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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EAC41 it is the complementary color #A153BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EAC41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EAC41 shade: #63AC3C, #74BE4F, #85D062, #96E275 and #A7F488

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EAC41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EAC41 shade: #5EAC41, #4D9A2E, #3C881B, #2B7608 and #1A6400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EAC41 shade: #5DAA40, #79AA40, #96AA40, #AAA140 and #AA8540

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EAC41 shade: #5DAA40, #40AA40, #40AA5C, #40AA79 and #40AA95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EAC41 shade matches the following richer shades: #5DAA40, #54BD2D, #4BD01A and #43E307

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EAC41 shade: #5DAA40, #659753, #6E8466, #777179 and #7F5E8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EAC41 shade: #96AA40, #7AAA40, #5EAA40, #42AA40 and #40AA5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EAC41 shade: #3C6E29, #4C8C35, #5DAA40, #71BE55 and #8AC973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EAC41 shade: #5EAC41, #40AAA1 and #AA4088

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EAC41 shade: #5EAC41, #405EAA and #AA405E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EAC41 shade: #5EAC41, #40AAA1, #8C40AA and #AA4049

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EAC41 shade: #5EAC41, #4093AA, #8C40AA and #AA5740

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 62 / 33

HEX #5EAC41

RGB 94 172 65

HSL 103.74, 0.45%, 0.46%

LAB 63.56, -43.96, 46.47

 

Complementary color

CMYK 15 / 56 / 0 / 25

HEX #A153BE

RGB 161 83 190

HSL 283.74, 0.45%, 0.54%

LAB 48.86, 49.46, -43.15

 

CMYK 42 / 0 / 65 / 33

HEX #63AC3C

RGB 99 172 60

HSL 99.11, 0.48%, 0.45%

LAB 63.74, -42.82, 48.92

 

CMYK 39 / 0 / 58 / 25

HEX #74BE4F

RGB 116 190 79

HSL 100, 0.46%, 0.53%

LAB 70.25, -42.97, 47.98

 

CMYK 36 / 0 / 53 / 18

HEX #85D062

RGB 133 208 98

HSL 100.91, 0.54%, 0.6%

LAB 76.67, -42.99, 46.88

 

CMYK 34 / 0 / 48 / 11

HEX #96E275

RGB 150 226 117

HSL 101.83, 0.65%, 0.67%

LAB 83, -42.93, 45.72

 

CMYK 32 / 0 / 44 / 4

HEX #A7F488

RGB 167 244 136

HSL 102.78, 0.83%, 0.75%

LAB 89.25, -42.82, 44.55

 

CMYK 45 / 0 / 62 / 33

HEX #5EAC41

RGB 94 172 65

HSL 103.74, 0.45%, 0.46%

LAB 63.56, -43.96, 46.47

 

CMYK 50 / 0 / 70 / 40

HEX #4D9A2E

RGB 77 154 46

HSL 102.78, 0.54%, 0.39%

LAB 56.96, -43.65, 47.27

 

CMYK 56 / 0 / 80 / 47

HEX #3C881B

RGB 60 136 27

HSL 101.83, 0.67%, 0.32%

LAB 50.27, -42.99, 47.43

 

CMYK 64 / 0 / 93 / 54

HEX #2B7608

RGB 43 118 8

HSL 100.91, 0.87%, 0.25%

LAB 43.49, -41.78, 46.21

 

CMYK 74 / 0 / 100 / 61

HEX #1A6400

RGB 26 100 0

HSL 104.4, 1%, 0.2%

LAB 36.62, -39.67, 42.37

 

CMYK 45 / 0 / 62 / 33

HEX #5DAA40

RGB 93 170 64

HSL 103.58, 0.45%, 0.46%

LAB 62.88, -43.54, 46.14

 

CMYK 29 / 0 / 62 / 33

HEX #79AA40

RGB 121 170 64

HSL 87.74, 0.45%, 0.46%

LAB 64.31, -33.75, 48.13

 

CMYK 12 / 0 / 62 / 33

HEX #96AA40

RGB 150 170 64

HSL 71.32, 0.45%, 0.46%

LAB 66.22, -22.17, 50.76

 

CMYK 0 / 5 / 62 / 33

HEX #AAA140

RGB 170 161 64

HSL 54.91, 0.45%, 0.46%

LAB 65.28, -8.99, 50.22

 

CMYK 0 / 22 / 62 / 33

HEX #AA8540

RGB 170 133 64

HSL 39.06, 0.45%, 0.46%

LAB 57.74, 6.26, 41.85

 

CMYK 45 / 0 / 62 / 33

HEX #5DAA40

RGB 93 170 64

HSL 103.58, 0.45%, 0.46%

LAB 62.88, -43.54, 46.14

 

CMYK 62 / 0 / 62 / 33

HEX #40AA40

RGB 64 170 64

HSL 120, 0.45%, 0.46%

LAB 61.83, -51.51, 44.68

 

CMYK 62 / 0 / 46 / 33

HEX #40AA5C

RGB 64 170 92

HSL 135.85, 0.45%, 0.46%

LAB 62.18, -47.63, 31.35

 

CMYK 62 / 0 / 29 / 33

HEX #40AA79

RGB 64 170 121

HSL 152.26, 0.45%, 0.46%

LAB 62.69, -42.09, 16.46

 

CMYK 62 / 0 / 12 / 33

HEX #40AA95

RGB 64 170 149

HSL 168.11, 0.45%, 0.46%

LAB 63.35, -35.43, 1.85

 

CMYK 45 / 0 / 62 / 33

HEX #5DAA40

RGB 93 170 64

HSL 103.58, 0.45%, 0.46%

LAB 62.88, -43.54, 46.14

 

CMYK 56 / 0 / 76 / 26

HEX #54BD2D

RGB 84 189 45

HSL 103.75, 0.62%, 0.46%

LAB 68.37, -55.13, 59.21

 

CMYK 64 / 0 / 88 / 18

HEX #4BD01A

RGB 75 208 26

HSL 103.85, 0.78%, 0.46%

LAB 73.99, -64.78, 69.22

 

CMYK 70 / 0 / 97 / 11

HEX #43E307

RGB 67 227 7

HSL 103.64, 0.94%, 0.46%

LAB 79.7, -72.73, 76.39

 

CMYK 45 / 0 / 62 / 33

HEX #5DAA40

RGB 93 170 64

HSL 103.58, 0.45%, 0.46%

LAB 62.88, -43.54, 46.14

 

CMYK 33 / 0 / 45 / 41

HEX #659753

RGB 101 151 83

HSL 104.12, 0.29%, 0.46%

LAB 57.58, -30.06, 30.55

 

CMYK 17 / 0 / 23 / 48

HEX #6E8466

RGB 110 132 102

HSL 104, 0.13%, 0.46%

LAB 52.7, -13.99, 13.62

 

CMYK 2 / 7 / 0 / 53

HEX #777179

RGB 119 113 121

HSL 285, 0.03%, 0.46%

LAB 48.4, 3.92, -3.59

 

CMYK 9 / 33 / 0 / 45

HEX #7F5E8C

RGB 127 94 140

HSL 283.04, 0.2%, 0.46%

LAB 44.82, 22.25, -20.28

 

CMYK 12 / 0 / 62 / 33

HEX #96AA40

RGB 150 170 64

HSL 71.32, 0.45%, 0.46%

LAB 66.22, -22.17, 50.76

 

CMYK 28 / 0 / 62 / 33

HEX #7AAA40

RGB 122 170 64

HSL 87.17, 0.45%, 0.46%

LAB 64.37, -33.37, 48.21

 

CMYK 45 / 0 / 62 / 33

HEX #5EAA40

RGB 94 170 64

HSL 103.02, 0.45%, 0.46%

LAB 62.93, -43.22, 46.21

 

CMYK 61 / 0 / 62 / 33

HEX #42AA40

RGB 66 170 64

HSL 118.87, 0.45%, 0.46%

LAB 61.89, -51.04, 44.76

 

CMYK 62 / 0 / 47 / 33

HEX #40AA5A

RGB 64 170 90

HSL 134.72, 0.45%, 0.46%

LAB 62.15, -47.95, 32.35

 

CMYK 45 / 0 / 63 / 57

HEX #3C6E29

RGB 60 110 41

HSL 103.48, 0.46%, 0.3%

LAB 41.65, -30.83, 32.61

 

CMYK 46 / 0 / 62 / 45

HEX #4C8C35

RGB 76 140 53

HSL 104.14, 0.45%, 0.38%

LAB 52.45, -37.43, 39.26

 

CMYK 45 / 0 / 62 / 33

HEX #5DAA40

RGB 93 170 64

HSL 103.58, 0.45%, 0.46%

LAB 62.88, -43.54, 46.14

 

CMYK 41 / 0 / 55 / 25

HEX #71BE55

RGB 113 190 85

HSL 104, 0.45%, 0.54%

LAB 70.17, -43.3, 45.07

 

CMYK 31 / 0 / 43 / 21

HEX #8AC973

RGB 138 201 115

HSL 103.95, 0.44%, 0.62%

LAB 75.09, -36.07, 36.65

 

CMYK 45 / 0 / 62 / 33

HEX #5EAC41

RGB 94 172 65

HSL 103.74, 0.45%, 0.46%

LAB 63.56, -43.96, 46.47

 

CMYK 62 / 0 / 5 / 33

HEX #40AAA1

RGB 64 170 161

HSL 174.91, 0.45%, 0.46%

LAB 63.68, -32.23, -4.37

 

CMYK 0 / 62 / 20 / 33

HEX #AA4088

RGB 170 64 136

HSL 319.25, 0.45%, 0.46%

LAB 44.22, 51.36, -18.3

 

CMYK 45 / 0 / 62 / 33

HEX #5EAC41

RGB 94 172 65

HSL 103.74, 0.45%, 0.46%

LAB 63.56, -43.96, 46.47

 

CMYK 62 / 45 / 0 / 33

HEX #405EAA

RGB 64 94 170

HSL 223.02, 0.45%, 0.46%

LAB 41.21, 13.45, -44.17

 

CMYK 0 / 62 / 45 / 33

HEX #AA405E

RGB 170 64 94

HSL 343.02, 0.45%, 0.46%

LAB 42.79, 46.09, 5.41

 

CMYK 45 / 0 / 62 / 33

HEX #5EAC41

RGB 94 172 65

HSL 103.74, 0.45%, 0.46%

LAB 63.56, -43.96, 46.47

 

CMYK 62 / 0 / 5 / 33

HEX #40AAA1

RGB 64 170 161

HSL 174.91, 0.45%, 0.46%

LAB 63.68, -32.23, -4.37

 

CMYK 18 / 62 / 0 / 33

HEX #8C40AA

RGB 140 64 170

HSL 283.02, 0.45%, 0.46%

LAB 41.44, 49.31, -43.39

 

CMYK 0 / 62 / 57 / 33

HEX #AA4049

RGB 170 64 73

HSL 354.91, 0.45%, 0.46%

LAB 42.3, 44.18, 17.74

 

CMYK 45 / 0 / 62 / 33

HEX #5EAC41

RGB 94 172 65

HSL 103.74, 0.45%, 0.46%

LAB 63.56, -43.96, 46.47

 

CMYK 62 / 14 / 0 / 33

HEX #4093AA

RGB 64 147 170

HSL 193.02, 0.45%, 0.46%

LAB 56.94, -17.97, -19.58

 

CMYK 18 / 62 / 0 / 33

HEX #8C40AA

RGB 140 64 170

HSL 283.02, 0.45%, 0.46%

LAB 41.44, 49.31, -43.39

 

CMYK 0 / 49 / 62 / 33

HEX #AA5740

RGB 170 87 64

HSL 13.02, 0.45%, 0.46%

LAB 46.62, 31.92, 28.68

 

Description

Color code: HEX #5EAC41 | qconv.com Color code: HEX #5EAC41 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 172 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 172 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 62 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 62% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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