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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9BC8 it is the complementary color #A16437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9BC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9BC8 shade: #639BC3, #74ADD6, #85BFE9, #96D1FC and #A7E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9BC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9BC8 shade: #5E9BC8, #4D89B5, #3C77A2, #2B658F and #1A537C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9BC8 shade: #5F9BC8, #5F7FC8, #5F63C8, #775FC8 and #945FC8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9BC8 shade: #5F9BC8, #5F7FC8, #5F63C8 and #5F5FC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9BC8 shade matches the following richer shades: #5F9BC8, #4E9ED9, #3CA1EB and #2BA3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9BC8 shade: #5F9BC8, #7099B7, #8296A5, #939394 and #A49183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9BC8 shade: #5FC8BC, #5FB8C8, #5F9CC8, #5F80C8 and #5F64C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9BC8 shade: #36729E, #4088BD, #5F9BC8, #7EAED2 and #9CC2DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9BC8 shade: #5E9BC8, #A05FC8 and #C6C85F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9BC8 shade: #5E9BC8, #C85F9C and #9CC85F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9BC8 shade: #5E9BC8, #A05FC8, #C88B5F and #87C85F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9BC8 shade: #5E9BC8, #BF5FC8, #C88B5F and #68C85F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 23 / 0 / 22

HEX #5E9BC8

RGB 94 155 200

HSL 205.47, 0.49%, 0.58%

LAB 61.65, -6.97, -29.2

 

Complementary color

CMYK 0 / 38 / 66 / 37

HEX #A16437

RGB 161 100 55

HSL 25.47, 0.49%, 0.42%

LAB 48.22, 20.32, 35.3

 

CMYK 49 / 21 / 0 / 24

HEX #639BC3

RGB 99 155 195

HSL 205, 0.44%, 0.58%

LAB 61.68, -7.32, -26.32

 

CMYK 46 / 19 / 0 / 16

HEX #74ADD6

RGB 116 173 214

HSL 205.1, 0.54%, 0.65%

LAB 68.35, -7.68, -26.54

 

CMYK 43 / 18 / 0 / 9

HEX #85BFE9

RGB 133 191 233

HSL 205.2, 0.69%, 0.72%

LAB 74.91, -7.97, -26.78

 

CMYK 40 / 17 / 0 / 1

HEX #96D1FC

RGB 150 209 252

HSL 205.29, 0.94%, 0.79%

LAB 81.35, -8.22, -27.02

 

CMYK 35 / 11 / 0 / 0

HEX #A7E3FF

RGB 167 227 255

HSL 199.09, 1%, 0.83%

LAB 87.18, -12.38, -19.67

 

CMYK 53 / 23 / 0 / 22

HEX #5E9BC8

RGB 94 155 200

HSL 205.47, 0.49%, 0.58%

LAB 61.65, -6.97, -29.2

 

CMYK 57 / 24 / 0 / 29

HEX #4D89B5

RGB 77 137 181

HSL 205.38, 0.41%, 0.51%

LAB 54.87, -6.38, -29.01

 

CMYK 63 / 27 / 0 / 36

HEX #3C77A2

RGB 60 119 162

HSL 205.29, 0.46%, 0.44%

LAB 47.96, -5.6, -28.82

 

CMYK 70 / 29 / 0 / 44

HEX #2B658F

RGB 43 101 143

HSL 205.2, 0.54%, 0.36%

LAB 40.9, -4.54, -28.63

 

CMYK 79 / 33 / 0 / 51

HEX #1A537C

RGB 26 83 124

HSL 205.1, 0.65%, 0.29%

LAB 33.69, -3.05, -28.41

 

CMYK 53 / 23 / 0 / 22

HEX #5F9BC8

RGB 95 155 200

HSL 205.71, 0.49%, 0.58%

LAB 61.69, -6.75, -29.12

 

CMYK 53 / 37 / 0 / 22

HEX #5F7FC8

RGB 95 127 200

HSL 221.71, 0.49%, 0.58%

LAB 53.79, 9.53, -41.46

 

CMYK 53 / 51 / 0 / 22

HEX #5F63C8

RGB 95 99 200

HSL 237.71, 0.49%, 0.58%

LAB 46.35, 26.69, -53.32

 

CMYK 41 / 53 / 0 / 22

HEX #775FC8

RGB 119 95 200

HSL 253.71, 0.49%, 0.58%

LAB 47.34, 34.58, -51.63

 

CMYK 26 / 53 / 0 / 22

HEX #945FC8

RGB 148 95 200

HSL 270.29, 0.49%, 0.58%

LAB 50.28, 41.91, -46.76

 

CMYK 53 / 23 / 0 / 22

HEX #5F9BC8

RGB 95 155 200

HSL 205.71, 0.49%, 0.58%

LAB 61.69, -6.75, -29.12

 

CMYK 53 / 37 / 0 / 22

HEX #5F7FC8

RGB 95 127 200

HSL 221.71, 0.49%, 0.58%

LAB 53.79, 9.53, -41.46

 

CMYK 53 / 51 / 0 / 22

HEX #5F63C8

RGB 95 99 200

HSL 237.71, 0.49%, 0.58%

LAB 46.35, 26.69, -53.32

 

CMYK 53 / 53 / 0 / 22

HEX #5F5FC8

RGB 95 95 200

HSL 240, 0.49%, 0.58%

LAB 45.34, 29.16, -54.94

 

CMYK 53 / 23 / 0 / 22

HEX #5F9BC8

RGB 95 155 200

HSL 205.71, 0.49%, 0.58%

LAB 61.69, -6.75, -29.12

 

CMYK 64 / 27 / 0 / 15

HEX #4E9ED9

RGB 78 158 217

HSL 205.47, 0.65%, 0.58%

LAB 62.58, -6.43, -37.28

 

CMYK 74 / 31 / 0 / 8

HEX #3CA1EB

RGB 60 161 235

HSL 205.37, 0.81%, 0.58%

LAB 63.71, -4.66, -45.48

 

CMYK 83 / 35 / 0 / 1

HEX #2BA3FC

RGB 43 163 252

HSL 205.55, 0.97%, 0.58%

LAB 64.75, -1.46, -53.17

 

CMYK 53 / 23 / 0 / 22

HEX #5F9BC8

RGB 95 155 200

HSL 205.71, 0.49%, 0.58%

LAB 61.69, -6.75, -29.12

 

CMYK 39 / 16 / 0 / 28

HEX #7099B7

RGB 112 153 183

HSL 205.35, 0.33%, 0.58%

LAB 61.35, -6.26, -20.03

 

CMYK 21 / 9 / 0 / 35

HEX #8296A5

RGB 130 150 165

HSL 205.71, 0.16%, 0.58%

LAB 61.02, -3.71, -10.24

 

CMYK 1 / 1 / 0 / 42

HEX #939394

RGB 147 147 148

HSL 240, 0%, 0.58%

LAB 60.97, 0.2, -0.53

 

CMYK 0 / 12 / 20 / 36

HEX #A49183

RGB 164 145 131

HSL 25.45, 0.15%, 0.58%

LAB 61.47, 4.75, 10.02

 

CMYK 53 / 0 / 6 / 22

HEX #5FC8BC

RGB 95 200 188

HSL 173.14, 0.49%, 0.58%

LAB 74.43, -33.28, -3.28

 

CMYK 53 / 8 / 0 / 22

HEX #5FB8C8

RGB 95 184 200

HSL 189.14, 0.49%, 0.58%

LAB 70.09, -22.23, -16.29

 

CMYK 53 / 22 / 0 / 22

HEX #5F9CC8

RGB 95 156 200

HSL 205.14, 0.49%, 0.58%

LAB 61.98, -7.31, -28.68

 

CMYK 53 / 36 / 0 / 22

HEX #5F80C8

RGB 95 128 200

HSL 221.14, 0.49%, 0.58%

LAB 54.07, 8.93, -41.03

 

CMYK 53 / 50 / 0 / 22

HEX #5F64C8

RGB 95 100 200

HSL 237.14, 0.49%, 0.58%

LAB 46.6, 26.08, -52.91

 

CMYK 66 / 28 / 0 / 38

HEX #36729E

RGB 54 114 158

HSL 205.38, 0.49%, 0.42%

LAB 46.03, -5.13, -29.51

 

CMYK 66 / 28 / 0 / 26

HEX #4088BD

RGB 64 136 189

HSL 205.44, 0.49%, 0.5%

LAB 54.42, -5.63, -34.32

 

CMYK 53 / 23 / 0 / 22

HEX #5F9BC8

RGB 95 155 200

HSL 205.71, 0.49%, 0.58%

LAB 61.69, -6.75, -29.12

 

CMYK 40 / 17 / 0 / 18

HEX #7EAED2

RGB 126 174 210

HSL 205.71, 0.48%, 0.66%

LAB 69.01, -6.78, -23.29

 

CMYK 29 / 12 / 0 / 13

HEX #9CC2DD

RGB 156 194 221

HSL 204.92, 0.49%, 0.74%

LAB 76.6, -6.43, -17.6

 

CMYK 53 / 23 / 0 / 22

HEX #5E9BC8

RGB 94 155 200

HSL 205.47, 0.49%, 0.58%

LAB 61.65, -6.97, -29.2

 

CMYK 20 / 53 / 0 / 22

HEX #A05FC8

RGB 160 95 200

HSL 277.14, 0.49%, 0.58%

LAB 51.64, 45.1, -44.51

 

CMYK 1 / 0 / 53 / 22

HEX #C6C85F

RGB 198 200 95

HSL 61.14, 0.49%, 0.58%

LAB 78.54, -14.93, 51.54

 

CMYK 53 / 23 / 0 / 22

HEX #5E9BC8

RGB 94 155 200

HSL 205.47, 0.49%, 0.58%

LAB 61.65, -6.97, -29.2

 

CMYK 0 / 53 / 22 / 22

HEX #C85F9C

RGB 200 95 156

HSL 325.14, 0.49%, 0.58%

LAB 54.93, 48.89, -13.49

 

CMYK 22 / 0 / 53 / 22

HEX #9CC85F

RGB 156 200 95

HSL 85.14, 0.49%, 0.58%

LAB 75.58, -31.53, 47.31

 

CMYK 53 / 23 / 0 / 22

HEX #5E9BC8

RGB 94 155 200

HSL 205.47, 0.49%, 0.58%

LAB 61.65, -6.97, -29.2

 

CMYK 20 / 53 / 0 / 22

HEX #A05FC8

RGB 160 95 200

HSL 277.14, 0.49%, 0.58%

LAB 51.64, 45.1, -44.51

 

CMYK 0 / 31 / 53 / 22

HEX #C88B5F

RGB 200 139 95

HSL 25.14, 0.49%, 0.58%

LAB 62.99, 18.32, 32.73

 

CMYK 33 / 0 / 53 / 22

HEX #87C85F

RGB 135 200 95

HSL 97.14, 0.49%, 0.58%

LAB 74.37, -39.14, 45.58

 

CMYK 53 / 23 / 0 / 22

HEX #5E9BC8

RGB 94 155 200

HSL 205.47, 0.49%, 0.58%

LAB 61.65, -6.97, -29.2

 

CMYK 5 / 53 / 0 / 22

HEX #BF5FC8

RGB 191 95 200

HSL 294.86, 0.49%, 0.58%

LAB 55.51, 53.53, -38.14

 

CMYK 0 / 31 / 53 / 22

HEX #C88B5F

RGB 200 139 95

HSL 25.14, 0.49%, 0.58%

LAB 62.99, 18.32, 32.73

 

CMYK 48 / 0 / 53 / 22

HEX #68C85F

RGB 104 200 95

HSL 114.86, 0.49%, 0.58%

LAB 72.94, -48.99, 43.53

 

Description

Color code: HEX #5E9BC8 | qconv.com Color code: HEX #5E9BC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 155 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 155 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 23 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 23% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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