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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EAF30 it is the complementary color #A150CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EAF30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EAF30 shade: #63AF2B, #74C13E, #85D351, #96E564 and #A7F777

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EAF30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EAF30 shade: #5EAF30, #4D9D1D, #3C8B0A, #2B7900 and #1A6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EAF30 shade: #5EB030, #81B030, #A3B030, #B09A30 and #B07730

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EAF30 shade: #5EB030, #3CB030, #30B046, #30B069 and #30B08B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EAF30 shade matches the following richer shades: #5EB030, #59C21E and #54D40B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EAF30 shade: #5EB030, #639E42, #688B54, #6D7966 and #726778

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EAF30 shade: #A3B030, #81B030, #5FB030, #3DB030 and #30B045

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EAF30 shade: #3B6F1E, #4D8F27, #5EB030, #71CA3F and #89D35F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EAF30 shade: #5EAF30, #30B09A and #B03092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EAF30 shade: #5EAF30, #305FB0 and #B0305F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EAF30 shade: #5EAF30, #30B09A, #8130B0 and #B03045

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EAF30 shade: #5EAF30, #309FB0, #8130B0 and #B04130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 73 / 31

HEX #5EAF30

RGB 94 175 48

HSL 98.27, 0.57%, 0.44%

LAB 64.37, -46.65, 54.32

 

Complementary color

CMYK 22 / 61 / 0 / 19

HEX #A150CF

RGB 161 80 207

HSL 278.27, 0.57%, 0.56%

LAB 49.28, 54.58, -52.29

 

CMYK 43 / 0 / 75 / 31

HEX #63AF2B

RGB 99 175 43

HSL 94.55, 0.61%, 0.43%

LAB 64.55, -45.37, 56.37

 

CMYK 40 / 0 / 68 / 24

HEX #74C13E

RGB 116 193 62

HSL 95.27, 0.51%, 0.5%

LAB 71.01, -45.78, 56.1

 

CMYK 37 / 0 / 62 / 17

HEX #85D351

RGB 133 211 81

HSL 96, 0.6%, 0.57%

LAB 77.38, -46, 55.38

 

CMYK 34 / 0 / 56 / 10

HEX #96E564

RGB 150 229 100

HSL 96.74, 0.71%, 0.65%

LAB 83.67, -46.1, 54.42

 

CMYK 32 / 0 / 52 / 3

HEX #A7F777

RGB 167 247 119

HSL 97.5, 0.89%, 0.72%

LAB 89.89, -46.11, 53.35

 

CMYK 46 / 0 / 73 / 31

HEX #5EAF30

RGB 94 175 48

HSL 98.27, 0.57%, 0.44%

LAB 64.37, -46.65, 54.32

 

CMYK 51 / 0 / 82 / 38

HEX #4D9D1D

RGB 77 157 29

HSL 97.5, 0.69%, 0.36%

LAB 57.83, -46, 54.13

 

CMYK 57 / 0 / 93 / 45

HEX #3C8B0A

RGB 60 139 10

HSL 96.74, 0.87%, 0.29%

LAB 51.21, -44.91, 52.57

 

CMYK 64 / 0 / 100 / 53

HEX #2B7900

RGB 43 121 0

HSL 98.68, 1%, 0.24%

LAB 44.5, -43.19, 48.82

 

CMYK 75 / 0 / 100 / 60

HEX #1A6700

RGB 26 103 0

HSL 104.85, 1%, 0.2%

LAB 37.7, -40.72, 43.23

 

CMYK 47 / 0 / 73 / 31

HEX #5EB030

RGB 94 176 48

HSL 98.44, 0.57%, 0.44%

LAB 64.68, -47.05, 54.64

 

CMYK 27 / 0 / 73 / 31

HEX #81B030

RGB 129 176 48

HSL 82.03, 0.57%, 0.44%

LAB 66.47, -34.63, 57.02

 

CMYK 7 / 0 / 73 / 31

HEX #A3B030

RGB 163 176 48

HSL 66.09, 0.57%, 0.44%

LAB 68.79, -20.69, 60.07

 

CMYK 0 / 13 / 73 / 31

HEX #B09A30

RGB 176 154 48

HSL 49.69, 0.57%, 0.44%

LAB 63.8, -3.55, 55.6

 

CMYK 0 / 32 / 73 / 31

HEX #B07730

RGB 176 119 48

HSL 33.28, 0.57%, 0.44%

LAB 54.7, 15.78, 46.44

 

CMYK 47 / 0 / 73 / 31

HEX #5EB030

RGB 94 176 48

HSL 98.44, 0.57%, 0.44%

LAB 64.68, -47.05, 54.64

 

CMYK 66 / 0 / 73 / 31

HEX #3CB030

RGB 60 176 48

HSL 114.38, 0.57%, 0.44%

LAB 63.53, -56.08, 53.1

 

CMYK 73 / 0 / 60 / 31

HEX #30B046

RGB 48 176 70

HSL 130.31, 0.57%, 0.44%

LAB 63.44, -56.1, 43.67

 

CMYK 73 / 0 / 40 / 31

HEX #30B069

RGB 48 176 105

HSL 146.72, 0.57%, 0.44%

LAB 63.92, -50.61, 26.7

 

CMYK 73 / 0 / 21 / 31

HEX #30B08B

RGB 48 176 139

HSL 162.66, 0.57%, 0.44%

LAB 64.6, -43.21, 9.15

 

CMYK 47 / 0 / 73 / 31

HEX #5EB030

RGB 94 176 48

HSL 98.44, 0.57%, 0.44%

LAB 64.68, -47.05, 54.64

 

CMYK 54 / 0 / 85 / 24

HEX #59C21E

RGB 89 194 30

HSL 98.41, 0.73%, 0.44%

LAB 70.04, -56.38, 65.07

 

CMYK 60 / 0 / 95 / 17

HEX #54D40B

RGB 84 212 11

HSL 98.21, 0.9%, 0.44%

LAB 75.45, -64.44, 72.74

 

CMYK 47 / 0 / 73 / 31

HEX #5EB030

RGB 94 176 48

HSL 98.44, 0.57%, 0.44%

LAB 64.68, -47.05, 54.64

 

CMYK 37 / 0 / 58 / 38

HEX #639E42

RGB 99 158 66

HSL 98.48, 0.41%, 0.44%

LAB 59.43, -36.14, 41.37

 

CMYK 25 / 0 / 40 / 45

HEX #688B54

RGB 104 139 84

HSL 98.18, 0.25%, 0.44%

LAB 54.08, -22.9, 25.55

 

CMYK 10 / 0 / 16 / 53

HEX #6D7966

RGB 109 121 102

HSL 97.89, 0.09%, 0.44%

LAB 49.36, -8.29, 8.93

 

CMYK 5 / 14 / 0 / 53

HEX #726778

RGB 114 103 120

HSL 278.82, 0.08%, 0.44%

LAB 45.13, 7.79, -7.9

 

CMYK 7 / 0 / 73 / 31

HEX #A3B030

RGB 163 176 48

HSL 66.09, 0.57%, 0.44%

LAB 68.79, -20.69, 60.07

 

CMYK 27 / 0 / 73 / 31

HEX #81B030

RGB 129 176 48

HSL 82.03, 0.57%, 0.44%

LAB 66.47, -34.63, 57.02

 

CMYK 46 / 0 / 73 / 31

HEX #5FB030

RGB 95 176 48

HSL 97.97, 0.57%, 0.44%

LAB 64.72, -46.73, 54.7

 

CMYK 65 / 0 / 73 / 31

HEX #3DB030

RGB 61 176 48

HSL 113.91, 0.57%, 0.44%

LAB 63.55, -55.86, 53.14

 

CMYK 73 / 0 / 61 / 31

HEX #30B045

RGB 48 176 69

HSL 129.84, 0.57%, 0.44%

LAB 63.43, -56.22, 44.12

 

CMYK 47 / 0 / 73 / 56

HEX #3B6F1E

RGB 59 111 30

HSL 98.52, 0.57%, 0.28%

LAB 41.83, -32.72, 37.91

 

CMYK 46 / 0 / 73 / 44

HEX #4D8F27

RGB 77 143 39

HSL 98.08, 0.57%, 0.36%

LAB 53.35, -39.68, 46.34

 

CMYK 47 / 0 / 73 / 31

HEX #5EB030

RGB 94 176 48

HSL 98.44, 0.57%, 0.44%

LAB 64.68, -47.05, 54.64

 

CMYK 44 / 0 / 69 / 21

HEX #71CA3F

RGB 113 202 63

HSL 98.42, 0.57%, 0.52%

LAB 73.62, -50.34, 58.4

 

CMYK 35 / 0 / 55 / 17

HEX #89D35F

RGB 137 211 95

HSL 98.28, 0.57%, 0.6%

LAB 77.72, -43.28, 49.58

 

CMYK 46 / 0 / 73 / 31

HEX #5EAF30

RGB 94 175 48

HSL 98.27, 0.57%, 0.44%

LAB 64.37, -46.65, 54.32

 

CMYK 73 / 0 / 13 / 31

HEX #30B09A

RGB 48 176 154

HSL 169.69, 0.57%, 0.44%

LAB 64.97, -39.36, 1.38

 

CMYK 0 / 73 / 17 / 31

HEX #B03092

RGB 176 48 146

HSL 314.06, 0.57%, 0.44%

LAB 43.39, 60.7, -25.56

 

CMYK 46 / 0 / 73 / 31

HEX #5EAF30

RGB 94 175 48

HSL 98.27, 0.57%, 0.44%

LAB 64.37, -46.65, 54.32

 

CMYK 73 / 46 / 0 / 31

HEX #305FB0

RGB 48 95 176

HSL 217.97, 0.57%, 0.44%

LAB 41.13, 12.33, -47.87

 

CMYK 0 / 73 / 46 / 31

HEX #B0305F

RGB 176 48 95

HSL 337.97, 0.57%, 0.44%

LAB 41.49, 54.62, 3.04

 

CMYK 46 / 0 / 73 / 31

HEX #5EAF30

RGB 94 175 48

HSL 98.27, 0.57%, 0.44%

LAB 64.37, -46.65, 54.32

 

CMYK 73 / 0 / 13 / 31

HEX #30B09A

RGB 48 176 154

HSL 169.69, 0.57%, 0.44%

LAB 64.97, -39.36, 1.38

 

CMYK 27 / 73 / 0 / 31

HEX #8130B0

RGB 129 48 176

HSL 277.97, 0.57%, 0.44%

LAB 37.69, 55.42, -53.07

 

CMYK 0 / 73 / 61 / 31

HEX #B03045

RGB 176 48 69

HSL 350.16, 0.57%, 0.44%

LAB 40.85, 52.51, 18.49

 

CMYK 46 / 0 / 73 / 31

HEX #5EAF30

RGB 94 175 48

HSL 98.27, 0.57%, 0.44%

LAB 64.37, -46.65, 54.32

 

CMYK 73 / 10 / 0 / 31

HEX #309FB0

RGB 48 159 176

HSL 187.97, 0.57%, 0.44%

LAB 60.39, -24.84, -17.77

 

CMYK 27 / 73 / 0 / 31

HEX #8130B0

RGB 129 48 176

HSL 277.97, 0.57%, 0.44%

LAB 37.69, 55.42, -53.07

 

CMYK 0 / 63 / 73 / 31

HEX #B04130

RGB 176 65 48

HSL 7.97, 0.57%, 0.44%

LAB 43.1, 44.28, 33.91

 

Description

Color code: HEX #5EAF30 | qconv.com Color code: HEX #5EAF30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 175 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 175 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 73 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 73% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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