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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EA604 it is the complementary color #A159FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EA604. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EA604 shade: #63A600, #74B812, #85CA25, #96DC38 and #A7EE4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EA604. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EA604 shade: #5EA604, #4D9400, #3C8200, #2B7000 and #1A5E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EA604 shade: #5DA404, #88A404, #A49504, #A46A04 and #A43F04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EA604 shade: #5DA404, #32A404, #07A404, #04A42D and #04A458

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EA604 shade matches the following richer shades: #5DA404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EA604 shade: #5DA404, #5C9612, #5A891F, #587B2D and #576E3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EA604 shade: #A49404, #89A404, #5FA404, #34A404 and #0AA404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EA604 shade: #2F5402, #467C03, #5DA404, #74CC05 and #8BF506

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EA604 shade: #5EA604, #04A469 and #A4049F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EA604 shade: #5EA604, #045FA4 and #A4045F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EA604 shade: #5EA604, #04A469, #4904A4 and #A4043F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EA604 shade: #5EA604, #04A499, #4904A4 and #A4040F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 98 / 35

HEX #5EA604

RGB 94 166 4

HSL 86.67, 0.95%, 0.33%

LAB 61.36, -44.87, 62.35

 

Complementary color

CMYK 36 / 65 / 0 / 2

HEX #A159FB

RGB 161 89 251

HSL 266.67, 0.95%, 0.67%

LAB 53.69, 60.3, -69.99

 

CMYK 40 / 0 / 100 / 35

HEX #63A600

RGB 99 166 0

HSL 84.22, 1%, 0.33%

LAB 61.59, -43.21, 63.19

 

CMYK 37 / 0 / 90 / 28

HEX #74B812

RGB 116 184 18

HSL 84.58, 0.82%, 0.4%

LAB 68.05, -44.28, 66.25

 

CMYK 34 / 0 / 82 / 21

HEX #85CA25

RGB 133 202 37

HSL 85.09, 0.69%, 0.47%

LAB 74.42, -45.1, 67.97

 

CMYK 32 / 0 / 75 / 14

HEX #96DC38

RGB 150 220 56

HSL 85.61, 0.7%, 0.54%

LAB 80.71, -45.69, 68.57

 

CMYK 30 / 0 / 68 / 7

HEX #A7EE4B

RGB 167 238 75

HSL 86.13, 0.83%, 0.61%

LAB 86.93, -46.12, 68.47

 

CMYK 43 / 0 / 98 / 35

HEX #5EA604

RGB 94 166 4

HSL 86.67, 0.95%, 0.33%

LAB 61.36, -44.87, 62.35

 

CMYK 48 / 0 / 100 / 42

HEX #4D9400

RGB 77 148 0

HSL 88.78, 1%, 0.29%

LAB 54.82, -43.42, 57.48

 

CMYK 54 / 0 / 100 / 49

HEX #3C8200

RGB 60 130 0

HSL 92.31, 1%, 0.25%

LAB 48.17, -41.75, 51.97

 

CMYK 62 / 0 / 100 / 56

HEX #2B7000

RGB 43 112 0

HSL 96.96, 1%, 0.22%

LAB 41.38, -39.85, 46.35

 

CMYK 72 / 0 / 100 / 63

HEX #1A5E00

RGB 26 94 0

HSL 103.4, 1%, 0.18%

LAB 34.45, -37.52, 40.64

 

CMYK 43 / 0 / 98 / 36

HEX #5DA404

RGB 93 164 4

HSL 86.63, 0.95%, 0.33%

LAB 60.68, -44.4, 61.8

 

CMYK 17 / 0 / 98 / 36

HEX #88A404

RGB 136 164 4

HSL 70.5, 0.95%, 0.33%

LAB 63.17, -27.66, 64.81

 

CMYK 0 / 9 / 98 / 36

HEX #A49504

RGB 164 149 4

HSL 54.38, 0.95%, 0.33%

LAB 61.13, -7.55, 64.28

 

CMYK 0 / 35 / 98 / 36

HEX #A46A04

RGB 164 106 4

HSL 38.25, 0.95%, 0.33%

LAB 49.75, 16.38, 56.14

 

CMYK 0 / 62 / 98 / 36

HEX #A43F04

RGB 164 63 4

HSL 22.13, 0.95%, 0.33%

LAB 40.34, 39.48, 50.01

 

CMYK 43 / 0 / 98 / 36

HEX #5DA404

RGB 93 164 4

HSL 86.63, 0.95%, 0.33%

LAB 60.68, -44.4, 61.8

 

CMYK 70 / 0 / 98 / 36

HEX #32A404

RGB 50 164 4

HSL 102.75, 0.95%, 0.33%

LAB 59.19, -56.26, 59.98

 

CMYK 96 / 0 / 98 / 36

HEX #07A404

RGB 7 164 4

HSL 118.88, 0.95%, 0.33%

LAB 58.61, -61.45, 59.26

 

CMYK 98 / 0 / 73 / 36

HEX #04A42D

RGB 4 164 45

HSL 135.38, 0.95%, 0.33%

LAB 58.76, -59.44, 49.07

 

CMYK 98 / 0 / 46 / 36

HEX #04A458

RGB 4 164 88

HSL 151.5, 0.95%, 0.33%

LAB 59.23, -53.56, 29.49

 

CMYK 43 / 0 / 98 / 36

HEX #5DA404

RGB 93 164 4

HSL 86.63, 0.95%, 0.33%

LAB 60.68, -44.4, 61.8

 

CMYK 43 / 0 / 98 / 36

HEX #5DA404

RGB 93 164 4

HSL 86.63, 0.95%, 0.33%

LAB 60.68, -44.4, 61.8

 

CMYK 39 / 0 / 88 / 41

HEX #5C9612

RGB 92 150 18

HSL 86.36, 0.79%, 0.33%

LAB 56.22, -38.54, 55.8

 

CMYK 34 / 0 / 77 / 46

HEX #5A891F

RGB 90 137 31

HSL 86.6, 0.63%, 0.33%

LAB 52.02, -32.91, 48.23

 

CMYK 28 / 0 / 63 / 52

HEX #587B2D

RGB 88 123 45

HSL 86.92, 0.46%, 0.33%

LAB 47.53, -25.97, 37.71

 

CMYK 21 / 0 / 46 / 57

HEX #576E3B

RGB 87 110 59

HSL 87.06, 0.3%, 0.33%

LAB 43.5, -18.11, 25.64

 

CMYK 0 / 10 / 98 / 36

HEX #A49404

RGB 164 148 4

HSL 54, 0.95%, 0.33%

LAB 60.85, -7.01, 64.07

 

CMYK 16 / 0 / 98 / 36

HEX #89A404

RGB 137 164 4

HSL 70.13, 0.95%, 0.33%

LAB 63.24, -27.23, 64.89

 

CMYK 42 / 0 / 98 / 36

HEX #5FA404

RGB 95 164 4

HSL 85.88, 0.95%, 0.33%

LAB 60.78, -43.71, 61.91

 

CMYK 68 / 0 / 98 / 36

HEX #34A404

RGB 52 164 4

HSL 102, 0.95%, 0.33%

LAB 59.24, -55.85, 60.04

 

CMYK 94 / 0 / 98 / 36

HEX #0AA404

RGB 10 164 4

HSL 117.75, 0.95%, 0.33%

LAB 58.62, -61.28, 59.28

 

CMYK 44 / 0 / 98 / 67

HEX #2F5402

RGB 47 84 2

HSL 87.07, 0.95%, 0.17%

LAB 31.69, -26.67, 38.1

 

CMYK 44 / 0 / 98 / 51

HEX #467C03

RGB 70 124 3

HSL 86.78, 0.95%, 0.25%

LAB 46.61, -35.81, 50.3

 

CMYK 43 / 0 / 98 / 36

HEX #5DA404

RGB 93 164 4

HSL 86.63, 0.95%, 0.33%

LAB 60.68, -44.4, 61.8

 

CMYK 43 / 0 / 98 / 20

HEX #74CC05

RGB 116 204 5

HSL 86.53, 0.95%, 0.41%

LAB 74.13, -52.58, 72.77

 

CMYK 43 / 0 / 98 / 4

HEX #8BF506

RGB 139 245 6

HSL 86.61, 0.95%, 0.49%

LAB 87.39, -60.83, 83.57

 

CMYK 43 / 0 / 98 / 35

HEX #5EA604

RGB 94 166 4

HSL 86.67, 0.95%, 0.33%

LAB 61.36, -44.87, 62.35

 

CMYK 98 / 0 / 36 / 36

HEX #04A469

RGB 4 164 105

HSL 157.88, 0.95%, 0.33%

LAB 59.52, -50.17, 20.74

 

CMYK 0 / 98 / 3 / 36

HEX #A4049F

RGB 164 4 159

HSL 301.88, 0.95%, 0.33%

LAB 38.69, 69.42, -40.96

 

CMYK 43 / 0 / 98 / 35

HEX #5EA604

RGB 94 166 4

HSL 86.67, 0.95%, 0.33%

LAB 61.36, -44.87, 62.35

 

CMYK 98 / 42 / 0 / 36

HEX #045FA4

RGB 4 95 164

HSL 205.88, 0.95%, 0.33%

LAB 39.4, 3.72, -43.62

 

CMYK 0 / 98 / 42 / 36

HEX #A4045F

RGB 164 4 95

HSL 325.88, 0.95%, 0.33%

LAB 35.61, 61.56, -5.86

 

CMYK 43 / 0 / 98 / 35

HEX #5EA604

RGB 94 166 4

HSL 86.67, 0.95%, 0.33%

LAB 61.36, -44.87, 62.35

 

CMYK 98 / 0 / 36 / 36

HEX #04A469

RGB 4 164 105

HSL 157.88, 0.95%, 0.33%

LAB 59.52, -50.17, 20.74

 

CMYK 55 / 98 / 0 / 36

HEX #4904A4

RGB 73 4 164

HSL 265.88, 0.95%, 0.33%

LAB 24.27, 58.4, -68.13

 

CMYK 0 / 98 / 62 / 36

HEX #A4043F

RGB 164 4 63

HSL 337.88, 0.95%, 0.33%

LAB 34.68, 59.07, 13.64

 

CMYK 43 / 0 / 98 / 35

HEX #5EA604

RGB 94 166 4

HSL 86.67, 0.95%, 0.33%

LAB 61.36, -44.87, 62.35

 

CMYK 98 / 0 / 7 / 36

HEX #04A499

RGB 4 164 153

HSL 175.88, 0.95%, 0.33%

LAB 60.67, -37.75, -4.42

 

CMYK 55 / 98 / 0 / 36

HEX #4904A4

RGB 73 4 164

HSL 265.88, 0.95%, 0.33%

LAB 24.27, 58.4, -68.13

 

CMYK 0 / 98 / 91 / 36

HEX #A4040F

RGB 164 4 15

HSL 355.88, 0.95%, 0.33%

LAB 34.01, 57.25, 41.91

 

Description

Color code: HEX #5EA604 | qconv.com Color code: HEX #5EA604 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 166 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 166 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 98 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 98% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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