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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E92FA it is the complementary color #A16D05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E92FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E92FA shade: #6392F5, #74A4FF, #85B6FF, #96C8FF and #A7DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E92FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E92FA shade: #5E92FA, #4D80E7, #3C6ED4, #2B5CC1 and #1A4AAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E92FA shade: #5C90FA, #5C66FA, #7C5CFA, #A75CFA and #D25CFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E92FA shade: #5C90FA, #5C66FA and #5C5CFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E92FA shade matches the following richer shades: #5C90FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E92FA shade: #5C90FA, #6995EC, #779ADF, #859ED1 and #92A3C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E92FA shade: #5CE5FA, #5CBBFA, #5C90FA, #5C66FA and #7B5CFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E92FA shade: #0C5AF7, #3475F9, #5C90FA, #84ACFB and #ACC7FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E92FA shade: #5E92FA, #E55CFA and #D0FA5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E92FA shade: #5E92FA, #FA5C90 and #90FA5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E92FA shade: #5E92FA, #E55CFA, #FAC55C and #71FA5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E92FA shade: #5E92FA, #FA5CE0, #FAC55C and #5CFA76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 42 / 0 / 2

HEX #5E92FA

RGB 94 146 250

HSL 220, 0.94%, 0.67%

LAB 61.52, 14.26, -57.13

 

Complementary color

CMYK 0 / 32 / 97 / 37

HEX #A16D05

RGB 161 109 5

HSL 40, 0.94%, 0.33%

LAB 50.13, 13.32, 56.02

 

CMYK 60 / 40 / 0 / 4

HEX #6392F5

RGB 99 146 245

HSL 220.68, 0.88%, 0.67%

LAB 61.48, 13.51, -54.42

 

CMYK 55 / 36 / 0 / 0

HEX #74A4FF

RGB 116 164 255

HSL 219.28, 1%, 0.73%

LAB 67.64, 9.53, -50.08

 

CMYK 48 / 29 / 0 / 0

HEX #85B6FF

RGB 133 182 255

HSL 215.9, 1%, 0.76%

LAB 73.33, 3.08, -41.09

 

CMYK 41 / 22 / 0 / 0

HEX #96C8FF

RGB 150 200 255

HSL 211.43, 1%, 0.79%

LAB 79.05, -2.64, -32.15

 

CMYK 35 / 15 / 0 / 0

HEX #A7DAFF

RGB 167 218 255

HSL 205.23, 1%, 0.83%

LAB 84.78, -7.74, -23.3

 

CMYK 62 / 42 / 0 / 2

HEX #5E92FA

RGB 94 146 250

HSL 220, 0.94%, 0.67%

LAB 61.52, 14.26, -57.13

 

CMYK 67 / 45 / 0 / 9

HEX #4D80E7

RGB 77 128 231

HSL 220.13, 0.76%, 0.6%

LAB 54.85, 15.83, -57.31

 

CMYK 72 / 48 / 0 / 17

HEX #3C6ED4

RGB 60 110 212

HSL 220.26, 0.64%, 0.53%

LAB 48.09, 17.75, -57.49

 

CMYK 78 / 52 / 0 / 24

HEX #2B5CC1

RGB 43 92 193

HSL 220.4, 0.64%, 0.46%

LAB 41.24, 20.11, -57.64

 

CMYK 85 / 57 / 0 / 32

HEX #1A4AAE

RGB 26 74 174

HSL 220.54, 0.74%, 0.39%

LAB 34.34, 23.04, -57.71

 

CMYK 63 / 42 / 0 / 2

HEX #5C90FA

RGB 92 144 250

HSL 220.25, 0.94%, 0.67%

LAB 60.89, 15.11, -58.13

 

CMYK 63 / 59 / 0 / 2

HEX #5C66FA

RGB 92 102 250

HSL 236.2, 0.94%, 0.67%

LAB 50.31, 40.49, -75.2

 

CMYK 50 / 63 / 0 / 2

HEX #7C5CFA

RGB 124 92 250

HSL 252.15, 0.94%, 0.67%

LAB 50.5, 51.48, -74.78

 

CMYK 33 / 63 / 0 / 2

HEX #A75CFA

RGB 167 92 250

HSL 268.48, 0.94%, 0.67%

LAB 54.84, 59.81, -67.55

 

CMYK 16 / 63 / 0 / 2

HEX #D25CFA

RGB 210 92 250

HSL 284.81, 0.94%, 0.67%

LAB 60.12, 69.12, -58.78

 

CMYK 63 / 42 / 0 / 2

HEX #5C90FA

RGB 92 144 250

HSL 220.25, 0.94%, 0.67%

LAB 60.89, 15.11, -58.13

 

CMYK 63 / 59 / 0 / 2

HEX #5C66FA

RGB 92 102 250

HSL 236.2, 0.94%, 0.67%

LAB 50.31, 40.49, -75.2

 

CMYK 63 / 63 / 0 / 2

HEX #5C5CFA

RGB 92 92 250

HSL 240, 0.94%, 0.67%

LAB 48.05, 46.4, -78.89

 

CMYK 63 / 42 / 0 / 2

HEX #5C90FA

RGB 92 144 250

HSL 220.25, 0.94%, 0.67%

LAB 60.89, 15.11, -58.13

 

CMYK 63 / 42 / 0 / 2

HEX #5C90FA

RGB 92 144 250

HSL 220.25, 0.94%, 0.67%

LAB 60.89, 15.11, -58.13

 

CMYK 56 / 37 / 0 / 7

HEX #6995EC

RGB 105 149 236

HSL 219.85, 0.78%, 0.67%

LAB 62.13, 10.03, -48.42

 

CMYK 47 / 31 / 0 / 13

HEX #779ADF

RGB 119 154 223

HSL 219.81, 0.62%, 0.67%

LAB 63.64, 6.3, -38.8

 

CMYK 36 / 24 / 0 / 18

HEX #859ED1

RGB 133 158 209

HSL 220.26, 0.45%, 0.67%

LAB 65, 3.74, -28.87

 

CMYK 25 / 16 / 0 / 24

HEX #92A3C3

RGB 146 163 195

HSL 219.18, 0.29%, 0.67%

LAB 66.71, 1.21, -18.39

 

CMYK 63 / 8 / 0 / 2

HEX #5CE5FA

RGB 92 229 250

HSL 187.97, 0.94%, 0.67%

LAB 84.59, -30.81, -21.23

 

CMYK 63 / 25 / 0 / 2

HEX #5CBBFA

RGB 92 187 250

HSL 203.92, 0.94%, 0.67%

LAB 72.71, -9.42, -39.5

 

CMYK 63 / 42 / 0 / 2

HEX #5C90FA

RGB 92 144 250

HSL 220.25, 0.94%, 0.67%

LAB 60.89, 15.11, -58.13

 

CMYK 63 / 59 / 0 / 2

HEX #5C66FA

RGB 92 102 250

HSL 236.2, 0.94%, 0.67%

LAB 50.31, 40.49, -75.2

 

CMYK 51 / 63 / 0 / 2

HEX #7B5CFA

RGB 123 92 250

HSL 251.77, 0.94%, 0.67%

LAB 50.41, 51.31, -74.93

 

CMYK 95 / 64 / 0 / 3

HEX #0C5AF7

RGB 12 90 247

HSL 220.09, 0.94%, 0.51%

LAB 44.38, 40.04, -83.33

 

CMYK 79 / 53 / 0 / 2

HEX #3475F9

RGB 52 117 249

HSL 220.2, 0.94%, 0.59%

LAB 52.17, 26.01, -71.71

 

CMYK 63 / 42 / 0 / 2

HEX #5C90FA

RGB 92 144 250

HSL 220.25, 0.94%, 0.67%

LAB 60.89, 15.11, -58.13

 

CMYK 47 / 31 / 0 / 2

HEX #84ACFB

RGB 132 172 251

HSL 219.83, 0.94%, 0.75%

LAB 70.44, 7.29, -43.45

 

CMYK 32 / 21 / 0 / 1

HEX #ACC7FC

RGB 172 199 252

HSL 219.75, 0.93%, 0.83%

LAB 79.98, 2.97, -29.01

 

CMYK 62 / 42 / 0 / 2

HEX #5E92FA

RGB 94 146 250

HSL 220, 0.94%, 0.67%

LAB 61.52, 14.26, -57.13

 

CMYK 8 / 63 / 0 / 2

HEX #E55CFA

RGB 229 92 250

HSL 292.03, 0.94%, 0.67%

LAB 62.69, 73.39, -54.53

 

CMYK 17 / 0 / 63 / 2

HEX #D0FA5C

RGB 208 250 92

HSL 75.95, 0.94%, 0.67%

LAB 92.82, -35.11, 68.88

 

CMYK 62 / 42 / 0 / 2

HEX #5E92FA

RGB 94 146 250

HSL 220, 0.94%, 0.67%

LAB 61.52, 14.26, -57.13

 

CMYK 0 / 63 / 42 / 2

HEX #FA5C90

RGB 250 92 144

HSL 340.25, 0.94%, 0.67%

LAB 61.65, 64.27, 4.27

 

CMYK 42 / 0 / 63 / 2

HEX #90FA5C

RGB 144 250 92

HSL 100.25, 0.94%, 0.67%

LAB 89.43, -57.31, 64.22

 

CMYK 62 / 42 / 0 / 2

HEX #5E92FA

RGB 94 146 250

HSL 220, 0.94%, 0.67%

LAB 61.52, 14.26, -57.13

 

CMYK 8 / 63 / 0 / 2

HEX #E55CFA

RGB 229 92 250

HSL 292.03, 0.94%, 0.67%

LAB 62.69, 73.39, -54.53

 

CMYK 0 / 21 / 63 / 2

HEX #FAC55C

RGB 250 197 92

HSL 39.87, 0.94%, 0.67%

LAB 82.39, 7.93, 58.53

 

CMYK 55 / 0 / 63 / 2

HEX #71FA5C

RGB 113 250 92

HSL 112.03, 0.94%, 0.67%

LAB 88.28, -65.87, 62.64

 

CMYK 62 / 42 / 0 / 2

HEX #5E92FA

RGB 94 146 250

HSL 220, 0.94%, 0.67%

LAB 61.52, 14.26, -57.13

 

CMYK 0 / 63 / 10 / 2

HEX #FA5CE0

RGB 250 92 224

HSL 309.87, 0.94%, 0.67%

LAB 64.45, 74.15, -37.11

 

CMYK 0 / 21 / 63 / 2

HEX #FAC55C

RGB 250 197 92

HSL 39.87, 0.94%, 0.67%

LAB 82.39, 7.93, 58.53

 

CMYK 63 / 0 / 53 / 2

HEX #5CFA76

RGB 92 250 118

HSL 129.87, 0.94%, 0.67%

LAB 87.95, -67.6, 50.8

 

Description

Color code: HEX #5E92FA | qconv.com Color code: HEX #5E92FA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 146 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 146 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 42 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 42% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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