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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E96FD it is the complementary color #A16902. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E96FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E96FD shade: #6396F8, #74A8FF, #85BAFF, #96CCFF and #A7DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E96FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E96FD shade: #5E96FD, #4D84EA, #3C72D7, #2B60C4 and #1A4EB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E96FD shade: #5D95FD, #5D6AFD, #7B5DFD, #A65DFD and #D15DFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E96FD shade: #5D95FD, #5D6AFD and #5D5DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E96FD shade matches the following richer shades: #5D95FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E96FD shade: #5D95FD, #6A99F0, #779DE2, #85A1D5 and #92A5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E96FD shade: #5DEDFD, #5DC2FD, #5D98FD, #5D6DFD and #785DFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E96FD shade: #0B60FC, #347BFC, #5D95FD, #86B0FD and #AFCAFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E96FD shade: #5E96FD, #E25DFD and #D8FD5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E96FD shade: #5E96FD, #FD5D98 and #98FD5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E96FD shade: #5E96FD, #E25DFD, #FDC25D and #78FD5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E96FD shade: #5E96FD, #FD5DE8, #FDC25D and #5DFD72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 41 / 0 / 1

HEX #5E96FD

RGB 94 150 253

HSL 218.87, 0.98%, 0.68%

LAB 62.75, 12.89, -56.81

 

Complementary color

CMYK 0 / 35 / 99 / 37

HEX #A16902

RGB 161 105 2

HSL 38.87, 0.98%, 0.32%

LAB 49.11, 15.55, 55.96

 

CMYK 60 / 40 / 0 / 3

HEX #6396F8

RGB 99 150 248

HSL 219.46, 0.91%, 0.68%

LAB 62.71, 12.13, -54.12

 

CMYK 55 / 34 / 0 / 0

HEX #74A8FF

RGB 116 168 255

HSL 217.55, 1%, 0.73%

LAB 68.71, 7.24, -48.4

 

CMYK 48 / 27 / 0 / 0

HEX #85BAFF

RGB 133 186 255

HSL 213.93, 1%, 0.76%

LAB 74.4, 0.87, -39.42

 

CMYK 41 / 20 / 0 / 0

HEX #96CCFF

RGB 150 204 255

HSL 209.14, 1%, 0.79%

LAB 80.12, -4.78, -30.51

 

CMYK 35 / 13 / 0 / 0

HEX #A7DEFF

RGB 167 222 255

HSL 202.5, 1%, 0.83%

LAB 85.85, -9.81, -21.69

 

CMYK 63 / 41 / 0 / 1

HEX #5E96FD

RGB 94 150 253

HSL 218.87, 0.98%, 0.68%

LAB 62.75, 12.89, -56.81

 

CMYK 67 / 44 / 0 / 8

HEX #4D84EA

RGB 77 132 234

HSL 218.98, 0.79%, 0.61%

LAB 56.11, 14.44, -56.97

 

CMYK 72 / 47 / 0 / 16

HEX #3C72D7

RGB 60 114 215

HSL 219.1, 0.66%, 0.54%

LAB 49.38, 16.32, -57.13

 

CMYK 78 / 51 / 0 / 23

HEX #2B60C4

RGB 43 96 196

HSL 219.22, 0.64%, 0.47%

LAB 42.56, 18.65, -57.26

 

CMYK 85 / 56 / 0 / 31

HEX #1A4EB1

RGB 26 78 177

HSL 219.34, 0.74%, 0.4%

LAB 35.68, 21.54, -57.31

 

CMYK 63 / 41 / 0 / 1

HEX #5D95FD

RGB 93 149 253

HSL 219, 0.98%, 0.68%

LAB 62.43, 13.31, -57.31

 

CMYK 63 / 58 / 0 / 1

HEX #5D6AFD

RGB 93 106 253

HSL 235.13, 0.98%, 0.68%

LAB 51.53, 39.22, -74.88

 

CMYK 51 / 63 / 0 / 1

HEX #7B5DFD

RGB 123 93 253

HSL 251.25, 0.98%, 0.68%

LAB 50.84, 51.61, -75.9

 

CMYK 34 / 63 / 0 / 1

HEX #A65DFD

RGB 166 93 253

HSL 267.38, 0.98%, 0.68%

LAB 55.1, 59.83, -68.79

 

CMYK 17 / 63 / 0 / 1

HEX #D15DFD

RGB 209 93 253

HSL 283.5, 0.98%, 0.68%

LAB 60.32, 69.05, -60.13

 

CMYK 63 / 41 / 0 / 1

HEX #5D95FD

RGB 93 149 253

HSL 219, 0.98%, 0.68%

LAB 62.43, 13.31, -57.31

 

CMYK 63 / 58 / 0 / 1

HEX #5D6AFD

RGB 93 106 253

HSL 235.13, 0.98%, 0.68%

LAB 51.53, 39.22, -74.88

 

CMYK 63 / 63 / 0 / 1

HEX #5D5DFD

RGB 93 93 253

HSL 240, 0.98%, 0.68%

LAB 48.57, 46.91, -79.7

 

CMYK 63 / 41 / 0 / 1

HEX #5D95FD

RGB 93 149 253

HSL 219, 0.98%, 0.68%

LAB 62.43, 13.31, -57.31

 

CMYK 63 / 41 / 0 / 1

HEX #5D95FD

RGB 93 149 253

HSL 219, 0.98%, 0.68%

LAB 62.43, 13.31, -57.31

 

CMYK 56 / 36 / 0 / 6

HEX #6A99F0

RGB 106 153 240

HSL 218.96, 0.82%, 0.68%

LAB 63.46, 9.16, -48.52

 

CMYK 47 / 31 / 0 / 11

HEX #779DE2

RGB 119 157 226

HSL 218.69, 0.65%, 0.68%

LAB 64.59, 5.46, -38.99

 

CMYK 38 / 24 / 0 / 16

HEX #85A1D5

RGB 133 161 213

HSL 219, 0.49%, 0.68%

LAB 65.97, 3.12, -29.59

 

CMYK 27 / 18 / 0 / 22

HEX #92A5C8

RGB 146 165 200

HSL 218.89, 0.33%, 0.68%

LAB 67.42, 1.3, -20.08

 

CMYK 63 / 6 / 0 / 1

HEX #5DEDFD

RGB 93 237 253

HSL 186, 0.98%, 0.68%

LAB 86.99, -33.61, -19.19

 

CMYK 63 / 23 / 0 / 1

HEX #5DC2FD

RGB 93 194 253

HSL 202.13, 0.98%, 0.68%

LAB 74.83, -12.06, -37.81

 

CMYK 63 / 40 / 0 / 1

HEX #5D98FD

RGB 93 152 253

HSL 217.88, 0.98%, 0.68%

LAB 63.24, 11.54, -56.03

 

CMYK 63 / 57 / 0 / 1

HEX #5D6DFD

RGB 93 109 253

HSL 234, 0.98%, 0.68%

LAB 52.24, 37.42, -73.73

 

CMYK 53 / 63 / 0 / 1

HEX #785DFD

RGB 120 93 253

HSL 250.13, 0.98%, 0.68%

LAB 50.59, 51.1, -76.33

 

CMYK 96 / 62 / 0 / 1

HEX #0B60FC

RGB 11 96 252

HSL 218.84, 0.98%, 0.52%

LAB 46.26, 38.11, -83.03

 

CMYK 79 / 51 / 0 / 1

HEX #347BFC

RGB 52 123 252

HSL 218.7, 0.97%, 0.6%

LAB 53.95, 23.37, -70.48

 

CMYK 63 / 41 / 0 / 1

HEX #5D95FD

RGB 93 149 253

HSL 219, 0.98%, 0.68%

LAB 62.43, 13.31, -57.31

 

CMYK 47 / 30 / 0 / 1

HEX #86B0FD

RGB 134 176 253

HSL 218.82, 0.97%, 0.76%

LAB 71.7, 6.09, -42.55

 

CMYK 31 / 20 / 0 / 0

HEX #AFCAFE

RGB 175 202 254

HSL 219.49, 0.98%, 0.84%

LAB 81.02, 2.68, -28.46

 

CMYK 63 / 41 / 0 / 1

HEX #5E96FD

RGB 94 150 253

HSL 218.87, 0.98%, 0.68%

LAB 62.75, 12.89, -56.81

 

CMYK 11 / 63 / 0 / 1

HEX #E25DFD

RGB 226 93 253

HSL 289.88, 0.98%, 0.68%

LAB 62.58, 72.84, -56.38

 

CMYK 15 / 0 / 63 / 1

HEX #D8FD5D

RGB 216 253 93

HSL 73.88, 0.98%, 0.68%

LAB 94.16, -33.36, 70.07

 

CMYK 63 / 41 / 0 / 1

HEX #5E96FD

RGB 94 150 253

HSL 218.87, 0.98%, 0.68%

LAB 62.75, 12.89, -56.81

 

CMYK 0 / 63 / 40 / 1

HEX #FD5D98

RGB 253 93 152

HSL 337.88, 0.98%, 0.68%

LAB 62.49, 65.55, 0.92

 

CMYK 40 / 0 / 63 / 1

HEX #98FD5D

RGB 152 253 93

HSL 97.88, 0.98%, 0.68%

LAB 90.65, -55.94, 65.26

 

CMYK 63 / 41 / 0 / 1

HEX #5E96FD

RGB 94 150 253

HSL 218.87, 0.98%, 0.68%

LAB 62.75, 12.89, -56.81

 

CMYK 11 / 63 / 0 / 1

HEX #E25DFD

RGB 226 93 253

HSL 289.88, 0.98%, 0.68%

LAB 62.58, 72.84, -56.38

 

CMYK 0 / 23 / 63 / 1

HEX #FDC25D

RGB 253 194 93

HSL 37.88, 0.98%, 0.68%

LAB 81.98, 10.79, 57.7

 

CMYK 53 / 0 / 63 / 1

HEX #78FD5D

RGB 120 253 93

HSL 109.88, 0.98%, 0.68%

LAB 89.41, -65.09, 63.54

 

CMYK 63 / 41 / 0 / 1

HEX #5E96FD

RGB 94 150 253

HSL 218.87, 0.98%, 0.68%

LAB 62.75, 12.89, -56.81

 

CMYK 0 / 63 / 8 / 1

HEX #FD5DE8

RGB 253 93 232

HSL 307.88, 0.98%, 0.68%

LAB 65.39, 75.69, -40.07

 

CMYK 0 / 23 / 63 / 1

HEX #FDC25D

RGB 253 194 93

HSL 37.88, 0.98%, 0.68%

LAB 81.98, 10.79, 57.7

 

CMYK 63 / 0 / 55 / 1

HEX #5DFD72

RGB 93 253 114

HSL 127.88, 0.98%, 0.68%

LAB 88.82, -68.96, 53.68

 

Description

Color code: HEX #5E96FD | qconv.com Color code: HEX #5E96FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 150 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 150 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 41 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 41% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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