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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9AFD it is the complementary color #A16502. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9AFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9AFD shade: #639AF8, #74ACFF, #85BEFF, #96D0FF and #A7E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9AFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9AFD shade: #5E9AFD, #4D88EA, #3C76D7, #2B64C4 and #1A52B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9AFD shade: #5D9AFD, #5D6FFD, #775DFD, #A25DFD and #CE5DFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9AFD shade: #5D9AFD, #5D6FFD and #5D5DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9AFD shade matches the following richer shades: #5D9AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9AFD shade: #5D9AFD, #6B9DF0, #78A0E3, #85A3D6 and #92A7C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9AFD shade: #5DF0FD, #5DC5FD, #5D9BFD, #5D70FD and #755DFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9AFD shade: #0C67FD, #3580FD, #5D9AFD, #86B3FE and #AFCDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9AFD shade: #5E9AFD, #E05DFD and #DBFD5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9AFD shade: #5E9AFD, #FD5D9B and #9BFD5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9AFD shade: #5E9AFD, #E05DFD, #FDC05D and #7BFD5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9AFD shade: #5E9AFD, #FD5DEB, #FDC05D and #5DFD70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 39 / 0 / 1

HEX #5E9AFD

RGB 94 154 253

HSL 217.36, 0.98%, 0.68%

LAB 63.82, 10.53, -55.1

 

Complementary color

CMYK 0 / 37 / 99 / 37

HEX #A16502

RGB 161 101 2

HSL 37.36, 0.98%, 0.32%

LAB 48.12, 17.82, 55.29

 

CMYK 60 / 38 / 0 / 3

HEX #639AF8

RGB 99 154 248

HSL 217.85, 0.91%, 0.68%

LAB 63.79, 9.78, -52.41

 

CMYK 55 / 33 / 0 / 0

HEX #74ACFF

RGB 116 172 255

HSL 215.83, 1%, 0.73%

LAB 69.78, 4.97, -46.71

 

CMYK 48 / 25 / 0 / 0

HEX #85BEFF

RGB 133 190 255

HSL 211.97, 1%, 0.76%

LAB 75.47, -1.33, -37.75

 

CMYK 41 / 18 / 0 / 0

HEX #96D0FF

RGB 150 208 255

HSL 206.86, 1%, 0.79%

LAB 81.19, -6.91, -28.86

 

CMYK 35 / 11 / 0 / 0

HEX #A7E2FF

RGB 167 226 255

HSL 199.77, 1%, 0.83%

LAB 86.91, -11.87, -20.07

 

CMYK 63 / 39 / 0 / 1

HEX #5E9AFD

RGB 94 154 253

HSL 217.36, 0.98%, 0.68%

LAB 63.82, 10.53, -55.1

 

CMYK 67 / 42 / 0 / 8

HEX #4D88EA

RGB 77 136 234

HSL 217.45, 0.79%, 0.61%

LAB 57.2, 12.02, -55.23

 

CMYK 72 / 45 / 0 / 16

HEX #3C76D7

RGB 60 118 215

HSL 217.55, 0.66%, 0.54%

LAB 50.48, 13.82, -55.35

 

CMYK 78 / 49 / 0 / 23

HEX #2B64C4

RGB 43 100 196

HSL 217.65, 0.64%, 0.47%

LAB 43.67, 16.06, -55.46

 

CMYK 85 / 54 / 0 / 31

HEX #1A52B1

RGB 26 82 177

HSL 217.75, 0.74%, 0.4%

LAB 36.8, 18.86, -55.5

 

CMYK 63 / 39 / 0 / 1

HEX #5D9AFD

RGB 93 154 253

HSL 217.13, 0.98%, 0.68%

LAB 63.78, 10.36, -55.17

 

CMYK 63 / 56 / 0 / 1

HEX #5D6FFD

RGB 93 111 253

HSL 233.25, 0.98%, 0.68%

LAB 52.72, 36.22, -72.95

 

CMYK 53 / 63 / 0 / 1

HEX #775DFD

RGB 119 93 253

HSL 249.75, 0.98%, 0.68%

LAB 50.5, 50.93, -76.47

 

CMYK 36 / 63 / 0 / 1

HEX #A25DFD

RGB 162 93 253

HSL 265.88, 0.98%, 0.68%

LAB 54.66, 59.01, -69.53

 

CMYK 19 / 63 / 0 / 1

HEX #CE5DFD

RGB 206 93 253

HSL 282.38, 0.98%, 0.68%

LAB 59.93, 68.39, -60.78

 

CMYK 63 / 39 / 0 / 1

HEX #5D9AFD

RGB 93 154 253

HSL 217.13, 0.98%, 0.68%

LAB 63.78, 10.36, -55.17

 

CMYK 63 / 56 / 0 / 1

HEX #5D6FFD

RGB 93 111 253

HSL 233.25, 0.98%, 0.68%

LAB 52.72, 36.22, -72.95

 

CMYK 63 / 63 / 0 / 1

HEX #5D5DFD

RGB 93 93 253

HSL 240, 0.98%, 0.68%

LAB 48.57, 46.91, -79.7

 

CMYK 63 / 39 / 0 / 1

HEX #5D9AFD

RGB 93 154 253

HSL 217.13, 0.98%, 0.68%

LAB 63.78, 10.36, -55.17

 

CMYK 63 / 39 / 0 / 1

HEX #5D9AFD

RGB 93 154 253

HSL 217.13, 0.98%, 0.68%

LAB 63.78, 10.36, -55.17

 

CMYK 55 / 35 / 0 / 6

HEX #6B9DF0

RGB 107 157 240

HSL 217.44, 0.82%, 0.68%

LAB 64.59, 7.04, -46.73

 

CMYK 47 / 30 / 0 / 11

HEX #78A0E3

RGB 120 160 227

HSL 217.57, 0.66%, 0.68%

LAB 65.5, 4.28, -38.11

 

CMYK 38 / 24 / 0 / 16

HEX #85A3D6

RGB 133 163 214

HSL 217.78, 0.5%, 0.68%

LAB 66.55, 2.26, -29.24

 

CMYK 27 / 17 / 0 / 21

HEX #92A7C9

RGB 146 167 201

HSL 217.09, 0.34%, 0.68%

LAB 68, 0.44, -19.76

 

CMYK 63 / 5 / 0 / 1

HEX #5DF0FD

RGB 93 240 253

HSL 184.88, 0.98%, 0.68%

LAB 87.84, -35.01, -17.9

 

CMYK 63 / 22 / 0 / 1

HEX #5DC5FD

RGB 93 197 253

HSL 201, 0.98%, 0.68%

LAB 75.67, -13.66, -36.5

 

CMYK 63 / 39 / 0 / 1

HEX #5D9BFD

RGB 93 155 253

HSL 216.75, 0.98%, 0.68%

LAB 64.05, 9.78, -54.74

 

CMYK 63 / 56 / 0 / 1

HEX #5D70FD

RGB 93 112 253

HSL 232.88, 0.98%, 0.68%

LAB 52.96, 35.61, -72.56

 

CMYK 54 / 63 / 0 / 1

HEX #755DFD

RGB 117 93 253

HSL 249, 0.98%, 0.68%

LAB 50.34, 50.59, -76.74

 

CMYK 95 / 59 / 0 / 1

HEX #0C67FD

RGB 12 103 253

HSL 217.34, 0.98%, 0.52%

LAB 48.1, 34.08, -80.59

 

CMYK 79 / 49 / 0 / 1

HEX #3580FD

RGB 53 128 253

HSL 217.5, 0.98%, 0.6%

LAB 55.37, 20.73, -68.74

 

CMYK 63 / 39 / 0 / 1

HEX #5D9AFD

RGB 93 154 253

HSL 217.13, 0.98%, 0.68%

LAB 63.78, 10.36, -55.17

 

CMYK 47 / 30 / 0 / 0

HEX #86B3FE

RGB 134 179 254

HSL 217.5, 0.98%, 0.76%

LAB 72.54, 4.69, -41.78

 

CMYK 31 / 19 / 0 / 0

HEX #AFCDFE

RGB 175 205 254

HSL 217.22, 0.98%, 0.84%

LAB 81.8, 1.07, -27.27

 

CMYK 63 / 39 / 0 / 1

HEX #5E9AFD

RGB 94 154 253

HSL 217.36, 0.98%, 0.68%

LAB 63.82, 10.53, -55.1

 

CMYK 11 / 63 / 0 / 1

HEX #E05DFD

RGB 224 93 253

HSL 289.13, 0.98%, 0.68%

LAB 62.31, 72.4, -56.83

 

CMYK 13 / 0 / 63 / 1

HEX #DBFD5D

RGB 219 253 93

HSL 72.75, 0.98%, 0.68%

LAB 94.36, -32.2, 70.33

 

CMYK 63 / 39 / 0 / 1

HEX #5E9AFD

RGB 94 154 253

HSL 217.36, 0.98%, 0.68%

LAB 63.82, 10.53, -55.1

 

CMYK 0 / 63 / 39 / 1

HEX #FD5D9B

RGB 253 93 155

HSL 336.75, 0.98%, 0.68%

LAB 62.57, 65.86, -0.69

 

CMYK 39 / 0 / 63 / 1

HEX #9BFD5D

RGB 155 253 93

HSL 96.75, 0.98%, 0.68%

LAB 90.78, -54.99, 65.44

 

CMYK 63 / 39 / 0 / 1

HEX #5E9AFD

RGB 94 154 253

HSL 217.36, 0.98%, 0.68%

LAB 63.82, 10.53, -55.1

 

CMYK 11 / 63 / 0 / 1

HEX #E05DFD

RGB 224 93 253

HSL 289.13, 0.98%, 0.68%

LAB 62.31, 72.4, -56.83

 

CMYK 0 / 24 / 63 / 1

HEX #FDC05D

RGB 253 192 93

HSL 37.13, 0.98%, 0.68%

LAB 81.5, 11.83, 57.16

 

CMYK 51 / 0 / 63 / 1

HEX #7BFD5D

RGB 123 253 93

HSL 108.75, 0.98%, 0.68%

LAB 89.51, -64.31, 63.68

 

CMYK 63 / 39 / 0 / 1

HEX #5E9AFD

RGB 94 154 253

HSL 217.36, 0.98%, 0.68%

LAB 63.82, 10.53, -55.1

 

CMYK 0 / 63 / 7 / 1

HEX #FD5DEB

RGB 253 93 235

HSL 306.75, 0.98%, 0.68%

LAB 65.52, 76.14, -41.53

 

CMYK 0 / 24 / 63 / 1

HEX #FDC05D

RGB 253 192 93

HSL 37.13, 0.98%, 0.68%

LAB 81.5, 11.83, 57.16

 

CMYK 63 / 0 / 56 / 1

HEX #5DFD70

RGB 93 253 112

HSL 127.13, 0.98%, 0.68%

LAB 88.8, -69.2, 54.55

 

Description

Color code: HEX #5E9AFD | qconv.com Color code: HEX #5E9AFD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 154 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 154 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 39 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 39% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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