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Color name
HEX #5EACD5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EACD5 it is the complementary color #A1532A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EACD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EACD5 shade: #63ACD0, #74BEE3, #85D0F6, #96E2FF and #A7F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EACD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EACD5 shade: #5EACD5, #4D9AC2, #3C88AF, #2B769C and #1A6489

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EACD5 shade: #5DACD5, #5D8BD5, #5D6BD5, #6F5DD5 and #905DD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EACD5 shade: #5DACD5, #5D8BD5, #5D6BD5 and #5D5DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EACD5 shade matches the following richer shades: #5DACD5, #4CB1E6 and #3CB6F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EACD5 shade: #5DACD5, #6DA7C5, #7EA1B4, #8E9CA4 and #9F9793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EACD5 shade: #5DD5BD, #5DCDD5, #5DADD5, #5D8DD5 and #5D6DD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EACD5 shade: #2E84B2, #3C9BCD, #5DACD5, #7EBDDE and #9ECDE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EACD5 shade: #5EACD5, #9D5DD5 and #D5CD5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EACD5 shade: #5EACD5, #D55DAD and #ADD55D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EACD5 shade: #5EACD5, #9D5DD5, #D5855D and #95D55D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EACD5 shade: #5EACD5, #C15DD5, #D5855D and #71D55D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 19 / 0 / 16

HEX #5EACD5

RGB 94 172 213

HSL 200.67, 0.59%, 0.6%

LAB 67.04, -12.37, -28.09

 

Complementary color

CMYK 0 / 48 / 74 / 37

HEX #A1532A

RGB 161 83 42

HSL 20.67, 0.59%, 0.4%

LAB 44.13, 29.04, 37.64

 

CMYK 52 / 17 / 0 / 18

HEX #63ACD0

RGB 99 172 208

HSL 199.82, 0.54%, 0.6%

LAB 67.06, -12.8, -25.29

 

CMYK 49 / 16 / 0 / 11

HEX #74BEE3

RGB 116 190 227

HSL 200, 0.66%, 0.67%

LAB 73.6, -13.15, -25.6

 

CMYK 46 / 15 / 0 / 4

HEX #85D0F6

RGB 133 208 246

HSL 200.18, 0.86%, 0.74%

LAB 80.04, -13.42, -25.9

 

CMYK 41 / 11 / 0 / 0

HEX #96E2FF

RGB 150 226 255

HSL 196.57, 1%, 0.79%

LAB 86.05, -16.22, -21.45

 

CMYK 35 / 4 / 0 / 0

HEX #A7F4FF

RGB 167 244 255

HSL 187.5, 1%, 0.83%

LAB 91.75, -20.91, -12.81

 

CMYK 56 / 19 / 0 / 16

HEX #5EACD5

RGB 94 172 213

HSL 200.67, 0.59%, 0.6%

LAB 67.04, -12.37, -28.09

 

CMYK 60 / 21 / 0 / 24

HEX #4D9AC2

RGB 77 154 194

HSL 200.51, 0.49%, 0.53%

LAB 60.41, -11.79, -27.8

 

CMYK 66 / 22 / 0 / 31

HEX #3C88AF

RGB 60 136 175

HSL 200.35, 0.49%, 0.46%

LAB 53.67, -11.02, -27.49

 

CMYK 72 / 24 / 0 / 39

HEX #2B769C

RGB 43 118 156

HSL 200.18, 0.57%, 0.39%

LAB 46.8, -9.99, -27.14

 

CMYK 81 / 27 / 0 / 46

HEX #1A6489

RGB 26 100 137

HSL 200, 0.68%, 0.32%

LAB 39.82, -8.55, -26.75

 

CMYK 56 / 19 / 0 / 16

HEX #5DACD5

RGB 93 172 213

HSL 200.5, 0.59%, 0.6%

LAB 67, -12.58, -28.16

 

CMYK 56 / 35 / 0 / 16

HEX #5D8BD5

RGB 93 139 213

HSL 217, 0.59%, 0.6%

LAB 57.65, 6.1, -42.73

 

CMYK 56 / 50 / 0 / 16

HEX #5D6BD5

RGB 93 107 213

HSL 233, 0.59%, 0.6%

LAB 49.06, 25.53, -56.4

 

CMYK 48 / 56 / 0 / 16

HEX #6F5DD5

RGB 111 93 213

HSL 249, 0.59%, 0.6%

LAB 46.99, 37.7, -59.67

 

CMYK 32 / 56 / 0 / 16

HEX #905DD5

RGB 144 93 213

HSL 265.5, 0.59%, 0.6%

LAB 50.17, 45.18, -54.39

 

CMYK 56 / 19 / 0 / 16

HEX #5DACD5

RGB 93 172 213

HSL 200.5, 0.59%, 0.6%

LAB 67, -12.58, -28.16

 

CMYK 56 / 35 / 0 / 16

HEX #5D8BD5

RGB 93 139 213

HSL 217, 0.59%, 0.6%

LAB 57.65, 6.1, -42.73

 

CMYK 56 / 50 / 0 / 16

HEX #5D6BD5

RGB 93 107 213

HSL 233, 0.59%, 0.6%

LAB 49.06, 25.53, -56.4

 

CMYK 56 / 56 / 0 / 16

HEX #5D5DD5

RGB 93 93 213

HSL 240, 0.59%, 0.6%

LAB 45.58, 34.13, -62.02

 

CMYK 56 / 19 / 0 / 16

HEX #5DACD5

RGB 93 172 213

HSL 200.5, 0.59%, 0.6%

LAB 67, -12.58, -28.16

 

CMYK 67 / 23 / 0 / 10

HEX #4CB1E6

RGB 76 177 230

HSL 200.65, 0.75%, 0.6%

LAB 68.53, -12.98, -35.18

 

CMYK 76 / 26 / 0 / 4

HEX #3CB6F6

RGB 60 182 246

HSL 200.65, 0.91%, 0.6%

LAB 70.23, -12.51, -41.27

 

CMYK 56 / 19 / 0 / 16

HEX #5DACD5

RGB 93 172 213

HSL 200.5, 0.59%, 0.6%

LAB 67, -12.58, -28.16

 

CMYK 45 / 15 / 0 / 23

HEX #6DA7C5

RGB 109 167 197

HSL 200.45, 0.43%, 0.6%

LAB 65.69, -10.9, -21.26

 

CMYK 30 / 11 / 0 / 29

HEX #7EA1B4

RGB 126 161 180

HSL 201.11, 0.26%, 0.6%

LAB 64.34, -7.43, -13.73

 

CMYK 13 / 5 / 0 / 36

HEX #8E9CA4

RGB 142 156 164

HSL 201.82, 0.11%, 0.6%

LAB 63.51, -3.27, -5.87

 

CMYK 0 / 5 / 8 / 38

HEX #9F9793

RGB 159 151 147

HSL 20, 0.06%, 0.6%

LAB 63.02, 2.2, 3.14

 

CMYK 56 / 0 / 11 / 16

HEX #5DD5BD

RGB 93 213 189

HSL 168, 0.59%, 0.6%

LAB 78.22, -39.43, 1.72

 

CMYK 56 / 4 / 0 / 16

HEX #5DCDD5

RGB 93 205 213

HSL 184, 0.59%, 0.6%

LAB 76.55, -29.45, -13.64

 

CMYK 56 / 19 / 0 / 16

HEX #5DADD5

RGB 93 173 213

HSL 200, 0.59%, 0.6%

LAB 67.29, -13.12, -27.72

 

CMYK 56 / 34 / 0 / 16

HEX #5D8DD5

RGB 93 141 213

HSL 216, 0.59%, 0.6%

LAB 58.21, 4.92, -41.85

 

CMYK 56 / 49 / 0 / 16

HEX #5D6DD5

RGB 93 109 213

HSL 232, 0.59%, 0.6%

LAB 49.58, 24.29, -55.58

 

CMYK 74 / 26 / 0 / 30

HEX #2E84B2

RGB 46 132 178

HSL 200.91, 0.59%, 0.44%

LAB 52.17, -9.86, -31.57

 

CMYK 71 / 24 / 0 / 20

HEX #3C9BCD

RGB 60 155 205

HSL 200.69, 0.59%, 0.52%

LAB 60.61, -11.58, -33.7

 

CMYK 56 / 19 / 0 / 16

HEX #5DACD5

RGB 93 172 213

HSL 200.5, 0.59%, 0.6%

LAB 67, -12.58, -28.16

 

CMYK 43 / 15 / 0 / 13

HEX #7EBDDE

RGB 126 189 222

HSL 200.63, 0.59%, 0.68%

LAB 73.61, -11.61, -22.83

 

CMYK 31 / 11 / 0 / 10

HEX #9ECDE6

RGB 158 205 230

HSL 200.83, 0.59%, 0.76%

LAB 79.98, -9.5, -17.33

 

CMYK 56 / 19 / 0 / 16

HEX #5EACD5

RGB 94 172 213

HSL 200.67, 0.59%, 0.6%

LAB 67.04, -12.37, -28.09

 

CMYK 26 / 56 / 0 / 16

HEX #9D5DD5

RGB 157 93 213

HSL 272, 0.59%, 0.6%

LAB 51.61, 48.36, -52

 

CMYK 0 / 4 / 56 / 16

HEX #D5CD5D

RGB 213 205 93

HSL 56, 0.59%, 0.6%

LAB 81.07, -11.45, 55.67

 

CMYK 56 / 19 / 0 / 16

HEX #5EACD5

RGB 94 172 213

HSL 200.67, 0.59%, 0.6%

LAB 67.04, -12.37, -28.09

 

CMYK 0 / 56 / 19 / 16

HEX #D55DAD

RGB 213 93 173

HSL 320, 0.59%, 0.6%

LAB 57.07, 56.27, -19.97

 

CMYK 19 / 0 / 56 / 16

HEX #ADD55D

RGB 173 213 93

HSL 80, 0.59%, 0.6%

LAB 80.33, -31.36, 54.04

 

CMYK 56 / 19 / 0 / 16

HEX #5EACD5

RGB 94 172 213

HSL 200.67, 0.59%, 0.6%

LAB 67.04, -12.37, -28.09

 

CMYK 26 / 56 / 0 / 16

HEX #9D5DD5

RGB 157 93 213

HSL 272, 0.59%, 0.6%

LAB 51.61, 48.36, -52

 

CMYK 0 / 38 / 56 / 16

HEX #D5855D

RGB 213 133 93

HSL 20, 0.59%, 0.6%

LAB 63.1, 26.74, 34.29

 

CMYK 30 / 0 / 56 / 16

HEX #95D55D

RGB 149 213 93

HSL 92, 0.59%, 0.6%

LAB 78.91, -40.21, 52.04

 

CMYK 56 / 19 / 0 / 16

HEX #5EACD5

RGB 94 172 213

HSL 200.67, 0.59%, 0.6%

LAB 67.04, -12.37, -28.09

 

CMYK 9 / 56 / 0 / 16

HEX #C15DD5

RGB 193 93 213

HSL 290, 0.59%, 0.6%

LAB 56.06, 57.48, -44.66

 

CMYK 0 / 38 / 56 / 16

HEX #D5855D

RGB 213 133 93

HSL 20, 0.59%, 0.6%

LAB 63.1, 26.74, 34.29

 

CMYK 47 / 0 / 56 / 16

HEX #71D55D

RGB 113 213 93

HSL 110, 0.59%, 0.6%

LAB 77.21, -51.86, 49.63

 

Description

Color code: HEX #5EACD5 | qconv.com Color code: HEX #5EACD5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 172 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 172 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 19 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 19% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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