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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EAD98 it is the complementary color #A15267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EAD98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EAD98 shade: #63AD93, #74BFA6, #85D1B9, #96E3CC and #A7F5DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EAD98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EAD98 shade: #5EAD98, #4D9B85, #3C8972, #2B775F and #1A654C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EAD98 shade: #5CAC97, #5CAC81, #5CAC6B, #62AC5C and #78AC5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EAD98 shade: #5CAC97, #5CACAC, #5C96AC, #5C81AC and #5C6BAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EAD98 shade matches the following richer shades: #5CAC97, #48C0A0, #34D4AA, #20E8B3 and #0CFCBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EAD98 shade: #5CAC97, #70998E, #838584, #97717B and #AB5D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EAD98 shade: #5CAC6C, #5CAC81, #5CAC97, #5CACAC and #5C97AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EAD98 shade: #3D7969, #4B9481, #5CAC97, #77BAA8 and #93C8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EAD98 shade: #5EAD98, #5C61AC and #AC775C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EAD98 shade: #5EAD98, #975CAC and #AC975C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EAD98 shade: #5EAD98, #5C61AC, #AC5C71 and #ACA75C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EAD98 shade: #5EAD98, #6F5CAC, #AC5C71 and #9AAC5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 12 / 32

HEX #5EAD98

RGB 94 173 152

HSL 164.05, 0.33%, 0.52%

LAB 65.38, -29.47, 3.26

 

Complementary color

CMYK 0 / 49 / 36 / 37

HEX #A15267

RGB 161 82 103

HSL 344.05, 0.33%, 0.48%

LAB 45.07, 34.98, 2.96

 

CMYK 43 / 0 / 15 / 32

HEX #63AD93

RGB 99 173 147

HSL 158.92, 0.31%, 0.53%

LAB 65.47, -29.3, 6.19

 

CMYK 39 / 0 / 13 / 25

HEX #74BFA6

RGB 116 191 166

HSL 160, 0.37%, 0.6%

LAB 72.05, -29.1, 5.31

 

CMYK 36 / 0 / 11 / 18

HEX #85D1B9

RGB 133 209 185

HSL 161.05, 0.45%, 0.67%

LAB 78.51, -28.89, 4.48

 

CMYK 34 / 0 / 10 / 11

HEX #96E3CC

RGB 150 227 204

HSL 162.08, 0.58%, 0.74%

LAB 84.89, -28.69, 3.71

 

CMYK 32 / 0 / 9 / 4

HEX #A7F5DF

RGB 167 245 223

HSL 163.08, 0.8%, 0.81%

LAB 91.17, -28.5, 2.98

 

CMYK 46 / 0 / 12 / 32

HEX #5EAD98

RGB 94 173 152

HSL 164.05, 0.33%, 0.52%

LAB 65.38, -29.47, 3.26

 

CMYK 50 / 0 / 14 / 39

HEX #4D9B85

RGB 77 155 133

HSL 163.08, 0.34%, 0.45%

LAB 58.71, -29.59, 4.18

 

CMYK 56 / 0 / 17 / 46

HEX #3C8972

RGB 60 137 114

HSL 162.08, 0.39%, 0.39%

LAB 51.91, -29.64, 5.21

 

CMYK 64 / 0 / 20 / 53

HEX #2B775F

RGB 43 119 95

HSL 161.05, 0.47%, 0.32%

LAB 44.99, -29.56, 6.36

 

CMYK 74 / 0 / 25 / 60

HEX #1A654C

RGB 26 101 76

HSL 160, 0.59%, 0.25%

LAB 37.93, -29.21, 7.7

 

CMYK 47 / 0 / 12 / 33

HEX #5CAC97

RGB 92 172 151

HSL 164.25, 0.33%, 0.52%

LAB 64.97, -29.73, 3.21

 

CMYK 47 / 0 / 25 / 33

HEX #5CAC81

RGB 92 172 129

HSL 147.75, 0.33%, 0.52%

LAB 64.46, -34.63, 14.65

 

CMYK 47 / 0 / 38 / 33

HEX #5CAC6B

RGB 92 172 107

HSL 131.25, 0.33%, 0.52%

LAB 64.03, -38.81, 26.03

 

CMYK 43 / 0 / 47 / 33

HEX #62AC5C

RGB 98 172 92

HSL 115.5, 0.33%, 0.52%

LAB 64.06, -39.39, 34

 

CMYK 30 / 0 / 47 / 33

HEX #78AC5C

RGB 120 172 92

HSL 99, 0.33%, 0.52%

LAB 65.18, -31.99, 35.64

 

CMYK 47 / 0 / 12 / 33

HEX #5CAC97

RGB 92 172 151

HSL 164.25, 0.33%, 0.52%

LAB 64.97, -29.73, 3.21

 

CMYK 47 / 0 / 0 / 33

HEX #5CACAC

RGB 92 172 172

HSL 180, 0.33%, 0.52%

LAB 65.56, -24.45, -7.62

 

CMYK 47 / 13 / 0 / 33

HEX #5C96AC

RGB 92 150 172

HSL 196.5, 0.33%, 0.52%

LAB 59.04, -12.91, -17.42

 

CMYK 47 / 25 / 0 / 33

HEX #5C81AC

RGB 92 129 172

HSL 212.25, 0.33%, 0.52%

LAB 52.9, -1.03, -26.84

 

CMYK 47 / 38 / 0 / 33

HEX #5C6BAC

RGB 92 107 172

HSL 228.75, 0.33%, 0.52%

LAB 46.67, 12.23, -36.57

 

CMYK 47 / 0 / 12 / 33

HEX #5CAC97

RGB 92 172 151

HSL 164.25, 0.33%, 0.52%

LAB 64.97, -29.73, 3.21

 

CMYK 63 / 0 / 17 / 25

HEX #48C0A0

RGB 72 192 160

HSL 164, 0.49%, 0.52%

LAB 70.6, -41.13, 6.29

 

CMYK 75 / 0 / 20 / 17

HEX #34D4AA

RGB 52 212 170

HSL 164.25, 0.65%, 0.52%

LAB 76.51, -50.13, 9.29

 

CMYK 86 / 0 / 23 / 9

HEX #20E8B3

RGB 32 232 179

HSL 164.1, 0.81%, 0.52%

LAB 82.53, -57.67, 13.05

 

CMYK 95 / 0 / 25 / 1

HEX #0CFCBC

RGB 12 252 188

HSL 164, 0.98%, 0.52%

LAB 88.6, -63.98, 16.92

 

CMYK 47 / 0 / 12 / 33

HEX #5CAC97

RGB 92 172 151

HSL 164.25, 0.33%, 0.52%

LAB 64.97, -29.73, 3.21

 

CMYK 27 / 0 / 7 / 40

HEX #70998E

RGB 112 153 142

HSL 163.9, 0.17%, 0.52%

LAB 60.05, -16.43, 1.24

 

CMYK 2 / 0 / 1 / 48

HEX #838584

RGB 131 133 132

HSL 150, 0.01%, 0.52%

LAB 55.35, -0.94, 0.27

 

CMYK 0 / 25 / 19 / 41

HEX #97717B

RGB 151 113 123

HSL 344.21, 0.15%, 0.52%

LAB 51.63, 16.6, 0.34

 

CMYK 0 / 46 / 33 / 33

HEX #AB5D72

RGB 171 93 114

HSL 343.85, 0.32%, 0.52%

LAB 49.13, 34.17, 2.36

 

CMYK 47 / 0 / 37 / 33

HEX #5CAC6C

RGB 92 172 108

HSL 132, 0.33%, 0.52%

LAB 64.05, -38.64, 25.52

 

CMYK 47 / 0 / 25 / 33

HEX #5CAC81

RGB 92 172 129

HSL 147.75, 0.33%, 0.52%

LAB 64.46, -34.63, 14.65

 

CMYK 47 / 0 / 12 / 33

HEX #5CAC97

RGB 92 172 151

HSL 164.25, 0.33%, 0.52%

LAB 64.97, -29.73, 3.21

 

CMYK 47 / 0 / 0 / 33

HEX #5CACAC

RGB 92 172 172

HSL 180, 0.33%, 0.52%

LAB 65.56, -24.45, -7.62

 

CMYK 47 / 12 / 0 / 33

HEX #5C97AC

RGB 92 151 172

HSL 195.75, 0.33%, 0.52%

LAB 59.33, -13.46, -16.98

 

CMYK 50 / 0 / 13 / 53

HEX #3D7969

RGB 61 121 105

HSL 164, 0.33%, 0.36%

LAB 46.56, -23.72, 2.77

 

CMYK 49 / 0 / 13 / 42

HEX #4B9481

RGB 75 148 129

HSL 164.38, 0.33%, 0.44%

LAB 56.35, -27.65, 3.04

 

CMYK 47 / 0 / 12 / 33

HEX #5CAC97

RGB 92 172 151

HSL 164.25, 0.33%, 0.52%

LAB 64.97, -29.73, 3.21

 

CMYK 36 / 0 / 10 / 27

HEX #77BAA8

RGB 119 186 168

HSL 163.88, 0.33%, 0.6%

LAB 70.78, -25.36, 2.4

 

CMYK 27 / 0 / 7 / 22

HEX #93C8BA

RGB 147 200 186

HSL 164.15, 0.33%, 0.68%

LAB 76.71, -20.15, 1.42

 

CMYK 46 / 0 / 12 / 32

HEX #5EAD98

RGB 94 173 152

HSL 164.05, 0.33%, 0.52%

LAB 65.38, -29.47, 3.26

 

CMYK 47 / 44 / 0 / 33

HEX #5C61AC

RGB 92 97 172

HSL 236.25, 0.33%, 0.52%

LAB 43.95, 18.45, -40.88

 

CMYK 0 / 31 / 47 / 33

HEX #AC775C

RGB 172 119 92

HSL 20.25, 0.33%, 0.52%

LAB 54.8, 17.48, 23.17

 

CMYK 46 / 0 / 12 / 32

HEX #5EAD98

RGB 94 173 152

HSL 164.05, 0.33%, 0.52%

LAB 65.38, -29.47, 3.26

 

CMYK 12 / 47 / 0 / 33

HEX #975CAC

RGB 151 92 172

HSL 284.25, 0.33%, 0.52%

LAB 48.53, 38.06, -33.27

 

CMYK 0 / 12 / 47 / 33

HEX #AC975C

RGB 172 151 92

HSL 44.25, 0.33%, 0.52%

LAB 63.07, -0.36, 33.83

 

CMYK 46 / 0 / 12 / 32

HEX #5EAD98

RGB 94 173 152

HSL 164.05, 0.33%, 0.52%

LAB 65.38, -29.47, 3.26

 

CMYK 47 / 44 / 0 / 33

HEX #5C61AC

RGB 92 97 172

HSL 236.25, 0.33%, 0.52%

LAB 43.95, 18.45, -40.88

 

CMYK 0 / 47 / 34 / 33

HEX #AC5C71

RGB 172 92 113

HSL 344.25, 0.33%, 0.52%

LAB 49.03, 34.95, 2.83

 

CMYK 0 / 3 / 47 / 33

HEX #ACA75C

RGB 172 167 92

HSL 56.25, 0.33%, 0.52%

LAB 67.41, -8.96, 39.22

 

CMYK 46 / 0 / 12 / 32

HEX #5EAD98

RGB 94 173 152

HSL 164.05, 0.33%, 0.52%

LAB 65.38, -29.47, 3.26

 

CMYK 35 / 47 / 0 / 33

HEX #6F5CAC

RGB 111 92 172

HSL 254.25, 0.33%, 0.52%

LAB 44.25, 26.52, -40.3

 

CMYK 0 / 47 / 34 / 33

HEX #AC5C71

RGB 172 92 113

HSL 344.25, 0.33%, 0.52%

LAB 49.03, 34.95, 2.83

 

CMYK 10 / 0 / 47 / 33

HEX #9AAC5C

RGB 154 172 92

HSL 73.5, 0.33%, 0.52%

LAB 67.39, -18.96, 38.87

 

Description

Color code: HEX #5EAD98 | qconv.com Color code: HEX #5EAD98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 173 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 173 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 12 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 12% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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