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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E95D7BF it is the complementary color #A16A28BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E95D7BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E95D7BF shade: #6395D2BF, #74A7E5BF, #85B9F8BF, #96CBFFBF and #A7DDFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E95D7BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E95D7BF shade: #5E95D7BF, #4D83C4BF, #3C71B1BF, #2B5F9EBF and #1A4D8BBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E95D7BF shade: #6096D7, #6076D7, #6A60D7, #8A60D7 and #AA60D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E95D7BF shade: #6096D7, #6076D7 and #6060D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E95D7BF shade matches the following richer shades: #6096D7, #5095E7 and #4093F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E95D7BF shade: #6096D7, #7098C7, #8099B7, #909BA7 and #A09C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E95D7BF shade: #60D7D7, #60B7D7, #6098D7, #6078D7 and #6860D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E95D7BF shade: #2E6CB7, #3F80CF, #6096D7, #81ACDF and #A2C2E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E95D7BF shade: #5E95D7, #B760D7 and #C7D760

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E95D7BF shade: #5E95D7, #D76098 and #98D760

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E95D7BF shade: #5E95D7, #B760D7, #D7A060 and #80D760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E95D7BF shade: #5E95D7, #D760D3, #D7A060 and #60D764

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 23 / 0 / 12

HEX #5E95D7BF

RGBA 94 149 215 0.75

HSLA 212.73, 0.6%, 0.61%, 0.75

LABA 60.59, 1.1, -39.23, 0.75

 

Complementary color

CMYK 0 / 26 / 56 / 28

HEX #A16A28BF

RGBA 161 106 40 0.75

HSLA 32.73, 0.6%, 0.39%, 0.75

LABA 49.54, 16.04, 44.25, 0.75

 

CMYK 40 / 22 / 0 / 13

HEX #6395D2BF

RGBA 99 149 210 0.75

HSLA 212.97, 0.55%, 0.61%, 0.75

LABA 60.61, 0.61, -36.39, 0.75

 

CMYK 37 / 20 / 0 / 8

HEX #74A7E5BF

RGBA 116 167 229 0.75

HSLA 212.92, 0.68%, 0.68%, 0.75

LABA 67.28, -0.04, -36.44, 0.75

 

CMYK 35 / 19 / 0 / 2

HEX #85B9F8BF

RGBA 133 185 248 0.75

HSLA 212.87, 0.89%, 0.75%, 0.75

LABA 73.84, -0.57, -36.51, 0.75

 

CMYK 31 / 15 / 0 / 0

HEX #96CBFFBF

RGBA 150 203 255 0.75

HSLA 209.71, 1%, 0.79%, 0.75

LABA 79.85, -4.25, -30.92, 0.75

 

CMYK 26 / 10 / 0 / 0

HEX #A7DDFFBF

RGBA 167 221 255 0.75

HSLA 203.18, 1%, 0.83%, 0.75

LABA 85.58, -9.3, -22.09, 0.75

 

CMYK 42 / 23 / 0 / 12

HEX #5E95D7BF

RGBA 94 149 215 0.75

HSLA 212.73, 0.6%, 0.61%, 0.75

LABA 60.59, 1.1, -39.23, 0.75

 

CMYK 46 / 25 / 0 / 17

HEX #4D83C4BF

RGBA 77 131 196 0.75

HSLA 212.77, 0.5%, 0.54%, 0.75

LABA 53.81, 2.04, -39.23, 0.75

 

CMYK 50 / 27 / 0 / 23

HEX #3C71B1BF

RGBA 60 113 177 0.75

HSLA 212.82, 0.49%, 0.46%, 0.75

LABA 46.9, 3.23, -39.24, 0.75

 

CMYK 55 / 30 / 0 / 29

HEX #2B5F9EBF

RGBA 43 95 158 0.75

HSLA 212.87, 0.57%, 0.39%, 0.75

LABA 39.86, 4.79, -39.26, 0.75

 

CMYK 61 / 33 / 0 / 34

HEX #1A4D8BBF

RGBA 26 77 139 0.75

HSLA 212.92, 0.68%, 0.32%, 0.75

LABA 32.68, 6.89, -39.26, 0.75

 

CMYK 55 / 30 / 0 / 16

HEX #6096D7

RGB 96 150 215

HSL 212.77, 0.6%, 0.61%

LAB 60.96, 0.94, -38.64

 

CMYK 55 / 45 / 0 / 16

HEX #6076D7

RGB 96 118 215

HSL 228.91, 0.6%, 0.61%

LAB 52.23, 20.02, -52.45

 

CMYK 51 / 55 / 0 / 16

HEX #6A60D7

RGB 106 96 215

HSL 245.04, 0.6%, 0.61%

LAB 47.41, 35.48, -60.15

 

CMYK 36 / 55 / 0 / 16

HEX #8A60D7

RGB 138 96 215

HSL 261.18, 0.6%, 0.61%

LAB 50.31, 42.6, -55.35

 

CMYK 21 / 55 / 0 / 16

HEX #AA60D7

RGB 170 96 215

HSL 277.31, 0.6%, 0.61%

LAB 53.83, 50.51, -49.51

 

CMYK 55 / 30 / 0 / 16

HEX #6096D7

RGB 96 150 215

HSL 212.77, 0.6%, 0.61%

LAB 60.96, 0.94, -38.64

 

CMYK 55 / 45 / 0 / 16

HEX #6076D7

RGB 96 118 215

HSL 228.91, 0.6%, 0.61%

LAB 52.23, 20.02, -52.45

 

CMYK 55 / 55 / 0 / 16

HEX #6060D7

RGB 96 96 215

HSL 240, 0.6%, 0.61%

LAB 46.66, 33.5, -61.41

 

CMYK 55 / 30 / 0 / 16

HEX #6096D7

RGB 96 150 215

HSL 212.77, 0.6%, 0.61%

LAB 60.96, 0.94, -38.64

 

CMYK 65 / 35 / 0 / 9

HEX #5095E7

RGB 80 149 231

HSL 212.58, 0.76%, 0.61%

LAB 60.76, 3.74, -47.9

 

CMYK 74 / 40 / 0 / 3

HEX #4093F7

RGB 64 147 247

HSL 212.79, 0.92%, 0.61%

LAB 60.49, 8.2, -57.18

 

CMYK 55 / 30 / 0 / 16

HEX #6096D7

RGB 96 150 215

HSL 212.77, 0.6%, 0.61%

LAB 60.96, 0.94, -38.64

 

CMYK 44 / 24 / 0 / 22

HEX #7098C7

RGB 112 152 199

HSL 212.41, 0.44%, 0.61%

LAB 61.68, -1.25, -28.52

 

CMYK 30 / 16 / 0 / 28

HEX #8099B7

RGB 128 153 183

HSL 212.73, 0.28%, 0.61%

LAB 62.33, -1.64, -18.44

 

CMYK 14 / 7 / 0 / 35

HEX #909BA7

RGB 144 155 167

HSL 211.3, 0.12%, 0.61%

LAB 63.48, -1.39, -7.6

 

CMYK 0 / 2 / 6 / 37

HEX #A09C97

RGB 160 156 151

HSL 33.33, 0.05%, 0.61%

LAB 64.55, 0.53, 3.12

 

CMYK 55 / 0 / 0 / 16

HEX #60D7D7

RGB 96 215 215

HSL 180, 0.6%, 0.61%

LAB 79.61, -33.13, -10.13

 

CMYK 55 / 15 / 0 / 16

HEX #60B7D7

RGB 96 183 215

HSL 196.13, 0.6%, 0.61%

LAB 70.36, -17.22, -24.1

 

CMYK 55 / 29 / 0 / 16

HEX #6098D7

RGB 96 152 215

HSL 211.76, 0.6%, 0.61%

LAB 61.52, -0.21, -37.76

 

CMYK 55 / 44 / 0 / 16

HEX #6078D7

RGB 96 120 215

HSL 227.9, 0.6%, 0.61%

LAB 52.76, 18.8, -51.61

 

CMYK 52 / 55 / 0 / 16

HEX #6860D7

RGB 104 96 215

HSL 244.03, 0.6%, 0.61%

LAB 47.26, 35.07, -60.42

 

CMYK 75 / 41 / 0 / 28

HEX #2E6CB7

RGB 46 108 183

HSL 212.85, 0.6%, 0.45%

LAB 45.26, 6.39, -45.38

 

CMYK 70 / 38 / 0 / 19

HEX #3F80CF

RGB 63 128 207

HSL 212.92, 0.6%, 0.53%

LAB 52.95, 5.23, -46.87

 

CMYK 55 / 30 / 0 / 16

HEX #6096D7

RGB 96 150 215

HSL 212.77, 0.6%, 0.61%

LAB 60.96, 0.94, -38.64

 

CMYK 42 / 23 / 0 / 13

HEX #81ACDF

RGB 129 172 223

HSL 212.55, 0.59%, 0.69%

LAB 69.11, -1.37, -30.26

 

CMYK 30 / 16 / 0 / 9

HEX #A2C2E8

RGB 162 194 232

HSL 212.57, 0.6%, 0.77%

LAB 77.34, -2.05, -22.38

 

CMYK 56 / 31 / 0 / 16

HEX #5E95D7

RGB 94 149 215

HSL 212.73, 0.6%, 0.61%

LAB 60.59, 1.1, -39.23

 

CMYK 15 / 55 / 0 / 16

HEX #B760D7

RGB 183 96 215

HSL 283.87, 0.6%, 0.61%

LAB 55.42, 53.84, -46.89

 

CMYK 7 / 0 / 55 / 16

HEX #C7D760

RGB 199 215 96

HSL 68.07, 0.6%, 0.61%

LAB 82.69, -21.87, 55.87

 

CMYK 56 / 31 / 0 / 16

HEX #5E95D7

RGB 94 149 215

HSL 212.73, 0.6%, 0.61%

LAB 60.59, 1.1, -39.23

 

CMYK 0 / 55 / 29 / 16

HEX #D76098

RGB 215 96 152

HSL 331.76, 0.6%, 0.61%

LAB 57.15, 52.62, -7.6

 

CMYK 29 / 0 / 55 / 16

HEX #98D760

RGB 152 215 96

HSL 91.76, 0.6%, 0.61%

LAB 79.68, -39.74, 51.61

 

CMYK 56 / 31 / 0 / 16

HEX #5E95D7

RGB 94 149 215

HSL 212.73, 0.6%, 0.61%

LAB 60.59, 1.1, -39.23

 

CMYK 15 / 55 / 0 / 16

HEX #B760D7

RGB 183 96 215

HSL 283.87, 0.6%, 0.61%

LAB 55.42, 53.84, -46.89

 

CMYK 0 / 26 / 55 / 16

HEX #D7A060

RGB 215 160 96

HSL 32.27, 0.6%, 0.61%

LAB 69.78, 13.23, 41.01

 

CMYK 40 / 0 / 55 / 16

HEX #80D760

RGB 128 215 96

HSL 103.87, 0.6%, 0.61%

LAB 78.48, -47.8, 49.91

 

CMYK 56 / 31 / 0 / 16

HEX #5E95D7

RGB 94 149 215

HSL 212.73, 0.6%, 0.61%

LAB 60.59, 1.1, -39.23

 

CMYK 0 / 55 / 2 / 16

HEX #D760D3

RGB 215 96 211

HSL 302.02, 0.6%, 0.61%

LAB 59.45, 61.48, -37.99

 

CMYK 0 / 26 / 55 / 16

HEX #D7A060

RGB 215 160 96

HSL 32.27, 0.6%, 0.61%

LAB 69.78, 13.23, 41.01

 

CMYK 55 / 0 / 53 / 16

HEX #60D764

RGB 96 215 100

HSL 122.02, 0.6%, 0.61%

LAB 77.29, -56.35, 46.32

 

Description

Color code: HEX #5E95D7BF | qconv.com Color code: HEX #5E95D7BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 149 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 149 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 23 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 23% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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