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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E86D4 it is the complementary color #A1792B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E86D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E86D4 shade: #6386CF, #7498E2, #85AAF5, #96BCFF and #A7CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E86D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E86D4 shade: #5E86D4, #4D74C1, #3C62AE, #2B509B and #1A3E88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E86D4 shade: #5D85D4, #5D66D4, #755DD4, #955DD4 and #B55DD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E86D4 shade: #5D85D4, #5D66D4 and #5D5DD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E86D4 shade matches the following richer shades: #5D85D4, #4D80E4 and #3C7BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E86D4 shade: #5D85D4, #6E8BC3, #7E90B3, #8F95A2 and #9F9B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E86D4 shade: #5DC6D4, #5DA6D4, #5D87D4, #5D67D4 and #735DD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E86D4 shade: #2E5AB0, #3D6DCB, #5D85D4, #7E9EDC and #9FB6E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E86D4 shade: #5E86D4, #C25DD4 and #B6D45D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E86D4 shade: #5E86D4, #D45D87 and #87D45D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E86D4 shade: #5E86D4, #C25DD4, #D4AA5D and #6FD45D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E86D4 shade: #5E86D4, #D45DC2, #D4AA5D and #5DD46F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 37 / 0 / 17

HEX #5E86D4

RGB 94 134 212

HSL 219.66, 0.58%, 0.6%

LAB 56.27, 8.95, -44.34

 

Complementary color

CMYK 0 / 25 / 73 / 37

HEX #A1792B

RGB 161 121 43

HSL 39.66, 0.58%, 0.4%

LAB 53.41, 7.67, 46.82

 

CMYK 52 / 35 / 0 / 19

HEX #6386CF

RGB 99 134 207

HSL 220.56, 0.53%, 0.6%

LAB 56.3, 8.46, -41.47

 

CMYK 49 / 33 / 0 / 11

HEX #7498E2

RGB 116 152 226

HSL 220.36, 0.65%, 0.67%

LAB 63.06, 7.63, -41.38

 

CMYK 46 / 31 / 0 / 4

HEX #85AAF5

RGB 133 170 245

HSL 220.18, 0.85%, 0.74%

LAB 69.7, 6.93, -41.34

 

CMYK 41 / 26 / 0 / 0

HEX #96BCFF

RGB 150 188 255

HSL 218.29, 1%, 0.79%

LAB 75.87, 3.88, -37.07

 

CMYK 35 / 19 / 0 / 0

HEX #A7CEFF

RGB 167 206 255

HSL 213.41, 1%, 0.83%

LAB 81.61, -1.42, -28.14

 

CMYK 56 / 37 / 0 / 17

HEX #5E86D4

RGB 94 134 212

HSL 219.66, 0.58%, 0.6%

LAB 56.27, 8.95, -44.34

 

CMYK 60 / 40 / 0 / 24

HEX #4D74C1

RGB 77 116 193

HSL 219.83, 0.48%, 0.53%

LAB 49.4, 10.12, -44.49

 

CMYK 66 / 44 / 0 / 32

HEX #3C62AE

RGB 60 98 174

HSL 220, 0.49%, 0.46%

LAB 42.39, 11.58, -44.66

 

CMYK 72 / 48 / 0 / 39

HEX #2B509B

RGB 43 80 155

HSL 220.18, 0.57%, 0.39%

LAB 35.24, 13.46, -44.85

 

CMYK 81 / 54 / 0 / 47

HEX #1A3E88

RGB 26 62 136

HSL 220.36, 0.68%, 0.32%

LAB 27.96, 15.95, -45.01

 

CMYK 56 / 37 / 0 / 17

HEX #5D85D4

RGB 93 133 212

HSL 219.83, 0.58%, 0.6%

LAB 55.94, 9.34, -44.87

 

CMYK 56 / 52 / 0 / 17

HEX #5D66D4

RGB 93 102 212

HSL 235.46, 0.58%, 0.6%

LAB 47.73, 28.28, -57.98

 

CMYK 45 / 56 / 0 / 17

HEX #755DD4

RGB 117 93 212

HSL 252.1, 0.58%, 0.6%

LAB 47.45, 38.7, -58.34

 

CMYK 30 / 56 / 0 / 17

HEX #955DD4

RGB 149 93 212

HSL 268.24, 0.58%, 0.6%

LAB 50.65, 46.15, -53.02

 

CMYK 15 / 56 / 0 / 17

HEX #B55DD4

RGB 181 93 212

HSL 284.37, 0.58%, 0.6%

LAB 54.46, 54.2, -46.73

 

CMYK 56 / 37 / 0 / 17

HEX #5D85D4

RGB 93 133 212

HSL 219.83, 0.58%, 0.6%

LAB 55.94, 9.34, -44.87

 

CMYK 56 / 52 / 0 / 17

HEX #5D66D4

RGB 93 102 212

HSL 235.46, 0.58%, 0.6%

LAB 47.73, 28.28, -57.98

 

CMYK 56 / 56 / 0 / 17

HEX #5D5DD4

RGB 93 93 212

HSL 240, 0.58%, 0.6%

LAB 45.51, 33.81, -61.57

 

CMYK 56 / 37 / 0 / 17

HEX #5D85D4

RGB 93 133 212

HSL 219.83, 0.58%, 0.6%

LAB 55.94, 9.34, -44.87

 

CMYK 66 / 44 / 0 / 11

HEX #4D80E4

RGB 77 128 228

HSL 219.74, 0.74%, 0.6%

LAB 54.68, 14.79, -55.91

 

CMYK 76 / 50 / 0 / 4

HEX #3C7BF5

RGB 60 123 245

HSL 219.57, 0.9%, 0.6%

LAB 53.73, 21.63, -66.95

 

CMYK 56 / 37 / 0 / 17

HEX #5D85D4

RGB 93 133 212

HSL 219.83, 0.58%, 0.6%

LAB 55.94, 9.34, -44.87

 

CMYK 44 / 29 / 0 / 24

HEX #6E8BC3

RGB 110 139 195

HSL 219.53, 0.41%, 0.6%

LAB 57.77, 4.56, -32.33

 

CMYK 30 / 20 / 0 / 30

HEX #7E90B3

RGB 126 144 179

HSL 219.62, 0.26%, 0.6%

LAB 59.56, 1.83, -20.42

 

CMYK 12 / 8 / 0 / 36

HEX #8F95A2

RGB 143 149 162

HSL 221.05, 0.09%, 0.6%

LAB 61.61, 0.53, -7.57

 

CMYK 0 / 3 / 8 / 38

HEX #9F9B92

RGB 159 155 146

HSL 41.54, 0.06%, 0.6%

LAB 64.07, -0.19, 5.22

 

CMYK 56 / 7 / 0 / 17

HEX #5DC6D4

RGB 93 198 212

HSL 187.06, 0.58%, 0.6%

LAB 74.49, -26.3, -16.2

 

CMYK 56 / 22 / 0 / 17

HEX #5DA6D4

RGB 93 166 212

HSL 203.19, 0.58%, 0.6%

LAB 65.24, -9.62, -30.32

 

CMYK 56 / 36 / 0 / 17

HEX #5D87D4

RGB 93 135 212

HSL 218.82, 0.58%, 0.6%

LAB 56.49, 8.15, -43.99

 

CMYK 56 / 51 / 0 / 17

HEX #5D67D4

RGB 93 103 212

HSL 234.96, 0.58%, 0.6%

LAB 47.98, 27.67, -57.57

 

CMYK 46 / 56 / 0 / 17

HEX #735DD4

RGB 115 93 212

HSL 251.09, 0.58%, 0.6%

LAB 47.27, 38.26, -58.63

 

CMYK 74 / 49 / 0 / 31

HEX #2E5AB0

RGB 46 90 176

HSL 219.69, 0.59%, 0.44%

LAB 39.63, 15.3, -50.3

 

CMYK 70 / 46 / 0 / 20

HEX #3D6DCB

RGB 61 109 203

HSL 219.72, 0.58%, 0.52%

LAB 47.29, 15.25, -53.63

 

CMYK 56 / 37 / 0 / 17

HEX #5D85D4

RGB 93 133 212

HSL 219.83, 0.58%, 0.6%

LAB 55.94, 9.34, -44.87

 

CMYK 43 / 28 / 0 / 14

HEX #7E9EDC

RGB 126 158 220

HSL 219.57, 0.57%, 0.68%

LAB 65.01, 4.89, -34.98

 

CMYK 31 / 21 / 0 / 10

HEX #9FB6E5

RGB 159 182 229

HSL 220.29, 0.57%, 0.76%

LAB 73.86, 2.86, -26.08

 

CMYK 56 / 37 / 0 / 17

HEX #5E86D4

RGB 94 134 212

HSL 219.66, 0.58%, 0.6%

LAB 56.27, 8.95, -44.34

 

CMYK 8 / 56 / 0 / 17

HEX #C25DD4

RGB 194 93 212

HSL 290.92, 0.58%, 0.6%

LAB 56.14, 57.55, -43.96

 

CMYK 14 / 0 / 56 / 17

HEX #B6D45D

RGB 182 212 93

HSL 75.13, 0.58%, 0.6%

LAB 80.64, -27.4, 54.56

 

CMYK 56 / 37 / 0 / 17

HEX #5E86D4

RGB 94 134 212

HSL 219.66, 0.58%, 0.6%

LAB 56.27, 8.95, -44.34

 

CMYK 0 / 56 / 36 / 17

HEX #D45D87

RGB 212 93 135

HSL 338.82, 0.58%, 0.6%

LAB 55.66, 51, 0.1

 

CMYK 36 / 0 / 56 / 17

HEX #87D45D

RGB 135 212 93

HSL 98.82, 0.58%, 0.6%

LAB 77.89, -44.59, 50.67

 

CMYK 56 / 37 / 0 / 17

HEX #5E86D4

RGB 94 134 212

HSL 219.66, 0.58%, 0.6%

LAB 56.27, 8.95, -44.34

 

CMYK 8 / 56 / 0 / 17

HEX #C25DD4

RGB 194 93 212

HSL 290.92, 0.58%, 0.6%

LAB 56.14, 57.55, -43.96

 

CMYK 0 / 20 / 56 / 17

HEX #D4AA5D

RGB 212 170 93

HSL 38.82, 0.58%, 0.6%

LAB 71.92, 6.37, 45.03

 

CMYK 48 / 0 / 56 / 17

HEX #6FD45D

RGB 111 212 93

HSL 110.92, 0.58%, 0.6%

LAB 76.83, -52.04, 49.17

 

CMYK 56 / 37 / 0 / 17

HEX #5E86D4

RGB 94 134 212

HSL 219.66, 0.58%, 0.6%

LAB 56.27, 8.95, -44.34

 

CMYK 0 / 56 / 8 / 17

HEX #D45DC2

RGB 212 93 194

HSL 309.08, 0.58%, 0.6%

LAB 57.77, 59.21, -30.97

 

CMYK 0 / 20 / 56 / 17

HEX #D4AA5D

RGB 212 170 93

HSL 38.82, 0.58%, 0.6%

LAB 71.92, 6.37, 45.03

 

CMYK 56 / 0 / 48 / 17

HEX #5DD46F

RGB 93 212 111

HSL 129.08, 0.58%, 0.6%

LAB 76.41, -54.43, 39.93

 

Description

Color code: HEX #5E86D4 | qconv.com Color code: HEX #5E86D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 134 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 134 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 37 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 37% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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