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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E98DC7F it is the complementary color #A167237F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E98DC7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E98DC7F shade: #6398D77F, #74AAEA7F, #85BCFD7F, #96CEFF7F and #A7E0FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E98DC7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E98DC7F shade: #5E98DC7F, #4D86C97F, #3C74B67F, #2B62A37F and #1A50907F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E98DC7F shade: #6099DC, #6078DC, #6A60DC, #8B60DC and #AD60DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E98DC7F shade: #6099DC, #6078DC and #6060DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E98DC7F shade matches the following richer shades: #6099DC, #5098EC and #4197FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E98DC7F shade: #6099DC, #709ACC, #7F9CBD, #8F9DAD and #9F9E9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E98DC7F shade: #60DCDC, #60BBDC, #609ADC, #6079DC and #6860DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E98DC7F shade: #2A6FC0, #3E84D5, #6099DC, #82AFE4 and #A4C5EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E98DC7F shade: #5E98DC, #BB60DC and #CCDC60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E98DC7F shade: #5E98DC, #DC609A and #9ADC60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E98DC7F shade: #5E98DC, #BB60DC, #DCA260 and #81DC60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E98DC7F shade: #5E98DC, #DC60D8, #DCA260 and #60DC64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 15 / 0 / 7

HEX #5E98DC7F

RGBA 94 152 220 0.5

HSLA 212.38, 0.64%, 0.62%, 0.5

LABA 61.66, 0.96, -40.34, 0.5

 

Complementary color

CMYK 0 / 18 / 39 / 18

HEX #A167237F

RGBA 161 103 35 0.5

HSLA 32.38, 0.64%, 0.38%, 0.5

LABA 48.76, 17.52, 45.71, 0.5

 

CMYK 27 / 15 / 0 / 8

HEX #6398D77F

RGBA 99 152 215 0.5

HSLA 212.59, 0.59%, 0.62%, 0.5

LABA 61.67, 0.43, -37.52, 0.5

 

CMYK 25 / 14 / 0 / 4

HEX #74AAEA7F

RGBA 116 170 234 0.5

HSLA 212.54, 0.74%, 0.69%, 0.5

LABA 68.32, -0.24, -37.57, 0.5

 

CMYK 24 / 13 / 0 / 0

HEX #85BCFD7F

RGBA 133 188 253 0.5

HSLA 212.5, 0.97%, 0.76%, 0.5

LABA 74.85, -0.8, -37.64, 0.5

 

CMYK 21 / 10 / 0 / 0

HEX #96CEFF7F

RGBA 150 206 255 0.5

HSLA 208, 1%, 0.79%, 0.5

LABA 80.65, -5.85, -29.68, 0.5

 

CMYK 17 / 6 / 0 / 0

HEX #A7E0FF7F

RGBA 167 224 255 0.5

HSLA 201.14, 1%, 0.83%, 0.5

LABA 86.38, -10.84, -20.88, 0.5

 

CMYK 29 / 15 / 0 / 7

HEX #5E98DC7F

RGBA 94 152 220 0.5

HSLA 212.38, 0.64%, 0.62%, 0.5

LABA 61.66, 0.96, -40.34, 0.5

 

CMYK 31 / 17 / 0 / 11

HEX #4D86C97F

RGBA 77 134 201 0.5

HSLA 212.42, 0.53%, 0.55%, 0.5

LABA 54.91, 1.93, -40.33, 0.5

 

CMYK 34 / 18 / 0 / 14

HEX #3C74B67F

RGBA 60 116 182 0.5

HSLA 212.46, 0.5%, 0.47%, 0.5

LABA 48.04, 3.17, -40.33, 0.5

 

CMYK 37 / 20 / 0 / 18

HEX #2B62A37F

RGBA 43 98 163 0.5

HSLA 212.5, 0.58%, 0.4%, 0.5

LABA 41.05, 4.77, -40.34, 0.5

 

CMYK 41 / 22 / 0 / 22

HEX #1A50907F

RGBA 26 80 144 0.5

HSLA 212.54, 0.69%, 0.33%, 0.5

LABA 33.92, 6.9, -40.33, 0.5

 

CMYK 56 / 30 / 0 / 14

HEX #6099DC

RGB 96 153 220

HSL 212.42, 0.64%, 0.62%

LAB 62.03, 0.79, -39.75

 

CMYK 56 / 45 / 0 / 14

HEX #6078DC

RGB 96 120 220

HSL 228.39, 0.64%, 0.62%

LAB 53.04, 20.42, -53.97

 

CMYK 52 / 56 / 0 / 14

HEX #6A60DC

RGB 106 96 220

HSL 244.84, 0.64%, 0.62%

LAB 47.75, 37, -62.46

 

CMYK 37 / 56 / 0 / 14

HEX #8B60DC

RGB 139 96 220

HSL 260.81, 0.64%, 0.62%

LAB 50.71, 44.14, -57.53

 

CMYK 21 / 56 / 0 / 14

HEX #AD60DC

RGB 173 96 220

HSL 277.26, 0.64%, 0.62%

LAB 54.47, 52.36, -51.31

 

CMYK 56 / 30 / 0 / 14

HEX #6099DC

RGB 96 153 220

HSL 212.42, 0.64%, 0.62%

LAB 62.03, 0.79, -39.75

 

CMYK 56 / 45 / 0 / 14

HEX #6078DC

RGB 96 120 220

HSL 228.39, 0.64%, 0.62%

LAB 53.04, 20.42, -53.97

 

CMYK 56 / 56 / 0 / 14

HEX #6060DC

RGB 96 96 220

HSL 240, 0.64%, 0.62%

LAB 47, 35.09, -63.7

 

CMYK 56 / 30 / 0 / 14

HEX #6099DC

RGB 96 153 220

HSL 212.42, 0.64%, 0.62%

LAB 62.03, 0.79, -39.75

 

CMYK 66 / 36 / 0 / 7

HEX #5098EC

RGB 80 152 236

HSL 212.31, 0.8%, 0.62%

LAB 61.84, 3.68, -48.95

 

CMYK 74 / 40 / 0 / 2

HEX #4197FB

RGB 65 151 251

HSL 212.26, 0.96%, 0.62%

LAB 61.85, 7.37, -57.22

 

CMYK 56 / 30 / 0 / 14

HEX #6099DC

RGB 96 153 220

HSL 212.42, 0.64%, 0.62%

LAB 62.03, 0.79, -39.75

 

CMYK 45 / 25 / 0 / 20

HEX #709ACC

RGB 112 154 204

HSL 212.61, 0.47%, 0.62%

LAB 62.44, -0.95, -30.14

 

CMYK 33 / 17 / 0 / 26

HEX #7F9CBD

RGB 127 156 189

HSL 211.94, 0.32%, 0.62%

LAB 63.31, -2.09, -20.32

 

CMYK 17 / 9 / 0 / 32

HEX #8F9DAD

RGB 143 157 173

HSL 212, 0.15%, 0.62%

LAB 64.14, -1.51, -10

 

CMYK 0 / 1 / 1 / 38

HEX #9F9E9D

RGB 159 158 157

HSL 30, 0.01%, 0.62%

LAB 65.17, 0.17, 0.64

 

CMYK 56 / 0 / 0 / 14

HEX #60DCDC

RGB 96 220 220

HSL 180, 0.64%, 0.62%

LAB 81.2, -34.15, -10.43

 

CMYK 56 / 15 / 0 / 14

HEX #60BBDC

RGB 96 187 220

HSL 195.97, 0.64%, 0.62%

LAB 71.69, -17.84, -24.8

 

CMYK 56 / 30 / 0 / 14

HEX #609ADC

RGB 96 154 220

HSL 211.94, 0.64%, 0.62%

LAB 62.31, 0.22, -39.31

 

CMYK 56 / 45 / 0 / 14

HEX #6079DC

RGB 96 121 220

HSL 227.9, 0.64%, 0.62%

LAB 53.31, 19.81, -53.55

 

CMYK 53 / 56 / 0 / 14

HEX #6860DC

RGB 104 96 220

HSL 243.87, 0.64%, 0.62%

LAB 47.59, 36.61, -62.71

 

CMYK 78 / 42 / 0 / 25

HEX #2A6FC0

RGB 42 111 192

HSL 212.4, 0.64%, 0.46%

LAB 46.53, 7.41, -48.55

 

CMYK 71 / 38 / 0 / 16

HEX #3E84D5

RGB 62 132 213

HSL 212.19, 0.64%, 0.54%

LAB 54.38, 4.8, -48

 

CMYK 56 / 30 / 0 / 14

HEX #6099DC

RGB 96 153 220

HSL 212.42, 0.64%, 0.62%

LAB 62.03, 0.79, -39.75

 

CMYK 43 / 23 / 0 / 11

HEX #82AFE4

RGB 130 175 228

HSL 212.45, 0.64%, 0.7%

LAB 70.18, -1.39, -31.34

 

CMYK 30 / 16 / 0 / 8

HEX #A4C5EB

RGB 164 197 235

HSL 212.11, 0.64%, 0.78%

LAB 78.36, -2.36, -22.43

 

CMYK 57 / 31 / 0 / 14

HEX #5E98DC

RGB 94 152 220

HSL 212.38, 0.64%, 0.62%

LAB 61.66, 0.96, -40.34

 

CMYK 15 / 56 / 0 / 14

HEX #BB60DC

RGB 187 96 220

HSL 284.03, 0.64%, 0.62%

LAB 56.19, 55.88, -48.47

 

CMYK 7 / 0 / 56 / 14

HEX #CCDC60

RGB 204 220 96

HSL 67.74, 0.64%, 0.62%

LAB 84.42, -22.3, 57.92

 

CMYK 57 / 31 / 0 / 14

HEX #5E98DC

RGB 94 152 220

HSL 212.38, 0.64%, 0.62%

LAB 61.66, 0.96, -40.34

 

CMYK 0 / 56 / 30 / 14

HEX #DC609A

RGB 220 96 154

HSL 331.94, 0.64%, 0.62%

LAB 57.96, 54.45, -7.5

 

CMYK 30 / 0 / 56 / 14

HEX #9ADC60

RGB 154 220 96

HSL 91.94, 0.64%, 0.62%

LAB 81.24, -41.24, 53.45

 

CMYK 57 / 31 / 0 / 14

HEX #5E98DC

RGB 94 152 220

HSL 212.38, 0.64%, 0.62%

LAB 61.66, 0.96, -40.34

 

CMYK 15 / 56 / 0 / 14

HEX #BB60DC

RGB 187 96 220

HSL 284.03, 0.64%, 0.62%

LAB 56.19, 55.88, -48.47

 

CMYK 0 / 26 / 56 / 14

HEX #DCA260

RGB 220 162 96

HSL 31.94, 0.64%, 0.62%

LAB 70.8, 14.24, 42.38

 

CMYK 41 / 0 / 56 / 14

HEX #81DC60

RGB 129 220 96

HSL 104.03, 0.64%, 0.62%

LAB 80.01, -49.55, 51.71

 

CMYK 57 / 31 / 0 / 14

HEX #5E98DC

RGB 94 152 220

HSL 212.38, 0.64%, 0.62%

LAB 61.66, 0.96, -40.34

 

CMYK 0 / 56 / 2 / 14

HEX #DC60D8

RGB 220 96 216

HSL 301.94, 0.64%, 0.62%

LAB 60.37, 63.63, -39.31

 

CMYK 0 / 26 / 56 / 14

HEX #DCA260

RGB 220 162 96

HSL 31.94, 0.64%, 0.62%

LAB 70.8, 14.24, 42.38

 

CMYK 56 / 0 / 55 / 14

HEX #60DC64

RGB 96 220 100

HSL 121.94, 0.64%, 0.62%

LAB 78.81, -58.23, 48.15

 

Description

Color code: HEX #5E98DC7F | qconv.com Color code: HEX #5E98DC7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 152 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 152 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 15 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 15% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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