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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E96CB it is the complementary color #A16934. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E96CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E96CB shade: #6396C6, #74A8D9, #85BAEC, #96CCFF and #A7DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E96CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E96CB shade: #5E96CB, #4D84B8, #3C72A5, #2B6092 and #1A4E7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E96CB shade: #5D95CB, #5D78CB, #605DCB, #7E5DCB and #9B5DCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E96CB shade: #5D95CB, #5D78CB and #5D5DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E96CB shade matches the following richer shades: #5D95CB, #4C96DC, #3B96ED and #2997FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E96CB shade: #5D95CB, #6F95B9, #8094A8, #919497 and #A39385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E96CB shade: #5DCBC5, #5DB3CB, #5D96CB, #5D79CB and #5F5DCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E96CB shade: #346CA1, #3E81C0, #5D95CB, #7CAAD5 and #9CBEDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E96CB shade: #5E96CB, #A85DCB and #C1CB5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E96CB shade: #5E96CB, #CB5D96 and #96CB5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E96CB shade: #5E96CB, #A85DCB, #CB925D and #80CB5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E96CB shade: #5E96CB, #C95DCB, #CB925D and #5FCB5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 26 / 0 / 20

HEX #5E96CB

RGB 94 150 203

HSL 209.17, 0.51%, 0.58%

LAB 60.34, -3.23, -32.9

 

Complementary color

CMYK 0 / 35 / 68 / 37

HEX #A16934

RGB 161 105 52

HSL 29.17, 0.51%, 0.42%

LAB 49.41, 17.28, 38.24

 

CMYK 50 / 24 / 0 / 22

HEX #6396C6

RGB 99 150 198

HSL 209.09, 0.46%, 0.58%

LAB 60.38, -3.61, -30.03

 

CMYK 47 / 23 / 0 / 15

HEX #74A8D9

RGB 116 168 217

HSL 209.11, 0.57%, 0.65%

LAB 67.07, -4.08, -30.17

 

CMYK 44 / 21 / 0 / 7

HEX #85BAEC

RGB 133 186 236

HSL 209.13, 0.73%, 0.72%

LAB 73.65, -4.46, -30.33

 

CMYK 41 / 20 / 0 / 0

HEX #96CCFF

RGB 150 204 255

HSL 209.14, 1%, 0.79%

LAB 80.12, -4.78, -30.51

 

CMYK 35 / 13 / 0 / 0

HEX #A7DEFF

RGB 167 222 255

HSL 202.5, 1%, 0.83%

LAB 85.85, -9.81, -21.69

 

CMYK 54 / 26 / 0 / 20

HEX #5E96CB

RGB 94 150 203

HSL 209.17, 0.51%, 0.58%

LAB 60.34, -3.23, -32.9

 

CMYK 58 / 28 / 0 / 28

HEX #4D84B8

RGB 77 132 184

HSL 209.16, 0.43%, 0.51%

LAB 53.54, -2.51, -32.8

 

CMYK 64 / 31 / 0 / 35

HEX #3C72A5

RGB 60 114 165

HSL 209.14, 0.47%, 0.44%

LAB 46.59, -1.58, -32.71

 

CMYK 71 / 34 / 0 / 43

HEX #2B6092

RGB 43 96 146

HSL 209.13, 0.54%, 0.37%

LAB 39.5, -0.34, -32.63

 

CMYK 80 / 39 / 0 / 50

HEX #1A4E7F

RGB 26 78 127

HSL 209.11, 0.66%, 0.3%

LAB 32.26, 1.38, -32.53

 

CMYK 54 / 27 / 0 / 20

HEX #5D95CB

RGB 93 149 203

HSL 209.45, 0.51%, 0.58%

LAB 60.01, -2.88, -33.42

 

CMYK 54 / 41 / 0 / 20

HEX #5D78CB

RGB 93 120 203

HSL 225.27, 0.51%, 0.58%

LAB 51.92, 14.29, -46.15

 

CMYK 53 / 54 / 0 / 20

HEX #605DCB

RGB 96 93 203

HSL 241.64, 0.51%, 0.58%

LAB 45.12, 31.54, -57.02

 

CMYK 38 / 54 / 0 / 20

HEX #7E5DCB

RGB 126 93 203

HSL 258, 0.51%, 0.58%

LAB 47.72, 38.26, -52.7

 

CMYK 24 / 54 / 0 / 20

HEX #9B5DCB

RGB 155 93 203

HSL 273.82, 0.51%, 0.58%

LAB 50.81, 45.53, -47.58

 

CMYK 54 / 27 / 0 / 20

HEX #5D95CB

RGB 93 149 203

HSL 209.45, 0.51%, 0.58%

LAB 60.01, -2.88, -33.42

 

CMYK 54 / 41 / 0 / 20

HEX #5D78CB

RGB 93 120 203

HSL 225.27, 0.51%, 0.58%

LAB 51.92, 14.29, -46.15

 

CMYK 54 / 54 / 0 / 20

HEX #5D5DCB

RGB 93 93 203

HSL 240, 0.51%, 0.58%

LAB 44.9, 30.93, -57.39

 

CMYK 54 / 27 / 0 / 20

HEX #5D95CB

RGB 93 149 203

HSL 209.45, 0.51%, 0.58%

LAB 60.01, -2.88, -33.42

 

CMYK 65 / 32 / 0 / 14

HEX #4C96DC

RGB 76 150 220

HSL 209.17, 0.67%, 0.58%

LAB 60.35, -1.21, -42.44

 

CMYK 75 / 37 / 0 / 7

HEX #3B96ED

RGB 59 150 237

HSL 209.33, 0.83%, 0.58%

LAB 60.66, 2.27, -51.42

 

CMYK 84 / 41 / 0 / 0

HEX #2997FF

RGB 41 151 255

HSL 209.16, 1%, 0.58%

LAB 61.5, 6.49, -59.99

 

CMYK 54 / 27 / 0 / 20

HEX #5D95CB

RGB 93 149 203

HSL 209.45, 0.51%, 0.58%

LAB 60.01, -2.88, -33.42

 

CMYK 40 / 19 / 0 / 27

HEX #6F95B9

RGB 111 149 185

HSL 209.19, 0.35%, 0.58%

LAB 60.23, -3.74, -22.88

 

CMYK 24 / 12 / 0 / 34

HEX #8094A8

RGB 128 148 168

HSL 210, 0.19%, 0.58%

LAB 60.42, -2.52, -12.85

 

CMYK 4 / 2 / 0 / 41

HEX #919497

RGB 145 148 151

HSL 210, 0.03%, 0.58%

LAB 61.16, -0.49, -1.97

 

CMYK 0 / 10 / 18 / 36

HEX #A39385

RGB 163 147 133

HSL 28, 0.14%, 0.58%

LAB 61.95, 3.56, 9.56

 

CMYK 54 / 0 / 3 / 20

HEX #5DCBC5

RGB 93 203 197

HSL 176.73, 0.51%, 0.58%

LAB 75.5, -32.79, -6.58

 

CMYK 54 / 12 / 0 / 20

HEX #5DB3CB

RGB 93 179 203

HSL 193.09, 0.51%, 0.58%

LAB 68.66, -19.23, -20.11

 

CMYK 54 / 26 / 0 / 20

HEX #5D96CB

RGB 93 150 203

HSL 208.91, 0.51%, 0.58%

LAB 60.29, -3.45, -32.98

 

CMYK 54 / 40 / 0 / 20

HEX #5D79CB

RGB 93 121 203

HSL 224.73, 0.51%, 0.58%

LAB 52.19, 13.68, -45.72

 

CMYK 53 / 54 / 0 / 20

HEX #5F5DCB

RGB 95 93 203

HSL 241.09, 0.51%, 0.58%

LAB 45.04, 31.34, -57.15

 

CMYK 68 / 33 / 0 / 37

HEX #346CA1

RGB 52 108 161

HSL 209.17, 0.51%, 0.42%

LAB 44.27, -0.79, -34.03

 

CMYK 68 / 33 / 0 / 25

HEX #3E81C0

RGB 62 129 192

HSL 209.08, 0.51%, 0.5%

LAB 52.43, -0.82, -39.15

 

CMYK 54 / 27 / 0 / 20

HEX #5D95CB

RGB 93 149 203

HSL 209.45, 0.51%, 0.58%

LAB 60.01, -2.88, -33.42

 

CMYK 42 / 20 / 0 / 16

HEX #7CAAD5

RGB 124 170 213

HSL 208.99, 0.51%, 0.66%

LAB 67.9, -4.3, -26.65

 

CMYK 30 / 15 / 0 / 13

HEX #9CBEDF

RGB 156 190 223

HSL 209.55, 0.51%, 0.74%

LAB 75.59, -3.81, -20.21

 

CMYK 54 / 26 / 0 / 20

HEX #5E96CB

RGB 94 150 203

HSL 209.17, 0.51%, 0.58%

LAB 60.34, -3.23, -32.9

 

CMYK 17 / 54 / 0 / 20

HEX #A85DCB

RGB 168 93 203

HSL 280.91, 0.51%, 0.58%

LAB 52.36, 48.94, -45.03

 

CMYK 5 / 0 / 54 / 20

HEX #C1CB5D

RGB 193 203 93

HSL 65.45, 0.51%, 0.58%

LAB 78.95, -18.63, 52.83

 

CMYK 54 / 26 / 0 / 20

HEX #5E96CB

RGB 94 150 203

HSL 209.17, 0.51%, 0.58%

LAB 60.34, -3.23, -32.9

 

CMYK 0 / 54 / 26 / 20

HEX #CB5D96

RGB 203 93 150

HSL 328.91, 0.51%, 0.58%

LAB 54.79, 49.97, -10.15

 

CMYK 26 / 0 / 54 / 20

HEX #96CB5D

RGB 150 203 93

HSL 88.91, 0.51%, 0.58%

LAB 76.06, -35.35, 48.73

 

CMYK 54 / 26 / 0 / 20

HEX #5E96CB

RGB 94 150 203

HSL 209.17, 0.51%, 0.58%

LAB 60.34, -3.23, -32.9

 

CMYK 17 / 54 / 0 / 20

HEX #A85DCB

RGB 168 93 203

HSL 280.91, 0.51%, 0.58%

LAB 52.36, 48.94, -45.03

 

CMYK 0 / 28 / 54 / 20

HEX #CB925D

RGB 203 146 93

HSL 28.91, 0.51%, 0.58%

LAB 65, 15.57, 36.4

 

CMYK 37 / 0 / 54 / 20

HEX #80CB5D

RGB 128 203 93

HSL 100.91, 0.51%, 0.58%

LAB 74.88, -43.05, 47.05

 

CMYK 54 / 26 / 0 / 20

HEX #5E96CB

RGB 94 150 203

HSL 209.17, 0.51%, 0.58%

LAB 60.34, -3.23, -32.9

 

CMYK 1 / 54 / 0 / 20

HEX #C95DCB

RGB 201 93 203

HSL 298.91, 0.51%, 0.58%

LAB 56.64, 57.74, -37.99

 

CMYK 0 / 28 / 54 / 20

HEX #CB925D

RGB 203 146 93

HSL 28.91, 0.51%, 0.58%

LAB 65, 15.57, 36.4

 

CMYK 53 / 0 / 54 / 20

HEX #5FCB5D

RGB 95 203 93

HSL 118.91, 0.51%, 0.58%

LAB 73.5, -52.9, 45.07

 

Description

Color code: HEX #5E96CB | qconv.com Color code: HEX #5E96CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 150 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 150 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 26 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 26% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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