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Color name
HEX #5EB424

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EB424 it is the complementary color #A14BDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EB424. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EB424 shade: #63B41F, #74C632, #85D845, #96EA58 and #A7FC6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EB424. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EB424 shade: #5EB424, #4DA211, #3C9000, #2B7E00 and #1A6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EB424 shade: #5DB323, #84B323, #ABB323, #B39423 and #B36E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EB424 shade: #5DB323, #36B323, #23B337, #23B35E and #23B384

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EB424 shade matches the following richer shades: #5DB323, #5AC412 and #56D601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EB424 shade: #5DB323, #61A235, #649046, #677F57 and #6B6E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EB424 shade: #ACB323, #85B323, #5FB323, #39B323 and #23B334

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EB424 shade: #396E16, #4B901D, #5DB323, #6FD52A and #86DC4D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EB424 shade: #5EB424, #23B394 and #B32399

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EB424 shade: #5EB424, #235FB3 and #B3235F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EB424 shade: #5EB424, #23B394, #7723B3 and #B32342

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EB424 shade: #5EB424, #23A7B3, #7723B3 and #B32F23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 80 / 29

HEX #5EB424

RGB 94 180 36

HSL 95.83, 0.67%, 0.42%

LAB 65.86, -49.37, 59.77

 

Complementary color

CMYK 26 / 66 / 0 / 14

HEX #A14BDB

RGB 161 75 219

HSL 275.83, 0.67%, 0.58%

LAB 49.16, 59.57, -59.33

 

CMYK 45 / 0 / 83 / 29

HEX #63B41F

RGB 99 180 31

HSL 92.62, 0.71%, 0.41%

LAB 66.05, -48.02, 61.42

 

CMYK 41 / 0 / 75 / 22

HEX #74C632

RGB 116 198 50

HSL 93.24, 0.6%, 0.49%

LAB 72.45, -48.67, 61.96

 

CMYK 38 / 0 / 68 / 15

HEX #85D845

RGB 133 216 69

HSL 93.88, 0.65%, 0.56%

LAB 78.77, -49.07, 61.75

 

CMYK 36 / 0 / 62 / 8

HEX #96EA58

RGB 150 234 88

HSL 94.52, 0.78%, 0.63%

LAB 85.01, -49.31, 61.1

 

CMYK 34 / 0 / 58 / 1

HEX #A7FC6B

RGB 167 252 107

HSL 95.17, 0.96%, 0.7%

LAB 91.19, -49.44, 60.21

 

CMYK 48 / 0 / 80 / 29

HEX #5EB424

RGB 94 180 36

HSL 95.83, 0.67%, 0.42%

LAB 65.86, -49.37, 59.77

 

CMYK 52 / 0 / 90 / 36

HEX #4DA211

RGB 77 162 17

HSL 95.17, 0.81%, 0.35%

LAB 59.4, -48.44, 58.46

 

CMYK 58 / 0 / 100 / 44

HEX #3C9000

RGB 60 144 0

HSL 95, 1%, 0.28%

LAB 52.85, -47.07, 55.65

 

CMYK 66 / 0 / 100 / 51

HEX #2B7E00

RGB 43 126 0

HSL 99.52, 1%, 0.25%

LAB 46.22, -44.99, 50.19

 

CMYK 76 / 0 / 100 / 58

HEX #1A6C00

RGB 26 108 0

HSL 105.56, 1%, 0.21%

LAB 39.49, -42.45, 44.65

 

CMYK 48 / 0 / 80 / 30

HEX #5DB323

RGB 93 179 35

HSL 95.83, 0.67%, 0.42%

LAB 65.51, -49.35, 59.72

 

CMYK 26 / 0 / 80 / 30

HEX #84B323

RGB 132 179 35

HSL 79.58, 0.67%, 0.42%

LAB 67.48, -35.49, 62.25

 

CMYK 4 / 0 / 80 / 30

HEX #ABB323

RGB 171 179 35

HSL 63.33, 0.67%, 0.42%

LAB 70.19, -19.31, 65.69

 

CMYK 0 / 17 / 80 / 30

HEX #B39423

RGB 179 148 35

HSL 47.08, 0.67%, 0.42%

LAB 62.41, 0.49, 59.09

 

CMYK 0 / 39 / 80 / 30

HEX #B36E23

RGB 179 110 35

HSL 31.25, 0.67%, 0.42%

LAB 52.79, 21.56, 50.36

 

CMYK 48 / 0 / 80 / 30

HEX #5DB323

RGB 93 179 35

HSL 95.83, 0.67%, 0.42%

LAB 65.51, -49.35, 59.72

 

CMYK 70 / 0 / 80 / 30

HEX #36B323

RGB 54 179 35

HSL 112.08, 0.67%, 0.42%

LAB 64.28, -59.19, 58.13

 

CMYK 80 / 0 / 69 / 30

HEX #23B337

RGB 35 179 55

HSL 128.33, 0.67%, 0.42%

LAB 64.06, -60.62, 50.79

 

CMYK 80 / 0 / 47 / 30

HEX #23B35E

RGB 35 179 94

HSL 144.58, 0.67%, 0.42%

LAB 64.49, -55.43, 33.13

 

CMYK 80 / 0 / 26 / 30

HEX #23B384

RGB 35 179 132

HSL 160.42, 0.67%, 0.42%

LAB 65.17, -47.71, 13.78

 

CMYK 48 / 0 / 80 / 30

HEX #5DB323

RGB 93 179 35

HSL 95.83, 0.67%, 0.42%

LAB 65.51, -49.35, 59.72

 

CMYK 54 / 0 / 91 / 23

HEX #5AC412

RGB 90 196 18

HSL 95.73, 0.83%, 0.42%

LAB 70.66, -57.22, 67.97

 

CMYK 60 / 0 / 100 / 16

HEX #56D601

RGB 86 214 1

HSL 96.06, 0.99%, 0.42%

LAB 76.11, -64.79, 74.28

 

CMYK 48 / 0 / 80 / 30

HEX #5DB323

RGB 93 179 35

HSL 95.83, 0.67%, 0.42%

LAB 65.51, -49.35, 59.72

 

CMYK 40 / 0 / 67 / 36

HEX #61A235

RGB 97 162 53

HSL 95.78, 0.51%, 0.42%

LAB 60.46, -39.85, 48.34

 

CMYK 31 / 0 / 51 / 44

HEX #649046

RGB 100 144 70

HSL 95.68, 0.35%, 0.42%

LAB 55.17, -28.79, 34.34

 

CMYK 19 / 0 / 31 / 50

HEX #677F57

RGB 103 127 87

HSL 96, 0.19%, 0.42%

LAB 50.39, -16.56, 18.98

 

CMYK 3 / 0 / 5 / 57

HEX #6B6E69

RGB 107 110 105

HSL 96, 0.02%, 0.42%

LAB 46.04, -2.17, 2.38

 

CMYK 4 / 0 / 80 / 30

HEX #ACB323

RGB 172 179 35

HSL 62.92, 0.67%, 0.42%

LAB 70.27, -18.88, 65.79

 

CMYK 26 / 0 / 80 / 30

HEX #85B323

RGB 133 179 35

HSL 79.17, 0.67%, 0.42%

LAB 67.54, -35.1, 62.33

 

CMYK 47 / 0 / 80 / 30

HEX #5FB323

RGB 95 179 35

HSL 95, 0.67%, 0.42%

LAB 65.59, -48.72, 59.82

 

CMYK 68 / 0 / 80 / 30

HEX #39B323

RGB 57 179 35

HSL 110.83, 0.67%, 0.42%

LAB 64.35, -58.61, 58.22

 

CMYK 80 / 0 / 71 / 30

HEX #23B334

RGB 35 179 52

HSL 127.08, 0.67%, 0.42%

LAB 64.04, -60.9, 51.95

 

CMYK 48 / 0 / 80 / 57

HEX #396E16

RGB 57 110 22

HSL 96.14, 0.67%, 0.26%

LAB 41.34, -33.59, 40.54

 

CMYK 48 / 0 / 80 / 44

HEX #4B901D

RGB 75 144 29

HSL 96, 0.66%, 0.34%

LAB 53.53, -41.43, 50.07

 

CMYK 48 / 0 / 80 / 30

HEX #5DB323

RGB 93 179 35

HSL 95.83, 0.67%, 0.42%

LAB 65.51, -49.35, 59.72

 

CMYK 48 / 0 / 80 / 16

HEX #6FD52A

RGB 111 213 42

HSL 95.79, 0.67%, 0.5%

LAB 76.76, -56.52, 68.4

 

CMYK 39 / 0 / 65 / 14

HEX #86DC4D

RGB 134 220 77

HSL 96.08, 0.67%, 0.58%

LAB 80.06, -49.75, 59.98

 

CMYK 48 / 0 / 80 / 29

HEX #5EB424

RGB 94 180 36

HSL 95.83, 0.67%, 0.42%

LAB 65.86, -49.37, 59.77

 

CMYK 80 / 0 / 17 / 30

HEX #23B394

RGB 35 179 148

HSL 167.08, 0.67%, 0.42%

LAB 65.54, -43.74, 5.5

 

CMYK 0 / 80 / 15 / 30

HEX #B32399

RGB 179 35 153

HSL 310.83, 0.67%, 0.42%

LAB 42.89, 66.26, -30.52

 

CMYK 48 / 0 / 80 / 29

HEX #5EB424

RGB 94 180 36

HSL 95.83, 0.67%, 0.42%

LAB 65.86, -49.37, 59.77

 

CMYK 80 / 47 / 0 / 30

HEX #235FB3

RGB 35 95 179

HSL 215, 0.67%, 0.42%

LAB 40.89, 11.88, -50.05

 

CMYK 0 / 80 / 47 / 30

HEX #B3235F

RGB 179 35 95

HSL 335, 0.67%, 0.42%

LAB 40.59, 59.57, 1.82

 

CMYK 48 / 0 / 80 / 29

HEX #5EB424

RGB 94 180 36

HSL 95.83, 0.67%, 0.42%

LAB 65.86, -49.37, 59.77

 

CMYK 80 / 0 / 17 / 30

HEX #23B394

RGB 35 179 148

HSL 167.08, 0.67%, 0.42%

LAB 65.54, -43.74, 5.5

 

CMYK 34 / 80 / 0 / 30

HEX #7723B3

RGB 119 35 179

HSL 275, 0.67%, 0.42%

LAB 34.76, 59.26, -59.68

 

CMYK 0 / 80 / 63 / 30

HEX #B32342

RGB 179 35 66

HSL 347.08, 0.67%, 0.42%

LAB 39.88, 57.39, 19.2

 

CMYK 48 / 0 / 80 / 29

HEX #5EB424

RGB 94 180 36

HSL 95.83, 0.67%, 0.42%

LAB 65.86, -49.37, 59.77

 

CMYK 80 / 7 / 0 / 30

HEX #23A7B3

RGB 35 167 179

HSL 185, 0.67%, 0.42%

LAB 62.72, -29.32, -15.95

 

CMYK 34 / 80 / 0 / 30

HEX #7723B3

RGB 119 35 179

HSL 275, 0.67%, 0.42%

LAB 34.76, 59.26, -59.68

 

CMYK 0 / 74 / 80 / 30

HEX #B32F23

RGB 179 47 35

HSL 5, 0.67%, 0.42%

LAB 40.8, 52.14, 38.85

 

Description

Color code: HEX #5EB424 | qconv.com Color code: HEX #5EB424 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 180 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 180 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 80 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 80% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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