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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EB0D7 it is the complementary color #A14F28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EB0D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EB0D7 shade: #63B0D2, #74C2E5, #85D4F8, #96E6FF and #A7F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EB0D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EB0D7 shade: #5EB0D7, #4D9EC4, #3C8CB1, #2B7A9E and #1A688B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EB0D7 shade: #60B1D7, #6091D7, #6070D7, #7060D7 and #9060D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EB0D7 shade: #60B1D7, #6091D7, #6070D7 and #6060D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EB0D7 shade matches the following richer shades: #60B1D7, #50B6E7 and #40BCF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EB0D7 shade: #60B1D7, #70ABC7, #80A5B7, #90A0A7 and #A09A97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EB0D7 shade: #60D7BD, #60D1D7, #60B1D7, #6092D7 and #6072D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EB0D7 shade: #2E8BB7, #3FA1CF, #60B1D7, #81C1DF and #A2D1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EB0D7 shade: #5EB0D7, #9E60D7 and #D7CD60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EB0D7 shade: #5EB0D7, #D760B1 and #B1D760

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EB0D7 shade: #5EB0D7, #9E60D7, #D78660 and #9AD760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EB0D7 shade: #5EB0D7, #C160D7, #D78660 and #76D760

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 18 / 0 / 16

HEX #5EB0D7

RGB 94 176 215

HSL 199.34, 0.6%, 0.61%

LAB 68.27, -13.92, -27.31

 

Complementary color

CMYK 0 / 51 / 75 / 37

HEX #A14F28

RGB 161 79 40

HSL 19.34, 0.6%, 0.39%

LAB 43.24, 31.11, 37.74

 

CMYK 53 / 16 / 0 / 18

HEX #63B0D2

RGB 99 176 210

HSL 198.38, 0.55%, 0.61%

LAB 68.28, -14.35, -24.52

 

CMYK 49 / 15 / 0 / 10

HEX #74C2E5

RGB 116 194 229

HSL 198.58, 0.68%, 0.68%

LAB 74.8, -14.69, -24.86

 

CMYK 46 / 15 / 0 / 3

HEX #85D4F8

RGB 133 212 248

HSL 198.78, 0.89%, 0.75%

LAB 81.21, -14.95, -25.18

 

CMYK 41 / 10 / 0 / 0

HEX #96E6FF

RGB 150 230 255

HSL 194.29, 1%, 0.79%

LAB 87.14, -18.24, -19.81

 

CMYK 35 / 3 / 0 / 0

HEX #A7F8FF

RGB 167 248 255

HSL 184.77, 1%, 0.83%

LAB 92.83, -22.87, -11.2

 

CMYK 56 / 18 / 0 / 16

HEX #5EB0D7

RGB 94 176 215

HSL 199.34, 0.6%, 0.61%

LAB 68.27, -13.92, -27.31

 

CMYK 61 / 19 / 0 / 23

HEX #4D9EC4

RGB 77 158 196

HSL 199.16, 0.5%, 0.54%

LAB 61.67, -13.35, -26.98

 

CMYK 66 / 21 / 0 / 31

HEX #3C8CB1

RGB 60 140 177

HSL 198.97, 0.49%, 0.46%

LAB 54.96, -12.6, -26.63

 

CMYK 73 / 23 / 0 / 38

HEX #2B7A9E

RGB 43 122 158

HSL 198.78, 0.57%, 0.39%

LAB 48.14, -11.59, -26.25

 

CMYK 81 / 25 / 0 / 45

HEX #1A688B

RGB 26 104 139

HSL 198.58, 0.68%, 0.32%

LAB 41.19, -10.18, -25.81

 

CMYK 55 / 18 / 0 / 16

HEX #60B1D7

RGB 96 177 215

HSL 199.16, 0.6%, 0.61%

LAB 68.63, -14.05, -26.74

 

CMYK 55 / 33 / 0 / 16

HEX #6091D7

RGB 96 145 215

HSL 215.29, 0.6%, 0.61%

LAB 59.57, 3.84, -40.83

 

CMYK 55 / 48 / 0 / 16

HEX #6070D7

RGB 96 112 215

HSL 231.93, 0.6%, 0.61%

LAB 50.67, 23.7, -54.96

 

CMYK 48 / 55 / 0 / 16

HEX #7060D7

RGB 112 96 215

HSL 248.07, 0.6%, 0.61%

LAB 47.9, 36.73, -59.34

 

CMYK 33 / 55 / 0 / 16

HEX #9060D7

RGB 144 96 215

HSL 264.2, 0.6%, 0.61%

LAB 50.92, 44.04, -54.32

 

CMYK 55 / 18 / 0 / 16

HEX #60B1D7

RGB 96 177 215

HSL 199.16, 0.6%, 0.61%

LAB 68.63, -14.05, -26.74

 

CMYK 55 / 33 / 0 / 16

HEX #6091D7

RGB 96 145 215

HSL 215.29, 0.6%, 0.61%

LAB 59.57, 3.84, -40.83

 

CMYK 55 / 48 / 0 / 16

HEX #6070D7

RGB 96 112 215

HSL 231.93, 0.6%, 0.61%

LAB 50.67, 23.7, -54.96

 

CMYK 55 / 55 / 0 / 16

HEX #6060D7

RGB 96 96 215

HSL 240, 0.6%, 0.61%

LAB 46.66, 33.5, -61.41

 

CMYK 55 / 18 / 0 / 16

HEX #60B1D7

RGB 96 177 215

HSL 199.16, 0.6%, 0.61%

LAB 68.63, -14.05, -26.74

 

CMYK 65 / 21 / 0 / 9

HEX #50B6E7

RGB 80 182 231

HSL 199.47, 0.76%, 0.61%

LAB 70.13, -14.71, -33.23

 

CMYK 74 / 24 / 0 / 3

HEX #40BCF7

RGB 64 188 247

HSL 199.34, 0.92%, 0.61%

LAB 72.08, -14.93, -38.92

 

CMYK 55 / 18 / 0 / 16

HEX #60B1D7

RGB 96 177 215

HSL 199.16, 0.6%, 0.61%

LAB 68.63, -14.05, -26.74

 

CMYK 44 / 14 / 0 / 22

HEX #70ABC7

RGB 112 171 199

HSL 199.31, 0.44%, 0.61%

LAB 67.05, -11.75, -20.28

 

CMYK 30 / 10 / 0 / 28

HEX #80A5B7

RGB 128 165 183

HSL 199.64, 0.28%, 0.61%

LAB 65.69, -8.27, -13.37

 

CMYK 14 / 4 / 0 / 35

HEX #90A0A7

RGB 144 160 167

HSL 198.26, 0.12%, 0.61%

LAB 64.85, -4.15, -5.56

 

CMYK 0 / 4 / 6 / 37

HEX #A09A97

RGB 160 154 151

HSL 20, 0.05%, 0.61%

LAB 64.01, 1.63, 2.34

 

CMYK 55 / 0 / 12 / 16

HEX #60D7BD

RGB 96 215 189

HSL 166.89, 0.6%, 0.61%

LAB 78.9, -39.73, 2.73

 

CMYK 55 / 3 / 0 / 16

HEX #60D1D7

RGB 96 209 215

HSL 183.03, 0.6%, 0.61%

LAB 77.87, -30.27, -12.73

 

CMYK 55 / 18 / 0 / 16

HEX #60B1D7

RGB 96 177 215

HSL 199.16, 0.6%, 0.61%

LAB 68.63, -14.05, -26.74

 

CMYK 55 / 32 / 0 / 16

HEX #6092D7

RGB 96 146 215

HSL 214.79, 0.6%, 0.61%

LAB 59.84, 3.26, -40.39

 

CMYK 55 / 47 / 0 / 16

HEX #6072D7

RGB 96 114 215

HSL 230.92, 0.6%, 0.61%

LAB 51.18, 22.47, -54.13

 

CMYK 75 / 24 / 0 / 28

HEX #2E8BB7

RGB 46 139 183

HSL 199.27, 0.6%, 0.45%

LAB 54.52, -12.08, -30.78

 

CMYK 70 / 22 / 0 / 19

HEX #3FA1CF

RGB 63 161 207

HSL 199.17, 0.6%, 0.53%

LAB 62.55, -13.77, -31.8

 

CMYK 55 / 18 / 0 / 16

HEX #60B1D7

RGB 96 177 215

HSL 199.16, 0.6%, 0.61%

LAB 68.63, -14.05, -26.74

 

CMYK 42 / 13 / 0 / 13

HEX #81C1DF

RGB 129 193 223

HSL 199.15, 0.59%, 0.69%

LAB 74.91, -12.71, -21.38

 

CMYK 30 / 10 / 0 / 9

HEX #A2D1E8

RGB 162 209 232

HSL 199.71, 0.6%, 0.77%

LAB 81.35, -9.98, -16.31

 

CMYK 56 / 18 / 0 / 16

HEX #5EB0D7

RGB 94 176 215

HSL 199.34, 0.6%, 0.61%

LAB 68.27, -13.92, -27.31

 

CMYK 27 / 55 / 0 / 16

HEX #9E60D7

RGB 158 96 215

HSL 271.26, 0.6%, 0.61%

LAB 52.44, 47.48, -51.8

 

CMYK 0 / 5 / 55 / 16

HEX #D7CD60

RGB 215 205 96

HSL 54.96, 0.6%, 0.61%

LAB 81.27, -10.4, 54.57

 

CMYK 56 / 18 / 0 / 16

HEX #5EB0D7

RGB 94 176 215

HSL 199.34, 0.6%, 0.61%

LAB 68.27, -13.92, -27.31

 

CMYK 0 / 55 / 18 / 16

HEX #D760B1

RGB 215 96 177

HSL 319.16, 0.6%, 0.61%

LAB 58.02, 56.07, -20.79

 

CMYK 18 / 0 / 55 / 16

HEX #B1D760

RGB 177 215 96

HSL 79.16, 0.6%, 0.61%

LAB 81.18, -30.49, 53.73

 

CMYK 56 / 18 / 0 / 16

HEX #5EB0D7

RGB 94 176 215

HSL 199.34, 0.6%, 0.61%

LAB 68.27, -13.92, -27.31

 

CMYK 27 / 55 / 0 / 16

HEX #9E60D7

RGB 158 96 215

HSL 271.26, 0.6%, 0.61%

LAB 52.44, 47.48, -51.8

 

CMYK 0 / 38 / 55 / 16

HEX #D78660

RGB 215 134 96

HSL 19.16, 0.6%, 0.61%

LAB 63.62, 27.26, 33.37

 

CMYK 28 / 0 / 55 / 16

HEX #9AD760

RGB 154 215 96

HSL 90.76, 0.6%, 0.61%

LAB 79.79, -39.03, 51.77

 

CMYK 56 / 18 / 0 / 16

HEX #5EB0D7

RGB 94 176 215

HSL 199.34, 0.6%, 0.61%

LAB 68.27, -13.92, -27.31

 

CMYK 10 / 55 / 0 / 16

HEX #C160D7

RGB 193 96 215

HSL 288.91, 0.6%, 0.61%

LAB 56.69, 56.43, -44.79

 

CMYK 0 / 38 / 55 / 16

HEX #D78660

RGB 215 134 96

HSL 19.16, 0.6%, 0.61%

LAB 63.62, 27.26, 33.37

 

CMYK 45 / 0 / 55 / 16

HEX #76D760

RGB 118 215 96

HSL 108.91, 0.6%, 0.61%

LAB 78.05, -50.86, 49.29

 

Description

Color code: HEX #5EB0D7 | qconv.com Color code: HEX #5EB0D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 176 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 176 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 18 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 18% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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