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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E88D5 it is the complementary color #A1772A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E88D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E88D5 shade: #6388D0, #749AE3, #85ACF6, #96BEFF and #A7D0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E88D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E88D5 shade: #5E88D5, #4D76C2, #3C64AF, #2B529C and #1A4089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E88D5 shade: #5D87D5, #5D67D5, #735DD5, #945DD5 and #B45DD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E88D5 shade: #5D87D5, #5D67D5 and #5D5DD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E88D5 shade matches the following richer shades: #5D87D5, #4C82E6 and #3C7EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E88D5 shade: #5D87D5, #6D8CC5, #7E91B4, #8E96A4 and #9F9B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E88D5 shade: #5DC9D5, #5DA9D5, #5D89D5, #5D69D5 and #715DD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E88D5 shade: #2E5CB2, #3C6FCD, #5D87D5, #7EA0DE and #9EB8E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E88D5 shade: #5E88D5, #C15DD5 and #B9D55D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E88D5 shade: #5E88D5, #D55D89 and #89D55D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E88D5 shade: #5E88D5, #C15DD5, #D5A95D and #71D55D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E88D5 shade: #5E88D5, #D55DC5, #D5A95D and #5DD56D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 36 / 0 / 16

HEX #5E88D5

RGB 94 136 213

HSL 218.82, 0.59%, 0.6%

LAB 56.87, 8.08, -43.96

 

Complementary color

CMYK 0 / 26 / 74 / 37

HEX #A1772A

RGB 161 119 42

HSL 38.82, 0.59%, 0.4%

LAB 52.88, 8.75, 46.73

 

CMYK 52 / 35 / 0 / 18

HEX #6388D0

RGB 99 136 208

HSL 219.63, 0.54%, 0.6%

LAB 56.89, 7.58, -41.09

 

CMYK 49 / 32 / 0 / 11

HEX #749AE3

RGB 116 154 227

HSL 219.46, 0.66%, 0.67%

LAB 63.65, 6.77, -41.02

 

CMYK 46 / 30 / 0 / 4

HEX #85ACF6

RGB 133 172 246

HSL 219.29, 0.86%, 0.74%

LAB 70.28, 6.09, -40.98

 

CMYK 41 / 25 / 0 / 0

HEX #96BEFF

RGB 150 190 255

HSL 217.14, 1%, 0.79%

LAB 76.39, 2.78, -36.25

 

CMYK 35 / 18 / 0 / 0

HEX #A7D0FF

RGB 167 208 255

HSL 212.05, 1%, 0.83%

LAB 82.13, -2.48, -27.33

 

CMYK 56 / 36 / 0 / 16

HEX #5E88D5

RGB 94 136 213

HSL 218.82, 0.59%, 0.6%

LAB 56.87, 8.08, -43.96

 

CMYK 60 / 39 / 0 / 24

HEX #4D76C2

RGB 77 118 194

HSL 218.97, 0.49%, 0.53%

LAB 50.01, 9.23, -44.08

 

CMYK 66 / 43 / 0 / 31

HEX #3C64AF

RGB 60 100 175

HSL 219.13, 0.49%, 0.46%

LAB 43.02, 10.66, -44.24

 

CMYK 72 / 47 / 0 / 39

HEX #2B529C

RGB 43 82 156

HSL 219.29, 0.57%, 0.39%

LAB 35.88, 12.51, -44.41

 

CMYK 81 / 53 / 0 / 46

HEX #1A4089

RGB 26 64 137

HSL 219.46, 0.68%, 0.32%

LAB 28.62, 14.97, -44.56

 

CMYK 56 / 37 / 0 / 16

HEX #5D87D5

RGB 93 135 213

HSL 219, 0.59%, 0.6%

LAB 56.54, 8.47, -44.48

 

CMYK 56 / 52 / 0 / 16

HEX #5D67D5

RGB 93 103 213

HSL 235, 0.59%, 0.6%

LAB 48.05, 27.99, -58.04

 

CMYK 46 / 56 / 0 / 16

HEX #735DD5

RGB 115 93 213

HSL 251, 0.59%, 0.6%

LAB 47.34, 38.55, -59.1

 

CMYK 31 / 56 / 0 / 16

HEX #945DD5

RGB 148 93 213

HSL 267.5, 0.59%, 0.6%

LAB 50.6, 46.15, -53.67

 

CMYK 15 / 56 / 0 / 16

HEX #B45DD5

RGB 180 93 213

HSL 283.5, 0.59%, 0.6%

LAB 54.38, 54.15, -47.43

 

CMYK 56 / 37 / 0 / 16

HEX #5D87D5

RGB 93 135 213

HSL 219, 0.59%, 0.6%

LAB 56.54, 8.47, -44.48

 

CMYK 56 / 52 / 0 / 16

HEX #5D67D5

RGB 93 103 213

HSL 235, 0.59%, 0.6%

LAB 48.05, 27.99, -58.04

 

CMYK 56 / 56 / 0 / 16

HEX #5D5DD5

RGB 93 93 213

HSL 240, 0.59%, 0.6%

LAB 45.58, 34.13, -62.02

 

CMYK 56 / 37 / 0 / 16

HEX #5D87D5

RGB 93 135 213

HSL 219, 0.59%, 0.6%

LAB 56.54, 8.47, -44.48

 

CMYK 67 / 43 / 0 / 10

HEX #4C82E6

RGB 76 130 230

HSL 218.96, 0.75%, 0.6%

LAB 55.29, 14.11, -56.05

 

CMYK 76 / 49 / 0 / 4

HEX #3C7EF6

RGB 60 126 246

HSL 218.71, 0.91%, 0.6%

LAB 54.59, 20.13, -66.11

 

CMYK 56 / 37 / 0 / 16

HEX #5D87D5

RGB 93 135 213

HSL 219, 0.59%, 0.6%

LAB 56.54, 8.47, -44.48

 

CMYK 45 / 29 / 0 / 23

HEX #6D8CC5

RGB 109 140 197

HSL 218.86, 0.43%, 0.6%

LAB 58.07, 4.3, -32.99

 

CMYK 30 / 19 / 0 / 29

HEX #7E91B4

RGB 126 145 180

HSL 218.89, 0.26%, 0.6%

LAB 59.87, 1.52, -20.51

 

CMYK 13 / 9 / 0 / 36

HEX #8E96A4

RGB 142 150 164

HSL 218.18, 0.11%, 0.6%

LAB 61.86, 0.06, -8.32

 

CMYK 0 / 3 / 8 / 38

HEX #9F9B93

RGB 159 155 147

HSL 40, 0.06%, 0.6%

LAB 64.1, -0.01, 4.7

 

CMYK 56 / 6 / 0 / 16

HEX #5DC9D5

RGB 93 201 213

HSL 186, 0.59%, 0.6%

LAB 75.39, -27.5, -15.39

 

CMYK 56 / 21 / 0 / 16

HEX #5DA9D5

RGB 93 169 213

HSL 202, 0.59%, 0.6%

LAB 66.14, -10.95, -29.49

 

CMYK 56 / 36 / 0 / 16

HEX #5D89D5

RGB 93 137 213

HSL 218, 0.59%, 0.6%

LAB 57.1, 7.28, -43.61

 

CMYK 56 / 51 / 0 / 16

HEX #5D69D5

RGB 93 105 213

HSL 234, 0.59%, 0.6%

LAB 48.55, 26.76, -57.22

 

CMYK 47 / 56 / 0 / 16

HEX #715DD5

RGB 113 93 213

HSL 250, 0.59%, 0.6%

LAB 47.16, 38.12, -59.39

 

CMYK 74 / 48 / 0 / 30

HEX #2E5CB2

RGB 46 92 178

HSL 219.09, 0.59%, 0.44%

LAB 40.33, 14.76, -50.35

 

CMYK 71 / 46 / 0 / 20

HEX #3C6FCD

RGB 60 111 205

HSL 218.9, 0.59%, 0.52%

LAB 47.93, 14.57, -53.76

 

CMYK 56 / 37 / 0 / 16

HEX #5D87D5

RGB 93 135 213

HSL 219, 0.59%, 0.6%

LAB 56.54, 8.47, -44.48

 

CMYK 43 / 28 / 0 / 13

HEX #7EA0DE

RGB 126 160 222

HSL 218.75, 0.59%, 0.68%

LAB 65.63, 4.32, -35.11

 

CMYK 31 / 20 / 0 / 10

HEX #9EB8E6

RGB 158 184 230

HSL 218.33, 0.59%, 0.76%

LAB 74.36, 1.73, -25.87

 

CMYK 56 / 36 / 0 / 16

HEX #5E88D5

RGB 94 136 213

HSL 218.82, 0.59%, 0.6%

LAB 56.87, 8.08, -43.96

 

CMYK 9 / 56 / 0 / 16

HEX #C15DD5

RGB 193 93 213

HSL 290, 0.59%, 0.6%

LAB 56.06, 57.48, -44.66

 

CMYK 13 / 0 / 56 / 16

HEX #B9D55D

RGB 185 213 93

HSL 74, 0.59%, 0.6%

LAB 81.12, -26.7, 55.16

 

CMYK 56 / 36 / 0 / 16

HEX #5E88D5

RGB 94 136 213

HSL 218.82, 0.59%, 0.6%

LAB 56.87, 8.08, -43.96

 

CMYK 0 / 56 / 36 / 16

HEX #D55D89

RGB 213 93 137

HSL 338, 0.59%, 0.6%

LAB 55.87, 51.55, -0.75

 

CMYK 36 / 0 / 56 / 16

HEX #89D55D

RGB 137 213 93

HSL 98, 0.59%, 0.6%

LAB 78.28, -44.35, 51.15

 

CMYK 56 / 36 / 0 / 16

HEX #5E88D5

RGB 94 136 213

HSL 218.82, 0.59%, 0.6%

LAB 56.87, 8.08, -43.96

 

CMYK 9 / 56 / 0 / 16

HEX #C15DD5

RGB 193 93 213

HSL 290, 0.59%, 0.6%

LAB 56.06, 57.48, -44.66

 

CMYK 0 / 21 / 56 / 16

HEX #D5A95D

RGB 213 169 93

HSL 38, 0.59%, 0.6%

LAB 71.77, 7.32, 44.87

 

CMYK 47 / 0 / 56 / 16

HEX #71D55D

RGB 113 213 93

HSL 110, 0.59%, 0.6%

LAB 77.21, -51.86, 49.63

 

CMYK 56 / 36 / 0 / 16

HEX #5E88D5

RGB 94 136 213

HSL 218.82, 0.59%, 0.6%

LAB 56.87, 8.08, -43.96

 

CMYK 0 / 56 / 8 / 16

HEX #D55DC5

RGB 213 93 197

HSL 308, 0.59%, 0.6%

LAB 58.04, 59.97, -32.25

 

CMYK 0 / 21 / 56 / 16

HEX #D5A95D

RGB 213 169 93

HSL 38, 0.59%, 0.6%

LAB 71.77, 7.32, 44.87

 

CMYK 56 / 0 / 49 / 16

HEX #5DD56D

RGB 93 213 109

HSL 128, 0.59%, 0.6%

LAB 76.69, -55.1, 41.26

 

Description

Color code: HEX #5E88D5 | qconv.com Color code: HEX #5E88D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 136 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 136 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 36 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 36% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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