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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EB033 it is the complementary color #A14FCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EB033. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EB033 shade: #63B02E, #74C241, #85D454, #96E667 and #A7F87A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EB033. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EB033 shade: #5EB033, #4D9E20, #3C8C0D, #2B7A00 and #1A6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EB033 shade: #5FB234, #81B234, #A3B234, #B29F34 and #B27D34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EB033 shade: #5FB234, #3DB234, #34B24C, #34B26E and #34B290

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EB033 shade matches the following richer shades: #5FB234, #59C421 and #53D70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EB033 shade: #5FB234, #659F46, #6B8D59, #707A6B and #76687E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EB033 shade: #A3B234, #81B234, #60B234, #3EB234 and #34B24B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EB033 shade: #3D7221, #4E922A, #5FB234, #73C946 and #8BD266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EB033 shade: #5EB033, #34B29F and #B23492

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EB033 shade: #5EB033, #3460B2 and #B23460

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EB033 shade: #5EB033, #34B29F, #8634B2 and #B23447

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EB033 shade: #5EB033, #349FB2, #8634B2 and #B24734

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 71 / 31

HEX #5EB033

RGB 94 176 51

HSL 99.36, 0.55%, 0.45%

LAB 64.7, -46.83, 53.53

 

Complementary color

CMYK 21 / 61 / 0 / 20

HEX #A14FCC

RGB 161 79 204

HSL 279.36, 0.55%, 0.55%

LAB 48.92, 54.42, -51.14

 

CMYK 44 / 0 / 74 / 31

HEX #63B02E

RGB 99 176 46

HSL 95.54, 0.59%, 0.44%

LAB 64.88, -45.58, 55.64

 

CMYK 40 / 0 / 66 / 24

HEX #74C241

RGB 116 194 65

HSL 96.28, 0.51%, 0.51%

LAB 71.34, -45.96, 55.25

 

CMYK 37 / 0 / 60 / 17

HEX #85D454

RGB 133 212 84

HSL 97.03, 0.6%, 0.58%

LAB 77.71, -46.15, 54.45

 

CMYK 35 / 0 / 55 / 10

HEX #96E667

RGB 150 230 103

HSL 97.8, 0.72%, 0.65%

LAB 84, -46.22, 53.45

 

CMYK 33 / 0 / 51 / 3

HEX #A7F87A

RGB 167 248 122

HSL 98.57, 0.9%, 0.73%

LAB 90.21, -46.21, 52.35

 

CMYK 47 / 0 / 71 / 31

HEX #5EB033

RGB 94 176 51

HSL 99.36, 0.55%, 0.45%

LAB 64.7, -46.83, 53.53

 

CMYK 51 / 0 / 80 / 38

HEX #4D9E20

RGB 77 158 32

HSL 98.57, 0.66%, 0.37%

LAB 58.17, -46.23, 53.53

 

CMYK 57 / 0 / 91 / 45

HEX #3C8C0D

RGB 60 140 13

HSL 97.8, 0.83%, 0.3%

LAB 51.55, -45.2, 52.3

 

CMYK 65 / 0 / 100 / 52

HEX #2B7A00

RGB 43 122 0

HSL 98.85, 1%, 0.24%

LAB 44.85, -43.55, 49.09

 

CMYK 75 / 0 / 100 / 59

HEX #1A6800

RGB 26 104 0

HSL 105, 1%, 0.2%

LAB 38.06, -41.07, 43.51

 

CMYK 47 / 0 / 71 / 30

HEX #5FB234

RGB 95 178 52

HSL 99.52, 0.55%, 0.45%

LAB 65.37, -47.24, 53.86

 

CMYK 28 / 0 / 71 / 30

HEX #81B234

RGB 129 178 52

HSL 83.33, 0.55%, 0.45%

LAB 67.09, -35.29, 56.16

 

CMYK 8 / 0 / 71 / 30

HEX #A3B234

RGB 163 178 52

HSL 67.14, 0.55%, 0.45%

LAB 69.38, -21.48, 59.2

 

CMYK 0 / 11 / 71 / 30

HEX #B29F34

RGB 178 159 52

HSL 50.95, 0.55%, 0.45%

LAB 65.36, -5.14, 55.63

 

CMYK 0 / 30 / 71 / 30

HEX #B27D34

RGB 178 125 52

HSL 34.76, 0.55%, 0.45%

LAB 56.47, 13.52, 46.51

 

CMYK 47 / 0 / 71 / 30

HEX #5FB234

RGB 95 178 52

HSL 99.52, 0.55%, 0.45%

LAB 65.37, -47.24, 53.86

 

CMYK 66 / 0 / 71 / 30

HEX #3DB234

RGB 61 178 52

HSL 115.71, 0.55%, 0.45%

LAB 64.23, -56.22, 52.31

 

CMYK 71 / 0 / 57 / 30

HEX #34B24C

RGB 52 178 76

HSL 131.43, 0.55%, 0.45%

LAB 64.24, -55.34, 41.81

 

CMYK 71 / 0 / 38 / 30

HEX #34B26E

RGB 52 178 110

HSL 147.62, 0.55%, 0.45%

LAB 64.72, -49.79, 25.12

 

CMYK 71 / 0 / 19 / 30

HEX #34B290

RGB 52 178 144

HSL 163.81, 0.55%, 0.45%

LAB 65.42, -42.26, 7.58

 

CMYK 47 / 0 / 71 / 30

HEX #5FB234

RGB 95 178 52

HSL 99.52, 0.55%, 0.45%

LAB 65.37, -47.24, 53.86

 

CMYK 55 / 0 / 83 / 23

HEX #59C421

RGB 89 196 33

HSL 99.39, 0.71%, 0.45%

LAB 70.67, -56.97, 64.91

 

CMYK 61 / 0 / 93 / 16

HEX #53D70F

RGB 83 215 15

HSL 99.6, 0.87%, 0.45%

LAB 76.36, -65.59, 73.03

 

CMYK 47 / 0 / 71 / 30

HEX #5FB234

RGB 95 178 52

HSL 99.52, 0.55%, 0.45%

LAB 65.37, -47.24, 53.86

 

CMYK 36 / 0 / 56 / 38

HEX #659F46

RGB 101 159 70

HSL 99.1, 0.39%, 0.45%

LAB 59.89, -35.44, 40

 

CMYK 24 / 0 / 37 / 45

HEX #6B8D59

RGB 107 141 89

HSL 99.23, 0.23%, 0.45%

LAB 54.97, -22.03, 23.99

 

CMYK 8 / 0 / 12 / 52

HEX #707A6B

RGB 112 122 107

HSL 100, 0.07%, 0.45%

LAB 50.01, -6.75, 6.95

 

CMYK 6 / 17 / 0 / 51

HEX #76687E

RGB 118 104 126

HSL 278.18, 0.1%, 0.45%

LAB 45.99, 9.97, -10.18

 

CMYK 8 / 0 / 71 / 30

HEX #A3B234

RGB 163 178 52

HSL 67.14, 0.55%, 0.45%

LAB 69.38, -21.48, 59.2

 

CMYK 28 / 0 / 71 / 30

HEX #81B234

RGB 129 178 52

HSL 83.33, 0.55%, 0.45%

LAB 67.09, -35.29, 56.16

 

CMYK 46 / 0 / 71 / 30

HEX #60B234

RGB 96 178 52

HSL 99.05, 0.55%, 0.45%

LAB 65.42, -46.93, 53.91

 

CMYK 65 / 0 / 71 / 30

HEX #3EB234

RGB 62 178 52

HSL 115.24, 0.55%, 0.45%

LAB 64.25, -56.01, 52.34

 

CMYK 71 / 0 / 58 / 30

HEX #34B24B

RGB 52 178 75

HSL 130.95, 0.55%, 0.45%

LAB 64.22, -55.47, 42.27

 

CMYK 46 / 0 / 71 / 55

HEX #3D7221

RGB 61 114 33

HSL 99.26, 0.55%, 0.29%

LAB 42.97, -33.09, 37.83

 

CMYK 47 / 0 / 71 / 43

HEX #4E922A

RGB 78 146 42

HSL 99.23, 0.55%, 0.37%

LAB 54.39, -40.37, 46.22

 

CMYK 47 / 0 / 71 / 30

HEX #5FB234

RGB 95 178 52

HSL 99.52, 0.55%, 0.45%

LAB 65.37, -47.24, 53.86

 

CMYK 43 / 0 / 65 / 21

HEX #73C946

RGB 115 201 70

HSL 99.39, 0.55%, 0.53%

LAB 73.45, -48.73, 55.46

 

CMYK 34 / 0 / 51 / 18

HEX #8BD266

RGB 139 210 102

HSL 99.44, 0.55%, 0.61%

LAB 77.6, -41.39, 46.18

 

CMYK 47 / 0 / 71 / 31

HEX #5EB033

RGB 94 176 51

HSL 99.36, 0.55%, 0.45%

LAB 64.7, -46.83, 53.53

 

CMYK 71 / 0 / 11 / 30

HEX #34B29F

RGB 52 178 159

HSL 170.95, 0.55%, 0.45%

LAB 65.81, -38.37, -0.17

 

CMYK 0 / 71 / 18 / 30

HEX #B23492

RGB 178 52 146

HSL 315.24, 0.55%, 0.45%

LAB 44.23, 59.8, -24.23

 

CMYK 47 / 0 / 71 / 31

HEX #5EB033

RGB 94 176 51

HSL 99.36, 0.55%, 0.45%

LAB 64.7, -46.83, 53.53

 

CMYK 71 / 46 / 0 / 30

HEX #3460B2

RGB 52 96 178

HSL 219.05, 0.55%, 0.45%

LAB 41.7, 13.01, -48.12

 

CMYK 0 / 71 / 46 / 30

HEX #B23460

RGB 178 52 96

HSL 339.05, 0.55%, 0.45%

LAB 42.41, 53.83, 3.79

 

CMYK 47 / 0 / 71 / 31

HEX #5EB033

RGB 94 176 51

HSL 99.36, 0.55%, 0.45%

LAB 64.7, -46.83, 53.53

 

CMYK 71 / 0 / 11 / 30

HEX #34B29F

RGB 52 178 159

HSL 170.95, 0.55%, 0.45%

LAB 65.81, -38.37, -0.17

 

CMYK 25 / 71 / 0 / 30

HEX #8634B2

RGB 134 52 178

HSL 279.05, 0.55%, 0.45%

LAB 39.14, 55.18, -51.88

 

CMYK 0 / 71 / 60 / 30

HEX #B23447

RGB 178 52 71

HSL 350.95, 0.55%, 0.45%

LAB 41.81, 51.78, 18.58

 

CMYK 47 / 0 / 71 / 31

HEX #5EB033

RGB 94 176 51

HSL 99.36, 0.55%, 0.45%

LAB 64.7, -46.83, 53.53

 

CMYK 71 / 11 / 0 / 30

HEX #349FB2

RGB 52 159 178

HSL 189.05, 0.55%, 0.45%

LAB 60.55, -23.67, -18.64

 

CMYK 25 / 71 / 0 / 30

HEX #8634B2

RGB 134 52 178

HSL 279.05, 0.55%, 0.45%

LAB 39.14, 55.18, -51.88

 

CMYK 0 / 60 / 71 / 30

HEX #B24734

RGB 178 71 52

HSL 9.05, 0.55%, 0.45%

LAB 44.55, 42.41, 33.37

 

Description

Color code: HEX #5EB033 | qconv.com Color code: HEX #5EB033 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 176 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 176 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 71 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 71% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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