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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8C20 it is the complementary color #A173DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8C20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E8C20 shade: #638C1B, #749E2E, #85B041, #96C254 and #A7D467

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8C20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E8C20 shade: #5E8C20, #4D7A0D, #3C6800, #2B5600 and #1A4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E8C20 shade: #5F8D20, #7C8D20, #8D8120, #8D6320 and #8D4620

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E8C20 shade: #5F8D20, #418D20, #248D20, #208D3A and #208D57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E8C20 shade matches the following richer shades: #5F8D20, #619B12 and #63A904

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E8C20 shade: #5F8D20, #5D7F2E, #5B713C, #59634A and #565558

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E8C20 shade: #8D8120, #7D8D20, #608D20, #438D20 and #268D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E8C20 shade: #324A11, #486C18, #5F8D20, #75AF28 and #8CD030

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E8C20 shade: #5E8C20, #208D63 and #8D208C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E8C20 shade: #5E8C20, #20608D and #8D2060

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E8C20 shade: #5E8C20, #208D63, #4E208D and #8D204A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E8C20 shade: #5E8C20, #208D84, #4E208D and #8D2029

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 77 / 45

HEX #5E8C20

RGB 94 140 32

HSL 85.56, 0.63%, 0.34%

LAB 53.21, -32.67, 49.1

 

Complementary color

CMYK 28 / 48 / 0 / 13

HEX #A173DF

RGB 161 115 223

HSL 265.56, 0.63%, 0.66%

LAB 57.24, 39.77, -48.67

 

CMYK 29 / 0 / 81 / 45

HEX #638C1B

RGB 99 140 27

HSL 81.77, 0.68%, 0.33%

LAB 53.48, -30.96, 51.12

 

CMYK 27 / 0 / 71 / 38

HEX #749E2E

RGB 116 158 46

HSL 82.5, 0.55%, 0.4%

LAB 60.22, -31.51, 51.25

 

CMYK 24 / 0 / 63 / 31

HEX #85B041

RGB 133 176 65

HSL 83.24, 0.46%, 0.47%

LAB 66.84, -31.86, 50.67

 

CMYK 23 / 0 / 57 / 24

HEX #96C254

RGB 150 194 84

HSL 84, 0.47%, 0.55%

LAB 73.36, -32.07, 49.75

 

CMYK 21 / 0 / 51 / 17

HEX #A7D467

RGB 167 212 103

HSL 84.77, 0.56%, 0.62%

LAB 79.77, -32.2, 48.69

 

CMYK 33 / 0 / 77 / 45

HEX #5E8C20

RGB 94 140 32

HSL 85.56, 0.63%, 0.34%

LAB 53.21, -32.67, 49.1

 

CMYK 37 / 0 / 89 / 52

HEX #4D7A0D

RGB 77 122 13

HSL 84.77, 0.81%, 0.26%

LAB 46.35, -31.96, 48.14

 

CMYK 42 / 0 / 100 / 59

HEX #3C6800

RGB 60 104 0

HSL 85.38, 1%, 0.2%

LAB 39.35, -30.85, 45.07

 

CMYK 50 / 0 / 100 / 66

HEX #2B5600

RGB 43 86 0

HSL 90, 1%, 0.17%

LAB 32.19, -29.22, 39.13

 

CMYK 62 / 0 / 100 / 73

HEX #1A4400

RGB 26 68 0

HSL 97.06, 1%, 0.13%

LAB 24.81, -27.34, 32.63

 

CMYK 33 / 0 / 77 / 45

HEX #5F8D20

RGB 95 141 32

HSL 85.32, 0.63%, 0.34%

LAB 53.59, -32.74, 49.48

 

CMYK 12 / 0 / 77 / 45

HEX #7C8D20

RGB 124 141 32

HSL 69.36, 0.63%, 0.34%

LAB 55.52, -20.63, 52

 

CMYK 0 / 9 / 77 / 45

HEX #8D8120

RGB 141 129 32

HSL 53.39, 0.63%, 0.34%

LAB 53.46, -6.54, 50.59

 

CMYK 0 / 30 / 77 / 45

HEX #8D6320

RGB 141 99 32

HSL 36.88, 0.63%, 0.34%

LAB 45.21, 10.56, 42.71

 

CMYK 0 / 50 / 77 / 45

HEX #8D4620

RGB 141 70 32

HSL 20.92, 0.63%, 0.34%

LAB 38.11, 27.25, 35.57

 

CMYK 33 / 0 / 77 / 45

HEX #5F8D20

RGB 95 141 32

HSL 85.32, 0.63%, 0.34%

LAB 53.59, -32.74, 49.48

 

CMYK 54 / 0 / 77 / 45

HEX #418D20

RGB 65 141 32

HSL 101.83, 0.63%, 0.34%

LAB 52.15, -43.16, 47.59

 

CMYK 74 / 0 / 77 / 45

HEX #248D20

RGB 36 141 32

HSL 117.8, 0.63%, 0.34%

LAB 51.3, -50.08, 46.47

 

CMYK 77 / 0 / 59 / 45

HEX #208D3A

RGB 32 141 58

HSL 134.31, 0.63%, 0.34%

LAB 51.45, -47.94, 35.33

 

CMYK 77 / 0 / 38 / 45

HEX #208D57

RGB 32 141 87

HSL 150.28, 0.63%, 0.34%

LAB 51.89, -42.9, 20.47

 

CMYK 33 / 0 / 77 / 45

HEX #5F8D20

RGB 95 141 32

HSL 85.32, 0.63%, 0.34%

LAB 53.59, -32.74, 49.48

 

CMYK 37 / 0 / 88 / 39

HEX #619B12

RGB 97 155 18

HSL 85.4, 0.79%, 0.34%

LAB 58.06, -38.86, 57.47

 

CMYK 41 / 0 / 98 / 34

HEX #63A904

RGB 99 169 4

HSL 85.45, 0.95%, 0.34%

LAB 62.54, -44.37, 63.39

 

CMYK 33 / 0 / 77 / 45

HEX #5F8D20

RGB 95 141 32

HSL 85.32, 0.63%, 0.34%

LAB 53.59, -32.74, 49.48

 

CMYK 27 / 0 / 64 / 50

HEX #5D7F2E

RGB 93 127 46

HSL 85.19, 0.47%, 0.34%

LAB 49.13, -25.83, 39.1

 

CMYK 19 / 0 / 47 / 56

HEX #5B713C

RGB 91 113 60

HSL 84.91, 0.31%, 0.34%

LAB 44.75, -17.91, 26.71

 

CMYK 10 / 0 / 25 / 61

HEX #59634A

RGB 89 99 74

HSL 84, 0.14%, 0.34%

LAB 40.48, -8.84, 12.96

 

CMYK 2 / 3 / 0 / 65

HEX #565558

RGB 86 85 88

HSL 260, 0.02%, 0.34%

LAB 36.33, 1.05, -1.6

 

CMYK 0 / 9 / 77 / 45

HEX #8D8120

RGB 141 129 32

HSL 53.39, 0.63%, 0.34%

LAB 53.46, -6.54, 50.59

 

CMYK 11 / 0 / 77 / 45

HEX #7D8D20

RGB 125 141 32

HSL 68.81, 0.63%, 0.34%

LAB 55.6, -20.19, 52.09

 

CMYK 32 / 0 / 77 / 45

HEX #608D20

RGB 96 141 32

HSL 84.77, 0.63%, 0.34%

LAB 53.64, -32.35, 49.55

 

CMYK 52 / 0 / 77 / 45

HEX #438D20

RGB 67 141 32

HSL 100.73, 0.63%, 0.34%

LAB 52.23, -42.55, 47.69

 

CMYK 73 / 0 / 77 / 45

HEX #268D20

RGB 38 141 32

HSL 116.7, 0.63%, 0.34%

LAB 51.34, -49.71, 46.53

 

CMYK 32 / 0 / 77 / 71

HEX #324A11

RGB 50 74 17

HSL 85.26, 0.63%, 0.18%

LAB 28.42, -19.53, 29.62

 

CMYK 33 / 0 / 78 / 58

HEX #486C18

RGB 72 108 24

HSL 85.71, 0.64%, 0.26%

LAB 41.48, -26.84, 40.21

 

CMYK 33 / 0 / 77 / 45

HEX #5F8D20

RGB 95 141 32

HSL 85.32, 0.63%, 0.34%

LAB 53.59, -32.74, 49.48

 

CMYK 33 / 0 / 77 / 31

HEX #75AF28

RGB 117 175 40

HSL 85.78, 0.63%, 0.42%

LAB 65.43, -39.2, 58.52

 

CMYK 33 / 0 / 77 / 18

HEX #8CD030

RGB 140 208 48

HSL 85.5, 0.63%, 0.5%

LAB 76.62, -44.61, 67.01

 

CMYK 33 / 0 / 77 / 45

HEX #5E8C20

RGB 94 140 32

HSL 85.56, 0.63%, 0.34%

LAB 53.21, -32.67, 49.1

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 0 / 77 / 1 / 45

HEX #8D208C

RGB 141 32 140

HSL 300.55, 0.63%, 0.34%

LAB 35.18, 56.81, -35.22

 

CMYK 33 / 0 / 77 / 45

HEX #5E8C20

RGB 94 140 32

HSL 85.56, 0.63%, 0.34%

LAB 53.21, -32.67, 49.1

 

CMYK 77 / 32 / 0 / 45

HEX #20608D

RGB 32 96 141

HSL 204.77, 0.63%, 0.34%

LAB 38.89, -3.86, -30.6

 

CMYK 0 / 77 / 32 / 45

HEX #8D2060

RGB 141 32 96

HSL 324.77, 0.63%, 0.34%

LAB 33.01, 50.36, -10.87

 

CMYK 33 / 0 / 77 / 45

HEX #5E8C20

RGB 94 140 32

HSL 85.56, 0.63%, 0.34%

LAB 53.21, -32.67, 49.1

 

CMYK 77 / 0 / 30 / 45

HEX #208D63

RGB 32 141 99

HSL 156.88, 0.63%, 0.34%

LAB 52.13, -40.25, 14.02

 

CMYK 45 / 77 / 0 / 45

HEX #4E208D

RGB 78 32 141

HSL 265.32, 0.63%, 0.34%

LAB 25.49, 44.46, -51.96

 

CMYK 0 / 77 / 48 / 45

HEX #8D204A

RGB 141 32 74

HSL 336.88, 0.63%, 0.34%

LAB 32.24, 47.95, 2.31

 

CMYK 33 / 0 / 77 / 45

HEX #5E8C20

RGB 94 140 32

HSL 85.56, 0.63%, 0.34%

LAB 53.21, -32.67, 49.1

 

CMYK 77 / 0 / 6 / 45

HEX #208D84

RGB 32 141 132

HSL 175.05, 0.63%, 0.34%

LAB 52.97, -31.46, -3.77

 

CMYK 45 / 77 / 0 / 45

HEX #4E208D

RGB 78 32 141

HSL 265.32, 0.63%, 0.34%

LAB 25.49, 44.46, -51.96

 

CMYK 0 / 77 / 71 / 45

HEX #8D2029

RGB 141 32 41

HSL 355.05, 0.63%, 0.34%

LAB 31.48, 45.5, 22.87

 

Description

Color code: HEX #5E8C20 | qconv.com Color code: HEX #5E8C20 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 140 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 140 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 77 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 77% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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