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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E99DD it is the complementary color #A16622. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E99DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E99DD shade: #6399D8, #74ABEB, #85BDFE, #96CFFF and #A7E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E99DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E99DD shade: #5E99DD, #4D87CA, #3C75B7, #2B63A4 and #1A5191

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E99DD shade: #5F9ADD, #5F78DD, #695FDD, #8B5FDD and #AC5FDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E99DD shade: #5F9ADD, #5F78DD and #5F5FDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E99DD shade matches the following richer shades: #5F9ADD, #4F99ED and #4097FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E99DD shade: #5F9ADD, #6F9BCD, #7E9CBE, #8E9DAE and #9E9E9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E99DD shade: #5FDDDD, #5FBBDD, #5F9ADD, #5F78DD and #685FDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E99DD shade: #296FC1, #3D84D6, #5F9ADD, #81AFE4 and #A3C5EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E99DD shade: #5E99DD, #BB5FDD and #CCDD5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E99DD shade: #5E99DD, #DD5F9A and #9ADD5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E99DD shade: #5E99DD, #BB5FDD, #DDA25F and #81DD5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E99DD shade: #5E99DD, #DD5FD9, #DDA25F and #5FDD63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 31 / 0 / 13

HEX #5E99DD

RGB 94 153 221

HSL 212.13, 0.65%, 0.62%

LAB 61.98, 0.7, -40.38

 

Complementary color

CMYK 0 / 37 / 79 / 37

HEX #A16622

RGB 161 102 34

HSL 32.13, 0.65%, 0.38%

LAB 48.51, 18.05, 45.9

 

CMYK 54 / 29 / 0 / 15

HEX #6399D8

RGB 99 153 216

HSL 212.31, 0.6%, 0.62%

LAB 61.99, 0.17, -37.57

 

CMYK 51 / 27 / 0 / 8

HEX #74ABEB

RGB 116 171 235

HSL 212.27, 0.75%, 0.69%

LAB 68.63, -0.5, -37.62

 

CMYK 48 / 26 / 0 / 0

HEX #85BDFE

RGB 133 189 254

HSL 212.23, 0.98%, 0.76%

LAB 75.16, -1.06, -37.7

 

CMYK 41 / 19 / 0 / 0

HEX #96CFFF

RGB 150 207 255

HSL 207.43, 1%, 0.79%

LAB 80.92, -6.38, -29.27

 

CMYK 35 / 12 / 0 / 0

HEX #A7E1FF

RGB 167 225 255

HSL 200.45, 1%, 0.83%

LAB 86.65, -11.36, -20.47

 

CMYK 57 / 31 / 0 / 13

HEX #5E99DD

RGB 94 153 221

HSL 212.13, 0.65%, 0.62%

LAB 61.98, 0.7, -40.38

 

CMYK 62 / 33 / 0 / 21

HEX #4D87CA

RGB 77 135 202

HSL 212.16, 0.54%, 0.55%

LAB 55.25, 1.68, -40.37

 

CMYK 67 / 36 / 0 / 28

HEX #3C75B7

RGB 60 117 183

HSL 212.2, 0.51%, 0.48%

LAB 48.39, 2.91, -40.37

 

CMYK 74 / 40 / 0 / 36

HEX #2B63A4

RGB 43 99 164

HSL 212.23, 0.58%, 0.41%

LAB 41.4, 4.51, -40.37

 

CMYK 82 / 44 / 0 / 43

HEX #1A5191

RGB 26 81 145

HSL 212.27, 0.7%, 0.34%

LAB 34.29, 6.64, -40.34

 

CMYK 57 / 30 / 0 / 13

HEX #5F9ADD

RGB 95 154 221

HSL 211.9, 0.65%, 0.62%

LAB 62.31, 0.33, -39.87

 

CMYK 57 / 46 / 0 / 13

HEX #5F78DD

RGB 95 120 221

HSL 228.1, 0.65%, 0.62%

LAB 53.04, 20.55, -54.54

 

CMYK 52 / 57 / 0 / 13

HEX #695FDD

RGB 105 95 221

HSL 244.76, 0.65%, 0.62%

LAB 47.51, 37.71, -63.42

 

CMYK 37 / 57 / 0 / 13

HEX #8B5FDD

RGB 139 95 221

HSL 260.95, 0.65%, 0.62%

LAB 50.56, 44.95, -58.33

 

CMYK 22 / 57 / 0 / 13

HEX #AC5FDD

RGB 172 95 221

HSL 276.67, 0.65%, 0.62%

LAB 54.21, 52.84, -52.28

 

CMYK 57 / 30 / 0 / 13

HEX #5F9ADD

RGB 95 154 221

HSL 211.9, 0.65%, 0.62%

LAB 62.31, 0.33, -39.87

 

CMYK 57 / 46 / 0 / 13

HEX #5F78DD

RGB 95 120 221

HSL 228.1, 0.65%, 0.62%

LAB 53.04, 20.55, -54.54

 

CMYK 57 / 57 / 0 / 13

HEX #5F5FDD

RGB 95 95 221

HSL 240, 0.65%, 0.62%

LAB 46.76, 35.83, -64.66

 

CMYK 57 / 30 / 0 / 13

HEX #5F9ADD

RGB 95 154 221

HSL 211.9, 0.65%, 0.62%

LAB 62.31, 0.33, -39.87

 

CMYK 67 / 35 / 0 / 7

HEX #4F99ED

RGB 79 153 237

HSL 211.9, 0.81%, 0.62%

LAB 62.13, 3.28, -49.04

 

CMYK 75 / 40 / 0 / 1

HEX #4097FC

RGB 64 151 252

HSL 212.23, 0.97%, 0.62%

LAB 61.87, 7.6, -57.73

 

CMYK 57 / 30 / 0 / 13

HEX #5F9ADD

RGB 95 154 221

HSL 211.9, 0.65%, 0.62%

LAB 62.31, 0.33, -39.87

 

CMYK 46 / 24 / 0 / 20

HEX #6F9BCD

RGB 111 155 205

HSL 211.91, 0.48%, 0.62%

LAB 62.7, -1.48, -30.29

 

CMYK 34 / 18 / 0 / 25

HEX #7E9CBE

RGB 126 156 190

HSL 211.88, 0.33%, 0.62%

LAB 63.29, -2.12, -20.93

 

CMYK 18 / 10 / 0 / 32

HEX #8E9DAE

RGB 142 157 174

HSL 211.88, 0.16%, 0.62%

LAB 64.1, -1.62, -10.63

 

CMYK 57 / 0 / 0 / 13

HEX #5FDDDD

RGB 95 221 221

HSL 180, 0.65%, 0.62%

LAB 81.49, -34.53, -10.53

 

CMYK 57 / 15 / 0 / 13

HEX #5FBBDD

RGB 95 187 221

HSL 196.19, 0.65%, 0.62%

LAB 71.69, -17.74, -25.34

 

CMYK 57 / 30 / 0 / 13

HEX #5F9ADD

RGB 95 154 221

HSL 211.9, 0.65%, 0.62%

LAB 62.31, 0.33, -39.87

 

CMYK 57 / 46 / 0 / 13

HEX #5F78DD

RGB 95 120 221

HSL 228.1, 0.65%, 0.62%

LAB 53.04, 20.55, -54.54

 

CMYK 53 / 57 / 0 / 13

HEX #685FDD

RGB 104 95 221

HSL 244.29, 0.65%, 0.62%

LAB 47.43, 37.51, -63.55

 

CMYK 79 / 42 / 0 / 24

HEX #296FC1

RGB 41 111 193

HSL 212.37, 0.65%, 0.46%

LAB 46.57, 7.68, -49.08

 

CMYK 71 / 38 / 0 / 16

HEX #3D84D6

RGB 61 132 214

HSL 212.16, 0.65%, 0.54%

LAB 54.4, 5.01, -48.53

 

CMYK 57 / 30 / 0 / 13

HEX #5F9ADD

RGB 95 154 221

HSL 211.9, 0.65%, 0.62%

LAB 62.31, 0.33, -39.87

 

CMYK 43 / 23 / 0 / 11

HEX #81AFE4

RGB 129 175 228

HSL 212.12, 0.65%, 0.7%

LAB 70.13, -1.64, -31.43

 

CMYK 31 / 17 / 0 / 7

HEX #A3C5EC

RGB 163 197 236

HSL 212.05, 0.66%, 0.78%

LAB 78.33, -2.4, -23.01

 

CMYK 57 / 31 / 0 / 13

HEX #5E99DD

RGB 94 153 221

HSL 212.13, 0.65%, 0.62%

LAB 61.98, 0.7, -40.38

 

CMYK 15 / 57 / 0 / 13

HEX #BB5FDD

RGB 187 95 221

HSL 283.81, 0.65%, 0.62%

LAB 56.06, 56.57, -49.24

 

CMYK 8 / 0 / 57 / 13

HEX #CCDD5F

RGB 204 221 95

HSL 68.1, 0.65%, 0.62%

LAB 84.68, -22.87, 58.65

 

CMYK 57 / 31 / 0 / 13

HEX #5E99DD

RGB 94 153 221

HSL 212.13, 0.65%, 0.62%

LAB 61.98, 0.7, -40.38

 

CMYK 0 / 57 / 30 / 13

HEX #DD5F9A

RGB 221 95 154

HSL 331.9, 0.65%, 0.62%

LAB 57.93, 55.22, -7.51

 

CMYK 30 / 0 / 57 / 13

HEX #9ADD5F

RGB 154 221 95

HSL 91.9, 0.65%, 0.62%

LAB 81.52, -41.77, 54.22

 

CMYK 57 / 31 / 0 / 13

HEX #5E99DD

RGB 94 153 221

HSL 212.13, 0.65%, 0.62%

LAB 61.98, 0.7, -40.38

 

CMYK 15 / 57 / 0 / 13

HEX #BB5FDD

RGB 187 95 221

HSL 283.81, 0.65%, 0.62%

LAB 56.06, 56.57, -49.24

 

CMYK 0 / 27 / 57 / 13

HEX #DDA25F

RGB 221 162 95

HSL 31.9, 0.65%, 0.62%

LAB 70.9, 14.57, 43.03

 

CMYK 42 / 0 / 57 / 13

HEX #81DD5F

RGB 129 221 95

HSL 103.81, 0.65%, 0.62%

LAB 80.3, -50.07, 52.49

 

CMYK 57 / 31 / 0 / 13

HEX #5E99DD

RGB 94 153 221

HSL 212.13, 0.65%, 0.62%

LAB 61.98, 0.7, -40.38

 

CMYK 0 / 57 / 2 / 13

HEX #DD5FD9

RGB 221 95 217

HSL 301.9, 0.65%, 0.62%

LAB 60.4, 64.5, -39.83

 

CMYK 0 / 27 / 57 / 13

HEX #DDA25F

RGB 221 162 95

HSL 31.9, 0.65%, 0.62%

LAB 70.9, 14.57, 43.03

 

CMYK 57 / 0 / 55 / 13

HEX #5FDD63

RGB 95 221 99

HSL 121.9, 0.65%, 0.62%

LAB 79.07, -58.97, 48.91

 

Description

Color code: HEX #5E99DD | qconv.com Color code: HEX #5E99DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 153 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 153 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 31 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 31% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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