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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EB3E3 it is the complementary color #A14C1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EB3E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EB3E3 shade: #63B3DE, #74C5F1, #85D7FF, #96E9FF and #A7FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EB3E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EB3E3 shade: #5EB3E3, #4DA1D0, #3C8FBD, #2B7DAA and #1A6B97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EB3E3 shade: #5EB3E2, #5E8FE2, #5E6BE2, #755EE2 and #985EE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EB3E3 shade: #5EB3E2, #5E8FE2, #5E6BE2 and #5E5EE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EB3E3 shade matches the following richer shades: #5EB3E2 and #4FB7F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EB3E3 shade: #5EB3E2, #6DAED3, #7DAAC4, #8CA6B4 and #9BA2A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EB3E3 shade: #5EE2CA, #5ED7E2, #5EB4E2, #5E91E2 and #5E6EE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EB3E3 shade: #238ECA, #3BA2DC, #5EB3E2, #81C3E8 and #A4D4EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EB3E3 shade: #5EB3E3, #A75EE2 and #E2DC5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EB3E3 shade: #5EB3E3, #E25EB4 and #B4E25E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EB3E3 shade: #5EB3E3, #A75EE2, #E28C5E and #9AE25E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EB3E3 shade: #5EB3E3, #CE5EE2, #E28C5E and #72E25E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 21 / 0 / 11

HEX #5EB3E3

RGB 94 179 227

HSL 201.65, 0.7%, 0.63%

LAB 69.59, -11.9, -31.85

 

Complementary color

CMYK 0 / 53 / 83 / 37

HEX #A14C1C

RGB 161 76 28

HSL 21.65, 0.7%, 0.37%

LAB 42.51, 32.23, 42.89

 

CMYK 55 / 19 / 0 / 13

HEX #63B3DE

RGB 99 179 222

HSL 200.98, 0.65%, 0.63%

LAB 69.59, -12.42, -29.1

 

CMYK 52 / 18 / 0 / 5

HEX #74C5F1

RGB 116 197 241

HSL 201.12, 0.82%, 0.7%

LAB 76.07, -12.87, -29.38

 

CMYK 48 / 16 / 0 / 0

HEX #85D7FF

RGB 133 215 255

HSL 199.67, 1%, 0.76%

LAB 82.28, -14.6, -27.27

 

CMYK 41 / 9 / 0 / 0

HEX #96E9FF

RGB 150 233 255

HSL 192.57, 1%, 0.79%

LAB 87.96, -19.74, -18.57

 

CMYK 35 / 2 / 0 / 0

HEX #A7FBFF

RGB 167 251 255

HSL 182.73, 1%, 0.83%

LAB 93.64, -24.32, -9.99

 

CMYK 59 / 21 / 0 / 11

HEX #5EB3E3

RGB 94 179 227

HSL 201.65, 0.7%, 0.63%

LAB 69.59, -11.9, -31.85

 

CMYK 63 / 23 / 0 / 18

HEX #4DA1D0

RGB 77 161 208

HSL 201.53, 0.58%, 0.56%

LAB 63.03, -11.19, -31.58

 

CMYK 68 / 24 / 0 / 26

HEX #3C8FBD

RGB 60 143 189

HSL 201.4, 0.52%, 0.49%

LAB 56.37, -10.27, -31.29

 

CMYK 75 / 26 / 0 / 33

HEX #2B7DAA

RGB 43 125 170

HSL 201.26, 0.6%, 0.42%

LAB 49.6, -9.07, -30.97

 

CMYK 83 / 29 / 0 / 41

HEX #1A6B97

RGB 26 107 151

HSL 201.12, 0.71%, 0.35%

LAB 42.72, -7.45, -30.6

 

CMYK 58 / 21 / 0 / 11

HEX #5EB3E2

RGB 94 179 226

HSL 201.36, 0.69%, 0.63%

LAB 69.55, -12.2, -31.36

 

CMYK 58 / 37 / 0 / 11

HEX #5E8FE2

RGB 94 143 226

HSL 217.73, 0.69%, 0.63%

LAB 59.45, 8.14, -47.15

 

CMYK 58 / 53 / 0 / 11

HEX #5E6BE2

RGB 94 107 226

HSL 234.09, 0.69%, 0.63%

LAB 49.96, 29.95, -62.32

 

CMYK 48 / 58 / 0 / 11

HEX #755EE2

RGB 117 94 226

HSL 250.45, 0.69%, 0.63%

LAB 48.61, 42.16, -64.42

 

CMYK 33 / 58 / 0 / 11

HEX #985EE2

RGB 152 94 226

HSL 266.36, 0.69%, 0.63%

LAB 52.03, 49.75, -58.73

 

CMYK 58 / 21 / 0 / 11

HEX #5EB3E2

RGB 94 179 226

HSL 201.36, 0.69%, 0.63%

LAB 69.55, -12.2, -31.36

 

CMYK 58 / 37 / 0 / 11

HEX #5E8FE2

RGB 94 143 226

HSL 217.73, 0.69%, 0.63%

LAB 59.45, 8.14, -47.15

 

CMYK 58 / 53 / 0 / 11

HEX #5E6BE2

RGB 94 107 226

HSL 234.09, 0.69%, 0.63%

LAB 49.96, 29.95, -62.32

 

CMYK 58 / 58 / 0 / 11

HEX #5E5EE2

RGB 94 94 226

HSL 240, 0.69%, 0.63%

LAB 46.81, 37.86, -67.42

 

CMYK 58 / 21 / 0 / 11

HEX #5EB3E2

RGB 94 179 226

HSL 201.36, 0.69%, 0.63%

LAB 69.55, -12.2, -31.36

 

CMYK 67 / 24 / 0 / 5

HEX #4FB7F1

RGB 79 183 241

HSL 201.48, 0.85%, 0.63%

LAB 70.79, -12.21, -37.65

 

CMYK 58 / 21 / 0 / 11

HEX #5EB3E2

RGB 94 179 226

HSL 201.36, 0.69%, 0.63%

LAB 69.55, -12.2, -31.36

 

CMYK 48 / 18 / 0 / 17

HEX #6DAED3

RGB 109 174 211

HSL 201.76, 0.54%, 0.63%

LAB 68.19, -10.74, -25.18

 

CMYK 36 / 13 / 0 / 23

HEX #7DAAC4

RGB 125 170 196

HSL 201.97, 0.38%, 0.63%

LAB 67.35, -8.56, -18.1

 

CMYK 22 / 8 / 0 / 29

HEX #8CA6B4

RGB 140 166 180

HSL 201, 0.21%, 0.63%

LAB 66.63, -5.84, -10.21

 

CMYK 6 / 2 / 0 / 35

HEX #9BA2A5

RGB 155 162 165

HSL 198, 0.05%, 0.63%

LAB 66.16, -1.89, -2.43

 

CMYK 58 / 0 / 11 / 11

HEX #5EE2CA

RGB 94 226 202

HSL 169.09, 0.69%, 0.63%

LAB 82.4, -41.87, 0.89

 

CMYK 58 / 5 / 0 / 11

HEX #5ED7E2

RGB 94 215 226

HSL 185, 0.69%, 0.63%

LAB 79.88, -30.51, -15.61

 

CMYK 58 / 20 / 0 / 11

HEX #5EB4E2

RGB 94 180 226

HSL 200.91, 0.69%, 0.63%

LAB 69.83, -12.74, -30.92

 

CMYK 58 / 36 / 0 / 11

HEX #5E91E2

RGB 94 145 226

HSL 216.82, 0.69%, 0.63%

LAB 60, 6.96, -46.29

 

CMYK 58 / 51 / 0 / 11

HEX #5E6EE2

RGB 94 110 226

HSL 232.73, 0.69%, 0.63%

LAB 50.71, 28.12, -61.1

 

CMYK 83 / 30 / 0 / 21

HEX #238ECA

RGB 35 142 202

HSL 201.56, 0.7%, 0.46%

LAB 56.06, -8.18, -39.18

 

CMYK 73 / 26 / 0 / 14

HEX #3BA2DC

RGB 59 162 220

HSL 201.61, 0.7%, 0.55%

LAB 63.29, -10.5, -37.87

 

CMYK 58 / 21 / 0 / 11

HEX #5EB3E2

RGB 94 179 226

HSL 201.36, 0.69%, 0.63%

LAB 69.55, -12.2, -31.36

 

CMYK 44 / 16 / 0 / 9

HEX #81C3E8

RGB 129 195 232

HSL 201.55, 0.69%, 0.71%

LAB 75.78, -11.35, -24.93

 

CMYK 31 / 11 / 0 / 6

HEX #A4D4EF

RGB 164 212 239

HSL 201.6, 0.7%, 0.79%

LAB 82.49, -9.32, -18.3

 

CMYK 59 / 21 / 0 / 11

HEX #5EB3E3

RGB 94 179 227

HSL 201.65, 0.7%, 0.63%

LAB 69.59, -11.9, -31.85

 

CMYK 26 / 58 / 0 / 11

HEX #A75EE2

RGB 167 94 226

HSL 273.18, 0.69%, 0.63%

LAB 53.72, 53.25, -55.93

 

CMYK 0 / 3 / 58 / 11

HEX #E2DC5E

RGB 226 220 94

HSL 57.27, 0.69%, 0.63%

LAB 86.09, -13.57, 61.13

 

CMYK 59 / 21 / 0 / 11

HEX #5EB3E3

RGB 94 179 227

HSL 201.65, 0.7%, 0.63%

LAB 69.59, -11.9, -31.85

 

CMYK 0 / 58 / 20 / 11

HEX #E25EB4

RGB 226 94 180

HSL 320.91, 0.69%, 0.63%

LAB 59.41, 60.6, -20.26

 

CMYK 20 / 0 / 58 / 11

HEX #B4E25E

RGB 180 226 94

HSL 80.91, 0.69%, 0.63%

LAB 84.43, -34.63, 58.37

 

CMYK 59 / 21 / 0 / 11

HEX #5EB3E3

RGB 94 179 227

HSL 201.65, 0.7%, 0.63%

LAB 69.59, -11.9, -31.85

 

CMYK 26 / 58 / 0 / 11

HEX #A75EE2

RGB 167 94 226

HSL 273.18, 0.69%, 0.63%

LAB 53.72, 53.25, -55.93

 

CMYK 0 / 38 / 58 / 11

HEX #E28C5E

RGB 226 140 94

HSL 20.91, 0.69%, 0.63%

LAB 66.32, 28.32, 38.1

 

CMYK 32 / 0 / 58 / 11

HEX #9AE25E

RGB 154 226 94

HSL 92.73, 0.69%, 0.63%

LAB 82.95, -44.04, 56.3

 

CMYK 59 / 21 / 0 / 11

HEX #5EB3E3

RGB 94 179 227

HSL 201.65, 0.7%, 0.63%

LAB 69.59, -11.9, -31.85

 

CMYK 9 / 58 / 0 / 11

HEX #CE5EE2

RGB 206 94 226

HSL 290.91, 0.69%, 0.63%

LAB 58.62, 62.75, -47.83

 

CMYK 0 / 38 / 58 / 11

HEX #E28C5E

RGB 226 140 94

HSL 20.91, 0.69%, 0.63%

LAB 66.32, 28.32, 38.1

 

CMYK 50 / 0 / 58 / 11

HEX #72E25E

RGB 114 226 94

HSL 110.91, 0.69%, 0.63%

LAB 81.17, -56.55, 53.79

 

Description

Color code: HEX #5EB3E3 | qconv.com Color code: HEX #5EB3E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 179 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 179 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 21 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 21% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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