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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EBAF2 it is the complementary color #A1450D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EBAF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EBAF2 shade: #63BAED, #74CCFF, #85DEFF, #96F0FF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EBAF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EBAF2 shade: #5EBAF2, #4DA8DF, #3C96CC, #2B84B9 and #1A72A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EBAF2 shade: #5FBAF2, #5F92F2, #5F6BF2, #7A5FF2 and #A25FF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EBAF2 shade: #5FBAF2, #5F92F2, #5F6BF2 and #5F5FF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EBAF2 shade matches the following richer shades: #5FBAF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EBAF2 shade: #5FBAF2, #6DB7E4, #7BB3D6, #89B0C8 and #97ADBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EBAF2 shade: #5FF2D9, #5FE3F2, #5FBCF2, #5F95F2 and #5F6DF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EBAF2 shade: #1399EB, #38AAEF, #5FBAF2, #85CBF5 and #ABDBF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EBAF2 shade: #5EBAF2, #B25FF2 and #F2ED5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EBAF2 shade: #5EBAF2, #F25FBC and #BCF25F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EBAF2 shade: #5EBAF2, #B25FF2, #F2955F and #9EF25F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EBAF2 shade: #5EBAF2, #DE5FF2, #F2955F and #72F25F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 23 / 0 / 5

HEX #5EBAF2

RGB 94 186 242

HSL 202.7, 0.85%, 0.66%

LAB 72.17, -11.04, -36.01

 

Complementary color

CMYK 0 / 57 / 92 / 37

HEX #A1450D

RGB 161 69 13

HSL 22.7, 0.85%, 0.34%

LAB 41, 35.48, 47.51

 

CMYK 58 / 22 / 0 / 7

HEX #63BAED

RGB 99 186 237

HSL 202.17, 0.79%, 0.66%

LAB 72.15, -11.65, -33.31

 

CMYK 55 / 20 / 0 / 0

HEX #74CCFF

RGB 116 204 255

HSL 202.01, 1%, 0.73%

LAB 78.53, -12.51, -33.08

 

CMYK 48 / 13 / 0 / 0

HEX #85DEFF

RGB 133 222 255

HSL 196.23, 1%, 0.76%

LAB 84.2, -18.18, -24.34

 

CMYK 41 / 6 / 0 / 0

HEX #96F0FF

RGB 150 240 255

HSL 188.57, 1%, 0.79%

LAB 89.87, -23.2, -15.7

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 61 / 23 / 0 / 5

HEX #5EBAF2

RGB 94 186 242

HSL 202.7, 0.85%, 0.66%

LAB 72.17, -11.04, -36.01

 

CMYK 65 / 25 / 0 / 13

HEX #4DA8DF

RGB 77 168 223

HSL 202.6, 0.7%, 0.59%

LAB 65.68, -10.19, -35.76

 

CMYK 71 / 26 / 0 / 20

HEX #3C96CC

RGB 60 150 204

HSL 202.5, 0.59%, 0.52%

LAB 59.1, -9.13, -35.5

 

CMYK 77 / 29 / 0 / 27

HEX #2B84B9

RGB 43 132 185

HSL 202.39, 0.62%, 0.45%

LAB 52.42, -7.75, -35.21

 

CMYK 84 / 31 / 0 / 35

HEX #1A72A6

RGB 26 114 166

HSL 202.29, 0.73%, 0.38%

LAB 45.64, -5.96, -34.86

 

CMYK 61 / 23 / 0 / 5

HEX #5FBAF2

RGB 95 186 242

HSL 202.86, 0.85%, 0.66%

LAB 72.2, -10.86, -35.95

 

CMYK 61 / 40 / 0 / 5

HEX #5F92F2

RGB 95 146 242

HSL 219.18, 0.85%, 0.66%

LAB 61.13, 11.79, -53.34

 

CMYK 61 / 56 / 0 / 5

HEX #5F6BF2

RGB 95 107 242

HSL 235.1, 0.85%, 0.66%

LAB 51.1, 35.35, -69.44

 

CMYK 50 / 61 / 0 / 5

HEX #7A5FF2

RGB 122 95 242

HSL 251.02, 0.85%, 0.66%

LAB 50.37, 47.18, -70.54

 

CMYK 33 / 61 / 0 / 5

HEX #A25FF2

RGB 162 95 242

HSL 267.35, 0.85%, 0.66%

LAB 54.32, 55.35, -63.96

 

CMYK 61 / 23 / 0 / 5

HEX #5FBAF2

RGB 95 186 242

HSL 202.86, 0.85%, 0.66%

LAB 72.2, -10.86, -35.95

 

CMYK 61 / 40 / 0 / 5

HEX #5F92F2

RGB 95 146 242

HSL 219.18, 0.85%, 0.66%

LAB 61.13, 11.79, -53.34

 

CMYK 61 / 56 / 0 / 5

HEX #5F6BF2

RGB 95 107 242

HSL 235.1, 0.85%, 0.66%

LAB 51.1, 35.35, -69.44

 

CMYK 61 / 61 / 0 / 5

HEX #5F5FF2

RGB 95 95 242

HSL 240, 0.85%, 0.66%

LAB 48.3, 42.53, -74.01

 

CMYK 61 / 23 / 0 / 5

HEX #5FBAF2

RGB 95 186 242

HSL 202.86, 0.85%, 0.66%

LAB 72.2, -10.86, -35.95

 

CMYK 61 / 23 / 0 / 5

HEX #5FBAF2

RGB 95 186 242

HSL 202.86, 0.85%, 0.66%

LAB 72.2, -10.86, -35.95

 

CMYK 52 / 20 / 0 / 11

HEX #6DB7E4

RGB 109 183 228

HSL 202.69, 0.69%, 0.66%

LAB 71.36, -10.69, -29.6

 

CMYK 43 / 16 / 0 / 16

HEX #7BB3D6

RGB 123 179 214

HSL 203.08, 0.53%, 0.66%

LAB 70.39, -9.19, -23.4

 

CMYK 32 / 12 / 0 / 22

HEX #89B0C8

RGB 137 176 200

HSL 202.86, 0.36%, 0.66%

LAB 69.85, -7.39, -16.45

 

CMYK 19 / 7 / 0 / 27

HEX #97ADBA

RGB 151 173 186

HSL 202.29, 0.2%, 0.66%

LAB 69.48, -4.78, -9.21

 

CMYK 61 / 0 / 10 / 5

HEX #5FF2D9

RGB 95 242 217

HSL 169.8, 0.85%, 0.66%

LAB 87.46, -45.04, 0.38

 

CMYK 61 / 6 / 0 / 5

HEX #5FE3F2

RGB 95 227 242

HSL 186.12, 0.85%, 0.66%

LAB 83.85, -31.63, -18.13

 

CMYK 61 / 22 / 0 / 5

HEX #5FBCF2

RGB 95 188 242

HSL 202.04, 0.85%, 0.66%

LAB 72.77, -11.93, -35.08

 

CMYK 61 / 38 / 0 / 5

HEX #5F95F2

RGB 95 149 242

HSL 217.96, 0.85%, 0.66%

LAB 61.95, 10.02, -52.05

 

CMYK 61 / 55 / 0 / 5

HEX #5F6DF2

RGB 95 109 242

HSL 234.29, 0.85%, 0.66%

LAB 51.59, 34.14, -68.66

 

CMYK 92 / 35 / 0 / 8

HEX #1399EB

RGB 19 153 235

HSL 202.78, 0.85%, 0.5%

LAB 60.71, -3.37, -50.27

 

CMYK 77 / 29 / 0 / 6

HEX #38AAEF

RGB 56 170 239

HSL 202.62, 0.85%, 0.58%

LAB 66.38, -8.78, -43.48

 

CMYK 61 / 23 / 0 / 5

HEX #5FBAF2

RGB 95 186 242

HSL 202.86, 0.85%, 0.66%

LAB 72.2, -10.86, -35.95

 

CMYK 46 / 17 / 0 / 4

HEX #85CBF5

RGB 133 203 245

HSL 202.5, 0.85%, 0.74%

LAB 78.63, -11.08, -27.52

 

CMYK 31 / 12 / 0 / 3

HEX #ABDBF8

RGB 171 219 248

HSL 202.6, 0.85%, 0.82%

LAB 85.05, -8.86, -19.18

 

CMYK 61 / 23 / 0 / 5

HEX #5EBAF2

RGB 94 186 242

HSL 202.7, 0.85%, 0.66%

LAB 72.17, -11.04, -36.01

 

CMYK 26 / 61 / 0 / 5

HEX #B25FF2

RGB 178 95 242

HSL 273.88, 0.85%, 0.66%

LAB 56.15, 58.9, -60.92

 

CMYK 0 / 2 / 61 / 5

HEX #F2ED5F

RGB 242 237 95

HSL 57.96, 0.85%, 0.66%

LAB 91.81, -15.38, 67.31

 

CMYK 61 / 23 / 0 / 5

HEX #5EBAF2

RGB 94 186 242

HSL 202.7, 0.85%, 0.66%

LAB 72.17, -11.04, -36.01

 

CMYK 0 / 61 / 22 / 5

HEX #F25FBC

RGB 242 95 188

HSL 322.04, 0.85%, 0.66%

LAB 62.25, 65.78, -20.29

 

CMYK 22 / 0 / 61 / 5

HEX #BCF25F

RGB 188 242 95

HSL 82.04, 0.85%, 0.66%

LAB 89.4, -38.79, 63.61

 

CMYK 61 / 23 / 0 / 5

HEX #5EBAF2

RGB 94 186 242

HSL 202.7, 0.85%, 0.66%

LAB 72.17, -11.04, -36.01

 

CMYK 26 / 61 / 0 / 5

HEX #B25FF2

RGB 178 95 242

HSL 273.88, 0.85%, 0.66%

LAB 56.15, 58.9, -60.92

 

CMYK 0 / 38 / 61 / 5

HEX #F2955F

RGB 242 149 95

HSL 22.04, 0.85%, 0.66%

LAB 70.31, 30.04, 42.9

 

CMYK 35 / 0 / 61 / 5

HEX #9EF25F

RGB 158 242 95

HSL 94.29, 0.85%, 0.66%

LAB 87.78, -49.36, 61.35

 

CMYK 61 / 23 / 0 / 5

HEX #5EBAF2

RGB 94 186 242

HSL 202.7, 0.85%, 0.66%

LAB 72.17, -11.04, -36.01

 

CMYK 8 / 61 / 0 / 5

HEX #DE5FF2

RGB 222 95 242

HSL 291.84, 0.85%, 0.66%

LAB 61.76, 69.1, -51.64

 

CMYK 0 / 38 / 61 / 5

HEX #F2955F

RGB 242 149 95

HSL 22.04, 0.85%, 0.66%

LAB 70.31, 30.04, 42.9

 

CMYK 53 / 0 / 61 / 5

HEX #72F25F

RGB 114 242 95

HSL 112.24, 0.85%, 0.66%

LAB 85.96, -62.44, 58.82

 

Description

Color code: HEX #5EBAF2 | qconv.com Color code: HEX #5EBAF2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 186 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 186 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 23 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 23% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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