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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9902 it is the complementary color #A166FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9902. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9902 shade: #639900, #74AB10, #85BD23, #96CF36 and #A7E149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9902. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9902 shade: #5E9902, #4D8700, #3C7500, #2B6300 and #1A5100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9902 shade: #5D9702, #859702, #978102, #975902 and #973102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9902 shade: #5D9702, #359702, #0D9702, #029720 and #029748

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9902 shade matches the following richer shades: #5D9702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9902 shade: #5D9702, #5A8A0F, #577E1B, #557227 and #526534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9902 shade: #978002, #859702, #5E9702, #369702 and #0F9702

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9902 shade: #2B4501, #446E02, #5D9702, #76BF03 and #8FE804

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9902 shade: #5E9902, #029759 and #940297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9902 shade: #5E9902, #025E97 and #97025E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9902 shade: #5E9902, #029759, #3B0297 and #970240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9902 shade: #5E9902, #029785, #3B0297 and #970214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 99 / 40

HEX #5E9902

RGB 94 153 2

HSL 83.44, 0.97%, 0.3%

LAB 57.24, -39.5, 59.4

 

Complementary color

CMYK 36 / 60 / 0 / 1

HEX #A166FD

RGB 161 102 253

HSL 263.44, 0.97%, 0.7%

LAB 56.26, 54.21, -66.95

 

CMYK 35 / 0 / 100 / 40

HEX #639900

RGB 99 153 0

HSL 81.18, 1%, 0.3%

LAB 57.5, -37.67, 60.02

 

CMYK 32 / 0 / 91 / 33

HEX #74AB10

RGB 116 171 16

HSL 81.29, 0.83%, 0.37%

LAB 64.06, -38.75, 63.29

 

CMYK 30 / 0 / 81 / 26

HEX #85BD23

RGB 133 189 35

HSL 81.82, 0.69%, 0.44%

LAB 70.53, -39.58, 65.01

 

CMYK 28 / 0 / 74 / 19

HEX #96CF36

RGB 150 207 54

HSL 82.35, 0.61%, 0.51%

LAB 76.91, -40.19, 65.56

 

CMYK 26 / 0 / 68 / 12

HEX #A7E149

RGB 167 225 73

HSL 82.89, 0.72%, 0.58%

LAB 83.2, -40.62, 65.38

 

CMYK 39 / 0 / 99 / 40

HEX #5E9902

RGB 94 153 2

HSL 83.44, 0.97%, 0.3%

LAB 57.24, -39.5, 59.4

 

CMYK 43 / 0 / 100 / 47

HEX #4D8700

RGB 77 135 0

HSL 85.78, 1%, 0.26%

LAB 50.58, -38.07, 54.17

 

CMYK 49 / 0 / 100 / 54

HEX #3C7500

RGB 60 117 0

HSL 89.23, 1%, 0.23%

LAB 43.78, -36.5, 48.52

 

CMYK 57 / 0 / 100 / 61

HEX #2B6300

RGB 43 99 0

HSL 93.94, 1%, 0.19%

LAB 36.81, -34.74, 42.75

 

CMYK 68 / 0 / 100 / 68

HEX #1A5100

RGB 26 81 0

HSL 100.74, 1%, 0.16%

LAB 29.67, -32.64, 36.86

 

CMYK 38 / 0 / 99 / 41

HEX #5D9702

RGB 93 151 2

HSL 83.36, 0.97%, 0.3%

LAB 56.55, -39.01, 58.83

 

CMYK 12 / 0 / 99 / 41

HEX #859702

RGB 133 151 2

HSL 67.25, 0.97%, 0.3%

LAB 59.09, -22.59, 61.89

 

CMYK 0 / 15 / 99 / 41

HEX #978102

RGB 151 129 2

HSL 51.14, 0.97%, 0.3%

LAB 54.33, -2.68, 59.08

 

CMYK 0 / 41 / 99 / 41

HEX #975902

RGB 151 89 2

HSL 35.03, 0.97%, 0.3%

LAB 43.84, 20.12, 51.8

 

CMYK 0 / 68 / 99 / 41

HEX #973102

RGB 151 49 2

HSL 18.93, 0.97%, 0.3%

LAB 35.56, 41.02, 46.72

 

CMYK 38 / 0 / 99 / 41

HEX #5D9702

RGB 93 151 2

HSL 83.36, 0.97%, 0.3%

LAB 56.55, -39.01, 58.83

 

CMYK 65 / 0 / 99 / 41

HEX #359702

RGB 53 151 2

HSL 99.46, 0.97%, 0.3%

LAB 54.96, -51.3, 56.9

 

CMYK 91 / 0 / 99 / 41

HEX #0D9702

RGB 13 151 2

HSL 115.57, 0.97%, 0.3%

LAB 54.26, -57.41, 56.05

 

CMYK 99 / 0 / 79 / 41

HEX #029720

RGB 2 151 32

HSL 132.08, 0.97%, 0.3%

LAB 54.29, -56.74, 49.27

 

CMYK 99 / 0 / 52 / 41

HEX #029748

RGB 2 151 72

HSL 148.19, 0.97%, 0.3%

LAB 54.67, -51.98, 32.07

 

CMYK 38 / 0 / 99 / 41

HEX #5D9702

RGB 93 151 2

HSL 83.36, 0.97%, 0.3%

LAB 56.55, -39.01, 58.83

 

CMYK 38 / 0 / 99 / 41

HEX #5D9702

RGB 93 151 2

HSL 83.36, 0.97%, 0.3%

LAB 56.55, -39.01, 58.83

 

CMYK 35 / 0 / 89 / 46

HEX #5A8A0F

RGB 90 138 15

HSL 83.41, 0.8%, 0.3%

LAB 52.27, -34.09, 53.04

 

CMYK 31 / 0 / 79 / 51

HEX #577E1B

RGB 87 126 27

HSL 83.64, 0.65%, 0.3%

LAB 48.29, -29.19, 46

 

CMYK 25 / 0 / 66 / 55

HEX #557227

RGB 85 114 39

HSL 83.2, 0.49%, 0.3%

LAB 44.39, -23.26, 37.04

 

CMYK 19 / 0 / 49 / 60

HEX #526534

RGB 82 101 52

HSL 83.27, 0.32%, 0.3%

LAB 40.16, -16.29, 25.32

 

CMYK 0 / 15 / 99 / 41

HEX #978002

RGB 151 128 2

HSL 50.74, 0.97%, 0.3%

LAB 54.05, -2.12, 58.88

 

CMYK 12 / 0 / 99 / 41

HEX #859702

RGB 133 151 2

HSL 67.25, 0.97%, 0.3%

LAB 59.09, -22.59, 61.89

 

CMYK 38 / 0 / 99 / 41

HEX #5E9702

RGB 94 151 2

HSL 82.95, 0.97%, 0.3%

LAB 56.6, -38.64, 58.9

 

CMYK 64 / 0 / 99 / 41

HEX #369702

RGB 54 151 2

HSL 99.06, 0.97%, 0.3%

LAB 54.99, -51.06, 56.94

 

CMYK 90 / 0 / 99 / 41

HEX #0F9702

RGB 15 151 2

HSL 114.77, 0.97%, 0.3%

LAB 54.28, -57.26, 56.07

 

CMYK 38 / 0 / 99 / 73

HEX #2B4501

RGB 43 69 1

HSL 82.94, 0.97%, 0.14%

LAB 26.08, -21.1, 33.73

 

CMYK 38 / 0 / 98 / 57

HEX #446E02

RGB 68 110 2

HSL 83.33, 0.96%, 0.22%

LAB 41.82, -30.38, 46.68

 

CMYK 38 / 0 / 99 / 41

HEX #5D9702

RGB 93 151 2

HSL 83.36, 0.97%, 0.3%

LAB 56.55, -39.01, 58.83

 

CMYK 38 / 0 / 98 / 25

HEX #76BF03

RGB 118 191 3

HSL 83.3, 0.97%, 0.38%

LAB 70.26, -46.74, 69.98

 

CMYK 38 / 0 / 98 / 9

HEX #8FE804

RGB 143 232 4

HSL 83.42, 0.97%, 0.46%

LAB 83.74, -54.56, 80.94

 

CMYK 39 / 0 / 99 / 40

HEX #5E9902

RGB 94 153 2

HSL 83.44, 0.97%, 0.3%

LAB 57.24, -39.5, 59.4

 

CMYK 99 / 0 / 41 / 41

HEX #029759

RGB 2 151 89

HSL 155.03, 0.97%, 0.3%

LAB 54.94, -48.84, 23.35

 

CMYK 2 / 99 / 0 / 41

HEX #940297

RGB 148 2 151

HSL 298.79, 0.97%, 0.3%

LAB 35.15, 65.7, -41.94

 

CMYK 39 / 0 / 99 / 40

HEX #5E9902

RGB 94 153 2

HSL 83.44, 0.97%, 0.3%

LAB 57.24, -39.5, 59.4

 

CMYK 99 / 38 / 0 / 41

HEX #025E97

RGB 2 94 151

HSL 202.95, 0.97%, 0.3%

LAB 38.29, -1.06, -37.61

 

CMYK 0 / 99 / 38 / 41

HEX #97025E

RGB 151 2 94

HSL 322.95, 0.97%, 0.3%

LAB 32.77, 58.81, -9.75

 

CMYK 39 / 0 / 99 / 40

HEX #5E9902

RGB 94 153 2

HSL 83.44, 0.97%, 0.3%

LAB 57.24, -39.5, 59.4

 

CMYK 99 / 0 / 41 / 41

HEX #029759

RGB 2 151 89

HSL 155.03, 0.97%, 0.3%

LAB 54.94, -48.84, 23.35

 

CMYK 61 / 99 / 0 / 41

HEX #3B0297

RGB 59 2 151

HSL 262.95, 0.97%, 0.3%

LAB 20.86, 54.74, -65.88

 

CMYK 0 / 99 / 58 / 41

HEX #970240

RGB 151 2 64

HSL 335.03, 0.97%, 0.3%

LAB 31.79, 56.23, 8.57

 

CMYK 39 / 0 / 99 / 40

HEX #5E9902

RGB 94 153 2

HSL 83.44, 0.97%, 0.3%

LAB 57.24, -39.5, 59.4

 

CMYK 99 / 0 / 12 / 41

HEX #029785

RGB 2 151 133

HSL 172.75, 0.97%, 0.3%

LAB 55.93, -37.89, -0.04

 

CMYK 61 / 99 / 0 / 41

HEX #3B0297

RGB 59 2 151

HSL 262.95, 0.97%, 0.3%

LAB 20.86, 54.74, -65.88

 

CMYK 0 / 99 / 87 / 41

HEX #970214

RGB 151 2 20

HSL 352.75, 0.97%, 0.3%

LAB 31.05, 54.22, 35.77

 

Description

Color code: HEX #5E9902 | qconv.com Color code: HEX #5E9902 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 153 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 153 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 99 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 99% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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