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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8725 it is the complementary color #A178DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8725. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E8725 shade: #638720, #749933, #85AB46, #96BD59 and #A7CF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8725. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E8725 shade: #5E8725, #4D7512, #3C6300, #2B5100 and #1A3F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E8725 shade: #5E8825, #798825, #887C25, #886125 and #884625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E8725 shade: #5E8825, #448825, #298825, #25883B and #258856

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E8725 shade matches the following richer shades: #5E8825, #619617 and #63A409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E8725 shade: #5E8825, #5C7A33, #5A6C41, #575E4F and #55505D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E8725 shade: #887C25, #798825, #5E8825, #448825 and #2A8825

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E8725 shade: #314713, #48671C, #5E8825, #75A82E and #8BC837

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E8725 shade: #5E8725, #258862 and #882586

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E8725 shade: #5E8725, #255E88 and #88255E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E8725 shade: #5E8725, #258862, #4E2588 and #88254B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E8725 shade: #5E8725, #25887F, #4E2588 and #88252D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 73 / 47

HEX #5E8725

RGB 94 135 37

HSL 85.1, 0.57%, 0.34%

LAB 51.66, -30.02, 45.69

 

Complementary color

CMYK 26 / 45 / 0 / 15

HEX #A178DA

RGB 161 120 218

HSL 265.1, 0.57%, 0.66%

LAB 58.11, 35.76, -44.49

 

CMYK 27 / 0 / 76 / 47

HEX #638720

RGB 99 135 32

HSL 80.97, 0.62%, 0.33%

LAB 51.93, -28.32, 47.97

 

CMYK 24 / 0 / 67 / 40

HEX #749933

RGB 116 153 51

HSL 81.76, 0.5%, 0.4%

LAB 58.73, -28.77, 47.66

 

CMYK 22 / 0 / 59 / 33

HEX #85AB46

RGB 133 171 70

HSL 82.57, 0.42%, 0.47%

LAB 65.4, -29.05, 46.84

 

CMYK 21 / 0 / 53 / 26

HEX #96BD59

RGB 150 189 89

HSL 83.4, 0.43%, 0.55%

LAB 71.96, -29.22, 45.79

 

CMYK 19 / 0 / 48 / 19

HEX #A7CF6C

RGB 167 207 108

HSL 84.24, 0.51%, 0.62%

LAB 78.42, -29.32, 44.66

 

CMYK 30 / 0 / 73 / 47

HEX #5E8725

RGB 94 135 37

HSL 85.1, 0.57%, 0.34%

LAB 51.66, -30.02, 45.69

 

CMYK 34 / 0 / 85 / 54

HEX #4D7512

RGB 77 117 18

HSL 84.24, 0.73%, 0.26%

LAB 44.72, -29.44, 45.39

 

CMYK 39 / 0 / 100 / 61

HEX #3C6300

RGB 60 99 0

HSL 83.64, 1%, 0.19%

LAB 37.63, -28.56, 43.75

 

CMYK 47 / 0 / 100 / 68

HEX #2B5100

RGB 43 81 0

HSL 88.15, 1%, 0.16%

LAB 30.4, -26.96, 37.73

 

CMYK 59 / 0 / 100 / 75

HEX #1A3F00

RGB 26 63 0

HSL 95.24, 1%, 0.12%

LAB 22.91, -25.15, 30.74

 

CMYK 31 / 0 / 73 / 47

HEX #5E8825

RGB 94 136 37

HSL 85.45, 0.57%, 0.34%

LAB 51.97, -30.49, 46.01

 

CMYK 11 / 0 / 73 / 47

HEX #798825

RGB 121 136 37

HSL 69.09, 0.57%, 0.34%

LAB 53.82, -19.11, 48.47

 

CMYK 0 / 9 / 73 / 47

HEX #887C25

RGB 136 124 37

HSL 52.73, 0.57%, 0.34%

LAB 51.59, -5.84, 46.7

 

CMYK 0 / 29 / 73 / 47

HEX #886125

RGB 136 97 37

HSL 36.36, 0.57%, 0.34%

LAB 44.11, 9.65, 39.11

 

CMYK 0 / 49 / 73 / 47

HEX #884625

RGB 136 70 37

HSL 20, 0.57%, 0.34%

LAB 37.39, 25.35, 31.88

 

CMYK 31 / 0 / 73 / 47

HEX #5E8825

RGB 94 136 37

HSL 85.45, 0.57%, 0.34%

LAB 51.97, -30.49, 46.01

 

CMYK 50 / 0 / 73 / 47

HEX #448825

RGB 68 136 37

HSL 101.21, 0.57%, 0.34%

LAB 50.65, -39.84, 44.24

 

CMYK 70 / 0 / 73 / 47

HEX #298825

RGB 41 136 37

HSL 117.58, 0.57%, 0.34%

LAB 49.75, -46.97, 43.03

 

CMYK 73 / 0 / 57 / 47

HEX #25883B

RGB 37 136 59

HSL 133.33, 0.57%, 0.34%

LAB 49.88, -45.15, 32.98

 

CMYK 73 / 0 / 37 / 47

HEX #258856

RGB 37 136 86

HSL 149.7, 0.57%, 0.34%

LAB 50.3, -40.32, 18.92

 

CMYK 31 / 0 / 73 / 47

HEX #5E8825

RGB 94 136 37

HSL 85.45, 0.57%, 0.34%

LAB 51.97, -30.49, 46.01

 

CMYK 35 / 0 / 85 / 41

HEX #619617

RGB 97 150 23

HSL 85.04, 0.73%, 0.34%

LAB 56.5, -36.48, 54.94

 

CMYK 40 / 0 / 95 / 36

HEX #63A409

RGB 99 164 9

HSL 85.16, 0.9%, 0.34%

LAB 60.98, -42.19, 61.46

 

CMYK 31 / 0 / 73 / 47

HEX #5E8825

RGB 94 136 37

HSL 85.45, 0.57%, 0.34%

LAB 51.97, -30.49, 46.01

 

CMYK 25 / 0 / 58 / 52

HEX #5C7A33

RGB 92 122 51

HSL 85.35, 0.41%, 0.34%

LAB 47.54, -23.24, 34.85

 

CMYK 17 / 0 / 40 / 58

HEX #5A6C41

RGB 90 108 65

HSL 85.12, 0.25%, 0.34%

LAB 43.18, -14.93, 21.88

 

CMYK 7 / 0 / 16 / 63

HEX #575E4F

RGB 87 94 79

HSL 88, 0.09%, 0.34%

LAB 38.89, -5.83, 7.68

 

CMYK 9 / 14 / 0 / 64

HEX #55505D

RGB 85 80 93

HSL 263.08, 0.08%, 0.34%

LAB 34.92, 4.9, -6.84

 

CMYK 0 / 9 / 73 / 47

HEX #887C25

RGB 136 124 37

HSL 52.73, 0.57%, 0.34%

LAB 51.59, -5.84, 46.7

 

CMYK 11 / 0 / 73 / 47

HEX #798825

RGB 121 136 37

HSL 69.09, 0.57%, 0.34%

LAB 53.82, -19.11, 48.47

 

CMYK 31 / 0 / 73 / 47

HEX #5E8825

RGB 94 136 37

HSL 85.45, 0.57%, 0.34%

LAB 51.97, -30.49, 46.01

 

CMYK 50 / 0 / 73 / 47

HEX #448825

RGB 68 136 37

HSL 101.21, 0.57%, 0.34%

LAB 50.65, -39.84, 44.24

 

CMYK 69 / 0 / 73 / 47

HEX #2A8825

RGB 42 136 37

HSL 116.97, 0.57%, 0.34%

LAB 49.78, -46.76, 43.07

 

CMYK 31 / 0 / 73 / 72

HEX #314713

RGB 49 71 19

HSL 85.38, 0.58%, 0.18%

LAB 27.32, -18.21, 27.5

 

CMYK 30 / 0 / 73 / 60

HEX #48671C

RGB 72 103 28

HSL 84.8, 0.57%, 0.26%

LAB 39.85, -24.09, 36.95

 

CMYK 31 / 0 / 73 / 47

HEX #5E8825

RGB 94 136 37

HSL 85.45, 0.57%, 0.34%

LAB 51.97, -30.49, 46.01

 

CMYK 30 / 0 / 73 / 34

HEX #75A82E

RGB 117 168 46

HSL 85.08, 0.57%, 0.42%

LAB 63.33, -35.73, 54.4

 

CMYK 31 / 0 / 73 / 22

HEX #8BC837

RGB 139 200 55

HSL 85.24, 0.57%, 0.5%

LAB 74.24, -41.15, 62.39

 

CMYK 30 / 0 / 73 / 47

HEX #5E8725

RGB 94 135 37

HSL 85.1, 0.57%, 0.34%

LAB 51.66, -30.02, 45.69

 

CMYK 73 / 0 / 28 / 47

HEX #258862

RGB 37 136 98

HSL 156.97, 0.57%, 0.34%

LAB 50.55, -37.62, 12.42

 

CMYK 0 / 73 / 1 / 47

HEX #882586

RGB 136 37 134

HSL 301.21, 0.57%, 0.34%

LAB 34.56, 52.99, -32.56

 

CMYK 30 / 0 / 73 / 47

HEX #5E8725

RGB 94 135 37

HSL 85.1, 0.57%, 0.34%

LAB 51.66, -30.02, 45.69

 

CMYK 73 / 31 / 0 / 47

HEX #255E88

RGB 37 94 136

HSL 205.45, 0.57%, 0.34%

LAB 38.16, -3.78, -28.72

 

CMYK 0 / 73 / 31 / 47

HEX #88255E

RGB 136 37 94

HSL 325.45, 0.57%, 0.34%

LAB 32.62, 46.93, -10.25

 

CMYK 30 / 0 / 73 / 47

HEX #5E8725

RGB 94 135 37

HSL 85.1, 0.57%, 0.34%

LAB 51.66, -30.02, 45.69

 

CMYK 73 / 0 / 28 / 47

HEX #258862

RGB 37 136 98

HSL 156.97, 0.57%, 0.34%

LAB 50.55, -37.62, 12.42

 

CMYK 43 / 73 / 0 / 47

HEX #4E2588

RGB 78 37 136

HSL 264.85, 0.57%, 0.34%

LAB 25.92, 40.66, -48.14

 

CMYK 0 / 73 / 45 / 47

HEX #88254B

RGB 136 37 75

HSL 336.97, 0.57%, 0.34%

LAB 31.96, 44.72, 1.12

 

CMYK 30 / 0 / 73 / 47

HEX #5E8725

RGB 94 135 37

HSL 85.1, 0.57%, 0.34%

LAB 51.66, -30.02, 45.69

 

CMYK 73 / 0 / 7 / 47

HEX #25887F

RGB 37 136 127

HSL 174.55, 0.57%, 0.34%

LAB 51.31, -29.9, -3.31

 

CMYK 43 / 73 / 0 / 47

HEX #4E2588

RGB 78 37 136

HSL 264.85, 0.57%, 0.34%

LAB 25.92, 40.66, -48.14

 

CMYK 0 / 73 / 67 / 47

HEX #88252D

RGB 136 37 45

HSL 355.15, 0.57%, 0.34%

LAB 31.22, 42.22, 19.76

 

Description

Color code: HEX #5E8725 | qconv.com Color code: HEX #5E8725 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 135 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 135 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 73 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 73% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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