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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E88D8 it is the complementary color #A17727. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E88D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5E88D8: #6388D3, #749AE6, #85ACF9, #96BEFF and #A7D0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E88D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5E88D8: #5E88D8, #4D76C5, #3C64B2, #2B529F and #1A408C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 37 / 0 / 15

HEX #5E88D8

RGB 94 136 216

HSL 219.34, 0.61%, 0.61%

LAB 57.02, 9.05, -45.4

 

Complementary color

CMYK 0 / 26 / 76 / 37

HEX #A17727

RGB 161 119 39

HSL 39.34, 0.61%, 0.39%

LAB 52.86, 8.6, 48

 

CMYK 53 / 36 / 0 / 17

HEX #6388D3

RGB 99 136 211

HSL 220.18, 0.56%, 0.61%

LAB 57.04, 8.52, -42.55

 

CMYK 50 / 33 / 0 / 10

HEX #749AE6

RGB 116 154 230

HSL 220, 0.7%, 0.68%

LAB 63.78, 7.67, -42.46

 

CMYK 47 / 31 / 0 / 2

HEX #85ACF9

RGB 133 172 249

HSL 219.83, 0.91%, 0.75%

LAB 70.41, 6.95, -42.41

 

CMYK 41 / 25 / 0 / 0

HEX #96BEFF

RGB 150 190 255

HSL 217.14, 1%, 0.79%

LAB 76.39, 2.78, -36.25

 

CMYK 35 / 18 / 0 / 0

HEX #A7D0FF

RGB 167 208 255

HSL 212.05, 1%, 0.83%

LAB 82.13, -2.48, -27.33

 

CMYK 56 / 37 / 0 / 15

HEX #5E88D8

RGB 94 136 216

HSL 219.34, 0.61%, 0.61%

LAB 57.02, 9.05, -45.4

 

CMYK 61 / 40 / 0 / 23

HEX #4D76C5

RGB 77 118 197

HSL 219.5, 0.51%, 0.54%

LAB 50.18, 10.25, -45.54

 

CMYK 66 / 44 / 0 / 30

HEX #3C64B2

RGB 60 100 178

HSL 219.66, 0.5%, 0.47%

LAB 43.2, 11.74, -45.71

 

CMYK 73 / 48 / 0 / 38

HEX #2B529F

RGB 43 82 159

HSL 219.83, 0.57%, 0.4%

LAB 36.08, 13.66, -45.9

 

CMYK 81 / 54 / 0 / 45

HEX #1A408C

RGB 26 64 140

HSL 220, 0.69%, 0.33%

LAB 28.85, 16.19, -46.04

 

CMYK 56 / 37 / 0 / 15

HEX #5E88D8

RGB 94 136 216

HSL 219.34, 0.61%, 0.61%

LAB 57.02, 9.05, -45.4

 

CMYK 56 / 46 / 0 / 15

HEX #5E75D8

RGB 94 117 216

HSL 228.69, 0.61%, 0.61%

LAB 51.91, 20.55, -53.55

 

CMYK 56 / 56 / 0 / 15

HEX #5E60D8

RGB 94 96 216

HSL 239.02, 0.61%, 0.61%

LAB 46.58, 33.44, -62.11

 

CMYK 48 / 56 / 0 / 15

HEX #715ED8

RGB 113 94 216

HSL 249.34, 0.61%, 0.61%

LAB 47.59, 38.42, -60.41

 

CMYK 38 / 56 / 0 / 15

HEX #855ED8

RGB 133 94 216

HSL 259.18, 0.61%, 0.61%

LAB 49.44, 42.82, -57.34

 

CMYK 56 / 37 / 0 / 15

HEX #5E88D8

RGB 94 136 216

HSL 219.34, 0.61%, 0.61%

LAB 57.02, 9.05, -45.4

 

CMYK 58 / 33 / 0 / 95

HEX #05080C

RGB 5 8 12

HSL 214.29, 0.41%, 0.03%

LAB 2.1, -0.21, -1.83

 

CMYK 57 / 37 / 0 / 75

HEX #1B283F

RGB 27 40 63

HSL 218.33, 0.4%, 0.18%

LAB 16.05, 2.33, -16.35

 

CMYK 56 / 37 / 0 / 55

HEX #324872

RGB 50 72 114

HSL 219.38, 0.39%, 0.32%

LAB 30.71, 4.91, -26.8

 

CMYK 56 / 37 / 0 / 35

HEX #4868A5

RGB 72 104 165

HSL 219.35, 0.39%, 0.46%

LAB 44.23, 7.04, -36.4

 

CMYK 56 / 37 / 0 / 15

HEX #5E88D8

RGB 94 136 216

HSL 219.34, 0.61%, 0.61%

LAB 57.02, 9.05, -45.4

 

CMYK 8 / 56 / 0 / 15

HEX #C65ED8

RGB 198 94 216

HSL 291.15, 0.61%, 0.61%

LAB 57.05, 58.86, -44.76

 

CMYK 14 / 0 / 56 / 15

HEX #B9D85E

RGB 185 216 94

HSL 75.25, 0.61%, 0.61%

LAB 81.97, -28.05, 55.67

 

CMYK 56 / 37 / 0 / 15

HEX #5E88D8

RGB 94 136 216

HSL 219.34, 0.61%, 0.61%

LAB 57.02, 9.05, -45.4

 

CMYK 0 / 56 / 37 / 15

HEX #D85E89

RGB 216 94 137

HSL 338.85, 0.61%, 0.61%

LAB 56.5, 52.06, 0.22

 

CMYK 37 / 0 / 56 / 15

HEX #89D85E

RGB 137 216 94

HSL 98.85, 0.61%, 0.61%

LAB 79.18, -45.52, 51.74

 

CMYK 56 / 37 / 0 / 15

HEX #5E88D8

RGB 94 136 216

HSL 219.34, 0.61%, 0.61%

LAB 57.02, 9.05, -45.4

 

CMYK 8 / 56 / 0 / 15

HEX #C65ED8

RGB 198 94 216

HSL 291.15, 0.61%, 0.61%

LAB 57.05, 58.86, -44.76

 

CMYK 0 / 20 / 56 / 15

HEX #D8AD5E

RGB 216 173 94

HSL 38.85, 0.61%, 0.61%

LAB 73.09, 6.52, 46.02

 

CMYK 48 / 0 / 56 / 15

HEX #71D85E

RGB 113 216 94

HSL 110.66, 0.61%, 0.61%

LAB 78.13, -52.94, 50.25

 

CMYK 56 / 37 / 0 / 15

HEX #5E88D8

RGB 94 136 216

HSL 219.34, 0.61%, 0.61%

LAB 57.02, 9.05, -45.4

 

CMYK 0 / 56 / 8 / 15

HEX #D85EC6

RGB 216 94 198

HSL 308.85, 0.61%, 0.61%

LAB 58.68, 60.5, -31.8

 

CMYK 0 / 20 / 56 / 15

HEX #D8AD5E

RGB 216 173 94

HSL 38.85, 0.61%, 0.61%

LAB 73.09, 6.52, 46.02

 

CMYK 56 / 0 / 48 / 15

HEX #5ED871

RGB 94 216 113

HSL 129.34, 0.61%, 0.61%

LAB 77.69, -55.44, 40.56

 

Description

Color code: HEX #5E88D8 | qconv.com Color code: HEX #5E88D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 136 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 136 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 37 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 37% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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