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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E95DBBF it is the complementary color #A16A24BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E95DBBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E95DBBF shade: #6395D6BF, #74A7E9BF, #85B9FCBF, #96CBFFBF and #A7DDFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E95DBBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E95DBBF shade: #5E95DBBF, #4D83C8BF, #3C71B5BF, #2B5FA2BF and #1A4D8FBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E95DBBF shade: #5D94DA, #5D72DA, #695DDA, #8B5DDA and #AD5DDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E95DBBF shade: #5D94DA, #5D72DA and #5D5DDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E95DBBF shade matches the following richer shades: #5D94DA, #4D92EA and #3D90FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E95DBBF shade: #5D94DA, #6D96CA, #7D98BA, #8D9AAA and #9D9C9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E95DBBF shade: #5DD8DA, #5DB7DA, #5D95DA, #5D74DA and #675DDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E95DBBF shade: #2A6ABA, #3B7ED3, #5D94DA, #7FAAE2 and #A0C0E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E95DBBF shade: #5E95DB, #BB5DDA and #C7DA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E95DBBF shade: #5E95DB, #DA5D95 and #95DA5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E95DBBF shade: #5E95DB, #BB5DDA, #DAA25D and #7CDA5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E95DBBF shade: #5E95DB, #DA5DD4, #DAA25D and #5DDA63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 24 / 0 / 11

HEX #5E95DBBF

RGBA 94 149 219 0.75

HSLA 213.6, 0.63%, 0.61%, 0.75

LABA 60.77, 2.37, -41.17, 0.75

 

Complementary color

CMYK 0 / 26 / 58 / 28

HEX #A16A24BF

RGBA 161 106 36 0.75

HSLA 33.6, 0.63%, 0.39%, 0.75

LABA 49.51, 15.86, 46.01, 0.75

 

CMYK 40 / 23 / 0 / 12

HEX #6395D6BF

RGBA 99 149 214 0.75

HSLA 213.91, 0.58%, 0.61%, 0.75

LABA 60.78, 1.85, -38.35, 0.75

 

CMYK 38 / 21 / 0 / 6

HEX #74A7E9BF

RGBA 116 167 233 0.75

HSLA 213.85, 0.73%, 0.68%, 0.75

LABA 67.45, 1.15, -38.37, 0.75

 

CMYK 35 / 20 / 0 / 1

HEX #85B9FCBF

RGBA 133 185 252 0.75

HSLA 213.78, 0.95%, 0.75%, 0.75

LABA 74.01, 0.56, -38.42, 0.75

 

CMYK 31 / 15 / 0 / 0

HEX #96CBFFBF

RGBA 150 203 255 0.75

HSLA 209.71, 1%, 0.79%, 0.75

LABA 79.85, -4.25, -30.92, 0.75

 

CMYK 26 / 10 / 0 / 0

HEX #A7DDFFBF

RGBA 167 221 255 0.75

HSLA 203.18, 1%, 0.83%, 0.75

LABA 85.58, -9.3, -22.09, 0.75

 

CMYK 43 / 24 / 0 / 11

HEX #5E95DBBF

RGBA 94 149 219 0.75

HSLA 213.6, 0.63%, 0.61%, 0.75

LABA 60.77, 2.37, -41.17, 0.75

 

CMYK 46 / 26 / 0 / 16

HEX #4D83C8BF

RGBA 77 131 200 0.75

HSLA 213.66, 0.53%, 0.54%, 0.75

LABA 54.01, 3.38, -41.19, 0.75

 

CMYK 50 / 28 / 0 / 22

HEX #3C71B5BF

RGBA 60 113 181 0.75

HSLA 213.72, 0.5%, 0.47%, 0.75

LABA 47.11, 4.66, -41.23, 0.75

 

CMYK 55 / 31 / 0 / 27

HEX #2B5FA2BF

RGBA 43 95 162 0.75

HSLA 213.78, 0.58%, 0.4%, 0.75

LABA 40.09, 6.31, -41.27, 0.75

 

CMYK 61 / 35 / 0 / 33

HEX #1A4D8FBF

RGBA 26 77 143 0.75

HSLA 213.85, 0.69%, 0.33%, 0.75

LABA 32.94, 8.51, -41.29, 0.75

 

CMYK 57 / 32 / 0 / 15

HEX #5D94DA

RGB 93 148 218

HSL 213.6, 0.63%, 0.61%

LAB 60.4, 2.43, -41.2

 

CMYK 57 / 48 / 0 / 15

HEX #5D72DA

RGB 93 114 218

HSL 229.92, 0.63%, 0.61%

LAB 51.18, 22.85, -55.84

 

CMYK 52 / 57 / 0 / 15

HEX #695DDA

RGB 105 93 218

HSL 245.76, 0.63%, 0.61%

LAB 46.83, 37.98, -62.8

 

CMYK 36 / 57 / 0 / 15

HEX #8B5DDA

RGB 139 93 218

HSL 262.08, 0.63%, 0.61%

LAB 49.95, 45.28, -57.61

 

CMYK 21 / 57 / 0 / 15

HEX #AD5DDA

RGB 173 93 218

HSL 278.4, 0.63%, 0.61%

LAB 53.79, 53.44, -51.26

 

CMYK 57 / 32 / 0 / 15

HEX #5D94DA

RGB 93 148 218

HSL 213.6, 0.63%, 0.61%

LAB 60.4, 2.43, -41.2

 

CMYK 57 / 48 / 0 / 15

HEX #5D72DA

RGB 93 114 218

HSL 229.92, 0.63%, 0.61%

LAB 51.18, 22.85, -55.84

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DDA

RGB 93 93 218

HSL 240, 0.63%, 0.61%

LAB 45.93, 35.73, -64.31

 

CMYK 57 / 32 / 0 / 15

HEX #5D94DA

RGB 93 148 218

HSL 213.6, 0.63%, 0.61%

LAB 60.4, 2.43, -41.2

 

CMYK 67 / 38 / 0 / 8

HEX #4D92EA

RGB 77 146 234

HSL 213.63, 0.79%, 0.61%

LAB 59.96, 6.04, -50.83

 

CMYK 76 / 42 / 0 / 2

HEX #3D90FA

RGB 61 144 250

HSL 213.65, 0.95%, 0.61%

LAB 59.74, 10.71, -60.03

 

CMYK 57 / 32 / 0 / 15

HEX #5D94DA

RGB 93 148 218

HSL 213.6, 0.63%, 0.61%

LAB 60.4, 2.43, -41.2

 

CMYK 46 / 26 / 0 / 21

HEX #6D96CA

RGB 109 150 202

HSL 213.55, 0.47%, 0.61%

LAB 61.07, -0.01, -31.15

 

CMYK 33 / 18 / 0 / 27

HEX #7D98BA

RGB 125 152 186

HSL 213.44, 0.31%, 0.61%

LAB 61.96, -1.2, -20.71

 

CMYK 17 / 9 / 0 / 33

HEX #8D9AAA

RGB 141 154 170

HSL 213.1, 0.15%, 0.61%

LAB 63.07, -1.18, -9.91

 

CMYK 0 / 1 / 2 / 38

HEX #9D9C9A

RGB 157 156 154

HSL 40, 0.02%, 0.61%

LAB 64.39, -0.01, 1.16

 

CMYK 57 / 1 / 0 / 15

HEX #5DD8DA

RGB 93 216 218

HSL 180.96, 0.63%, 0.61%

LAB 79.9, -33.35, -11.32

 

CMYK 57 / 16 / 0 / 15

HEX #5DB7DA

RGB 93 183 218

HSL 196.8, 0.63%, 0.61%

LAB 70.35, -16.93, -25.75

 

CMYK 57 / 32 / 0 / 15

HEX #5D95DA

RGB 93 149 218

HSL 213.12, 0.63%, 0.61%

LAB 60.68, 1.85, -40.76

 

CMYK 57 / 47 / 0 / 15

HEX #5D74DA

RGB 93 116 218

HSL 228.96, 0.63%, 0.61%

LAB 51.7, 21.62, -55.01

 

CMYK 53 / 57 / 0 / 15

HEX #675DDA

RGB 103 93 218

HSL 244.8, 0.63%, 0.61%

LAB 46.68, 37.59, -63.06

 

CMYK 77 / 43 / 0 / 27

HEX #2A6ABA

RGB 42 106 186

HSL 213.33, 0.63%, 0.45%

LAB 44.72, 8.29, -47.98

 

CMYK 72 / 40 / 0 / 17

HEX #3B7ED3

RGB 59 126 211

HSL 213.55, 0.63%, 0.53%

LAB 52.46, 7.3, -49.93

 

CMYK 57 / 32 / 0 / 15

HEX #5D94DA

RGB 93 148 218

HSL 213.6, 0.63%, 0.61%

LAB 60.4, 2.43, -41.2

 

CMYK 44 / 25 / 0 / 11

HEX #7FAAE2

RGB 127 170 226

HSL 213.94, 0.63%, 0.69%

LAB 68.57, 0.07, -32.75

 

CMYK 31 / 18 / 0 / 9

HEX #A0C0E9

RGB 160 192 233

HSL 213.7, 0.62%, 0.77%

LAB 76.71, -1.3, -23.88

 

CMYK 57 / 32 / 0 / 14

HEX #5E95DB

RGB 94 149 219

HSL 213.6, 0.63%, 0.61%

LAB 60.77, 2.37, -41.17

 

CMYK 14 / 57 / 0 / 15

HEX #BB5DDA

RGB 187 93 218

HSL 285.12, 0.63%, 0.61%

LAB 55.54, 56.93, -48.37

 

CMYK 9 / 0 / 57 / 15

HEX #C7DA5D

RGB 199 218 93

HSL 69.12, 0.63%, 0.61%

LAB 83.48, -23.57, 58.09

 

CMYK 57 / 32 / 0 / 14

HEX #5E95DB

RGB 94 149 219

HSL 213.6, 0.63%, 0.61%

LAB 60.77, 2.37, -41.17

 

CMYK 0 / 57 / 32 / 15

HEX #DA5D95

RGB 218 93 149

HSL 333.12, 0.63%, 0.61%

LAB 56.98, 54.58, -6.06

 

CMYK 32 / 0 / 57 / 15

HEX #95DA5D

RGB 149 218 93

HSL 93.12, 0.63%, 0.61%

LAB 80.36, -42.41, 53.71

 

CMYK 57 / 32 / 0 / 14

HEX #5E95DB

RGB 94 149 219

HSL 213.6, 0.63%, 0.61%

LAB 60.77, 2.37, -41.17

 

CMYK 14 / 57 / 0 / 15

HEX #BB5DDA

RGB 187 93 218

HSL 285.12, 0.63%, 0.61%

LAB 55.54, 56.93, -48.37

 

CMYK 0 / 26 / 57 / 15

HEX #DAA25D

RGB 218 162 93

HSL 33.12, 0.63%, 0.61%

LAB 70.55, 13.17, 43.54

 

CMYK 43 / 0 / 57 / 15

HEX #7CDA5D

RGB 124 218 93

HSL 105.12, 0.63%, 0.61%

LAB 79.17, -50.6, 52.02

 

CMYK 57 / 32 / 0 / 14

HEX #5E95DB

RGB 94 149 219

HSL 213.6, 0.63%, 0.61%

LAB 60.77, 2.37, -41.17

 

CMYK 0 / 57 / 3 / 15

HEX #DA5DD4

RGB 218 93 212

HSL 302.88, 0.63%, 0.61%

LAB 59.42, 63.76, -38.57

 

CMYK 0 / 26 / 57 / 15

HEX #DAA25D

RGB 218 162 93

HSL 33.12, 0.63%, 0.61%

LAB 70.55, 13.17, 43.54

 

CMYK 57 / 0 / 55 / 15

HEX #5DDA63

RGB 93 218 99

HSL 122.88, 0.63%, 0.61%

LAB 78.09, -58.33, 47.74

 

Description

Color code: HEX #5E95DBBF | qconv.com Color code: HEX #5E95DBBF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 149 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 149 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 24 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 24% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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