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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8AB3 it is the complementary color #A1754C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E8AB3 shade: #638AAE, #749CC1, #85AED4, #96C0E7 and #A7D2FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E8AB3 shade: #5E8AB3, #4D78A0, #3C668D, #2B547A and #1A4267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E8AB3 shade: #5F8BB3, #5F74B3, #615FB3, #785FB3 and #8E5FB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E8AB3 shade: #5F8BB3, #5F74B3 and #5F5FB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E8AB3 shade matches the following richer shades: #5F8BB3, #4C8BC6, #398CD9 and #268DEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E8AB3 shade: #5F8BB3, #728AA0, #85898D, #98897A and #AB8868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E8AB3 shade: #5FB3AE, #5FA3B3, #5F8CB3, #5F75B3 and #5F5FB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E8AB3 shade: #3D6183, #4A769F, #5F8BB3, #7B9FC1 and #97B3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E8AB3 shade: #5E8AB3, #975FB3 and #AEB35F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E8AB3 shade: #5E8AB3, #B35F8C and #8CB35F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E8AB3 shade: #5E8AB3, #975FB3, #B3865F and #7BB35F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E8AB3 shade: #5E8AB3, #B15FB3, #B3865F and #62B35F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 23 / 0 / 30

HEX #5E8AB3

RGB 94 138 179

HSL 208.94, 0.36%, 0.54%

LAB 55.9, -3.65, -26.21

 

Complementary color

CMYK 0 / 27 / 53 / 37

HEX #A1754C

RGB 161 117 76

HSL 28.94, 0.36%, 0.46%

LAB 52.75, 12.33, 29.29

 

CMYK 43 / 21 / 0 / 32

HEX #638AAE

RGB 99 138 174

HSL 208.8, 0.32%, 0.54%

LAB 55.97, -3.82, -23.21

 

CMYK 40 / 19 / 0 / 24

HEX #749CC1

RGB 116 156 193

HSL 208.83, 0.38%, 0.61%

LAB 62.79, -4.12, -23.42

 

CMYK 37 / 18 / 0 / 17

HEX #85AED4

RGB 133 174 212

HSL 208.86, 0.48%, 0.68%

LAB 69.48, -4.37, -23.64

 

CMYK 35 / 17 / 0 / 9

HEX #96C0E7

RGB 150 192 231

HSL 208.89, 0.63%, 0.75%

LAB 76.04, -4.59, -23.88

 

CMYK 33 / 16 / 0 / 2

HEX #A7D2FA

RGB 167 210 250

HSL 208.92, 0.89%, 0.82%

LAB 82.49, -4.77, -24.13

 

CMYK 47 / 23 / 0 / 30

HEX #5E8AB3

RGB 94 138 179

HSL 208.94, 0.36%, 0.54%

LAB 55.9, -3.65, -26.21

 

CMYK 52 / 25 / 0 / 37

HEX #4D78A0

RGB 77 120 160

HSL 208.92, 0.35%, 0.46%

LAB 48.94, -3.15, -26.06

 

CMYK 57 / 28 / 0 / 45

HEX #3C668D

RGB 60 102 141

HSL 208.89, 0.4%, 0.39%

LAB 41.82, -2.5, -25.94

 

CMYK 65 / 31 / 0 / 52

HEX #2B547A

RGB 43 84 122

HSL 208.86, 0.48%, 0.32%

LAB 34.52, -1.59, -25.83

 

CMYK 75 / 36 / 0 / 60

HEX #1A4267

RGB 26 66 103

HSL 208.83, 0.6%, 0.25%

LAB 27, -0.26, -25.73

 

CMYK 47 / 22 / 0 / 30

HEX #5F8BB3

RGB 95 139 179

HSL 208.57, 0.36%, 0.54%

LAB 56.24, -3.97, -25.68

 

CMYK 47 / 35 / 0 / 30

HEX #5F74B3

RGB 95 116 179

HSL 225, 0.36%, 0.54%

LAB 49.71, 9.63, -35.84

 

CMYK 46 / 47 / 0 / 30

HEX #615FB3

RGB 97 95 179

HSL 241.43, 0.36%, 0.54%

LAB 44.2, 23.08, -44.56

 

CMYK 33 / 47 / 0 / 30

HEX #785FB3

RGB 120 95 179

HSL 257.86, 0.36%, 0.54%

LAB 46.22, 29.08, -41.23

 

CMYK 21 / 47 / 0 / 30

HEX #8E5FB3

RGB 142 95 179

HSL 273.57, 0.36%, 0.54%

LAB 48.5, 35.29, -37.48

 

CMYK 47 / 22 / 0 / 30

HEX #5F8BB3

RGB 95 139 179

HSL 208.57, 0.36%, 0.54%

LAB 56.24, -3.97, -25.68

 

CMYK 47 / 35 / 0 / 30

HEX #5F74B3

RGB 95 116 179

HSL 225, 0.36%, 0.54%

LAB 49.71, 9.63, -35.84

 

CMYK 47 / 47 / 0 / 30

HEX #5F5FB3

RGB 95 95 179

HSL 240, 0.36%, 0.54%

LAB 44.05, 22.6, -44.81

 

CMYK 47 / 22 / 0 / 30

HEX #5F8BB3

RGB 95 139 179

HSL 208.57, 0.36%, 0.54%

LAB 56.24, -3.97, -25.68

 

CMYK 62 / 30 / 0 / 22

HEX #4C8BC6

RGB 76 139 198

HSL 209.02, 0.52%, 0.54%

LAB 56.17, -2.19, -36.66

 

CMYK 74 / 35 / 0 / 15

HEX #398CD9

RGB 57 140 217

HSL 208.88, 0.68%, 0.54%

LAB 56.72, 0.78, -46.54

 

CMYK 84 / 40 / 0 / 7

HEX #268DEC

RGB 38 141 236

HSL 208.79, 0.84%, 0.54%

LAB 57.58, 5.19, -55.8

 

CMYK 47 / 22 / 0 / 30

HEX #5F8BB3

RGB 95 139 179

HSL 208.57, 0.36%, 0.54%

LAB 56.24, -3.97, -25.68

 

CMYK 29 / 14 / 0 / 37

HEX #728AA0

RGB 114 138 160

HSL 208.7, 0.19%, 0.54%

LAB 56.38, -3.26, -14.48

 

CMYK 6 / 3 / 0 / 45

HEX #85898D

RGB 133 137 141

HSL 210, 0.03%, 0.54%

LAB 56.88, -0.65, -2.65

 

CMYK 0 / 10 / 20 / 40

HEX #98897A

RGB 152 137 122

HSL 30, 0.13%, 0.54%

LAB 58.01, 3.08, 10.09

 

CMYK 0 / 20 / 39 / 33

HEX #AB8868

RGB 171 136 104

HSL 28.66, 0.29%, 0.54%

LAB 59.22, 8.86, 22.25

 

CMYK 47 / 0 / 3 / 30

HEX #5FB3AE

RGB 95 179 174

HSL 176.43, 0.36%, 0.54%

LAB 67.82, -26.71, -5.36

 

CMYK 47 / 9 / 0 / 30

HEX #5FA3B3

RGB 95 163 179

HSL 191.43, 0.36%, 0.54%

LAB 63.25, -17.19, -14.98

 

CMYK 47 / 22 / 0 / 30

HEX #5F8CB3

RGB 95 140 179

HSL 207.86, 0.36%, 0.54%

LAB 56.53, -4.55, -25.23

 

CMYK 47 / 35 / 0 / 30

HEX #5F75B3

RGB 95 117 179

HSL 224.29, 0.36%, 0.54%

LAB 49.99, 9.02, -35.41

 

CMYK 47 / 47 / 0 / 30

HEX #5F5FB3

RGB 95 95 179

HSL 240, 0.36%, 0.54%

LAB 44.05, 22.6, -44.81

 

CMYK 53 / 26 / 0 / 49

HEX #3D6183

RGB 61 97 131

HSL 209.14, 0.36%, 0.38%

LAB 39.88, -2.52, -22.91

 

CMYK 53 / 26 / 0 / 38

HEX #4A769F

RGB 74 118 159

HSL 208.94, 0.36%, 0.46%

LAB 48.15, -3, -26.71

 

CMYK 47 / 22 / 0 / 30

HEX #5F8BB3

RGB 95 139 179

HSL 208.57, 0.36%, 0.54%

LAB 56.24, -3.97, -25.68

 

CMYK 36 / 18 / 0 / 24

HEX #7B9FC1

RGB 123 159 193

HSL 209.14, 0.36%, 0.62%

LAB 64.05, -3.87, -21.47

 

CMYK 27 / 13 / 0 / 19

HEX #97B3CE

RGB 151 179 206

HSL 209.45, 0.36%, 0.7%

LAB 71.74, -3.43, -16.81

 

CMYK 47 / 23 / 0 / 30

HEX #5E8AB3

RGB 94 138 179

HSL 208.94, 0.36%, 0.54%

LAB 55.9, -3.65, -26.21

 

CMYK 16 / 47 / 0 / 30

HEX #975FB3

RGB 151 95 179

HSL 280, 0.36%, 0.54%

LAB 49.52, 37.92, -35.8

 

CMYK 3 / 0 / 47 / 30

HEX #AEB35F

RGB 174 179 95

HSL 63.57, 0.36%, 0.54%

LAB 70.92, -14.08, 42.02

 

CMYK 47 / 23 / 0 / 30

HEX #5E8AB3

RGB 94 138 179

HSL 208.94, 0.36%, 0.54%

LAB 55.9, -3.65, -26.21

 

CMYK 0 / 47 / 22 / 30

HEX #B35F8C

RGB 179 95 140

HSL 327.86, 0.36%, 0.54%

LAB 51.45, 39.62, -9.6

 

CMYK 22 / 0 / 47 / 30

HEX #8CB35F

RGB 140 179 95

HSL 87.86, 0.36%, 0.54%

LAB 68.49, -27.58, 38.5

 

CMYK 47 / 23 / 0 / 30

HEX #5E8AB3

RGB 94 138 179

HSL 208.94, 0.36%, 0.54%

LAB 55.9, -3.65, -26.21

 

CMYK 16 / 47 / 0 / 30

HEX #975FB3

RGB 151 95 179

HSL 280, 0.36%, 0.54%

LAB 49.52, 37.92, -35.8

 

CMYK 0 / 25 / 47 / 30

HEX #B3865F

RGB 179 134 95

HSL 27.86, 0.36%, 0.54%

LAB 59.4, 12.32, 27.66

 

CMYK 31 / 0 / 47 / 30

HEX #7BB35F

RGB 123 179 95

HSL 100, 0.36%, 0.54%

LAB 67.48, -33.81, 37.03

 

CMYK 47 / 23 / 0 / 30

HEX #5E8AB3

RGB 94 138 179

HSL 208.94, 0.36%, 0.54%

LAB 55.9, -3.65, -26.21

 

CMYK 1 / 47 / 0 / 30

HEX #B15FB3

RGB 177 95 179

HSL 298.57, 0.36%, 0.54%

LAB 52.71, 45.61, -30.57

 

CMYK 0 / 25 / 47 / 30

HEX #B3865F

RGB 179 134 95

HSL 27.86, 0.36%, 0.54%

LAB 59.4, 12.32, 27.66

 

CMYK 45 / 0 / 47 / 30

HEX #62B35F

RGB 98 179 95

HSL 117.86, 0.36%, 0.54%

LAB 66.26, -42, 35.23

 

Description

Color code: HEX #5E8AB3 | qconv.com Color code: HEX #5E8AB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 138 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 138 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 23 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 23% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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