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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9518 it is the complementary color #A16AE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9518 shade: #639513, #74A726, #85B939, #96CB4C and #A7DD5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9518 shade: #5E9518, #4D8305, #3C7100, #2B5F00 and #1A4D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9518 shade: #5E9518, #7F9518, #958818, #956718 and #954518

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9518 shade: #5E9518, #3C9518, #1A9518, #189537 and #189559

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9518 shade matches the following richer shades: #5E9518 and #5FA30A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9518 shade: #5E9518, #5C8726, #5A7934, #596B42 and #575D50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9518 shade: #958818, #809518, #5F9518, #3D9518 and #1C9518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9518 shade: #314E0C, #477112, #5E9518, #74B81E and #8ADB24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9518 shade: #5E9518, #189567 and #951890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9518 shade: #5E9518, #185F95 and #95185F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9518 shade: #5E9518, #189567, #4E1895 and #951846

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9518 shade: #5E9518, #18958C, #4E1895 and #951820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

Complementary color

CMYK 30 / 54 / 0 / 9

HEX #A16AE7

RGB 161 106 231

HSL 266.4, 0.72%, 0.66%

LAB 55.74, 46.67, -55.54

 

CMYK 34 / 0 / 87 / 42

HEX #639513

RGB 99 149 19

HSL 83.08, 0.77%, 0.33%

LAB 56.28, -35.42, 55.77

 

CMYK 31 / 0 / 77 / 35

HEX #74A726

RGB 116 167 38

HSL 83.72, 0.63%, 0.4%

LAB 62.92, -36.13, 56.77

 

CMYK 28 / 0 / 69 / 27

HEX #85B939

RGB 133 185 57

HSL 84.38, 0.53%, 0.47%

LAB 69.46, -36.6, 56.73

 

CMYK 26 / 0 / 63 / 20

HEX #96CB4C

RGB 150 203 76

HSL 85.04, 0.55%, 0.55%

LAB 75.9, -36.91, 56.13

 

CMYK 24 / 0 / 57 / 13

HEX #A7DD5F

RGB 167 221 95

HSL 85.71, 0.65%, 0.62%

LAB 82.25, -37.1, 55.25

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 41 / 0 / 96 / 49

HEX #4D8305

RGB 77 131 5

HSL 85.71, 0.93%, 0.27%

LAB 49.28, -36.21, 52.19

 

CMYK 47 / 0 / 100 / 56

HEX #3C7100

RGB 60 113 0

HSL 88.14, 1%, 0.22%

LAB 42.42, -34.8, 47.46

 

CMYK 55 / 0 / 100 / 63

HEX #2B5F00

RGB 43 95 0

HSL 92.84, 1%, 0.19%

LAB 35.4, -33.09, 41.64

 

CMYK 66 / 0 / 100 / 70

HEX #1A4D00

RGB 26 77 0

HSL 99.74, 1%, 0.15%

LAB 28.19, -31.06, 35.66

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 15 / 0 / 84 / 42

HEX #7F9518

RGB 127 149 24

HSL 70.56, 0.72%, 0.34%

LAB 58.11, -23.7, 56.82

 

CMYK 0 / 9 / 84 / 42

HEX #958818

RGB 149 136 24

HSL 53.76, 0.72%, 0.34%

LAB 56.15, -6.99, 55.86

 

CMYK 0 / 31 / 84 / 42

HEX #956718

RGB 149 103 24

HSL 37.92, 0.72%, 0.34%

LAB 47.18, 11.64, 48.09

 

CMYK 0 / 54 / 84 / 42

HEX #954518

RGB 149 69 24

HSL 21.6, 0.72%, 0.34%

LAB 39.09, 30.85, 40.86

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 60 / 0 / 84 / 42

HEX #3C9518

RGB 60 149 24

HSL 102.72, 0.72%, 0.34%

LAB 54.58, -48.08, 52.34

 

CMYK 83 / 0 / 84 / 42

HEX #1A9518

RGB 26 149 24

HSL 119.04, 0.72%, 0.34%

LAB 53.79, -54.7, 51.34

 

CMYK 84 / 0 / 63 / 42

HEX #189537

RGB 24 149 55

HSL 134.88, 0.72%, 0.34%

LAB 53.99, -52.15, 39.68

 

CMYK 84 / 0 / 40 / 42

HEX #189559

RGB 24 149 89

HSL 151.2, 0.72%, 0.34%

LAB 54.46, -46.57, 22.76

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 42 / 0 / 94 / 36

HEX #5FA30A

RGB 95 163 10

HSL 86.67, 0.88%, 0.34%

LAB 60.47, -43.17, 60.83

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 32 / 0 / 72 / 47

HEX #5C8726

RGB 92 135 38

HSL 86.6, 0.56%, 0.34%

LAB 51.55, -30.74, 45.14

 

CMYK 26 / 0 / 57 / 53

HEX #5A7934

RGB 90 121 52

HSL 86.96, 0.4%, 0.34%

LAB 47.1, -23.45, 33.8

 

CMYK 17 / 0 / 38 / 58

HEX #596B42

RGB 89 107 66

HSL 86.34, 0.24%, 0.34%

LAB 42.81, -14.65, 20.81

 

CMYK 6 / 0 / 14 / 64

HEX #575D50

RGB 87 93 80

HSL 87.69, 0.08%, 0.34%

LAB 38.61, -5.05, 6.67

 

CMYK 0 / 9 / 84 / 42

HEX #958818

RGB 149 136 24

HSL 53.76, 0.72%, 0.34%

LAB 56.15, -6.99, 55.86

 

CMYK 14 / 0 / 84 / 42

HEX #809518

RGB 128 149 24

HSL 70.08, 0.72%, 0.34%

LAB 58.18, -23.27, 56.91

 

CMYK 36 / 0 / 84 / 42

HEX #5F9518

RGB 95 149 24

HSL 85.92, 0.72%, 0.34%

LAB 56.08, -36.75, 54.26

 

CMYK 59 / 0 / 84 / 42

HEX #3D9518

RGB 61 149 24

HSL 102.24, 0.72%, 0.34%

LAB 54.61, -47.82, 52.38

 

CMYK 81 / 0 / 84 / 42

HEX #1C9518

RGB 28 149 24

HSL 118.08, 0.72%, 0.34%

LAB 53.82, -54.44, 51.37

 

CMYK 37 / 0 / 85 / 69

HEX #314E0C

RGB 49 78 12

HSL 86.36, 0.73%, 0.18%

LAB 29.73, -22.38, 32.94

 

CMYK 37 / 0 / 84 / 56

HEX #477112

RGB 71 113 18

HSL 86.53, 0.73%, 0.26%

LAB 43.05, -29.96, 43.75

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 37 / 0 / 84 / 28

HEX #74B81E

RGB 116 184 30

HSL 86.49, 0.72%, 0.42%

LAB 68.09, -43.89, 63.78

 

CMYK 37 / 0 / 84 / 14

HEX #8ADB24

RGB 138 219 36

HSL 86.56, 0.72%, 0.5%

LAB 79.72, -50.4, 73

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 84 / 0 / 31 / 42

HEX #189567

RGB 24 149 103

HSL 157.92, 0.72%, 0.34%

LAB 54.73, -43.53, 15.34

 

CMYK 0 / 84 / 3 / 42

HEX #951890

RGB 149 24 144

HSL 302.4, 0.72%, 0.34%

LAB 36.09, 61.29, -36.14

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 84 / 36 / 0 / 42

HEX #185F95

RGB 24 95 149

HSL 205.92, 0.72%, 0.34%

LAB 38.81, -1.04, -35.57

 

CMYK 0 / 84 / 36 / 42

HEX #95185F

RGB 149 24 95

HSL 325.92, 0.72%, 0.34%

LAB 33.71, 54.65, -9.01

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 84 / 0 / 31 / 42

HEX #189567

RGB 24 149 103

HSL 157.92, 0.72%, 0.34%

LAB 54.73, -43.53, 15.34

 

CMYK 48 / 84 / 0 / 42

HEX #4E1895

RGB 78 24 149

HSL 265.92, 0.72%, 0.34%

LAB 25.08, 49.9, -57.58

 

CMYK 0 / 84 / 53 / 42

HEX #951846

RGB 149 24 70

HSL 337.92, 0.72%, 0.34%

LAB 32.89, 52.25, 6.08

 

CMYK 37 / 0 / 84 / 42

HEX #5E9518

RGB 94 149 24

HSL 86.4, 0.72%, 0.34%

LAB 56.03, -37.13, 54.19

 

CMYK 84 / 0 / 6 / 42

HEX #18958C

RGB 24 149 140

HSL 175.68, 0.72%, 0.34%

LAB 55.67, -33.65, -4.41

 

CMYK 48 / 84 / 0 / 42

HEX #4E1895

RGB 78 24 149

HSL 265.92, 0.72%, 0.34%

LAB 25.08, 49.9, -57.58

 

CMYK 0 / 84 / 79 / 42

HEX #951820

RGB 149 24 32

HSL 356.16, 0.72%, 0.34%

LAB 32.14, 50, 29.69

 

Description

Color code: HEX #5E9518 | qconv.com Color code: HEX #5E9518 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 149 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 149 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 84 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 84% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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