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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EAAE5 it is the complementary color #A1551A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EAAE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EAAE5 shade: #63AAE0, #74BCF3, #85CEFF, #96E0FF and #A7F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EAAE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EAAE5 shade: #5EAAE5, #4D98D2, #3C86BF, #2B74AC and #1A6299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EAAE5 shade: #5DA9E5, #5D85E5, #5D60E5, #7E5DE5 and #A35DE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EAAE5 shade: #5DA9E5, #5D85E5, #5D60E5 and #5D5DE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EAAE5 shade matches the following richer shades: #5DA9E5 and #4DABF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EAAE5 shade: #5DA9E5, #6CA7D5, #7BA5C6, #8BA3B7 and #9AA2A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EAAE5 shade: #5DE5D7, #5DCEE5, #5DAAE5, #5D85E5 and #5D61E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EAAE5 shade: #2182CD, #3996DF, #5DA9E5, #80BCEA and #A4CFF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EAAE5 shade: #5EAAE5, #B35DE5 and #E0E55D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EAAE5 shade: #5EAAE5, #E55DAA and #AAE55D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EAAE5 shade: #5EAAE5, #B35DE5, #E5985D and #8FE55D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EAAE5 shade: #5EAAE5, #DC5DE5, #E5985D and #66E55D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 26 / 0 / 10

HEX #5EAAE5

RGB 94 170 229

HSL 206.22, 0.72%, 0.63%

LAB 67.12, -6.36, -36.78

 

Complementary color

CMYK 0 / 47 / 84 / 37

HEX #A1551A

RGB 161 85 26

HSL 26.22, 0.72%, 0.37%

LAB 44.45, 27.3, 45.52

 

CMYK 56 / 24 / 0 / 12

HEX #63AAE0

RGB 99 170 224

HSL 205.92, 0.67%, 0.63%

LAB 67.11, -6.92, -34.02

 

CMYK 52 / 23 / 0 / 5

HEX #74BCF3

RGB 116 188 243

HSL 205.98, 0.84%, 0.7%

LAB 73.64, -7.49, -34.19

 

CMYK 48 / 19 / 0 / 0

HEX #85CEFF

RGB 133 206 255

HSL 204.1, 1%, 0.76%

LAB 79.81, -9.91, -31.05

 

CMYK 41 / 12 / 0 / 0

HEX #96E0FF

RGB 150 224 255

HSL 197.71, 1%, 0.79%

LAB 85.51, -15.21, -22.27

 

CMYK 35 / 5 / 0 / 0

HEX #A7F2FF

RGB 167 242 255

HSL 188.86, 1%, 0.83%

LAB 91.21, -19.92, -13.62

 

CMYK 59 / 26 / 0 / 10

HEX #5EAAE5

RGB 94 170 229

HSL 206.22, 0.72%, 0.63%

LAB 67.12, -6.36, -36.78

 

CMYK 63 / 28 / 0 / 18

HEX #4D98D2

RGB 77 152 210

HSL 206.17, 0.6%, 0.56%

LAB 60.5, -5.51, -36.62

 

CMYK 69 / 30 / 0 / 25

HEX #3C86BF

RGB 60 134 191

HSL 206.11, 0.52%, 0.49%

LAB 53.78, -4.43, -36.46

 

CMYK 75 / 33 / 0 / 33

HEX #2B74AC

RGB 43 116 172

HSL 206.05, 0.6%, 0.42%

LAB 46.95, -3.03, -36.28

 

CMYK 83 / 36 / 0 / 40

HEX #1A6299

RGB 26 98 153

HSL 205.98, 0.71%, 0.35%

LAB 40.01, -1.16, -36.07

 

CMYK 59 / 26 / 0 / 10

HEX #5DA9E5

RGB 93 169 229

HSL 206.47, 0.72%, 0.63%

LAB 66.79, -6, -37.28

 

CMYK 59 / 42 / 0 / 10

HEX #5D85E5

RGB 93 133 229

HSL 222.35, 0.72%, 0.63%

LAB 56.84, 14.9, -52.97

 

CMYK 59 / 58 / 0 / 10

HEX #5D60E5

RGB 93 96 229

HSL 238.68, 0.72%, 0.63%

LAB 47.43, 37.45, -68.11

 

CMYK 45 / 59 / 0 / 10

HEX #7E5DE5

RGB 126 93 229

HSL 254.56, 0.72%, 0.63%

LAB 49.4, 45.4, -64.79

 

CMYK 29 / 59 / 0 / 10

HEX #A35DE5

RGB 163 93 229

HSL 270.88, 0.72%, 0.63%

LAB 53.25, 53.52, -58.4

 

CMYK 59 / 26 / 0 / 10

HEX #5DA9E5

RGB 93 169 229

HSL 206.47, 0.72%, 0.63%

LAB 66.79, -6, -37.28

 

CMYK 59 / 42 / 0 / 10

HEX #5D85E5

RGB 93 133 229

HSL 222.35, 0.72%, 0.63%

LAB 56.84, 14.9, -52.97

 

CMYK 59 / 58 / 0 / 10

HEX #5D60E5

RGB 93 96 229

HSL 238.68, 0.72%, 0.63%

LAB 47.43, 37.45, -68.11

 

CMYK 59 / 59 / 0 / 10

HEX #5D5DE5

RGB 93 93 229

HSL 240, 0.72%, 0.63%

LAB 46.73, 39.25, -69.25

 

CMYK 59 / 26 / 0 / 10

HEX #5DA9E5

RGB 93 169 229

HSL 206.47, 0.72%, 0.63%

LAB 66.79, -6, -37.28

 

CMYK 68 / 30 / 0 / 4

HEX #4DABF4

RGB 77 171 244

HSL 206.23, 0.88%, 0.63%

LAB 67.45, -4.94, -44.49

 

CMYK 59 / 26 / 0 / 10

HEX #5DA9E5

RGB 93 169 229

HSL 206.47, 0.72%, 0.63%

LAB 66.79, -6, -37.28

 

CMYK 49 / 22 / 0 / 16

HEX #6CA7D5

RGB 108 167 213

HSL 206.29, 0.56%, 0.63%

LAB 66.24, -6.58, -29.29

 

CMYK 38 / 17 / 0 / 22

HEX #7BA5C6

RGB 123 165 198

HSL 206.4, 0.4%, 0.63%

LAB 65.9, -5.86, -21.42

 

CMYK 24 / 11 / 0 / 28

HEX #8BA3B7

RGB 139 163 183

HSL 207.27, 0.23%, 0.63%

LAB 65.83, -3.82, -13.09

 

CMYK 8 / 4 / 0 / 34

HEX #9AA2A8

RGB 154 162 168

HSL 205.71, 0.07%, 0.63%

LAB 66.17, -1.63, -4.1

 

CMYK 59 / 0 / 6 / 10

HEX #5DE5D7

RGB 93 229 215

HSL 173.82, 0.72%, 0.63%

LAB 83.59, -40.13, -4.25

 

CMYK 59 / 10 / 0 / 10

HEX #5DCEE5

RGB 93 206 229

HSL 190.15, 0.72%, 0.63%

LAB 77.36, -25.44, -21.03

 

CMYK 59 / 26 / 0 / 10

HEX #5DAAE5

RGB 93 170 229

HSL 206.03, 0.72%, 0.63%

LAB 67.08, -6.56, -36.84

 

CMYK 59 / 42 / 0 / 10

HEX #5D85E5

RGB 93 133 229

HSL 222.35, 0.72%, 0.63%

LAB 56.84, 14.9, -52.97

 

CMYK 59 / 58 / 0 / 10

HEX #5D61E5

RGB 93 97 229

HSL 238.24, 0.72%, 0.63%

LAB 47.67, 36.84, -67.73

 

CMYK 84 / 37 / 0 / 20

HEX #2182CD

RGB 33 130 205

HSL 206.16, 0.72%, 0.47%

LAB 52.62, -0.21, -46.32

 

CMYK 74 / 33 / 0 / 13

HEX #3996DF

RGB 57 150 223

HSL 206.39, 0.72%, 0.55%

LAB 59.9, -2.93, -44.87

 

CMYK 59 / 26 / 0 / 10

HEX #5DA9E5

RGB 93 169 229

HSL 206.47, 0.72%, 0.63%

LAB 66.79, -6, -37.28

 

CMYK 45 / 20 / 0 / 8

HEX #80BCEA

RGB 128 188 234

HSL 206.04, 0.72%, 0.71%

LAB 73.87, -7.31, -28.94

 

CMYK 32 / 14 / 0 / 6

HEX #A4CFF0

RGB 164 207 240

HSL 206.05, 0.72%, 0.79%

LAB 81.19, -6.46, -20.81

 

CMYK 59 / 26 / 0 / 10

HEX #5EAAE5

RGB 94 170 229

HSL 206.22, 0.72%, 0.63%

LAB 67.12, -6.36, -36.78

 

CMYK 22 / 59 / 0 / 10

HEX #B35DE5

RGB 179 93 229

HSL 277.94, 0.72%, 0.63%

LAB 55.14, 57.27, -55.25

 

CMYK 2 / 0 / 59 / 10

HEX #E0E55D

RGB 224 229 93

HSL 62.21, 0.72%, 0.63%

LAB 88.29, -18.88, 63.93

 

CMYK 59 / 26 / 0 / 10

HEX #5EAAE5

RGB 94 170 229

HSL 206.22, 0.72%, 0.63%

LAB 67.12, -6.36, -36.78

 

CMYK 0 / 59 / 26 / 10

HEX #E55DAA

RGB 229 93 170

HSL 326.03, 0.72%, 0.63%

LAB 59.33, 60.56, -14.57

 

CMYK 26 / 0 / 59 / 10

HEX #AAE55D

RGB 170 229 93

HSL 86.03, 0.72%, 0.63%

LAB 84.68, -39.77, 58.91

 

CMYK 59 / 26 / 0 / 10

HEX #5EAAE5

RGB 94 170 229

HSL 206.22, 0.72%, 0.63%

LAB 67.12, -6.36, -36.78

 

CMYK 22 / 59 / 0 / 10

HEX #B35DE5

RGB 179 93 229

HSL 277.94, 0.72%, 0.63%

LAB 55.14, 57.27, -55.25

 

CMYK 0 / 34 / 59 / 10

HEX #E5985D

RGB 229 152 93

HSL 26.03, 0.72%, 0.63%

LAB 69.4, 23.07, 42.46

 

CMYK 38 / 0 / 59 / 10

HEX #8FE55D

RGB 143 229 93

HSL 97.94, 0.72%, 0.63%

LAB 83.27, -49.1, 56.94

 

CMYK 59 / 26 / 0 / 10

HEX #5EAAE5

RGB 94 170 229

HSL 206.22, 0.72%, 0.63%

LAB 67.12, -6.36, -36.78

 

CMYK 4 / 59 / 0 / 10

HEX #DC5DE5

RGB 220 93 229

HSL 296.03, 0.72%, 0.63%

LAB 60.52, 67.17, -46.38

 

CMYK 0 / 34 / 59 / 10

HEX #E5985D

RGB 229 152 93

HSL 26.03, 0.72%, 0.63%

LAB 69.4, 23.07, 42.46

 

CMYK 55 / 0 / 59 / 10

HEX #66E55D

RGB 102 229 93

HSL 116.03, 0.72%, 0.63%

LAB 81.65, -60.91, 54.67

 

Description

Color code: HEX #5EAAE5 | qconv.com Color code: HEX #5EAAE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 170 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 170 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 26 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 26% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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