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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EAF52 it is the complementary color #A150AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EAF52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EAF52 shade: #63AF4D, #74C160, #85D373, #96E586 and #A7F799

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EAF52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EAF52 shade: #5EAF52, #4D9D3F, #3C8B2C, #2B7919 and #1A6706

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EAF52 shade: #5CAF50, #76AF50, #8FAF50, #A9AF50 and #AF9B50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EAF52 shade: #5CAF50, #50AF5E, #50AF77, #50AF90 and #50AFAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EAF52 shade matches the following richer shades: #5CAF50, #4DC33C, #3ED827 and #2FED12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EAF52 shade: #5CAF50, #6C9A65, #7B857A, #8A718E and #9A5CA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EAF52 shade: #8FAF50, #76AF50, #5DAF50, #50AF5D and #50AF76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EAF52 shade: #3F7636, #4E9243, #5CAF50, #77BC6D and #91C989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EAF52 shade: #5EAF52, #50A8AF and #AF5083

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EAF52 shade: #5EAF52, #505DAF and #AF505D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EAF52 shade: #5EAF52, #50A8AF, #A250AF and #AF5750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EAF52 shade: #5EAF52, #508CAF, #A250AF and #AF7350

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 53 / 31

HEX #5EAF52

RGB 94 175 82

HSL 112.26, 0.37%, 0.5%

LAB 64.68, -43.27, 39.76

 

Complementary color

CMYK 7 / 54 / 0 / 32

HEX #A150AD

RGB 161 80 173

HSL 292.26, 0.37%, 0.5%

LAB 47.41, 47.52, -35.53

 

CMYK 43 / 0 / 56 / 31

HEX #63AF4D

RGB 99 175 77

HSL 106.53, 0.39%, 0.49%

LAB 64.84, -42.32, 42.43

 

CMYK 40 / 0 / 50 / 24

HEX #74C160

RGB 116 193 96

HSL 107.63, 0.44%, 0.57%

LAB 71.35, -42.3, 41.22

 

CMYK 37 / 0 / 45 / 17

HEX #85D373

RGB 133 211 115

HSL 108.75, 0.52%, 0.64%

LAB 77.76, -42.19, 40

 

CMYK 34 / 0 / 41 / 10

HEX #96E586

RGB 150 229 134

HSL 109.89, 0.65%, 0.71%

LAB 84.09, -42.02, 38.79

 

CMYK 32 / 0 / 38 / 3

HEX #A7F799

RGB 167 247 153

HSL 111.06, 0.85%, 0.78%

LAB 90.34, -41.83, 37.63

 

CMYK 46 / 0 / 53 / 31

HEX #5EAF52

RGB 94 175 82

HSL 112.26, 0.37%, 0.5%

LAB 64.68, -43.27, 39.76

 

CMYK 51 / 0 / 60 / 38

HEX #4D9D3F

RGB 77 157 63

HSL 111.06, 0.43%, 0.43%

LAB 58.09, -43.17, 40.98

 

CMYK 57 / 0 / 68 / 45

HEX #3C8B2C

RGB 60 139 44

HSL 109.89, 0.52%, 0.36%

LAB 51.39, -42.82, 42

 

CMYK 64 / 0 / 79 / 53

HEX #2B7919

RGB 43 121 25

HSL 108.75, 0.66%, 0.29%

LAB 44.6, -42.01, 42.45

 

CMYK 75 / 0 / 94 / 60

HEX #1A6706

RGB 26 103 6

HSL 107.63, 0.89%, 0.21%

LAB 37.72, -40.43, 41.58

 

CMYK 47 / 0 / 54 / 31

HEX #5CAF50

RGB 92 175 80

HSL 112.42, 0.37%, 0.5%

LAB 64.58, -44.12, 40.59

 

CMYK 33 / 0 / 54 / 31

HEX #76AF50

RGB 118 175 80

HSL 96, 0.37%, 0.5%

LAB 65.82, -35.55, 42.37

 

CMYK 18 / 0 / 54 / 31

HEX #8FAF50

RGB 143 175 80

HSL 80.21, 0.37%, 0.5%

LAB 67.34, -26.1, 44.54

 

CMYK 3 / 0 / 54 / 31

HEX #A9AF50

RGB 169 175 80

HSL 63.79, 0.37%, 0.5%

LAB 69.24, -15.48, 47.23

 

CMYK 0 / 11 / 54 / 31

HEX #AF9B50

RGB 175 155 80

HSL 47.37, 0.37%, 0.5%

LAB 64.27, -2.38, 41.56

 

CMYK 47 / 0 / 54 / 31

HEX #5CAF50

RGB 92 175 80

HSL 112.42, 0.37%, 0.5%

LAB 64.58, -44.12, 40.59

 

CMYK 54 / 0 / 46 / 31

HEX #50AF5E

RGB 80 175 94

HSL 128.84, 0.37%, 0.5%

LAB 64.3, -45.5, 33.12

 

CMYK 54 / 0 / 32 / 31

HEX #50AF77

RGB 80 175 119

HSL 144.63, 0.37%, 0.5%

LAB 64.72, -41.09, 20.41

 

CMYK 54 / 0 / 18 / 31

HEX #50AF90

RGB 80 175 144

HSL 160.42, 0.37%, 0.5%

LAB 65.26, -35.68, 7.45

 

CMYK 54 / 0 / 3 / 31

HEX #50AFAA

RGB 80 175 170

HSL 176.84, 0.37%, 0.5%

LAB 65.96, -29.13, -5.97

 

CMYK 47 / 0 / 54 / 31

HEX #5CAF50

RGB 92 175 80

HSL 112.42, 0.37%, 0.5%

LAB 64.58, -44.12, 40.59

 

CMYK 61 / 0 / 69 / 24

HEX #4DC33C

RGB 77 195 60

HSL 112.44, 0.53%, 0.5%

LAB 70.13, -57.91, 55.51

 

CMYK 71 / 0 / 82 / 15

HEX #3ED827

RGB 62 216 39

HSL 112.2, 0.69%, 0.5%

LAB 76.24, -69.28, 68.19

 

CMYK 80 / 0 / 92 / 7

HEX #2FED12

RGB 47 237 18

HSL 112.05, 0.86%, 0.5%

LAB 82.49, -78.29, 77.45

 

CMYK 47 / 0 / 54 / 31

HEX #5CAF50

RGB 92 175 80

HSL 112.42, 0.37%, 0.5%

LAB 64.58, -44.12, 40.59

 

CMYK 30 / 0 / 34 / 40

HEX #6C9A65

RGB 108 154 101

HSL 112.08, 0.21%, 0.5%

LAB 59.19, -26.28, 23

 

CMYK 8 / 0 / 8 / 48

HEX #7B857A

RGB 123 133 122

HSL 114.55, 0.04%, 0.5%

LAB 54.44, -5.88, 4.67

 

CMYK 3 / 20 / 0 / 44

HEX #8A718E

RGB 138 113 142

HSL 291.72, 0.11%, 0.5%

LAB 50.88, 15.27, -12.13

 

CMYK 6 / 44 / 0 / 36

HEX #9A5CA3

RGB 154 92 163

HSL 292.39, 0.28%, 0.5%

LAB 48.47, 37.1, -28.04

 

CMYK 18 / 0 / 54 / 31

HEX #8FAF50

RGB 143 175 80

HSL 80.21, 0.37%, 0.5%

LAB 67.34, -26.1, 44.54

 

CMYK 33 / 0 / 54 / 31

HEX #76AF50

RGB 118 175 80

HSL 96, 0.37%, 0.5%

LAB 65.82, -35.55, 42.37

 

CMYK 47 / 0 / 54 / 31

HEX #5DAF50

RGB 93 175 80

HSL 111.79, 0.37%, 0.5%

LAB 64.62, -43.82, 40.65

 

CMYK 54 / 0 / 47 / 31

HEX #50AF5D

RGB 80 175 93

HSL 128.21, 0.37%, 0.5%

LAB 64.29, -45.66, 33.62

 

CMYK 54 / 0 / 33 / 31

HEX #50AF76

RGB 80 175 118

HSL 144, 0.37%, 0.5%

LAB 64.7, -41.29, 20.93

 

CMYK 47 / 0 / 54 / 54

HEX #3F7636

RGB 63 118 54

HSL 111.56, 0.37%, 0.34%

LAB 44.63, -31.82, 29.45

 

CMYK 47 / 0 / 54 / 43

HEX #4E9243

RGB 78 146 67

HSL 111.65, 0.37%, 0.42%

LAB 54.64, -37.72, 34.97

 

CMYK 47 / 0 / 54 / 31

HEX #5CAF50

RGB 92 175 80

HSL 112.42, 0.37%, 0.5%

LAB 64.58, -44.12, 40.59

 

CMYK 37 / 0 / 42 / 26

HEX #77BC6D

RGB 119 188 109

HSL 112.41, 0.37%, 0.58%

LAB 70.17, -37.35, 33.23

 

CMYK 28 / 0 / 32 / 21

HEX #91C989

RGB 145 201 137

HSL 112.5, 0.37%, 0.66%

LAB 75.82, -30.44, 26.34

 

CMYK 46 / 0 / 53 / 31

HEX #5EAF52

RGB 94 175 82

HSL 112.26, 0.37%, 0.5%

LAB 64.68, -43.27, 39.76

 

CMYK 54 / 4 / 0 / 31

HEX #50A8AF

RGB 80 168 175

HSL 184.42, 0.37%, 0.5%

LAB 64, -24.27, -11.66

 

CMYK 0 / 54 / 25 / 31

HEX #AF5083

RGB 175 80 131

HSL 327.79, 0.37%, 0.5%

LAB 47.61, 44.65, -10.05

 

CMYK 46 / 0 / 53 / 31

HEX #5EAF52

RGB 94 175 82

HSL 112.26, 0.37%, 0.5%

LAB 64.68, -43.27, 39.76

 

CMYK 54 / 47 / 0 / 31

HEX #505DAF

RGB 80 93 175

HSL 231.79, 0.37%, 0.5%

LAB 42.2, 19.1, -45.48

 

CMYK 0 / 54 / 47 / 31

HEX #AF505D

RGB 175 80 93

HSL 351.79, 0.37%, 0.5%

LAB 46.5, 40.01, 11.37

 

CMYK 46 / 0 / 53 / 31

HEX #5EAF52

RGB 94 175 82

HSL 112.26, 0.37%, 0.5%

LAB 64.68, -43.27, 39.76

 

CMYK 54 / 4 / 0 / 31

HEX #50A8AF

RGB 80 168 175

HSL 184.42, 0.37%, 0.5%

LAB 64, -24.27, -11.66

 

CMYK 7 / 54 / 0 / 31

HEX #A250AF

RGB 162 80 175

HSL 291.79, 0.37%, 0.5%

LAB 47.64, 48.19, -36.32

 

CMYK 0 / 50 / 54 / 31

HEX #AF5750

RGB 175 87 80

HSL 4.42, 0.37%, 0.5%

LAB 47.64, 35.17, 20.74

 

CMYK 46 / 0 / 53 / 31

HEX #5EAF52

RGB 94 175 82

HSL 112.26, 0.37%, 0.5%

LAB 64.68, -43.27, 39.76

 

CMYK 54 / 20 / 0 / 31

HEX #508CAF

RGB 80 140 175

HSL 202.11, 0.37%, 0.5%

LAB 55.64, -9.32, -24.38

 

CMYK 7 / 54 / 0 / 31

HEX #A250AF

RGB 162 80 175

HSL 291.79, 0.37%, 0.5%

LAB 47.64, 48.19, -36.32

 

CMYK 0 / 34 / 54 / 31

HEX #AF7350

RGB 175 115 80

HSL 22.11, 0.37%, 0.5%

LAB 53.98, 19.82, 28.95

 

Description

Color code: HEX #5EAF52 | qconv.com Color code: HEX #5EAF52 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 175 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 175 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 53 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 53% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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