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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E9213 it is the complementary color #A16DEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E9213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E9213 shade: #63920E, #74A421, #85B634, #96C847 and #A7DA5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E9213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E9213 shade: #5E9213, #4D8000, #3C6E00, #2B5C00 and #1A4A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E9213 shade: #5C9012, #7E9012, #908012, #905E12 and #903C12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E9213 shade: #5C9012, #3B9012, #199012, #12902E and #129050

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E9213 shade matches the following richer shades: #5C9012 and #5F9D05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E9213 shade: #5C9012, #5A831F, #58762D, #55683A and #535B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E9213 shade: #907F12, #7F9012, #5E9012, #3C9012 and #1B9012

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E9213 shade: #2D4709, #456B0E, #5C9012, #74B417 and #8BD91C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E9213 shade: #5E9213, #12905E and #901290

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E9213 shade: #5E9213, #125E90 and #90125E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E9213 shade: #5E9213, #12905E, #451290 and #901245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E9213 shade: #5E9213, #129083, #451290 and #90121F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 87 / 43

HEX #5E9213

RGB 94 146 19

HSL 84.57, 0.77%, 0.32%

LAB 55.06, -36, 54.61

 

Complementary color

CMYK 32 / 54 / 0 / 7

HEX #A16DEC

RGB 161 109 236

HSL 264.57, 0.77%, 0.68%

LAB 56.65, 46.26, -56.87

 

CMYK 32 / 0 / 90 / 43

HEX #63920E

RGB 99 146 14

HSL 81.36, 0.83%, 0.31%

LAB 55.32, -34.22, 56.02

 

CMYK 29 / 0 / 80 / 36

HEX #74A421

RGB 116 164 33

HSL 81.98, 0.66%, 0.39%

LAB 61.98, -35.02, 57.46

 

CMYK 27 / 0 / 71 / 29

HEX #85B634

RGB 133 182 52

HSL 82.62, 0.56%, 0.46%

LAB 68.53, -35.57, 57.68

 

CMYK 25 / 0 / 65 / 22

HEX #96C847

RGB 150 200 71

HSL 83.26, 0.54%, 0.53%

LAB 74.98, -35.94, 57.23

 

CMYK 23 / 0 / 59 / 15

HEX #A7DA5A

RGB 167 218 90

HSL 83.91, 0.63%, 0.6%

LAB 81.34, -36.19, 56.43

 

CMYK 36 / 0 / 87 / 43

HEX #5E9213

RGB 94 146 19

HSL 84.57, 0.77%, 0.32%

LAB 55.06, -36, 54.61

 

CMYK 40 / 0 / 100 / 50

HEX #4D8000

RGB 77 128 0

HSL 83.91, 1%, 0.25%

LAB 48.28, -35.05, 52.39

 

CMYK 45 / 0 / 100 / 57

HEX #3C6E00

RGB 60 110 0

HSL 87.27, 1%, 0.22%

LAB 41.39, -33.51, 46.67

 

CMYK 53 / 0 / 100 / 64

HEX #2B5C00

RGB 43 92 0

HSL 91.96, 1%, 0.18%

LAB 34.33, -31.83, 40.8

 

CMYK 65 / 0 / 100 / 71

HEX #1A4A00

RGB 26 74 0

HSL 98.92, 1%, 0.15%

LAB 27.07, -29.84, 34.71

 

CMYK 36 / 0 / 88 / 44

HEX #5C9012

RGB 92 144 18

HSL 84.76, 0.78%, 0.32%

LAB 54.31, -35.91, 54.15

 

CMYK 13 / 0 / 88 / 44

HEX #7E9012

RGB 126 144 18

HSL 68.57, 0.78%, 0.32%

LAB 56.51, -21.81, 56.9

 

CMYK 0 / 11 / 88 / 44

HEX #908012

RGB 144 128 18

HSL 52.38, 0.78%, 0.32%

LAB 53.4, -5.09, 54.95

 

CMYK 0 / 35 / 88 / 44

HEX #905E12

RGB 144 94 18

HSL 36.19, 0.78%, 0.32%

LAB 44.2, 14.35, 47.35

 

CMYK 0 / 58 / 88 / 44

HEX #903C12

RGB 144 60 18

HSL 20, 0.78%, 0.32%

LAB 36.38, 33.35, 40.79

 

CMYK 36 / 0 / 88 / 44

HEX #5C9012

RGB 92 144 18

HSL 84.76, 0.78%, 0.32%

LAB 54.31, -35.91, 54.15

 

CMYK 59 / 0 / 88 / 44

HEX #3B9012

RGB 59 144 18

HSL 100.48, 0.78%, 0.32%

LAB 52.86, -46.78, 52.33

 

CMYK 83 / 0 / 88 / 44

HEX #199012

RGB 25 144 18

HSL 116.67, 0.78%, 0.32%

LAB 52.06, -53.57, 51.31

 

CMYK 88 / 0 / 68 / 44

HEX #12902E

RGB 18 144 46

HSL 133.33, 0.78%, 0.32%

LAB 52.14, -52.18, 41.67

 

CMYK 88 / 0 / 44 / 44

HEX #129050

RGB 18 144 80

HSL 149.52, 0.78%, 0.32%

LAB 52.57, -47.04, 25.18

 

CMYK 36 / 0 / 88 / 44

HEX #5C9012

RGB 92 144 18

HSL 84.76, 0.78%, 0.32%

LAB 54.31, -35.91, 54.15

 

CMYK 39 / 0 / 97 / 38

HEX #5F9D05

RGB 95 157 5

HSL 84.47, 0.94%, 0.32%

LAB 58.56, -40.77, 60.01

 

CMYK 36 / 0 / 88 / 44

HEX #5C9012

RGB 92 144 18

HSL 84.76, 0.78%, 0.32%

LAB 54.31, -35.91, 54.15

 

CMYK 31 / 0 / 76 / 49

HEX #5A831F

RGB 90 131 31

HSL 84.6, 0.62%, 0.32%

LAB 50.1, -30.12, 46.37

 

CMYK 25 / 0 / 62 / 54

HEX #58762D

RGB 88 118 45

HSL 84.66, 0.45%, 0.32%

LAB 45.94, -23.47, 35.93

 

CMYK 18 / 0 / 44 / 59

HEX #55683A

RGB 85 104 58

HSL 84.78, 0.28%, 0.32%

LAB 41.43, -15.84, 23.57

 

CMYK 9 / 0 / 22 / 64

HEX #535B47

RGB 83 91 71

HSL 84, 0.12%, 0.32%

LAB 37.44, -7.22, 10.5

 

CMYK 0 / 12 / 88 / 44

HEX #907F12

RGB 144 127 18

HSL 51.9, 0.78%, 0.32%

LAB 53.12, -4.53, 54.72

 

CMYK 12 / 0 / 88 / 44

HEX #7F9012

RGB 127 144 18

HSL 68.1, 0.78%, 0.32%

LAB 56.59, -21.37, 56.99

 

CMYK 35 / 0 / 88 / 44

HEX #5E9012

RGB 94 144 18

HSL 83.81, 0.78%, 0.32%

LAB 54.42, -35.14, 54.29

 

CMYK 58 / 0 / 88 / 44

HEX #3C9012

RGB 60 144 18

HSL 100, 0.78%, 0.32%

LAB 52.9, -46.51, 52.37

 

CMYK 81 / 0 / 88 / 44

HEX #1B9012

RGB 27 144 18

HSL 115.71, 0.78%, 0.32%

LAB 52.09, -53.31, 51.35

 

CMYK 37 / 0 / 87 / 72

HEX #2D4709

RGB 45 71 9

HSL 85.16, 0.78%, 0.16%

LAB 26.97, -20.73, 31.37

 

CMYK 36 / 0 / 87 / 58

HEX #456B0E

RGB 69 107 14

HSL 84.52, 0.77%, 0.24%

LAB 40.92, -28.13, 42.97

 

CMYK 36 / 0 / 88 / 44

HEX #5C9012

RGB 92 144 18

HSL 84.76, 0.78%, 0.32%

LAB 54.31, -35.91, 54.15

 

CMYK 36 / 0 / 87 / 29

HEX #74B417

RGB 116 180 23

HSL 84.46, 0.77%, 0.4%

LAB 66.84, -42.45, 64.29

 

CMYK 36 / 0 / 87 / 15

HEX #8BD91C

RGB 139 217 28

HSL 84.76, 0.77%, 0.48%

LAB 79.16, -49.5, 74.21

 

CMYK 36 / 0 / 87 / 43

HEX #5E9213

RGB 94 146 19

HSL 84.57, 0.77%, 0.32%

LAB 55.06, -36, 54.61

 

CMYK 88 / 0 / 35 / 44

HEX #12905E

RGB 18 144 94

HSL 156.19, 0.78%, 0.32%

LAB 52.82, -44.13, 17.77

 

CMYK 0 / 88 / 0 / 44

HEX #901290

RGB 144 18 144

HSL 300, 0.78%, 0.32%

LAB 34.75, 61.57, -38.33

 

CMYK 36 / 0 / 87 / 43

HEX #5E9213

RGB 94 146 19

HSL 84.57, 0.77%, 0.32%

LAB 55.06, -36, 54.61

 

CMYK 88 / 35 / 0 / 44

HEX #125E90

RGB 18 94 144

HSL 203.81, 0.78%, 0.32%

LAB 38.11, -2.93, -33.68

 

CMYK 0 / 88 / 35 / 44

HEX #90125E

RGB 144 18 94

HSL 323.81, 0.78%, 0.32%

LAB 32.19, 54.68, -10.76

 

CMYK 36 / 0 / 87 / 43

HEX #5E9213

RGB 94 146 19

HSL 84.57, 0.77%, 0.32%

LAB 55.06, -36, 54.61

 

CMYK 88 / 0 / 35 / 44

HEX #12905E

RGB 18 144 94

HSL 156.19, 0.78%, 0.32%

LAB 52.82, -44.13, 17.77

 

CMYK 52 / 88 / 0 / 44

HEX #451290

RGB 69 18 144

HSL 264.29, 0.78%, 0.32%

LAB 22.69, 49.61, -58.46

 

CMYK 0 / 88 / 52 / 44

HEX #901245

RGB 144 18 69

HSL 335.71, 0.78%, 0.32%

LAB 31.33, 52.24, 4.38

 

CMYK 36 / 0 / 87 / 43

HEX #5E9213

RGB 94 146 19

HSL 84.57, 0.77%, 0.32%

LAB 55.06, -36, 54.61

 

CMYK 88 / 0 / 9 / 44

HEX #129083

RGB 18 144 131

HSL 173.81, 0.78%, 0.32%

LAB 53.72, -34.47, -2.11

 

CMYK 52 / 88 / 0 / 44

HEX #451290

RGB 69 18 144

HSL 264.29, 0.78%, 0.32%

LAB 22.69, 49.61, -58.46

 

CMYK 0 / 88 / 78 / 44

HEX #90121F

RGB 144 18 31

HSL 353.81, 0.78%, 0.32%

LAB 30.55, 49.96, 28.26

 

Description

Color code: HEX #5E9213 | qconv.com Color code: HEX #5E9213 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 146 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 146 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 87 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 87% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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