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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EBAEF it is the complementary color #A14510. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EBAEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EBAEF shade: #63BAEA, #74CCFD, #85DEFF, #96F0FF and #A7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EBAEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EBAEF shade: #5EBAEF, #4DA8DC, #3C96C9, #2B84B6 and #1A72A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EBAEF shade: #5DB9EF, #5D92EF, #5D6AEF, #765DEF and #9E5DEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EBAEF shade: #5DB9EF, #5D92EF, #5D6AEF and #5D5DEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EBAEF shade matches the following richer shades: #5DB9EF and #4EBDFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EBAEF shade: #5DB9EF, #6BB6E0, #79B2D2, #88AEC4 and #96AAB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EBAEF shade: #5DEFD4, #5DE3EF, #5DBCEF, #5D95EF and #5D6EEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EBAEF shade: #1698E3, #37A9EB, #5DB9EF, #82CAF3 and #A8DAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EBAEF shade: #5EBAEF, #AD5DEF and #EFE85D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EBAEF shade: #5EBAEF, #EF5DBC and #BCEF5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EBAEF shade: #5EBAEF, #AD5DEF, #EF905D and #9EEF5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EBAEF shade: #5EBAEF, #D95DEF, #EF905D and #73EF5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 22 / 0 / 6

HEX #5EBAEF

RGB 94 186 239

HSL 201.93, 0.82%, 0.65%

LAB 72.05, -11.97, -34.57

 

Complementary color

CMYK 0 / 57 / 90 / 37

HEX #A14510

RGB 161 69 16

HSL 21.93, 0.82%, 0.35%

LAB 41.01, 35.54, 46.51

 

CMYK 58 / 21 / 0 / 8

HEX #63BAEA

RGB 99 186 234

HSL 201.33, 0.76%, 0.65%

LAB 72.03, -12.56, -31.86

 

CMYK 54 / 19 / 0 / 1

HEX #74CCFD

RGB 116 204 253

HSL 201.46, 0.97%, 0.72%

LAB 78.46, -13.09, -32.13

 

CMYK 48 / 13 / 0 / 0

HEX #85DEFF

RGB 133 222 255

HSL 196.23, 1%, 0.76%

LAB 84.2, -18.18, -24.34

 

CMYK 41 / 6 / 0 / 0

HEX #96F0FF

RGB 150 240 255

HSL 188.57, 1%, 0.79%

LAB 89.87, -23.2, -15.7

 

CMYK 35 / 0 / 0 / 0

HEX #A7FFFF

RGB 167 255 255

HSL 180, 1%, 0.83%

LAB 94.72, -26.25, -8.39

 

CMYK 61 / 22 / 0 / 6

HEX #5EBAEF

RGB 94 186 239

HSL 201.93, 0.82%, 0.65%

LAB 72.05, -11.97, -34.57

 

CMYK 65 / 24 / 0 / 14

HEX #4DA8DC

RGB 77 168 220

HSL 201.82, 0.67%, 0.58%

LAB 65.55, -11.16, -34.31

 

CMYK 70 / 25 / 0 / 21

HEX #3C96C9

RGB 60 150 201

HSL 201.7, 0.57%, 0.51%

LAB 58.97, -10.14, -34.02

 

CMYK 76 / 27 / 0 / 29

HEX #2B84B6

RGB 43 132 182

HSL 201.58, 0.62%, 0.44%

LAB 52.28, -8.83, -33.71

 

CMYK 84 / 30 / 0 / 36

HEX #1A72A3

RGB 26 114 163

HSL 201.46, 0.72%, 0.37%

LAB 45.49, -7.09, -33.34

 

CMYK 61 / 23 / 0 / 6

HEX #5DB9EF

RGB 93 185 239

HSL 202.19, 0.82%, 0.65%

LAB 71.73, -11.61, -35.07

 

CMYK 61 / 39 / 0 / 6

HEX #5D92EF

RGB 93 146 239

HSL 218.22, 0.82%, 0.65%

LAB 60.88, 10.44, -52.09

 

CMYK 61 / 56 / 0 / 6

HEX #5D6AEF

RGB 93 106 239

HSL 234.66, 0.82%, 0.65%

LAB 50.53, 34.64, -68.7

 

CMYK 51 / 61 / 0 / 6

HEX #765DEF

RGB 118 93 239

HSL 250.27, 0.82%, 0.65%

LAB 49.39, 46.69, -70.47

 

CMYK 34 / 61 / 0 / 6

HEX #9E5DEF

RGB 158 93 239

HSL 266.71, 0.82%, 0.65%

LAB 53.31, 54.78, -63.94

 

CMYK 61 / 23 / 0 / 6

HEX #5DB9EF

RGB 93 185 239

HSL 202.19, 0.82%, 0.65%

LAB 71.73, -11.61, -35.07

 

CMYK 61 / 39 / 0 / 6

HEX #5D92EF

RGB 93 146 239

HSL 218.22, 0.82%, 0.65%

LAB 60.88, 10.44, -52.09

 

CMYK 61 / 56 / 0 / 6

HEX #5D6AEF

RGB 93 106 239

HSL 234.66, 0.82%, 0.65%

LAB 50.53, 34.64, -68.7

 

CMYK 61 / 61 / 0 / 6

HEX #5D5DEF

RGB 93 93 239

HSL 240, 0.82%, 0.65%

LAB 47.48, 42.45, -73.66

 

CMYK 61 / 23 / 0 / 6

HEX #5DB9EF

RGB 93 185 239

HSL 202.19, 0.82%, 0.65%

LAB 71.73, -11.61, -35.07

 

CMYK 69 / 25 / 0 / 1

HEX #4EBDFD

RGB 78 189 253

HSL 201.94, 0.98%, 0.65%

LAB 72.96, -11.69, -40.75

 

CMYK 61 / 23 / 0 / 6

HEX #5DB9EF

RGB 93 185 239

HSL 202.19, 0.82%, 0.65%

LAB 71.73, -11.61, -35.07

 

CMYK 52 / 19 / 0 / 12

HEX #6BB6E0

RGB 107 182 224

HSL 201.54, 0.65%, 0.65%

LAB 70.85, -11.75, -28.23

 

CMYK 42 / 15 / 0 / 18

HEX #79B2D2

RGB 121 178 210

HSL 201.57, 0.5%, 0.65%

LAB 69.87, -10.24, -22.01

 

CMYK 31 / 11 / 0 / 23

HEX #88AEC4

RGB 136 174 196

HSL 202, 0.34%, 0.65%

LAB 69.11, -7.59, -15.38

 

CMYK 17 / 6 / 0 / 29

HEX #96AAB5

RGB 150 170 181

HSL 201.29, 0.17%, 0.65%

LAB 68.44, -4.58, -7.99

 

CMYK 61 / 0 / 11 / 6

HEX #5DEFD4

RGB 93 239 212

HSL 168.9, 0.82%, 0.65%

LAB 86.41, -45.3, 1.46

 

CMYK 61 / 5 / 0 / 6

HEX #5DE3EF

RGB 93 227 239

HSL 184.93, 0.82%, 0.65%

LAB 83.7, -32.79, -16.77

 

CMYK 61 / 21 / 0 / 6

HEX #5DBCEF

RGB 93 188 239

HSL 200.96, 0.82%, 0.65%

LAB 72.58, -13.21, -33.75

 

CMYK 61 / 38 / 0 / 6

HEX #5D95EF

RGB 93 149 239

HSL 216.99, 0.82%, 0.65%

LAB 61.7, 8.67, -50.79

 

CMYK 61 / 54 / 0 / 6

HEX #5D6EEF

RGB 93 110 239

HSL 233.01, 0.82%, 0.65%

LAB 51.51, 32.21, -67.12

 

CMYK 90 / 33 / 0 / 11

HEX #1698E3

RGB 22 152 227

HSL 201.95, 0.82%, 0.49%

LAB 60.04, -5.62, -46.9

 

CMYK 77 / 28 / 0 / 8

HEX #37A9EB

RGB 55 169 235

HSL 202, 0.82%, 0.57%

LAB 65.89, -9.71, -42.06

 

CMYK 61 / 23 / 0 / 6

HEX #5DB9EF

RGB 93 185 239

HSL 202.19, 0.82%, 0.65%

LAB 71.73, -11.61, -35.07

 

CMYK 47 / 17 / 0 / 5

HEX #82CAF3

RGB 130 202 243

HSL 201.77, 0.82%, 0.73%

LAB 78.14, -11.8, -27.21

 

CMYK 32 / 11 / 0 / 4

HEX #A8DAF6

RGB 168 218 246

HSL 201.54, 0.81%, 0.81%

LAB 84.55, -9.65, -18.89

 

CMYK 61 / 22 / 0 / 6

HEX #5EBAEF

RGB 94 186 239

HSL 201.93, 0.82%, 0.65%

LAB 72.05, -11.97, -34.57

 

CMYK 28 / 61 / 0 / 6

HEX #AD5DEF

RGB 173 93 239

HSL 272.88, 0.82%, 0.65%

LAB 55.02, 58.08, -61.1

 

CMYK 0 / 3 / 61 / 6

HEX #EFE85D

RGB 239 232 93

HSL 57.12, 0.82%, 0.65%

LAB 90.25, -14.27, 66.39

 

CMYK 61 / 22 / 0 / 6

HEX #5EBAEF

RGB 94 186 239

HSL 201.93, 0.82%, 0.65%

LAB 72.05, -11.97, -34.57

 

CMYK 0 / 61 / 21 / 6

HEX #EF5DBC

RGB 239 93 188

HSL 320.96, 0.82%, 0.65%

LAB 61.49, 65.78, -21.48

 

CMYK 21 / 0 / 61 / 6

HEX #BCEF5D

RGB 188 239 93

HSL 80.96, 0.82%, 0.65%

LAB 88.55, -37.6, 63.5

 

CMYK 61 / 22 / 0 / 6

HEX #5EBAEF

RGB 94 186 239

HSL 201.93, 0.82%, 0.65%

LAB 72.05, -11.97, -34.57

 

CMYK 28 / 61 / 0 / 6

HEX #AD5DEF

RGB 173 93 239

HSL 272.88, 0.82%, 0.65%

LAB 55.02, 58.08, -61.1

 

CMYK 0 / 40 / 61 / 6

HEX #EF905D

RGB 239 144 93

HSL 20.96, 0.82%, 0.65%

LAB 68.81, 31.33, 42.04

 

CMYK 34 / 0 / 61 / 6

HEX #9EEF5D

RGB 158 239 93

HSL 93.29, 0.82%, 0.65%

LAB 86.89, -48.29, 61.21

 

CMYK 61 / 22 / 0 / 6

HEX #5EBAEF

RGB 94 186 239

HSL 201.93, 0.82%, 0.65%

LAB 72.05, -11.97, -34.57

 

CMYK 9 / 61 / 0 / 6

HEX #D95DEF

RGB 217 93 239

HSL 290.96, 0.82%, 0.65%

LAB 60.62, 68.23, -51.83

 

CMYK 0 / 40 / 61 / 6

HEX #EF905D

RGB 239 144 93

HSL 20.96, 0.82%, 0.65%

LAB 68.81, 31.33, 42.04

 

CMYK 52 / 0 / 61 / 6

HEX #73EF5D

RGB 115 239 93

HSL 110.96, 0.82%, 0.65%

LAB 85.08, -61.28, 58.68

 

Description

Color code: HEX #5EBAEF | qconv.com Color code: HEX #5EBAEF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 186 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 186 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 22 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 22% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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