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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EAAF3 it is the complementary color #A1550C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EAAF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EAAF3 shade: #63AAEE, #74BCFF, #85CEFF, #96E0FF and #A7F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EAAF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EAAF3 shade: #5EAAF3, #4D98E0, #3C86CD, #2B74BA and #1A62A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EAAF3 shade: #5EAAF3, #5E82F3, #625EF3, #8A5EF3 and #B35EF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EAAF3 shade: #5EAAF3, #5E82F3 and #5E5EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EAAF3 shade matches the following richer shades: #5EAAF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EAAF3 shade: #5EAAF3, #6CAAE5, #7AA9D7, #88A9C9 and #96A9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EAAF3 shade: #5EF3EB, #5ED3F3, #5EABF3, #5E83F3 and #605EF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EAAF3 shade: #1281EC, #3796F0, #5EAAF3, #84BEF6 and #AAD2F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EAAF3 shade: #5EAAF3, #C45EF3 and #E6F35E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EAAF3 shade: #5EAAF3, #F35EAB and #ABF35E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EAAF3 shade: #5EAAF3, #C45EF3, #F3A65E and #8DF35E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EAAF3 shade: #5EAAF3, #F05EF3, #F3A65E and #60F35E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

Complementary color

CMYK 0 / 47 / 93 / 37

HEX #A1550C

RGB 161 85 12

HSL 29.4, 0.86%, 0.34%

LAB 44.38, 26.95, 50.29

 

CMYK 58 / 29 / 0 / 7

HEX #63AAEE

RGB 99 170 238

HSL 209.35, 0.8%, 0.66%

LAB 67.71, -2.58, -40.77

 

CMYK 55 / 26 / 0 / 0

HEX #74BCFF

RGB 116 188 255

HSL 208.92, 1%, 0.73%

LAB 74.13, -3.93, -39.91

 

CMYK 48 / 19 / 0 / 0

HEX #85CEFF

RGB 133 206 255

HSL 204.1, 1%, 0.76%

LAB 79.81, -9.91, -31.05

 

CMYK 41 / 12 / 0 / 0

HEX #96E0FF

RGB 150 224 255

HSL 197.71, 1%, 0.79%

LAB 85.51, -15.21, -22.27

 

CMYK 35 / 5 / 0 / 0

HEX #A7F2FF

RGB 167 242 255

HSL 188.86, 1%, 0.83%

LAB 91.21, -19.92, -13.62

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 66 / 32 / 0 / 12

HEX #4D98E0

RGB 77 152 224

HSL 209.39, 0.7%, 0.59%

LAB 61.15, -0.86, -43.41

 

CMYK 71 / 35 / 0 / 20

HEX #3C86CD

RGB 60 134 205

HSL 209.38, 0.59%, 0.52%

LAB 54.47, 0.47, -43.34

 

CMYK 77 / 38 / 0 / 27

HEX #2B74BA

RGB 43 116 186

HSL 209.37, 0.62%, 0.45%

LAB 47.69, 2.16, -43.25

 

CMYK 84 / 41 / 0 / 35

HEX #1A62A7

RGB 26 98 167

HSL 209.36, 0.73%, 0.38%

LAB 40.81, 4.35, -43.12

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 61 / 47 / 0 / 5

HEX #5E82F3

RGB 94 130 243

HSL 225.5, 0.86%, 0.66%

LAB 56.9, 21.53, -60.66

 

CMYK 60 / 61 / 0 / 5

HEX #625EF3

RGB 98 94 243

HSL 241.61, 0.86%, 0.66%

LAB 48.35, 43.91, -74.47

 

CMYK 43 / 61 / 0 / 5

HEX #8A5EF3

RGB 138 94 243

HSL 257.72, 0.86%, 0.66%

LAB 51.7, 51.1, -68.87

 

CMYK 26 / 61 / 0 / 5

HEX #B35EF3

RGB 179 94 243

HSL 274.23, 0.86%, 0.66%

LAB 56.15, 59.83, -61.48

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 61 / 47 / 0 / 5

HEX #5E82F3

RGB 94 130 243

HSL 225.5, 0.86%, 0.66%

LAB 56.9, 21.53, -60.66

 

CMYK 61 / 61 / 0 / 5

HEX #5E5EF3

RGB 94 94 243

HSL 240, 0.86%, 0.66%

LAB 48.08, 43.29, -74.92

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 53 / 26 / 0 / 10

HEX #6CAAE5

RGB 108 170 229

HSL 209.26, 0.7%, 0.66%

LAB 67.72, -3.5, -35.79

 

CMYK 43 / 21 / 0 / 16

HEX #7AA9D7

RGB 122 169 215

HSL 209.68, 0.54%, 0.66%

LAB 67.59, -3.71, -28.24

 

CMYK 32 / 16 / 0 / 21

HEX #88A9C9

RGB 136 169 201

HSL 209.54, 0.38%, 0.66%

LAB 67.89, -3.62, -19.98

 

CMYK 20 / 10 / 0 / 27

HEX #96A9BB

RGB 150 169 187

HSL 209.19, 0.21%, 0.66%

LAB 68.35, -2.7, -11.45

 

CMYK 61 / 0 / 3 / 5

HEX #5EF3EB

RGB 94 243 235

HSL 176.78, 0.86%, 0.66%

LAB 88.2, -41.08, -7.95

 

CMYK 61 / 13 / 0 / 5

HEX #5ED3F3

RGB 94 211 243

HSL 192.89, 0.86%, 0.66%

LAB 79.29, -23.7, -25.58

 

CMYK 61 / 30 / 0 / 5

HEX #5EABF3

RGB 94 171 243

HSL 208.99, 0.86%, 0.66%

LAB 68, -2.49, -43.04

 

CMYK 61 / 46 / 0 / 5

HEX #5E83F3

RGB 94 131 243

HSL 225.1, 0.86%, 0.66%

LAB 57.16, 20.93, -60.24

 

CMYK 60 / 61 / 0 / 5

HEX #605EF3

RGB 96 94 243

HSL 240.81, 0.86%, 0.66%

LAB 48.21, 43.59, -74.7

 

CMYK 92 / 45 / 0 / 7

HEX #1281EC

RGB 18 129 236

HSL 209.45, 0.86%, 0.5%

LAB 53.91, 11.34, -61.7

 

CMYK 77 / 38 / 0 / 6

HEX #3796F0

RGB 55 150 240

HSL 209.19, 0.86%, 0.58%

LAB 60.71, 2.89, -53

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 46 / 23 / 0 / 4

HEX #84BEF6

RGB 132 190 246

HSL 209.47, 0.86%, 0.74%

LAB 75.07, -4.1, -33.55

 

CMYK 32 / 16 / 0 / 2

HEX #AAD2F9

RGB 170 210 249

HSL 209.62, 0.87%, 0.82%

LAB 82.64, -4.19, -23.37

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 19 / 61 / 0 / 5

HEX #C45EF3

RGB 196 94 243

HSL 281.07, 0.86%, 0.66%

LAB 58.24, 63.68, -58.01

 

CMYK 5 / 0 / 61 / 5

HEX #E6F35E

RGB 230 243 94

HSL 65.23, 0.86%, 0.66%

LAB 92.46, -23.15, 68.14

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 0 / 61 / 30 / 5

HEX #F35EAB

RGB 243 94 171

HSL 328.99, 0.86%, 0.66%

LAB 61.65, 64.32, -11.44

 

CMYK 30 / 0 / 61 / 5

HEX #ABF35E

RGB 171 243 94

HSL 88.99, 0.86%, 0.66%

LAB 88.72, -45.43, 63

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 19 / 61 / 0 / 5

HEX #C45EF3

RGB 196 94 243

HSL 281.07, 0.86%, 0.66%

LAB 58.24, 63.68, -58.01

 

CMYK 0 / 32 / 61 / 5

HEX #F3A65E

RGB 243 166 94

HSL 28.99, 0.86%, 0.66%

LAB 74.28, 21.43, 48.14

 

CMYK 42 / 0 / 61 / 5

HEX #8DF35E

RGB 141 243 94

HSL 101.07, 0.86%, 0.66%

LAB 87.28, -55.3, 60.99

 

CMYK 61 / 30 / 0 / 5

HEX #5EAAF3

RGB 94 170 243

HSL 209.4, 0.86%, 0.66%

LAB 67.72, -1.93, -43.48

 

CMYK 1 / 61 / 0 / 5

HEX #F05EF3

RGB 240 94 243

HSL 298.79, 0.86%, 0.66%

LAB 64.16, 73.93, -48.23

 

CMYK 0 / 32 / 61 / 5

HEX #F3A65E

RGB 243 166 94

HSL 28.99, 0.86%, 0.66%

LAB 74.28, 21.43, 48.14

 

CMYK 60 / 0 / 61 / 5

HEX #60F35E

RGB 96 243 94

HSL 119.19, 0.86%, 0.66%

LAB 85.7, -67.17, 58.8

 

Description

Color code: HEX #5EAAF3 | qconv.com Color code: HEX #5EAAF3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 170 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 170 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 30 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 30% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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