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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EB71D00 it is the complementary color #A148E200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EB71D00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EB71D00 shade: #63B71800, #74C92B00, #85DB3E00, #96ED5100 and #A7FF6400

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EB71D00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EB71D00 shade: #5EB71D00, #4DA50A00, #3C930000, #2B810000 and #1A6F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EB71D00 shade: #5FB91D, #89B91D, #B3B91D, #B9951D and #B96B1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EB71D00 shade: #5FB91D, #35B91D, #1DB92F, #1DB959 and #1DB984

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EB71D00 shade matches the following richer shades: #5FB91D and #5CCB0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EB71D00 shade: #5FB91D, #62A82E, #649740, #678551 and #6A7462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EB71D00 shade: #B4B91D, #8AB91D, #61B91D, #37B91D and #1DB92D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EB71D00 shade: #3A7212, #4D9617, #5FB91D, #71DD23 and #88E247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EB71D00 shade: #5EB71D, #1DB995 and #B91D9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EB71D00 shade: #5EB71D, #1D61B9 and #B91D61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EB71D00 shade: #5EB71D, #1DB995, #761DB9 and #B91D41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EB71D00 shade: #5EB71D, #1DAFB9, #761DB9 and #B9271D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #5EB71D00

RGBA 94 183 29 0

HSLA 94.68, 0.73%, 0.42%, 0

LABA 66.78, -50.86, 62.49, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #A148E200

RGBA 161 72 226 0

HSLA 274.68, 0.73%, 0.58%, 0

LABA 49.13, 62.47, -63.34, 0

 

CMYK 0 / 0 / 0 / 0

HEX #63B71800

RGBA 99 183 24 0

HSLA 91.7, 0.77%, 0.41%, 0

LABA 66.96, -49.48, 63.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #74C92B00

RGBA 116 201 43 0

HSLA 92.28, 0.65%, 0.48%, 0

LABA 73.32, -50.26, 65.01, 0

 

CMYK 0 / 0 / 0 / 0

HEX #85DB3E00

RGBA 133 219 62 0

HSLA 92.87, 0.69%, 0.55%, 0

LABA 79.61, -50.78, 65.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #96ED5100

RGBA 150 237 81 0

HSLA 93.46, 0.81%, 0.62%, 0

LABA 85.83, -51.12, 64.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A7FF6400

RGBA 167 255 100 0

HSLA 94.06, 1%, 0.7%, 0

LABA 91.98, -51.32, 64.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5EB71D00

RGBA 94 183 29 0

HSLA 94.68, 0.73%, 0.42%, 0

LABA 66.78, -50.86, 62.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #4DA50A00

RGBA 77 165 10 0

HSLA 94.06, 0.89%, 0.34%, 0

LABA 60.35, -49.76, 60.41, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3C930000

RGBA 60 147 0 0

HSLA 95.51, 1%, 0.29%, 0

LABA 53.84, -48.17, 56.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2B810000

RGBA 43 129 0 0

HSLA 100, 1%, 0.25%, 0

LABA 47.25, -46.05, 51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #1A6F0000

RGBA 26 111 0 0

HSLA 105.95, 1%, 0.22%, 0

LABA 40.55, -43.47, 45.5, 0

 

CMYK 49 / 0 / 84 / 27

HEX #5FB91D

RGB 95 185 29

HSL 94.62, 0.73%, 0.42%

LAB 67.44, -51.32, 63.09

 

CMYK 26 / 0 / 84 / 27

HEX #89B91D

RGB 137 185 29

HSL 78.46, 0.73%, 0.42%

LAB 69.54, -36.48, 65.75

 

CMYK 3 / 0 / 84 / 27

HEX #B3B91D

RGB 179 185 29

HSL 62.31, 0.73%, 0.42%

LAB 72.48, -19.06, 69.41

 

CMYK 0 / 19 / 84 / 27

HEX #B9951D

RGB 185 149 29

HSL 46.15, 0.73%, 0.42%

LAB 63.26, 2.46, 61.89

 

CMYK 0 / 42 / 84 / 27

HEX #B96B1D

RGB 185 107 29

HSL 30, 0.73%, 0.42%

LAB 52.86, 25.62, 53.04

 

CMYK 49 / 0 / 84 / 27

HEX #5FB91D

RGB 95 185 29

HSL 94.62, 0.73%, 0.42%

LAB 67.44, -51.32, 63.09

 

CMYK 71 / 0 / 84 / 27

HEX #35B91D

RGB 53 185 29

HSL 110.77, 0.73%, 0.42%

LAB 66.17, -61.63, 61.48

 

CMYK 84 / 0 / 75 / 27

HEX #1DB92F

RGB 29 185 47

HSL 126.92, 0.73%, 0.42%

LAB 65.88, -63.84, 55.66

 

CMYK 84 / 0 / 52 / 27

HEX #1DB959

RGB 29 185 89

HSL 143.08, 0.73%, 0.42%

LAB 66.28, -58.94, 37.87

 

CMYK 84 / 0 / 29 / 27

HEX #1DB984

RGB 29 185 132

HSL 159.62, 0.73%, 0.42%

LAB 66.99, -50.65, 16.31

 

CMYK 49 / 0 / 84 / 27

HEX #5FB91D

RGB 95 185 29

HSL 94.62, 0.73%, 0.42%

LAB 67.44, -51.32, 63.09

 

CMYK 55 / 0 / 94 / 20

HEX #5CCB0C

RGB 92 203 12

HSL 94.87, 0.89%, 0.42%

LAB 72.9, -59.3, 70.66

 

CMYK 49 / 0 / 84 / 27

HEX #5FB91D

RGB 95 185 29

HSL 94.62, 0.73%, 0.42%

LAB 67.44, -51.32, 63.09

 

CMYK 42 / 0 / 73 / 34

HEX #62A82E

RGB 98 168 46

HSL 94.43, 0.57%, 0.42%

LAB 62.34, -42.6, 53.08

 

CMYK 34 / 0 / 58 / 41

HEX #649740

RGB 100 151 64

HSL 95.17, 0.4%, 0.42%

LAB 57.28, -32.8, 39.85

 

CMYK 23 / 0 / 39 / 48

HEX #678551

RGB 103 133 81

HSL 94.62, 0.24%, 0.42%

LAB 52.12, -20.66, 24.65

 

CMYK 9 / 0 / 16 / 55

HEX #6A7462

RGB 106 116 98

HSL 93.33, 0.08%, 0.42%

LAB 47.54, -7.38, 8.68

 

CMYK 3 / 0 / 84 / 27

HEX #B4B91D

RGB 180 185 29

HSL 61.92, 0.73%, 0.42%

LAB 72.55, -18.63, 69.51

 

CMYK 25 / 0 / 84 / 27

HEX #8AB91D

RGB 138 185 29

HSL 78.08, 0.73%, 0.42%

LAB 69.6, -36.09, 65.82

 

CMYK 48 / 0 / 84 / 27

HEX #61B91D

RGB 97 185 29

HSL 93.85, 0.73%, 0.42%

LAB 67.52, -50.7, 63.2

 

CMYK 70 / 0 / 84 / 27

HEX #37B91D

RGB 55 185 29

HSL 110, 0.73%, 0.42%

LAB 66.21, -61.26, 61.53

 

CMYK 84 / 0 / 76 / 27

HEX #1DB92D

RGB 29 185 45

HSL 126.15, 0.73%, 0.42%

LAB 65.86, -63.99, 56.34

 

CMYK 49 / 0 / 84 / 55

HEX #3A7212

RGB 58 114 18

HSL 95, 0.73%, 0.26%

LAB 42.73, -35.2, 43.21

 

CMYK 49 / 0 / 85 / 41

HEX #4D9617

RGB 77 150 23

HSL 94.49, 0.73%, 0.34%

LAB 55.54, -43.52, 53.71

 

CMYK 49 / 0 / 84 / 27

HEX #5FB91D

RGB 95 185 29

HSL 94.62, 0.73%, 0.42%

LAB 67.44, -51.32, 63.09

 

CMYK 49 / 0 / 84 / 13

HEX #71DD23

RGB 113 221 35

HSL 94.84, 0.73%, 0.5%

LAB 79.24, -59.2, 72.39

 

CMYK 40 / 0 / 69 / 11

HEX #88E247

RGB 136 226 71

HSL 94.84, 0.73%, 0.58%

LAB 81.88, -52, 64.27

 

CMYK 49 / 0 / 84 / 28

HEX #5EB71D

RGB 94 183 29

HSL 94.68, 0.73%, 0.42%

LAB 66.78, -50.86, 62.49

 

CMYK 84 / 0 / 19 / 27

HEX #1DB995

RGB 29 185 149

HSL 166.15, 0.73%, 0.42%

LAB 67.37, -46.53, 7.57

 

CMYK 0 / 84 / 14 / 27

HEX #B91D9F

RGB 185 29 159

HSL 310, 0.73%, 0.42%

LAB 43.79, 69.75, -32.64

 

CMYK 49 / 0 / 84 / 28

HEX #5EB71D

RGB 94 183 29

HSL 94.68, 0.73%, 0.42%

LAB 66.78, -50.86, 62.49

 

CMYK 84 / 48 / 0 / 27

HEX #1D61B9

RGB 29 97 185

HSL 213.85, 0.73%, 0.42%

LAB 41.71, 12.37, -52.25

 

CMYK 0 / 84 / 48 / 27

HEX #B91D61

RGB 185 29 97

HSL 333.85, 0.73%, 0.42%

LAB 41.31, 62.78, 1.74

 

CMYK 49 / 0 / 84 / 28

HEX #5EB71D

RGB 94 183 29

HSL 94.68, 0.73%, 0.42%

LAB 66.78, -50.86, 62.49

 

CMYK 84 / 0 / 19 / 27

HEX #1DB995

RGB 29 185 149

HSL 166.15, 0.73%, 0.42%

LAB 67.37, -46.53, 7.57

 

CMYK 36 / 84 / 0 / 27

HEX #761DB9

RGB 118 29 185

HSL 274.23, 0.73%, 0.42%

LAB 34.46, 62.35, -63.72

 

CMYK 0 / 84 / 65 / 27

HEX #B91D41

RGB 185 29 65

HSL 346.15, 0.73%, 0.42%

LAB 40.53, 60.51, 20.91

 

CMYK 49 / 0 / 84 / 28

HEX #5EB71D

RGB 94 183 29

HSL 94.68, 0.73%, 0.42%

LAB 66.78, -50.86, 62.49

 

CMYK 84 / 5 / 0 / 27

HEX #1DAFB9

RGB 29 175 185

HSL 183.85, 0.73%, 0.42%

LAB 65.3, -31.81, -15.4

 

CMYK 36 / 84 / 0 / 27

HEX #761DB9

RGB 118 29 185

HSL 274.23, 0.73%, 0.42%

LAB 34.46, 62.35, -63.72

 

CMYK 0 / 79 / 84 / 27

HEX #B9271D

RGB 185 39 29

HSL 3.85, 0.73%, 0.42%

LAB 40.98, 56.44, 42.59

 

Description

Color code: HEX #5EB71D00 | qconv.com Color code: HEX #5EB71D00 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 183 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 183 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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