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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E92D0 it is the complementary color #A16D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E92D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E92D0 shade: #6392CB, #74A4DE, #85B6F1, #96C8FF and #A7DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E92D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E92D0 shade: #5E92D0, #4D80BD, #3C6EAA, #2B5C97 and #1A4A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E92D0 shade: #5C91CF, #5C72CF, #665CCF, #855CCF and #A45CCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E92D0 shade: #5C91CF, #5C72CF and #5C5CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E92D0 shade matches the following richer shades: #5C91CF, #4C8FE0 and #3B8EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E92D0 shade: #5C91CF, #6D92BF, #7E94AE, #8F959D and #A0978C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E92D0 shade: #5CCFCF, #5CB1CF, #5C92CF, #5C73CF and #645CCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E92D0 shade: #3167A9, #3C7BC6, #5C91CF, #7CA7D9 and #9CBCE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E92D0 shade: #5E92D0, #B15CCF and #C0CF5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E92D0 shade: #5E92D0, #CF5C92 and #92CF5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E92D0 shade: #5E92D0, #B15CCF, #CF9A5C and #7BCF5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E92D0 shade: #5E92D0, #CF5CCC, #CF9A5C and #5CCF60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 30 / 0 / 18

HEX #5E92D0

RGB 94 146 208

HSL 212.63, 0.55%, 0.59%

LAB 59.43, 0.62, -37.13

 

Complementary color

CMYK 0 / 32 / 71 / 37

HEX #A16D2F

RGB 161 109 47

HSL 32.63, 0.55%, 0.41%

LAB 50.36, 14.7, 41.79

 

CMYK 51 / 28 / 0 / 20

HEX #6392CB

RGB 99 146 203

HSL 212.88, 0.5%, 0.59%

LAB 59.45, 0.19, -34.27

 

CMYK 48 / 26 / 0 / 13

HEX #74A4DE

RGB 116 164 222

HSL 212.83, 0.62%, 0.66%

LAB 66.17, -0.4, -34.33

 

CMYK 45 / 24 / 0 / 5

HEX #85B6F1

RGB 133 182 241

HSL 212.78, 0.79%, 0.73%

LAB 72.76, -0.89, -34.42

 

CMYK 41 / 22 / 0 / 0

HEX #96C8FF

RGB 150 200 255

HSL 211.43, 1%, 0.79%

LAB 79.05, -2.64, -32.15

 

CMYK 35 / 15 / 0 / 0

HEX #A7DAFF

RGB 167 218 255

HSL 205.23, 1%, 0.83%

LAB 84.78, -7.74, -23.3

 

CMYK 55 / 30 / 0 / 18

HEX #5E92D0

RGB 94 146 208

HSL 212.63, 0.55%, 0.59%

LAB 59.43, 0.62, -37.13

 

CMYK 59 / 32 / 0 / 26

HEX #4D80BD

RGB 77 128 189

HSL 212.68, 0.46%, 0.52%

LAB 52.61, 1.49, -37.12

 

CMYK 65 / 35 / 0 / 33

HEX #3C6EAA

RGB 60 110 170

HSL 212.73, 0.48%, 0.45%

LAB 45.65, 2.61, -37.12

 

CMYK 72 / 39 / 0 / 41

HEX #2B5C97

RGB 43 92 151

HSL 212.78, 0.56%, 0.38%

LAB 38.55, 4.07, -37.14

 

CMYK 80 / 44 / 0 / 48

HEX #1A4A84

RGB 26 74 132

HSL 212.83, 0.67%, 0.31%

LAB 31.31, 6.06, -37.14

 

CMYK 56 / 30 / 0 / 19

HEX #5C91CF

RGB 92 145 207

HSL 212.35, 0.55%, 0.59%

LAB 59, 0.46, -37.24

 

CMYK 56 / 45 / 0 / 19

HEX #5C72CF

RGB 92 114 207

HSL 228.52, 0.55%, 0.59%

LAB 50.47, 19.05, -50.74

 

CMYK 51 / 56 / 0 / 19

HEX #665CCF

RGB 102 92 207

HSL 245.22, 0.55%, 0.59%

LAB 45.61, 34.62, -58.5

 

CMYK 36 / 56 / 0 / 19

HEX #855CCF

RGB 133 92 207

HSL 261.39, 0.55%, 0.59%

LAB 48.44, 41.57, -53.8

 

CMYK 21 / 56 / 0 / 19

HEX #A45CCF

RGB 164 92 207

HSL 277.57, 0.55%, 0.59%

LAB 51.9, 49.28, -48.08

 

CMYK 56 / 30 / 0 / 19

HEX #5C91CF

RGB 92 145 207

HSL 212.35, 0.55%, 0.59%

LAB 59, 0.46, -37.24

 

CMYK 56 / 45 / 0 / 19

HEX #5C72CF

RGB 92 114 207

HSL 228.52, 0.55%, 0.59%

LAB 50.47, 19.05, -50.74

 

CMYK 56 / 56 / 0 / 19

HEX #5C5CCF

RGB 92 92 207

HSL 240, 0.55%, 0.59%

LAB 44.85, 32.63, -59.77

 

CMYK 56 / 30 / 0 / 19

HEX #5C91CF

RGB 92 145 207

HSL 212.35, 0.55%, 0.59%

LAB 59, 0.46, -37.24

 

CMYK 66 / 36 / 0 / 12

HEX #4C8FE0

RGB 76 143 224

HSL 212.84, 0.7%, 0.59%

LAB 58.57, 4.23, -47.48

 

CMYK 76 / 41 / 0 / 5

HEX #3B8EF1

RGB 59 142 241

HSL 212.64, 0.87%, 0.59%

LAB 58.63, 8.44, -56.86

 

CMYK 56 / 30 / 0 / 19

HEX #5C91CF

RGB 92 145 207

HSL 212.35, 0.55%, 0.59%

LAB 59, 0.46, -37.24

 

CMYK 43 / 24 / 0 / 25

HEX #6D92BF

RGB 109 146 191

HSL 212.93, 0.39%, 0.59%

LAB 59.5, -0.89, -27.4

 

CMYK 28 / 15 / 0 / 32

HEX #7E94AE

RGB 126 148 174

HSL 212.5, 0.23%, 0.59%

LAB 60.49, -1.69, -16.17

 

CMYK 9 / 5 / 0 / 38

HEX #8F959D

RGB 143 149 157

HSL 214.29, 0.07%, 0.59%

LAB 61.45, -0.53, -4.96

 

CMYK 0 / 6 / 13 / 37

HEX #A0978C

RGB 160 151 140

HSL 33, 0.1%, 0.59%

LAB 62.93, 1.35, 6.97

 

CMYK 56 / 0 / 0 / 19

HEX #5CCFCF

RGB 92 207 207

HSL 180, 0.55%, 0.59%

LAB 76.92, -32.23, -9.86

 

CMYK 56 / 14 / 0 / 19

HEX #5CB1CF

RGB 92 177 207

HSL 195.65, 0.55%, 0.59%

LAB 68.19, -17.23, -23.04

 

CMYK 56 / 29 / 0 / 19

HEX #5C92CF

RGB 92 146 207

HSL 211.83, 0.55%, 0.59%

LAB 59.29, -0.12, -36.8

 

CMYK 56 / 44 / 0 / 19

HEX #5C73CF

RGB 92 115 207

HSL 228, 0.55%, 0.59%

LAB 50.74, 18.44, -50.31

 

CMYK 52 / 56 / 0 / 19

HEX #645CCF

RGB 100 92 207

HSL 244.17, 0.55%, 0.59%

LAB 45.45, 34.21, -58.77

 

CMYK 71 / 39 / 0 / 34

HEX #3167A9

RGB 49 103 169

HSL 213, 0.55%, 0.43%

LAB 43.09, 4.74, -40.63

 

CMYK 70 / 38 / 0 / 22

HEX #3C7BC6

RGB 60 123 198

HSL 212.61, 0.55%, 0.51%

LAB 50.92, 4.6, -44.97

 

CMYK 56 / 30 / 0 / 19

HEX #5C91CF

RGB 92 145 207

HSL 212.35, 0.55%, 0.59%

LAB 59, 0.46, -37.24

 

CMYK 43 / 23 / 0 / 15

HEX #7CA7D9

RGB 124 167 217

HSL 212.26, 0.55%, 0.67%

LAB 67.23, -1.53, -29.9

 

CMYK 31 / 17 / 0 / 11

HEX #9CBCE2

RGB 156 188 226

HSL 212.57, 0.55%, 0.75%

LAB 75.16, -2, -22.49

 

CMYK 55 / 30 / 0 / 18

HEX #5E92D0

RGB 94 146 208

HSL 212.63, 0.55%, 0.59%

LAB 59.43, 0.62, -37.13

 

CMYK 14 / 56 / 0 / 19

HEX #B15CCF

RGB 177 92 207

HSL 284.35, 0.55%, 0.59%

LAB 53.5, 52.64, -45.44

 

CMYK 7 / 0 / 56 / 19

HEX #C0CF5C

RGB 192 207 92

HSL 67.83, 0.55%, 0.59%

LAB 79.96, -21.09, 54.42

 

CMYK 55 / 30 / 0 / 18

HEX #5E92D0

RGB 94 146 208

HSL 212.63, 0.55%, 0.59%

LAB 59.43, 0.62, -37.13

 

CMYK 0 / 56 / 29 / 19

HEX #CF5C92

RGB 207 92 146

HSL 331.83, 0.55%, 0.59%

LAB 55.07, 51.19, -7.32

 

CMYK 29 / 0 / 56 / 19

HEX #92CF5C

RGB 146 207 92

HSL 91.83, 0.55%, 0.59%

LAB 76.99, -38.71, 50.22

 

CMYK 55 / 30 / 0 / 18

HEX #5E92D0

RGB 94 146 208

HSL 212.63, 0.55%, 0.59%

LAB 59.43, 0.62, -37.13

 

CMYK 14 / 56 / 0 / 19

HEX #B15CCF

RGB 177 92 207

HSL 284.35, 0.55%, 0.59%

LAB 53.5, 52.64, -45.44

 

CMYK 0 / 26 / 56 / 19

HEX #CF9A5C

RGB 207 154 92

HSL 32.35, 0.55%, 0.59%

LAB 67.39, 12.81, 39.96

 

CMYK 41 / 0 / 56 / 19

HEX #7BCF5C

RGB 123 207 92

HSL 103.83, 0.55%, 0.59%

LAB 75.83, -46.49, 48.58

 

CMYK 55 / 30 / 0 / 18

HEX #5E92D0

RGB 94 146 208

HSL 212.63, 0.55%, 0.59%

LAB 59.43, 0.62, -37.13

 

CMYK 0 / 56 / 1 / 19

HEX #CF5CCC

RGB 207 92 204

HSL 301.57, 0.55%, 0.59%

LAB 57.35, 59.97, -37.39

 

CMYK 0 / 26 / 56 / 19

HEX #CF9A5C

RGB 207 154 92

HSL 32.35, 0.55%, 0.59%

LAB 67.39, 12.81, 39.96

 

CMYK 56 / 0 / 54 / 19

HEX #5CCF60

RGB 92 207 96

HSL 122.09, 0.55%, 0.59%

LAB 74.66, -54.82, 45.02

 

Description

Color code: HEX #5E92D0 | qconv.com Color code: HEX #5E92D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 146 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 146 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 30 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 30% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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