 / 17

HEX #A143D4

RGB 161 67 212

HSL 278.9, 0.63%, 0.55%

LAB 47.42, 61.63, -58.13

 

CMYK 47 / 0 / 80 / 26

HEX #63BC26

RGB 99 188 38

HSL 95.6, 0.66%, 0.44%

LAB 68.58, -50.83, 61.78

 

CMYK 44 / 0 / 72 / 19

HEX #74CE39

RGB 116 206 57

HSL 96.24, 0.6%, 0.52%

LAB 74.92, -51.42, 61.99

 

CMYK 41 / 0 / 66 / 12

HEX #85E04C

RGB 133 224 76

HSL 96.89, 0.7%, 0.59%

LAB 81.19, -51.78, 61.58

 

CMYK 38 / 0 / 61 / 5

HEX #96F25F

RGB 150 242 95

HSL 97.55, 0.85%, 0.66%

LAB 87.39, -51.98, 60.82

 

CMYK 35 / 0 / 55 / 0

HEX #A7FF72

RGB 167 255 114

HSL 97.45, 1%, 0.72%

LAB 92.11, -50.01, 58.22

 

CMYK 50 / 0 / 77 / 26

HEX #5EBC2B

RGB 94 188 43

HSL 98.9, 0.63%, 0.45%

LAB 68.4, -52.07, 60.02

 

CMYK 55 / 0 / 86 / 33

HEX #4DAA18

RGB 77 170 24

HSL 98.22, 0.75%, 0.38%

LAB 61.99, -51.18, 59.2

 

CMYK 61 / 0 / 97 / 40

HEX #3C9805

RGB 60 152 5

HSL 97.55, 0.94%, 0.31%

LAB 55.51, -49.84, 56.95

 

CMYK 68 / 0 / 100 / 47

HEX #2B8600

RGB 43 134 0

HSL 100.75, 1%, 0.26%

LAB 48.96, -47.8, 52.36

 

CMYK 78 / 0 / 100 / 55

HEX #1A7400

RGB 26 116 0

HSL 106.55, 1%, 0.23%

LAB 42.32, -45.14, 46.91

 

CMYK 50 / 0 / 78 / 27

HEX #5DBB2A

RGB 93 187 42

HSL 98.9, 0.63%, 0.45%

LAB 68.05, -52.04, 59.99

 

CMYK 29 / 0 / 78 / 27

HEX #84BB2A

RGB 132 187 42

HSL 82.76, 0.63%, 0.45%

LAB 69.9, -38.76, 62.4

 

CMYK 9 / 0 / 78 / 27

HEX #ABBB2A

RGB 171 187 42

HSL 66.62, 0.63%, 0.45%

LAB 72.47, -23.02, 65.71

 

CMYK 0 / 12 / 78 / 27

HEX #BBA42A

RGB 187 164 42

HSL 50.48, 0.63%, 0.45%

LAB 67.49, -4.28, 61.65

 

CMYK 0 / 33 / 78 / 27

HEX #BB7D2A

RGB 187 125 42

HSL 34.34, 0.63%, 0.45%

LAB 57.46, 17.01, 52.26

 

CMYK 50 / 0 / 78 / 27

HEX #5DBB2A

RGB 93 187 42

HSL 98.9, 0.63%, 0.45%

LAB 68.05, -52.04, 59.99

 

CMYK 71 / 0 / 78 / 27

HEX #36BB2A

RGB 54 187 42

HSL 115.03, 0.63%, 0.45%

LAB 66.89, -61.35, 58.48

 

CMYK 78 / 0 / 63 / 27

HEX #2ABB46

RGB 42 187 70

HSL 131.59, 0.63%, 0.45%

LAB 66.88, -60.69, 47.57

 

CMYK 78 / 0 / 42 / 27

HEX #2ABB6D

RGB 42 187 109

HSL 147.72, 0.63%, 0.45%

LAB 67.38, -54.81, 29.12

 

CMYK 78 / 0 / 21 / 27

HEX #2ABB94

RGB 42 187 148

HSL 163.86, 0.63%, 0.45%

LAB 68.15, -46.36, 9.24

 

CMYK 50 / 0 / 78 / 27

HEX #5DBB2A

RGB 93 187 42

HSL 98.9, 0.63%, 0.45%

LAB 68.05, -52.04, 59.99

 

CMYK 57 / 0 / 88 / 19

HEX #58CE18

RGB 88 206 24

HSL 98.9, 0.79%, 0.45%

LAB 73.73, -61.11, 69.52

 

CMYK 63 / 0 / 98 / 12

HEX #52E005

RGB 82 224 5

HSL 98.9, 0.96%, 0.45%

LAB 79.11, -68.9, 76.24

 

CMYK 50 / 0 / 78 / 27

HEX #5DBB2A

RGB 93 187 42

HSL 98.9, 0.63%, 0.45%

LAB 68.05, -52.04, 59.99

 

CMYK 41 / 0 / 64 / 34

HEX #63A83D

RGB 99 168 61

HSL 98.69, 0.47%, 0.45%

LAB 62.5, -41.03, 47.13

 

CMYK 31 / 0 / 47 / 41

HEX #689650

RGB 104 150 80

HSL 99.43, 0.3%, 0.45%

LAB 57.4, -28.91, 31.94

 

CMYK 16 / 0 / 25 / 49

HEX #6E8362

RGB 110 131 98

HSL 98.18, 0.14%, 0.45%

LAB 52.32, -14.15, 15.39

 

CMYK 2 / 3 / 0 / 54

HEX #737175

RGB 115 113 117

HSL 270, 0.02%, 0.45%

LAB 47.93, 1.58, -1.94

 

CMYK 7 / 0 / 78 / 27

HEX #ADBB2A

RGB 173 187 42

HSL 65.79, 0.63%, 0.45%

LAB 72.62, -22.18, 65.9

 

CMYK 28 / 0 / 78 / 27

HEX #86BB2A

RGB 134 187 42

HSL 81.93, 0.63%, 0.45%

LAB 70.02, -38, 62.55

 

CMYK 49 / 0 / 78 / 27

HEX #5FBB2A

RGB 95 187 42

HSL 98.07, 0.63%, 0.45%

LAB 68.12, -51.44, 60.09

 

CMYK 70 / 0 / 78 / 27

HEX #39BB2A

RGB 57 187 42

HSL 113.79, 0.63%, 0.45%

LAB 66.96, -60.8, 58.56

 

CMYK 78 / 0 / 64 / 27

HEX #2ABB43

RGB 42 187 67

HSL 130.34, 0.63%, 0.45%

LAB 66.85, -61.03, 48.85

 

CMYK 50 / 0 / 78 / 53

HEX #3C781B

RGB 60 120 27

HSL 98.71, 0.63%, 0.29%

LAB 44.9, -36.51, 42.23

 

CMYK 50 / 0 / 77 / 40

HEX #4D9923

RGB 77 153 35

HSL 98.64, 0.63%, 0.37%

LAB 56.57, -44.06, 51.01

 

CMYK 50 / 0 / 78 / 27

HEX #5DBB2A

RGB 93 187 42

HSL 98.9, 0.63%, 0.45%

LAB 68.05, -52.04, 59.99

 

CMYK 46 / 0 / 72 / 17

HEX #71D33C

RGB 113 211 60

HSL 98.94, 0.63%, 0.53%

LAB 76.33, -54.1, 62.3

 

CMYK 37 / 0 / 57 / 15

HEX #8ADA5E

RGB 138 218 94

HSL 98.71, 0.63%, 0.61%

LAB 79.81, -46.04, 52.49

 

CMYK 50 / 0 / 77 / 26

HEX #5EBC2B

RGB 94 188 43

HSL 98.9, 0.63%, 0.45%

LAB 68.4, -52.07, 60.02

 

CMYK 78 / 0 / 13 / 27

HEX #2ABBA3

RGB 42 187 163

HSL 170.07, 0.63%, 0.45%

LAB 68.52, -42.51, 1.55

 

CMYK 0 / 78 / 18 / 27

HEX #BB2A99

RGB 187 42 153

HSL 314.07, 0.63%, 0.45%

LAB 44.97, 66.17, -27.17

 

CMYK 50 / 0 / 77 / 26

HEX #5EBC2B

RGB 94 188 43

HSL 98.9, 0.63%, 0.45%

LAB 68.4, -52.07, 60.02

 

CMYK 78 / 49 / 0 / 27

HEX #2A5FBB

RGB 42 95 187

HSL 218.07, 0.63%, 0.45%

LAB 41.63, 15.74, -53.52

 

CMYK 0 / 78 / 49 / 27

HEX #BB2A5F

RGB 187 42 95

HSL 338.07, 0.63%, 0.45%

LAB 42.83, 59.72, 5.25

 

CMYK 50 / 0 / 77 / 26

HEX #5EBC2B

RGB 94 188 43

HSL 98.9, 0.63%, 0.45%

LAB 68.4, -52.07, 60.02

 

CMYK 78 / 0 / 13 / 27

HEX #2ABBA3

RGB 42 187 163

HSL 170.07, 0.63%, 0.45%

LAB 68.52, -42.51, 1.55

 

CMYK 28 / 78 / 0 / 27

HEX #862ABB

RGB 134 42 187

HSL 278.07, 0.63%, 0.45%

LAB 38.4, 61.08, -58.39

 

CMYK 0 / 78 / 64 / 27

HEX #BB2A43

RGB 187 42 67

HSL 349.66, 0.63%, 0.45%

LAB 42.19, 57.71, 21.89

 

CMYK 50 / 0 / 77 / 26

HEX #5EBC2B

RGB 94 188 43

HSL 98.9, 0.63%, 0.45%

LAB 68.4, -52.07, 60.02

 

CMYK 78 / 10 / 0 / 27

HEX #2AA8BB

RGB 42 168 187

HSL 187.86, 0.63%, 0.45%

LAB 63.41, -26.59, -19.36

 

CMYK 28 / 78 / 0 / 27

HEX #862ABB

RGB 134 42 187

HSL 278.07, 0.63%, 0.45%

LAB 38.4, 61.08, -58.39

 

CMYK 0 / 67 / 78 / 27

HEX #BB3E2A

RGB 187 62 42

HSL 8.28, 0.63%, 0.45%

LAB 44.49, 49.2, 39.31

 

Description

Color code: HEX #5EBC2B | qconv.com Color code: HEX #5EBC2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 188 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 188 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 77 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 77% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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