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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E97C4 it is the complementary color #A1683B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E97C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E97C4 shade: #6397BF, #74A9D2, #85BBE5, #96CDF8 and #A7DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E97C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E97C4 shade: #5E97C4, #4D85B1, #3C739E, #2B618B and #1A4F78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E97C4 shade: #5F97C4, #5F7CC4, #5F61C4, #785FC4 and #935FC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E97C4 shade: #5F97C4, #5F7CC4, #5F61C4 and #5F5FC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E97C4 shade matches the following richer shades: #5F97C4, #4D99D6, #3B9BE7 and #2A9EF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E97C4 shade: #5F97C4, #7195B2, #8293A0, #94918F and #A68F7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E97C4 shade: #5FC4BA, #5FB3C4, #5F98C4, #5F7DC4 and #5F62C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E97C4 shade: #386E98, #4383B6, #5F97C4, #7DABCF and #9BBEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E97C4 shade: #5E97C4, #9F5FC4 and #C0C45F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E97C4 shade: #5E97C4, #C45F98 and #98C45F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E97C4 shade: #5E97C4, #9F5FC4, #C48B5F and #84C45F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E97C4 shade: #5E97C4, #BD5FC4, #C48B5F and #66C45F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 23 / 0 / 23

HEX #5E97C4

RGB 94 151 196

HSL 206.47, 0.46%, 0.57%

LAB 60.34, -5.94, -28.98

 

Complementary color

CMYK 0 / 35 / 63 / 37

HEX #A1683B

RGB 161 104 59

HSL 26.47, 0.46%, 0.43%

LAB 49.24, 18.32, 34.35

 

CMYK 48 / 21 / 0 / 25

HEX #6397BF

RGB 99 151 191

HSL 206.09, 0.42%, 0.57%

LAB 60.38, -6.25, -26.08

 

CMYK 45 / 20 / 0 / 18

HEX #74A9D2

RGB 116 169 210

HSL 206.17, 0.51%, 0.64%

LAB 67.08, -6.61, -26.29

 

CMYK 42 / 18 / 0 / 10

HEX #85BBE5

RGB 133 187 229

HSL 206.25, 0.65%, 0.71%

LAB 73.66, -6.9, -26.51

 

CMYK 40 / 17 / 0 / 3

HEX #96CDF8

RGB 150 205 248

HSL 206.33, 0.88%, 0.78%

LAB 80.14, -7.15, -26.75

 

CMYK 35 / 13 / 0 / 0

HEX #A7DFFF

RGB 167 223 255

HSL 201.82, 1%, 0.83%

LAB 86.11, -10.33, -21.28

 

CMYK 52 / 23 / 0 / 23

HEX #5E97C4

RGB 94 151 196

HSL 206.47, 0.46%, 0.57%

LAB 60.34, -5.94, -28.98

 

CMYK 56 / 25 / 0 / 31

HEX #4D85B1

RGB 77 133 177

HSL 206.4, 0.39%, 0.5%

LAB 53.52, -5.35, -28.81

 

CMYK 62 / 27 / 0 / 38

HEX #3C739E

RGB 60 115 158

HSL 206.33, 0.45%, 0.43%

LAB 46.57, -4.59, -28.65

 

CMYK 69 / 30 / 0 / 45

HEX #2B618B

RGB 43 97 139

HSL 206.25, 0.53%, 0.36%

LAB 39.46, -3.54, -28.48

 

CMYK 78 / 34 / 0 / 53

HEX #1A4F78

RGB 26 79 120

HSL 206.17, 0.64%, 0.29%

LAB 32.19, -2.06, -28.3

 

CMYK 52 / 23 / 0 / 23

HEX #5F97C4

RGB 95 151 196

HSL 206.73, 0.46%, 0.57%

LAB 60.38, -5.71, -28.9

 

CMYK 52 / 37 / 0 / 23

HEX #5F7CC4

RGB 95 124 196

HSL 222.77, 0.46%, 0.57%

LAB 52.77, 10.08, -40.81

 

CMYK 52 / 51 / 0 / 23

HEX #5F61C4

RGB 95 97 196

HSL 238.81, 0.46%, 0.57%

LAB 45.59, 26.66, -52.23

 

CMYK 39 / 52 / 0 / 23

HEX #785FC4

RGB 120 95 196

HSL 254.85, 0.46%, 0.57%

LAB 47.19, 33.71, -49.56

 

CMYK 25 / 52 / 0 / 23

HEX #935FC4

RGB 147 95 196

HSL 270.89, 0.46%, 0.57%

LAB 49.95, 40.7, -45

 

CMYK 52 / 23 / 0 / 23

HEX #5F97C4

RGB 95 151 196

HSL 206.73, 0.46%, 0.57%

LAB 60.38, -5.71, -28.9

 

CMYK 52 / 37 / 0 / 23

HEX #5F7CC4

RGB 95 124 196

HSL 222.77, 0.46%, 0.57%

LAB 52.77, 10.08, -40.81

 

CMYK 52 / 51 / 0 / 23

HEX #5F61C4

RGB 95 97 196

HSL 238.81, 0.46%, 0.57%

LAB 45.59, 26.66, -52.23

 

CMYK 52 / 52 / 0 / 23

HEX #5F5FC4

RGB 95 95 196

HSL 240, 0.46%, 0.57%

LAB 45.09, 27.9, -53.04

 

CMYK 52 / 23 / 0 / 23

HEX #5F97C4

RGB 95 151 196

HSL 206.73, 0.46%, 0.57%

LAB 60.38, -5.71, -28.9

 

CMYK 64 / 29 / 0 / 16

HEX #4D99D6

RGB 77 153 214

HSL 206.72, 0.63%, 0.57%

LAB 60.97, -4.76, -38.12

 

CMYK 74 / 33 / 0 / 9

HEX #3B9BE7

RGB 59 155 231

HSL 206.51, 0.78%, 0.57%

LAB 61.78, -2.75, -46.33

 

CMYK 83 / 37 / 0 / 2

HEX #2A9EF9

RGB 42 158 249

HSL 206.38, 0.95%, 0.57%

LAB 63.17, 0.26, -54.05

 

CMYK 52 / 23 / 0 / 23

HEX #5F97C4

RGB 95 151 196

HSL 206.73, 0.46%, 0.57%

LAB 60.38, -5.71, -28.9

 

CMYK 37 / 16 / 0 / 30

HEX #7195B2

RGB 113 149 178

HSL 206.77, 0.3%, 0.57%

LAB 60.09, -5.09, -19.12

 

CMYK 19 / 8 / 0 / 37

HEX #8293A0

RGB 130 147 160

HSL 206, 0.14%, 0.57%

LAB 60.03, -3.18, -8.89

 

CMYK 0 / 2 / 3 / 42

HEX #94918F

RGB 148 145 143

HSL 24, 0.02%, 0.57%

LAB 60.36, 0.72, 1.44

 

CMYK 0 / 14 / 25 / 35

HEX #A68F7D

RGB 166 143 125

HSL 26.34, 0.19%, 0.57%

LAB 60.99, 5.73, 12.76

 

CMYK 52 / 0 / 5 / 23

HEX #5FC4BA

RGB 95 196 186

HSL 174.06, 0.46%, 0.57%

LAB 73.19, -31.89, -4.01

 

CMYK 52 / 9 / 0 / 23

HEX #5FB3C4

RGB 95 179 196

HSL 190.1, 0.46%, 0.57%

LAB 68.5, -20.79, -16.49

 

CMYK 52 / 22 / 0 / 23

HEX #5F98C4

RGB 95 152 196

HSL 206.14, 0.46%, 0.57%

LAB 60.67, -6.27, -28.46

 

CMYK 52 / 36 / 0 / 23

HEX #5F7DC4

RGB 95 125 196

HSL 222.18, 0.46%, 0.57%

LAB 53.04, 9.47, -40.37

 

CMYK 52 / 50 / 0 / 23

HEX #5F62C4

RGB 95 98 196

HSL 238.22, 0.46%, 0.57%

LAB 45.84, 26.04, -51.82

 

CMYK 63 / 28 / 0 / 40

HEX #386E98

RGB 56 110 152

HSL 206.25, 0.46%, 0.41%

LAB 44.6, -4.44, -28.18

 

CMYK 63 / 28 / 0 / 29

HEX #4383B6

RGB 67 131 182

HSL 206.61, 0.46%, 0.49%

LAB 52.73, -4.56, -32.94

 

CMYK 52 / 23 / 0 / 23

HEX #5F97C4

RGB 95 151 196

HSL 206.73, 0.46%, 0.57%

LAB 60.38, -5.71, -28.9

 

CMYK 40 / 17 / 0 / 19

HEX #7DABCF

RGB 125 171 207

HSL 206.34, 0.46%, 0.65%

LAB 68.01, -6.21, -23.17

 

CMYK 29 / 13 / 0 / 15

HEX #9BBEDA

RGB 155 190 218

HSL 206.67, 0.46%, 0.73%

LAB 75.36, -5.31, -17.85

 

CMYK 52 / 23 / 0 / 23

HEX #5E97C4

RGB 94 151 196

HSL 206.47, 0.46%, 0.57%

LAB 60.34, -5.94, -28.98

 

CMYK 19 / 52 / 0 / 23

HEX #9F5FC4

RGB 159 95 196

HSL 278.02, 0.46%, 0.57%

LAB 51.31, 43.94, -42.74

 

CMYK 2 / 0 / 52 / 23

HEX #C0C45F

RGB 192 196 95

HSL 62.38, 0.46%, 0.57%

LAB 76.99, -15.36, 49.6

 

CMYK 52 / 23 / 0 / 23

HEX #5E97C4

RGB 94 151 196

HSL 206.47, 0.46%, 0.57%

LAB 60.34, -5.94, -28.98

 

CMYK 0 / 52 / 22 / 23

HEX #C45F98

RGB 196 95 152

HSL 326.14, 0.46%, 0.57%

LAB 54.23, 47.03, -12.27

 

CMYK 22 / 0 / 52 / 23

HEX #98C45F

RGB 152 196 95

HSL 86.14, 0.46%, 0.57%

LAB 74.18, -31.16, 45.59

 

CMYK 52 / 23 / 0 / 23

HEX #5E97C4

RGB 94 151 196

HSL 206.47, 0.46%, 0.57%

LAB 60.34, -5.94, -28.98

 

CMYK 19 / 52 / 0 / 23

HEX #9F5FC4

RGB 159 95 196

HSL 278.02, 0.46%, 0.57%

LAB 51.31, 43.94, -42.74

 

CMYK 0 / 29 / 52 / 23

HEX #C48B5F

RGB 196 139 95

HSL 26.14, 0.46%, 0.57%

LAB 62.53, 16.66, 32.06

 

CMYK 33 / 0 / 52 / 23

HEX #84C45F

RGB 132 196 95

HSL 98.02, 0.46%, 0.57%

LAB 73.03, -38.4, 43.93

 

CMYK 52 / 23 / 0 / 23

HEX #5E97C4

RGB 94 151 196

HSL 206.47, 0.46%, 0.57%

LAB 60.34, -5.94, -28.98

 

CMYK 4 / 52 / 0 / 23

HEX #BD5FC4

RGB 189 95 196

HSL 295.84, 0.46%, 0.57%

LAB 55.06, 52.23, -36.58

 

CMYK 0 / 29 / 52 / 23

HEX #C48B5F

RGB 196 139 95

HSL 26.14, 0.46%, 0.57%

LAB 62.53, 16.66, 32.06

 

CMYK 48 / 0 / 52 / 23

HEX #66C45F

RGB 102 196 95

HSL 115.84, 0.46%, 0.57%

LAB 71.64, -47.94, 41.93

 

Description

Color code: HEX #5E97C4 | qconv.com Color code: HEX #5E97C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 151 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 151 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 23 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 23% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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