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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EB607 it is the complementary color #A149F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EB607. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EB607 shade: #63B602, #74C815, #85DA28, #96EC3B and #A7FE4E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EB607. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EB607 shade: #5EB607, #4DA400, #3C9200, #2B8000 and #1A6E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EB607 shade: #5EB607, #8DB607, #B6B007, #B68007 and #B65107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EB607 shade: #5EB607, #2FB607, #07B60E, #07B63D and #07B66D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EB607 shade matches the following richer shades: #5EB607

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EB607 shade: #5EB607, #5EA716, #5E9825, #5E8834 and #5E7944

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EB607 shade: #B6B007, #8DB607, #5EB607, #30B607 and #07B60C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EB607 shade: #356604, #498E05, #5EB607, #72DE08 and #87F719

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EB607 shade: #5EB607, #07B681 and #B607A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EB607 shade: #5EB607, #075EB6 and #B6075E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EB607 shade: #5EB607, #07B681, #5E07B6 and #B6073B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EB607 shade: #5EB607, #07B6B6, #5E07B6 and #B60707

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

Complementary color

CMYK 35 / 71 / 0 / 3

HEX #A149F8

RGB 161 73 248

HSL 270.17, 0.93%, 0.63%

LAB 50.83, 66.97, -72.97

 

CMYK 46 / 0 / 99 / 29

HEX #63B602

RGB 99 182 2

HSL 87.67, 0.98%, 0.36%

LAB 66.61, -49.6, 66.85

 

CMYK 42 / 0 / 90 / 22

HEX #74C815

RGB 116 200 21

HSL 88.16, 0.81%, 0.43%

LAB 72.94, -50.71, 69.81

 

CMYK 39 / 0 / 82 / 15

HEX #85DA28

RGB 133 218 40

HSL 88.65, 0.71%, 0.51%

LAB 79.2, -51.54, 71.49

 

CMYK 36 / 0 / 75 / 7

HEX #96EC3B

RGB 150 236 59

HSL 89.15, 0.82%, 0.58%

LAB 85.4, -52.15, 72.12

 

CMYK 34 / 0 / 69 / 0

HEX #A7FE4E

RGB 167 254 78

HSL 89.66, 0.99%, 0.65%

LAB 91.53, -52.58, 72.08

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 53 / 0 / 100 / 36

HEX #4DA400

RGB 77 164 0

HSL 91.83, 1%, 0.32%

LAB 60, -49.61, 61.55

 

CMYK 59 / 0 / 100 / 43

HEX #3C9200

RGB 60 146 0

HSL 95.34, 1%, 0.29%

LAB 53.51, -47.8, 56.18

 

CMYK 66 / 0 / 100 / 50

HEX #2B8000

RGB 43 128 0

HSL 99.84, 1%, 0.25%

LAB 46.91, -45.7, 50.73

 

CMYK 76 / 0 / 100 / 57

HEX #1A6E00

RGB 26 110 0

HSL 105.82, 1%, 0.22%

LAB 40.2, -43.13, 45.22

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 23 / 0 / 96 / 29

HEX #8DB607

RGB 141 182 7

HSL 74.06, 0.93%, 0.37%

LAB 68.85, -34.02, 68.97

 

CMYK 0 / 3 / 96 / 29

HEX #B6B007

RGB 182 176 7

HSL 57.94, 0.93%, 0.37%

LAB 70.18, -13.59, 71.32

 

CMYK 0 / 30 / 96 / 29

HEX #B68007

RGB 182 128 7

HSL 41.49, 0.93%, 0.37%

LAB 57.46, 12.24, 62.01

 

CMYK 0 / 55 / 96 / 29

HEX #B65107

RGB 182 81 7

HSL 25.37, 0.93%, 0.37%

LAB 46.77, 37.69, 54.71

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 74 / 0 / 96 / 29

HEX #2FB607

RGB 47 182 7

HSL 106.29, 0.93%, 0.37%

LAB 65.02, -62.43, 64.3

 

CMYK 96 / 0 / 92 / 29

HEX #07B60E

RGB 7 182 14

HSL 122.4, 0.93%, 0.37%

LAB 64.59, -66.24, 62.85

 

CMYK 96 / 0 / 66 / 29

HEX #07B63D

RGB 7 182 61

HSL 138.51, 0.93%, 0.37%

LAB 64.83, -63.12, 49.09

 

CMYK 96 / 0 / 40 / 29

HEX #07B66D

RGB 7 182 109

HSL 154.97, 0.93%, 0.37%

LAB 65.44, -55.76, 26.51

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 44 / 0 / 87 / 35

HEX #5EA716

RGB 94 167 22

HSL 90.21, 0.77%, 0.37%

LAB 61.72, -44.81, 59.69

 

CMYK 38 / 0 / 76 / 40

HEX #5E9825

RGB 94 152 37

HSL 90.26, 0.61%, 0.37%

LAB 57.05, -37.75, 51.05

 

CMYK 31 / 0 / 62 / 47

HEX #5E8834

RGB 94 136 52

HSL 90, 0.45%, 0.37%

LAB 52.1, -29.24, 39.6

 

CMYK 22 / 0 / 44 / 53

HEX #5E7944

RGB 94 121 68

HSL 90.57, 0.28%, 0.37%

LAB 47.59, -19.84, 25.9

 

CMYK 0 / 3 / 96 / 29

HEX #B6B007

RGB 182 176 7

HSL 57.94, 0.93%, 0.37%

LAB 70.18, -13.59, 71.32

 

CMYK 23 / 0 / 96 / 29

HEX #8DB607

RGB 141 182 7

HSL 74.06, 0.93%, 0.37%

LAB 68.85, -34.02, 68.97

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 74 / 0 / 96 / 29

HEX #30B607

RGB 48 182 7

HSL 105.94, 0.93%, 0.37%

LAB 65.04, -62.26, 64.32

 

CMYK 96 / 0 / 93 / 29

HEX #07B60C

RGB 7 182 12

HSL 121.71, 0.93%, 0.37%

LAB 64.59, -66.29, 63.13

 

CMYK 48 / 0 / 96 / 60

HEX #356604

RGB 53 102 4

HSL 90, 0.92%, 0.21%

LAB 38.32, -32.42, 43.01

 

CMYK 49 / 0 / 96 / 44

HEX #498E05

RGB 73 142 5

HSL 90.22, 0.93%, 0.29%

LAB 52.7, -42.21, 54.87

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 49 / 0 / 96 / 13

HEX #72DE08

RGB 114 222 8

HSL 90.28, 0.93%, 0.45%

LAB 79.52, -59.94, 76.73

 

CMYK 45 / 0 / 90 / 3

HEX #87F719

RGB 135 247 25

HSL 90.27, 0.93%, 0.53%

LAB 87.84, -62.5, 81.89

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 96 / 0 / 29 / 29

HEX #07B681

RGB 7 182 129

HSL 161.83, 0.93%, 0.37%

LAB 65.82, -51.45, 16.28

 

CMYK 0 / 96 / 9 / 29

HEX #B607A5

RGB 182 7 165

HSL 305.83, 0.93%, 0.37%

LAB 42.48, 73.16, -38.35

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 96 / 48 / 0 / 29

HEX #075EB6

RGB 7 94 182

HSL 210.17, 0.93%, 0.37%

LAB 40.29, 11.86, -52.8

 

CMYK 0 / 96 / 48 / 29

HEX #B6075E

RGB 182 7 94

HSL 330.17, 0.93%, 0.37%

LAB 39.42, 65.24, 0.83

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 96 / 0 / 29 / 29

HEX #07B681

RGB 7 182 129

HSL 161.83, 0.93%, 0.37%

LAB 65.82, -51.45, 16.28

 

CMYK 48 / 96 / 0 / 29

HEX #5E07B6

RGB 94 7 182

HSL 269.83, 0.93%, 0.37%

LAB 29.18, 63.76, -70.75

 

CMYK 0 / 96 / 68 / 29

HEX #B6073B

RGB 182 7 59

HSL 342.17, 0.93%, 0.37%

LAB 38.57, 62.94, 22.07

 

CMYK 48 / 0 / 96 / 29

HEX #5EB607

RGB 94 182 7

HSL 90.17, 0.93%, 0.37%

LAB 66.41, -51.1, 66

 

CMYK 96 / 0 / 0 / 29

HEX #07B6B6

RGB 7 182 182

HSL 180, 0.93%, 0.37%

LAB 67.19, -37.1, -10.92

 

CMYK 48 / 96 / 0 / 29

HEX #5E07B6

RGB 94 7 182

HSL 269.83, 0.93%, 0.37%

LAB 29.18, 63.76, -70.75

 

CMYK 0 / 96 / 96 / 29

HEX #B60707

RGB 182 7 7

HSL 0, 0.93%, 0.37%

LAB 38.04, 61.47, 49.55

 

Description

Color code: HEX #5EB607 | qconv.com Color code: HEX #5EB607 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 182 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 182 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 96 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 96% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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