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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5EA119 it is the complementary color #A15EE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5EA119. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5EA119 shade: #63A114, #74B327, #85C53A, #96D74D and #A7E960

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5EA119. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5EA119 shade: #5EA119, #4D8F06, #3C7D00, #2B6B00 and #1A5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5EA119 shade: #5D9F19, #819F19, #9F9919, #9F7419 and #9F5019

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5EA119 shade: #5D9F19, #399F19, #199F1D, #199F41 and #199F65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5EA119 shade matches the following richer shades: #5D9F19 and #5DAE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5EA119 shade: #5D9F19, #5D9028, #5C8136, #5C7245 and #5C6354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5EA119 shade: #9F9819, #829F19, #5E9F19, #3A9F19 and #199F1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5EA119 shade: #33570E, #487B13, #5D9F19, #72C31E and #86DE2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5EA119 shade: #5EA119, #199F74 and #9F1994

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5EA119 shade: #5EA119, #195E9F and #9F195E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5EA119 shade: #5EA119, #199F74, #5A199F and #9F1943

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5EA119 shade: #5EA119, #199F9D, #5A199F and #9F191B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 84 / 37

HEX #5EA119

RGB 94 161 25

HSL 89.56, 0.73%, 0.36%

LAB 59.83, -42.23, 57.32

 

Complementary color

CMYK 30 / 59 / 0 / 10

HEX #A15EE6

RGB 161 94 230

HSL 269.56, 0.73%, 0.64%

LAB 53.27, 52.78, -58.93

 

CMYK 39 / 0 / 88 / 37

HEX #63A114

RGB 99 161 20

HSL 86.38, 0.78%, 0.35%

LAB 60.06, -40.64, 58.79

 

CMYK 35 / 0 / 78 / 30

HEX #74B327

RGB 116 179 39

HSL 87, 0.64%, 0.43%

LAB 66.6, -41.36, 59.92

 

CMYK 32 / 0 / 71 / 23

HEX #85C53A

RGB 133 197 58

HSL 87.63, 0.55%, 0.5%

LAB 73.04, -41.84, 60

 

CMYK 30 / 0 / 64 / 16

HEX #96D74D

RGB 150 215 77

HSL 88.26, 0.63%, 0.57%

LAB 79.4, -42.15, 59.51

 

CMYK 28 / 0 / 59 / 9

HEX #A7E960

RGB 167 233 96

HSL 88.91, 0.76%, 0.65%

LAB 85.67, -42.34, 58.7

 

CMYK 42 / 0 / 84 / 37

HEX #5EA119

RGB 94 161 25

HSL 89.56, 0.73%, 0.36%

LAB 59.83, -42.23, 57.32

 

CMYK 46 / 0 / 96 / 44

HEX #4D8F06

RGB 77 143 6

HSL 88.91, 0.92%, 0.29%

LAB 53.21, -41.25, 55.19

 

CMYK 52 / 0 / 100 / 51

HEX #3C7D00

RGB 60 125 0

HSL 91.2, 1%, 0.25%

LAB 46.48, -39.77, 50.64

 

CMYK 60 / 0 / 100 / 58

HEX #2B6B00

RGB 43 107 0

HSL 95.89, 1%, 0.21%

LAB 39.63, -37.92, 44.97

 

CMYK 71 / 0 / 100 / 65

HEX #1A5900

RGB 26 89 0

HSL 102.47, 1%, 0.17%

LAB 32.62, -35.69, 39.19

 

CMYK 42 / 0 / 84 / 38

HEX #5D9F19

RGB 93 159 25

HSL 89.55, 0.73%, 0.36%

LAB 59.15, -41.74, 56.7

 

CMYK 19 / 0 / 84 / 38

HEX #819F19

RGB 129 159 25

HSL 73.43, 0.73%, 0.36%

LAB 61.25, -27.72, 59.35

 

CMYK 0 / 4 / 84 / 38

HEX #9F9919

RGB 159 153 25

HSL 57.31, 0.73%, 0.36%

LAB 61.85, -11.53, 60.78

 

CMYK 0 / 27 / 84 / 38

HEX #9F7419

RGB 159 116 25

HSL 40.75, 0.73%, 0.36%

LAB 51.76, 8.85, 52.19

 

CMYK 0 / 50 / 84 / 38

HEX #9F5019

RGB 159 80 25

HSL 24.63, 0.73%, 0.36%

LAB 43.03, 29.15, 44.56

 

CMYK 42 / 0 / 84 / 38

HEX #5D9F19

RGB 93 159 25

HSL 89.55, 0.73%, 0.36%

LAB 59.15, -41.74, 56.7

 

CMYK 64 / 0 / 84 / 38

HEX #399F19

RGB 57 159 25

HSL 105.67, 0.73%, 0.36%

LAB 57.79, -52.35, 54.96

 

CMYK 84 / 0 / 82 / 38

HEX #199F1D

RGB 25 159 29

HSL 121.79, 0.73%, 0.36%

LAB 57.16, -57.61, 53.03

 

CMYK 84 / 0 / 59 / 38

HEX #199F41

RGB 25 159 65

HSL 137.91, 0.73%, 0.36%

LAB 57.45, -54.09, 38.95

 

CMYK 84 / 0 / 36 / 38

HEX #199F65

RGB 25 159 101

HSL 154.03, 0.73%, 0.36%

LAB 57.98, -47.8, 20.88

 

CMYK 42 / 0 / 84 / 38

HEX #5D9F19

RGB 93 159 25

HSL 89.55, 0.73%, 0.36%

LAB 59.15, -41.74, 56.7

 

CMYK 47 / 0 / 94 / 32

HEX #5DAE0A

RGB 93 174 10

HSL 89.63, 0.89%, 0.36%

LAB 63.85, -48.27, 63.54

 

CMYK 42 / 0 / 84 / 38

HEX #5D9F19

RGB 93 159 25

HSL 89.55, 0.73%, 0.36%

LAB 59.15, -41.74, 56.7

 

CMYK 35 / 0 / 72 / 44

HEX #5D9028

RGB 93 144 40

HSL 89.42, 0.57%, 0.36%

LAB 54.48, -34.36, 47.35

 

CMYK 29 / 0 / 58 / 49

HEX #5C8136

RGB 92 129 54

HSL 89.6, 0.41%, 0.36%

LAB 49.79, -26.42, 35.95

 

CMYK 19 / 0 / 39 / 55

HEX #5C7245

RGB 92 114 69

HSL 89.33, 0.25%, 0.36%

LAB 45.28, -16.78, 22.34

 

CMYK 7 / 0 / 15 / 61

HEX #5C6354

RGB 92 99 84

HSL 88, 0.08%, 0.36%

LAB 40.96, -5.79, 7.61

 

CMYK 0 / 4 / 84 / 38

HEX #9F9819

RGB 159 152 25

HSL 56.87, 0.73%, 0.36%

LAB 61.57, -11.01, 60.55

 

CMYK 18 / 0 / 84 / 38

HEX #829F19

RGB 130 159 25

HSL 72.99, 0.73%, 0.36%

LAB 61.32, -27.3, 59.43

 

CMYK 41 / 0 / 84 / 38

HEX #5E9F19

RGB 94 159 25

HSL 89.1, 0.73%, 0.36%

LAB 59.2, -41.39, 56.76

 

CMYK 64 / 0 / 84 / 38

HEX #3A9F19

RGB 58 159 25

HSL 105.22, 0.73%, 0.36%

LAB 57.81, -52.12, 54.99

 

CMYK 84 / 0 / 83 / 38

HEX #199F1B

RGB 25 159 27

HSL 120.9, 0.73%, 0.36%

LAB 57.16, -57.73, 53.6

 

CMYK 41 / 0 / 84 / 66

HEX #33570E

RGB 51 87 14

HSL 89.59, 0.72%, 0.2%

LAB 33.03, -25.85, 35.37

 

CMYK 41 / 0 / 85 / 52

HEX #487B13

RGB 72 123 19

HSL 89.42, 0.73%, 0.28%

LAB 46.43, -34.07, 46.54

 

CMYK 42 / 0 / 84 / 38

HEX #5D9F19

RGB 93 159 25

HSL 89.55, 0.73%, 0.36%

LAB 59.15, -41.74, 56.7

 

CMYK 42 / 0 / 85 / 24

HEX #72C31E

RGB 114 195 30

HSL 89.45, 0.73%, 0.44%

LAB 71.35, -49.1, 66.62

 

CMYK 40 / 0 / 80 / 13

HEX #86DE2C

RGB 134 222 44

HSL 89.66, 0.73%, 0.52%

LAB 80.46, -52.64, 71.6

 

CMYK 42 / 0 / 84 / 37

HEX #5EA119

RGB 94 161 25

HSL 89.56, 0.73%, 0.36%

LAB 59.83, -42.23, 57.32

 

CMYK 84 / 0 / 27 / 38

HEX #199F74

RGB 25 159 116

HSL 160.75, 0.73%, 0.36%

LAB 58.29, -44.4, 12.98

 

CMYK 0 / 84 / 7 / 38

HEX #9F1994

RGB 159 25 148

HSL 304.93, 0.73%, 0.36%

LAB 38.21, 63.7, -35.12

 

CMYK 42 / 0 / 84 / 37

HEX #5EA119

RGB 94 161 25

HSL 89.56, 0.73%, 0.36%

LAB 59.83, -42.23, 57.32

 

CMYK 84 / 41 / 0 / 38

HEX #195E9F

RGB 25 94 159

HSL 209.1, 0.73%, 0.36%

LAB 39.1, 3.65, -41.1

 

CMYK 0 / 84 / 41 / 38

HEX #9F195E

RGB 159 25 94

HSL 329.1, 0.73%, 0.36%

LAB 35.74, 56.83, -5.12

 

CMYK 42 / 0 / 84 / 37

HEX #5EA119

RGB 94 161 25

HSL 89.56, 0.73%, 0.36%

LAB 59.83, -42.23, 57.32

 

CMYK 84 / 0 / 27 / 38

HEX #199F74

RGB 25 159 116

HSL 160.75, 0.73%, 0.36%

LAB 58.29, -44.4, 12.98

 

CMYK 43 / 84 / 0 / 38

HEX #5A199F

RGB 90 25 159

HSL 269.1, 0.73%, 0.36%

LAB 27.77, 53.68, -59.24

 

CMYK 0 / 84 / 58 / 38

HEX #9F1943

RGB 159 25 67

HSL 341.19, 0.73%, 0.36%

LAB 34.95, 54.51, 11.23

 

CMYK 42 / 0 / 84 / 37

HEX #5EA119

RGB 94 161 25

HSL 89.56, 0.73%, 0.36%

LAB 59.83, -42.23, 57.32

 

CMYK 84 / 0 / 1 / 38

HEX #199F9D

RGB 25 159 157

HSL 179.1, 0.73%, 0.36%

LAB 59.38, -33.14, -8.59

 

CMYK 43 / 84 / 0 / 38

HEX #5A199F

RGB 90 25 159

HSL 269.1, 0.73%, 0.36%

LAB 27.77, 53.68, -59.24

 

CMYK 0 / 84 / 83 / 38

HEX #9F191B

RGB 159 25 27

HSL 359.1, 0.73%, 0.36%

LAB 34.28, 52.52, 35.5

 

Description

Color code: HEX #5EA119 | qconv.com Color code: HEX #5EA119 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 161 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 161 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 84 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 84% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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