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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9C05 it is the complementary color #A163FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9C05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9C05 shade: #639C00, #74AE13, #85C026, #96D239 and #A7E44C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9C05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9C05 shade: #5E9C05, #4D8A00, #3C7800, #2B6600 and #1A5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9C05 shade: #5F9E04, #889E04, #9E8A04, #9E6104 and #9E3704

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9C05 shade: #5F9E04, #359E04, #0C9E04, #049E26 and #049E4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9C05 shade matches the following richer shades: #5F9E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9C05 shade: #5F9E04, #5C9112, #5A831F, #58762C and #556939

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9C05 shade: #9E8904, #899E04, #609E04, #389E04 and #0F9E04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9C05 shade: #2F4E02, #477603, #5F9E04, #77C606 and #8FEE07

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9C05 shade: #5E9C05, #049E60 and #9E049E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9C05 shade: #5E9C05, #04609E and #9E0460

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9C05 shade: #5E9C05, #049E60, #42049E and #9E0442

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9C05 shade: #5E9C05, #049E8E, #42049E and #9E0414

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 97 / 39

HEX #5E9C05

RGB 94 156 5

HSL 84.64, 0.94%, 0.32%

LAB 58.2, -40.71, 59.69

 

Complementary color

CMYK 36 / 60 / 0 / 2

HEX #A163FA

RGB 161 99 250

HSL 264.64, 0.94%, 0.68%

LAB 55.48, 55.02, -66.54

 

CMYK 37 / 0 / 100 / 39

HEX #639C00

RGB 99 156 0

HSL 81.92, 1%, 0.31%

LAB 58.44, -38.97, 60.75

 

CMYK 33 / 0 / 89 / 32

HEX #74AE13

RGB 116 174 19

HSL 82.45, 0.8%, 0.38%

LAB 64.99, -39.98, 63.52

 

CMYK 31 / 0 / 80 / 25

HEX #85C026

RGB 133 192 38

HSL 82.99, 0.67%, 0.45%

LAB 71.44, -40.77, 65.01

 

CMYK 29 / 0 / 73 / 18

HEX #96D239

RGB 150 210 57

HSL 83.53, 0.63%, 0.52%

LAB 77.8, -41.33, 65.41

 

CMYK 27 / 0 / 67 / 11

HEX #A7E44C

RGB 167 228 76

HSL 84.08, 0.74%, 0.6%

LAB 84.08, -41.74, 65.15

 

CMYK 40 / 0 / 97 / 39

HEX #5E9C05

RGB 94 156 5

HSL 84.64, 0.94%, 0.32%

LAB 58.2, -40.71, 59.69

 

CMYK 44 / 0 / 100 / 46

HEX #4D8A00

RGB 77 138 0

HSL 86.52, 1%, 0.27%

LAB 51.56, -39.33, 54.94

 

CMYK 50 / 0 / 100 / 53

HEX #3C7800

RGB 60 120 0

HSL 90, 1%, 0.24%

LAB 44.79, -37.74, 49.32

 

CMYK 58 / 0 / 100 / 60

HEX #2B6600

RGB 43 102 0

HSL 94.71, 1%, 0.2%

LAB 37.87, -35.95, 43.59

 

CMYK 69 / 0 / 100 / 67

HEX #1A5400

RGB 26 84 0

HSL 101.43, 1%, 0.16%

LAB 30.78, -33.8, 37.73

 

CMYK 40 / 0 / 97 / 38

HEX #5F9E04

RGB 95 158 4

HSL 84.55, 0.95%, 0.32%

LAB 58.88, -41.21, 60.41

 

CMYK 14 / 0 / 97 / 38

HEX #889E04

RGB 136 158 4

HSL 68.57, 0.95%, 0.32%

LAB 61.39, -24.73, 63.44

 

CMYK 0 / 13 / 97 / 38

HEX #9E8A04

RGB 158 138 4

HSL 52.21, 0.95%, 0.32%

LAB 57.52, -4.35, 61.37

 

CMYK 0 / 39 / 97 / 38

HEX #9E6104

RGB 158 97 4

HSL 36.23, 0.95%, 0.32%

LAB 46.75, 18.77, 53.71

 

CMYK 0 / 65 / 97 / 38

HEX #9E3704

RGB 158 55 4

HSL 19.87, 0.95%, 0.32%

LAB 37.86, 40.95, 47.98

 

CMYK 40 / 0 / 97 / 38

HEX #5F9E04

RGB 95 158 4

HSL 84.55, 0.95%, 0.32%

LAB 58.88, -41.21, 60.41

 

CMYK 66 / 0 / 97 / 38

HEX #359E04

RGB 53 158 4

HSL 100.91, 0.95%, 0.32%

LAB 57.29, -53.63, 58.46

 

CMYK 92 / 0 / 97 / 38

HEX #0C9E04

RGB 12 158 4

HSL 116.88, 0.95%, 0.32%

LAB 56.63, -59.45, 57.65

 

CMYK 97 / 0 / 76 / 38

HEX #049E26

RGB 4 158 38

HSL 133.25, 0.95%, 0.32%

LAB 56.7, -58.25, 49.58

 

CMYK 97 / 0 / 50 / 38

HEX #049E4F

RGB 4 158 79

HSL 149.22, 0.95%, 0.32%

LAB 57.12, -53.08, 31.5

 

CMYK 40 / 0 / 97 / 38

HEX #5F9E04

RGB 95 158 4

HSL 84.55, 0.95%, 0.32%

LAB 58.88, -41.21, 60.41

 

CMYK 40 / 0 / 97 / 38

HEX #5F9E04

RGB 95 158 4

HSL 84.55, 0.95%, 0.32%

LAB 58.88, -41.21, 60.41

 

CMYK 37 / 0 / 88 / 43

HEX #5C9112

RGB 92 145 18

HSL 85.04, 0.78%, 0.32%

LAB 54.63, -36.35, 54.43

 

CMYK 31 / 0 / 76 / 49

HEX #5A831F

RGB 90 131 31

HSL 84.6, 0.62%, 0.32%

LAB 50.1, -30.12, 46.37

 

CMYK 25 / 0 / 63 / 54

HEX #58762C

RGB 88 118 44

HSL 84.32, 0.46%, 0.32%

LAB 45.93, -23.57, 36.4

 

CMYK 19 / 0 / 46 / 59

HEX #556939

RGB 85 105 57

HSL 85, 0.3%, 0.32%

LAB 41.74, -16.52, 24.52

 

CMYK 0 / 13 / 97 / 38

HEX #9E8904

RGB 158 137 4

HSL 51.82, 0.95%, 0.32%

LAB 57.24, -3.8, 61.16

 

CMYK 13 / 0 / 97 / 38

HEX #899E04

RGB 137 158 4

HSL 68.18, 0.95%, 0.32%

LAB 61.46, -24.3, 63.53

 

CMYK 39 / 0 / 97 / 38

HEX #609E04

RGB 96 158 4

HSL 84.16, 0.95%, 0.32%

LAB 58.93, -40.85, 60.47

 

CMYK 65 / 0 / 97 / 38

HEX #389E04

RGB 56 158 4

HSL 99.74, 0.95%, 0.32%

LAB 57.37, -52.95, 58.56

 

CMYK 91 / 0 / 97 / 38

HEX #0F9E04

RGB 15 158 4

HSL 115.71, 0.95%, 0.32%

LAB 56.65, -59.24, 57.68

 

CMYK 40 / 0 / 97 / 69

HEX #2F4E02

RGB 47 78 2

HSL 84.47, 0.95%, 0.16%

LAB 29.56, -23.8, 36.38

 

CMYK 40 / 0 / 97 / 54

HEX #477603

RGB 71 118 3

HSL 84.52, 0.95%, 0.24%

LAB 44.66, -32.8, 48.77

 

CMYK 40 / 0 / 97 / 38

HEX #5F9E04

RGB 95 158 4

HSL 84.55, 0.95%, 0.32%

LAB 58.88, -41.21, 60.41

 

CMYK 40 / 0 / 97 / 22

HEX #77C606

RGB 119 198 6

HSL 84.69, 0.94%, 0.4%

LAB 72.44, -49.19, 71.39

 

CMYK 40 / 0 / 97 / 7

HEX #8FEE07

RGB 143 238 7

HSL 84.68, 0.94%, 0.48%

LAB 85.51, -56.87, 82.08

 

CMYK 40 / 0 / 97 / 39

HEX #5E9C05

RGB 94 156 5

HSL 84.64, 0.94%, 0.32%

LAB 58.2, -40.71, 59.69

 

CMYK 97 / 0 / 39 / 38

HEX #049E60

RGB 4 158 96

HSL 155.84, 0.95%, 0.32%

LAB 57.39, -49.86, 22.79

 

CMYK 0 / 97 / 0 / 38

HEX #9E049E

RGB 158 4 158

HSL 300, 0.95%, 0.32%

LAB 37.53, 68.24, -42.29

 

CMYK 40 / 0 / 97 / 39

HEX #5E9C05

RGB 94 156 5

HSL 84.64, 0.94%, 0.32%

LAB 58.2, -40.71, 59.69

 

CMYK 97 / 39 / 0 / 38

HEX #04609E

RGB 4 96 158

HSL 204.16, 0.95%, 0.32%

LAB 39.34, 0.63, -40.13

 

CMYK 0 / 97 / 39 / 38

HEX #9E0460

RGB 158 4 96

HSL 324.16, 0.95%, 0.32%

LAB 34.4, 60.31, -8.44

 

CMYK 40 / 0 / 97 / 39

HEX #5E9C05

RGB 94 156 5

HSL 84.64, 0.94%, 0.32%

LAB 58.2, -40.71, 59.69

 

CMYK 97 / 0 / 39 / 38

HEX #049E60

RGB 4 158 96

HSL 155.84, 0.95%, 0.32%

LAB 57.39, -49.86, 22.79

 

CMYK 58 / 97 / 0 / 38

HEX #42049E

RGB 66 4 158

HSL 264.16, 0.95%, 0.32%

LAB 22.7, 56.44, -67.1

 

CMYK 0 / 97 / 58 / 38

HEX #9E0442

RGB 158 4 66

HSL 335.84, 0.95%, 0.32%

LAB 33.46, 57.79, 9.79

 

CMYK 40 / 0 / 97 / 39

HEX #5E9C05

RGB 94 156 5

HSL 84.64, 0.94%, 0.32%

LAB 58.2, -40.71, 59.69

 

CMYK 97 / 0 / 10 / 38

HEX #049E8E

RGB 4 158 142

HSL 173.77, 0.95%, 0.32%

LAB 58.45, -38.29, -1.48

 

CMYK 58 / 97 / 0 / 38

HEX #42049E

RGB 66 4 158

HSL 264.16, 0.95%, 0.32%

LAB 22.7, 56.44, -67.1

 

CMYK 0 / 97 / 87 / 38

HEX #9E0414

RGB 158 4 20

HSL 353.77, 0.95%, 0.32%

LAB 32.71, 55.77, 37.82

 

Description

Color code: HEX #5E9C05 | qconv.com Color code: HEX #5E9C05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 156 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 156 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 97 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 97% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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