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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EBA49 it is the complementary color #A145B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EBA49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EBA49 shade: #63BA44, #74CC57, #85DE6A, #96F07D and #A7FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EBA49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EBA49 shade: #5EBA49, #4DA836, #3C9623, #2B8410 and #1A7200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EBA49 shade: #5FBA4A, #7DBA4A, #9BBA4A, #BABA4A and #BA9D4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EBA49 shade: #5FBA4A, #4ABA53, #4ABA72, #4ABA90 and #4ABAAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EBA49 shade matches the following richer shades: #5FBA4A, #52CE36, #45E321 and #39F70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EBA49 shade: #5FBA4A, #6BA65E, #789272, #857E86 and #92699B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EBA49 shade: #9CBA4A, #7EBA4A, #60BA4A, #4ABA51 and #4ABA6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EBA49 shade: #408131, #4E9F3C, #5FBA4A, #79C668 and #94D186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EBA49 shade: #5EBA49, #4ABABA and #BA4A8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EBA49 shade: #5EBA49, #4A60BA and #BA4A60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EBA49 shade: #5EBA49, #4ABABA, #A44ABA and #BA4A4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EBA49 shade: #5EBA49, #4A99BA, #A44ABA and #BA6C4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 61 / 27

HEX #5EBA49

RGB 94 186 73

HSL 108.85, 0.45%, 0.51%

LAB 68, -48.82, 47.89

 

Complementary color

CMYK 12 / 62 / 0 / 29

HEX #A145B6

RGB 161 69 182

HSL 288.85, 0.45%, 0.49%

LAB 45.92, 54.6, -43.16

 

CMYK 47 / 0 / 63 / 27

HEX #63BA44

RGB 99 186 68

HSL 104.24, 0.46%, 0.5%

LAB 68.16, -47.83, 50.32

 

CMYK 43 / 0 / 57 / 20

HEX #74CC57

RGB 116 204 87

HSL 105.13, 0.53%, 0.57%

LAB 74.56, -47.99, 49.31

 

CMYK 40 / 0 / 52 / 13

HEX #85DE6A

RGB 133 222 106

HSL 106.03, 0.64%, 0.64%

LAB 80.89, -48.01, 48.18

 

CMYK 38 / 0 / 48 / 6

HEX #96F07D

RGB 150 240 125

HSL 106.96, 0.79%, 0.72%

LAB 87.14, -47.94, 47.01

 

CMYK 35 / 0 / 44 / 0

HEX #A7FF90

RGB 167 255 144

HSL 107.57, 1%, 0.78%

LAB 92.46, -46.54, 44.76

 

CMYK 49 / 0 / 61 / 27

HEX #5EBA49

RGB 94 186 73

HSL 108.85, 0.45%, 0.51%

LAB 68, -48.82, 47.89

 

CMYK 54 / 0 / 68 / 34

HEX #4DA836

RGB 77 168 54

HSL 107.89, 0.51%, 0.44%

LAB 61.52, -48.47, 48.8

 

CMYK 60 / 0 / 77 / 41

HEX #3C9623

RGB 60 150 35

HSL 106.96, 0.62%, 0.36%

LAB 54.96, -47.78, 49.23

 

CMYK 67 / 0 / 88 / 48

HEX #2B8410

RGB 43 132 16

HSL 106.03, 0.78%, 0.29%

LAB 48.33, -46.53, 48.62

 

CMYK 77 / 0 / 100 / 55

HEX #1A7200

RGB 26 114 0

HSL 106.32, 1%, 0.22%

LAB 41.62, -44.48, 46.35

 

CMYK 49 / 0 / 60 / 27

HEX #5FBA4A

RGB 95 186 74

HSL 108.75, 0.45%, 0.51%

LAB 68.05, -48.42, 47.5

 

CMYK 33 / 0 / 60 / 27

HEX #7DBA4A

RGB 125 186 74

HSL 92.68, 0.45%, 0.51%

LAB 69.45, -38.61, 49.46

 

CMYK 17 / 0 / 60 / 27

HEX #9BBA4A

RGB 155 186 74

HSL 76.61, 0.45%, 0.51%

LAB 71.27, -27.2, 52

 

CMYK 0 / 0 / 60 / 27

HEX #BABA4A

RGB 186 186 74

HSL 60, 0.45%, 0.51%

LAB 73.58, -14.43, 55.19

 

CMYK 0 / 16 / 60 / 27

HEX #BA9D4A

RGB 186 157 74

HSL 44.46, 0.45%, 0.51%

LAB 65.79, 0.81, 46.54

 

CMYK 49 / 0 / 60 / 27

HEX #5FBA4A

RGB 95 186 74

HSL 108.75, 0.45%, 0.51%

LAB 68.05, -48.42, 47.5

 

CMYK 60 / 0 / 55 / 27

HEX #4ABA53

RGB 74 186 83

HSL 124.82, 0.45%, 0.51%

LAB 67.43, -52.86, 42.4

 

CMYK 60 / 0 / 39 / 27

HEX #4ABA72

RGB 74 186 114

HSL 141.43, 0.45%, 0.51%

LAB 67.86, -48.02, 27.27

 

CMYK 60 / 0 / 23 / 27

HEX #4ABA90

RGB 74 186 144

HSL 157.5, 0.45%, 0.51%

LAB 68.45, -41.88, 11.95

 

CMYK 60 / 0 / 6 / 27

HEX #4ABAAE

RGB 74 186 174

HSL 173.57, 0.45%, 0.51%

LAB 69.2, -34.48, -3.4

 

CMYK 49 / 0 / 60 / 27

HEX #5FBA4A

RGB 95 186 74

HSL 108.75, 0.45%, 0.51%

LAB 68.05, -48.42, 47.5

 

CMYK 60 / 0 / 74 / 19

HEX #52CE36

RGB 82 206 54

HSL 108.95, 0.61%, 0.51%

LAB 73.68, -61.06, 61.39

 

CMYK 70 / 0 / 85 / 11

HEX #45E321

RGB 69 227 33

HSL 108.87, 0.78%, 0.51%

LAB 79.79, -71.72, 72.82

 

CMYK 77 / 0 / 95 / 3

HEX #39F70D

RGB 57 247 13

HSL 108.72, 0.94%, 0.51%

LAB 85.72, -79.98, 80.7

 

CMYK 49 / 0 / 60 / 27

HEX #5FBA4A

RGB 95 186 74

HSL 108.75, 0.45%, 0.51%

LAB 68.05, -48.42, 47.5

 

CMYK 36 / 0 / 43 / 35

HEX #6BA65E

RGB 107 166 94

HSL 109.17, 0.29%, 0.51%

LAB 62.68, -33.46, 31.3

 

CMYK 18 / 0 / 22 / 43

HEX #789272

RGB 120 146 114

HSL 108.75, 0.13%, 0.51%

LAB 57.81, -15.6, 13.99

 

CMYK 1 / 6 / 0 / 47

HEX #857E86

RGB 133 126 134

HSL 292.5, 0.03%, 0.51%

LAB 53.63, 4.22, -3.38

 

CMYK 6 / 32 / 0 / 39

HEX #92699B

RGB 146 105 155

HSL 289.2, 0.2%, 0.51%

LAB 50.19, 25.46, -20.75

 

CMYK 16 / 0 / 60 / 27

HEX #9CBA4A

RGB 156 186 74

HSL 76.07, 0.45%, 0.51%

LAB 71.34, -26.8, 52.09

 

CMYK 32 / 0 / 60 / 27

HEX #7EBA4A

RGB 126 186 74

HSL 92.14, 0.45%, 0.51%

LAB 69.5, -38.25, 49.54

 

CMYK 48 / 0 / 60 / 27

HEX #60BA4A

RGB 96 186 74

HSL 108.21, 0.45%, 0.51%

LAB 68.09, -48.12, 47.56

 

CMYK 60 / 0 / 56 / 27

HEX #4ABA51

RGB 74 186 81

HSL 123.75, 0.45%, 0.51%

LAB 67.4, -53.11, 43.32

 

CMYK 60 / 0 / 40 / 27

HEX #4ABA6F

RGB 74 186 111

HSL 139.82, 0.45%, 0.51%

LAB 67.81, -48.56, 28.78

 

CMYK 50 / 0 / 62 / 49

HEX #408131

RGB 64 129 49

HSL 108.75, 0.45%, 0.35%

LAB 48.28, -36.99, 36.29

 

CMYK 51 / 0 / 62 / 38

HEX #4E9F3C

RGB 78 159 60

HSL 109.09, 0.45%, 0.43%

LAB 58.73, -44.03, 43.13

 

CMYK 49 / 0 / 60 / 27

HEX #5FBA4A

RGB 95 186 74

HSL 108.75, 0.45%, 0.51%

LAB 68.05, -48.42, 47.5

 

CMYK 39 / 0 / 47 / 22

HEX #79C668

RGB 121 198 104

HSL 109.15, 0.45%, 0.59%

LAB 73.19, -41.83, 39.6

 

CMYK 29 / 0 / 36 / 18

HEX #94D186

RGB 148 209 134

HSL 108.8, 0.45%, 0.67%

LAB 78.24, -33.65, 31.15

 

CMYK 49 / 0 / 61 / 27

HEX #5EBA49

RGB 94 186 73

HSL 108.85, 0.45%, 0.51%

LAB 68, -48.82, 47.89

 

CMYK 60 / 0 / 0 / 27

HEX #4ABABA

RGB 74 186 186

HSL 180, 0.45%, 0.51%

LAB 69.55, -31.21, -9.48

 

CMYK 0 / 60 / 24 / 27

HEX #BA4A8D

RGB 186 74 141

HSL 324.11, 0.45%, 0.51%

LAB 48.59, 52.34, -14.42

 

CMYK 49 / 0 / 61 / 27

HEX #5EBA49

RGB 94 186 73

HSL 108.85, 0.45%, 0.51%

LAB 68, -48.82, 47.89

 

CMYK 60 / 48 / 0 / 27

HEX #4A60BA

RGB 74 96 186

HSL 228.21, 0.45%, 0.51%

LAB 43.31, 19.68, -50.16

 

CMYK 0 / 60 / 48 / 27

HEX #BA4A60

RGB 186 74 96

HSL 348.21, 0.45%, 0.51%

LAB 47.21, 47.08, 10.8

 

CMYK 49 / 0 / 61 / 27

HEX #5EBA49

RGB 94 186 73

HSL 108.85, 0.45%, 0.51%

LAB 68, -48.82, 47.89

 

CMYK 60 / 0 / 0 / 27

HEX #4ABABA

RGB 74 186 186

HSL 180, 0.45%, 0.51%

LAB 69.55, -31.21, -9.48

 

CMYK 12 / 60 / 0 / 27

HEX #A44ABA

RGB 164 74 186

HSL 288.21, 0.45%, 0.51%

LAB 47.41, 53.82, -43.1

 

CMYK 0 / 60 / 60 / 27

HEX #BA4A4A

RGB 186 74 74

HSL 0, 0.45%, 0.51%

LAB 46.75, 45.26, 23.48

 

CMYK 49 / 0 / 61 / 27

HEX #5EBA49

RGB 94 186 73

HSL 108.85, 0.45%, 0.51%

LAB 68, -48.82, 47.89

 

CMYK 60 / 18 / 0 / 27

HEX #4A99BA

RGB 74 153 186

HSL 197.68, 0.45%, 0.51%

LAB 59.69, -14.33, -24.41

 

CMYK 12 / 60 / 0 / 27

HEX #A44ABA

RGB 164 74 186

HSL 288.21, 0.45%, 0.51%

LAB 47.41, 53.82, -43.1

 

CMYK 0 / 42 / 60 / 27

HEX #BA6C4A

RGB 186 108 74

HSL 18.21, 0.45%, 0.51%

LAB 53.66, 27.8, 32.21

 

Description

Color code: HEX #5EBA49 | qconv.com Color code: HEX #5EBA49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 186 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 186 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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