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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9CEE it is the complementary color #A16311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9CEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9CEE shade: #639CE9, #74AEFC, #85C0FF, #96D2FF and #A7E4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9CEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9CEE shade: #5E9CEE, #4D8ADB, #3C78C8, #2B66B5 and #1A54A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9CEE shade: #5D9BEE, #5D74EE, #6D5DEE, #945DEE and #BB5DEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9CEE shade: #5D9BEE, #5D74EE and #5D5DEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9CEE shade matches the following richer shades: #5D9BEE and #4F99FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9CEE shade: #5D9BEE, #6B9DDF, #7A9FD1, #88A1C2 and #97A3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9CEE shade: #5DE9EE, #5DC2EE, #5D9CEE, #5D75EE and #6B5DEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9CEE shade: #176EE1, #3884EA, #5D9BEE, #82B2F1 and #A8C9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9CEE shade: #5E9CEE, #CC5DEE and #D5EE5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9CEE shade: #5E9CEE, #EE5D9C and #9CEE5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9CEE shade: #5E9CEE, #CC5DEE, #EEAF5D and #7FEE5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9CEE shade: #5E9CEE, #EE5DE4, #EEAF5D and #5DEE67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 34 / 0 / 7

HEX #5E9CEE

RGB 94 156 238

HSL 214.17, 0.81%, 0.65%

LAB 63.61, 4.44, -47.21

 

Complementary color

CMYK 0 / 39 / 89 / 37

HEX #A16311

RGB 161 99 17

HSL 34.17, 0.81%, 0.35%

LAB 47.68, 19.22, 51.41

 

CMYK 58 / 33 / 0 / 9

HEX #639CE9

RGB 99 156 233

HSL 214.48, 0.75%, 0.65%

LAB 63.6, 3.79, -44.46

 

CMYK 54 / 31 / 0 / 1

HEX #74AEFC

RGB 116 174 252

HSL 214.41, 0.96%, 0.72%

LAB 70.19, 2.92, -44.45

 

CMYK 48 / 25 / 0 / 0

HEX #85C0FF

RGB 133 192 255

HSL 210.98, 1%, 0.76%

LAB 76.01, -2.42, -36.92

 

CMYK 41 / 18 / 0 / 0

HEX #96D2FF

RGB 150 210 255

HSL 205.71, 1%, 0.79%

LAB 81.73, -7.96, -28.04

 

CMYK 35 / 11 / 0 / 0

HEX #A7E4FF

RGB 167 228 255

HSL 198.41, 1%, 0.83%

LAB 87.45, -12.89, -19.26

 

CMYK 61 / 34 / 0 / 7

HEX #5E9CEE

RGB 94 156 238

HSL 214.17, 0.81%, 0.65%

LAB 63.61, 4.44, -47.21

 

CMYK 65 / 37 / 0 / 14

HEX #4D8ADB

RGB 77 138 219

HSL 214.23, 0.66%, 0.58%

LAB 56.95, 5.65, -47.26

 

CMYK 70 / 40 / 0 / 22

HEX #3C78C8

RGB 60 120 200

HSL 214.29, 0.56%, 0.51%

LAB 50.17, 7.15, -47.31

 

CMYK 76 / 44 / 0 / 29

HEX #2B66B5

RGB 43 102 181

HSL 214.35, 0.62%, 0.44%

LAB 43.29, 9.05, -47.36

 

CMYK 84 / 48 / 0 / 36

HEX #1A54A2

RGB 26 84 162

HSL 214.41, 0.72%, 0.37%

LAB 36.31, 11.5, -47.36

 

CMYK 61 / 35 / 0 / 7

HEX #5D9BEE

RGB 93 155 238

HSL 214.34, 0.81%, 0.65%

LAB 63.3, 4.84, -47.72

 

CMYK 61 / 51 / 0 / 7

HEX #5D74EE

RGB 93 116 238

HSL 230.48, 0.81%, 0.65%

LAB 52.94, 28.22, -64.25

 

CMYK 54 / 61 / 0 / 7

HEX #6D5DEE

RGB 109 93 238

HSL 246.62, 0.81%, 0.65%

LAB 48.58, 44.78, -71.26

 

CMYK 38 / 61 / 0 / 7

HEX #945DEE

RGB 148 93 238

HSL 262.76, 0.81%, 0.65%

LAB 52.17, 52.39, -65.27

 

CMYK 21 / 61 / 0 / 7

HEX #BB5DEE

RGB 187 93 238

HSL 278.9, 0.81%, 0.65%

LAB 56.65, 61.05, -57.83

 

CMYK 61 / 35 / 0 / 7

HEX #5D9BEE

RGB 93 155 238

HSL 214.34, 0.81%, 0.65%

LAB 63.3, 4.84, -47.72

 

CMYK 61 / 51 / 0 / 7

HEX #5D74EE

RGB 93 116 238

HSL 230.48, 0.81%, 0.65%

LAB 52.94, 28.22, -64.25

 

CMYK 61 / 61 / 0 / 7

HEX #5D5DEE

RGB 93 93 238

HSL 240, 0.81%, 0.65%

LAB 47.4, 42.13, -73.22

 

CMYK 61 / 35 / 0 / 7

HEX #5D9BEE

RGB 93 155 238

HSL 214.34, 0.81%, 0.65%

LAB 63.3, 4.84, -47.72

 

CMYK 69 / 39 / 0 / 1

HEX #4F99FC

RGB 79 153 252

HSL 214.34, 0.97%, 0.65%

LAB 62.9, 8.4, -56.05

 

CMYK 61 / 35 / 0 / 7

HEX #5D9BEE

RGB 93 155 238

HSL 214.34, 0.81%, 0.65%

LAB 63.3, 4.84, -47.72

 

CMYK 52 / 30 / 0 / 13

HEX #6B9DDF

RGB 107 157 223

HSL 214.14, 0.64%, 0.65%

LAB 63.81, 1.79, -38.59

 

CMYK 42 / 24 / 0 / 18

HEX #7A9FD1

RGB 122 159 209

HSL 214.48, 0.49%, 0.65%

LAB 64.59, 0.21, -29.54

 

CMYK 30 / 17 / 0 / 24

HEX #88A1C2

RGB 136 161 194

HSL 214.14, 0.32%, 0.65%

LAB 65.45, -0.96, -19.81

 

CMYK 16 / 9 / 0 / 29

HEX #97A3B4

RGB 151 163 180

HSL 215.17, 0.16%, 0.65%

LAB 66.57, -0.64, -10.21

 

CMYK 61 / 2 / 0 / 7

HEX #5DE9EE

RGB 93 233 238

HSL 182.07, 0.81%, 0.65%

LAB 85.39, -35.88, -13.71

 

CMYK 61 / 18 / 0 / 7

HEX #5DC2EE

RGB 93 194 238

HSL 198.21, 0.81%, 0.65%

LAB 74.24, -16.68, -30.64

 

CMYK 61 / 34 / 0 / 7

HEX #5D9CEE

RGB 93 156 238

HSL 213.93, 0.81%, 0.65%

LAB 63.57, 4.26, -47.28

 

CMYK 61 / 51 / 0 / 7

HEX #5D75EE

RGB 93 117 238

HSL 230.07, 0.81%, 0.65%

LAB 53.19, 27.61, -63.84

 

CMYK 55 / 61 / 0 / 7

HEX #6B5DEE

RGB 107 93 238

HSL 245.79, 0.81%, 0.65%

LAB 48.42, 44.43, -71.52

 

CMYK 90 / 51 / 0 / 12

HEX #176EE1

RGB 23 110 225

HSL 214.16, 0.81%, 0.49%

LAB 47.97, 19.27, -65.11

 

CMYK 76 / 44 / 0 / 8

HEX #3884EA

RGB 56 132 234

HSL 214.38, 0.81%, 0.57%

LAB 55.36, 11.62, -58.2

 

CMYK 61 / 35 / 0 / 7

HEX #5D9BEE

RGB 93 155 238

HSL 214.34, 0.81%, 0.65%

LAB 63.3, 4.84, -47.72

 

CMYK 46 / 26 / 0 / 5

HEX #82B2F1

RGB 130 178 241

HSL 214.05, 0.8%, 0.73%

LAB 71.51, 0.59, -36.36

 

CMYK 31 / 18 / 0 / 4

HEX #A8C9F5

RGB 168 201 245

HSL 214.29, 0.79%, 0.81%

LAB 80.01, -0.94, -25.25

 

CMYK 61 / 34 / 0 / 7

HEX #5E9CEE

RGB 94 156 238

HSL 214.17, 0.81%, 0.65%

LAB 63.61, 4.44, -47.21

 

CMYK 14 / 61 / 0 / 7

HEX #CC5DEE

RGB 204 93 238

HSL 285.93, 0.81%, 0.65%

LAB 58.83, 65, -54.23

 

CMYK 11 / 0 / 61 / 7

HEX #D5EE5D

RGB 213 238 93

HSL 70.34, 0.81%, 0.65%

LAB 89.9, -27.57, 65.44

 

CMYK 61 / 34 / 0 / 7

HEX #5E9CEE

RGB 94 156 238

HSL 214.17, 0.81%, 0.65%

LAB 63.61, 4.44, -47.21

 

CMYK 0 / 61 / 34 / 7

HEX #EE5D9C

RGB 238 93 156

HSL 333.93, 0.81%, 0.65%

LAB 60.25, 61.52, -4.95

 

CMYK 34 / 0 / 61 / 7

HEX #9CEE5D

RGB 156 238 93

HSL 93.93, 0.81%, 0.65%

LAB 86.51, -48.54, 60.75

 

CMYK 61 / 34 / 0 / 7

HEX #5E9CEE

RGB 94 156 238

HSL 214.17, 0.81%, 0.65%

LAB 63.61, 4.44, -47.21

 

CMYK 14 / 61 / 0 / 7

HEX #CC5DEE

RGB 204 93 238

HSL 285.93, 0.81%, 0.65%

LAB 58.83, 65, -54.23

 

CMYK 0 / 26 / 61 / 7

HEX #EEAF5D

RGB 238 175 93

HSL 33.93, 0.81%, 0.65%

LAB 75.84, 14.55, 50.3

 

CMYK 47 / 0 / 61 / 7

HEX #7FEE5D

RGB 127 238 93

HSL 105.93, 0.81%, 0.65%

LAB 85.23, -57.6, 58.96

 

CMYK 61 / 34 / 0 / 7

HEX #5E9CEE

RGB 94 156 238

HSL 214.17, 0.81%, 0.65%

LAB 63.61, 4.44, -47.21

 

CMYK 0 / 61 / 4 / 7

HEX #EE5DE4

RGB 238 93 228

HSL 304.14, 0.81%, 0.65%

LAB 63.02, 71.41, -41.72

 

CMYK 0 / 26 / 61 / 7

HEX #EEAF5D

RGB 238 175 93

HSL 33.93, 0.81%, 0.65%

LAB 75.84, 14.55, 50.3

 

CMYK 61 / 0 / 57 / 7

HEX #5DEE67

RGB 93 238 103

HSL 124.14, 0.81%, 0.65%

LAB 84.2, -65.07, 53.14

 

Description

Color code: HEX #5E9CEE | qconv.com Color code: HEX #5E9CEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 156 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 156 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 34 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 34% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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