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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8635 it is the complementary color #A179CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8635. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #5E8635: #638630, #749843, #85AA56, #96BC69 and #A7CE7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8635. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #5E8635: #5E8635, #4D7422, #3C620F, #2B5000 and #1A3E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

Complementary color

CMYK 20 / 40 / 0 / 21

HEX #A179CA

RGB 161 121 202

HSL 269.63, 0.43%, 0.63%

LAB 57.57, 31.41, -36.3

 

CMYK 26 / 0 / 64 / 47

HEX #638630

RGB 99 134 48

HSL 84.42, 0.47%, 0.36%

LAB 51.74, -26.66, 41.15

 

CMYK 24 / 0 / 56 / 40

HEX #749843

RGB 116 152 67

HSL 85.41, 0.39%, 0.43%

LAB 58.58, -26.85, 40.14

 

CMYK 22 / 0 / 49 / 33

HEX #85AA56

RGB 133 170 86

HSL 86.43, 0.33%, 0.5%

LAB 65.29, -26.93, 38.99

 

CMYK 20 / 0 / 44 / 26

HEX #96BC69

RGB 150 188 105

HSL 87.47, 0.38%, 0.57%

LAB 71.87, -26.95, 37.8

 

CMYK 19 / 0 / 40 / 19

HEX #A7CE7C

RGB 167 206 124

HSL 88.54, 0.46%, 0.65%

LAB 78.35, -26.93, 36.62

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 34 / 0 / 71 / 55

HEX #4D7422

RGB 77 116 34

HSL 88.54, 0.55%, 0.29%

LAB 44.5, -27.95, 39.26

 

CMYK 39 / 0 / 85 / 62

HEX #3C620F

RGB 60 98 15

HSL 87.47, 0.73%, 0.22%

LAB 37.35, -27.44, 39.25

 

CMYK 46 / 0 / 100 / 69

HEX #2B5000

RGB 43 80 0

HSL 87.75, 1%, 0.16%

LAB 30.04, -26.5, 37.45

 

CMYK 58 / 0 / 100 / 76

HEX #1A3E00

RGB 26 62 0

HSL 94.84, 1%, 0.12%

LAB 22.53, -24.71, 30.35

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 39 / 0 / 60 / 47

HEX #528635

RGB 82 134 53

HSL 98.52, 0.43%, 0.37%

LAB 50.81, -32.69, 37.47

 

CMYK 49 / 0 / 60 / 47

HEX #448635

RGB 68 134 53

HSL 108.89, 0.43%, 0.37%

LAB 50.14, -37.42, 36.53

 

CMYK 59 / 0 / 60 / 47

HEX #378635

RGB 55 134 53

HSL 118.52, 0.43%, 0.37%

LAB 49.64, -41.18, 35.82

 

CMYK 60 / 0 / 51 / 47

HEX #358641

RGB 53 134 65

HSL 128.89, 0.43%, 0.37%

LAB 49.72, -40.02, 29.78

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 30 / 0 / 61 / 27

HEX #82B949

RGB 130 185 73

HSL 89.46, 0.44%, 0.51%

LAB 69.42, -36.44, 49.95

 

CMYK 30 / 0 / 61 / 7

HEX #A6EC5D

RGB 166 236 93

HSL 89.37, 0.79%, 0.65%

LAB 86.45, -44.26, 60.83

 

CMYK 31 / 0 / 59 / 87

HEX #16200D

RGB 22 32 13

HSL 91.58, 0.42%, 0.09%

LAB 10.8, -8.94, 10.46

 

CMYK 30 / 0 / 60 / 67

HEX #3A5321

RGB 58 83 33

HSL 90, 0.43%, 0.23%

LAB 32.25, -19.22, 25.9

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 60 / 0 / 19 / 47

HEX #35866D

RGB 53 134 109

HSL 161.48, 0.43%, 0.37%

LAB 50.58, -31.02, 6.17

 

CMYK 0 / 60 / 4 / 47

HEX #863580

RGB 134 53 128

HSL 304.44, 0.43%, 0.37%

LAB 36.32, 44.71, -26.09

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 60 / 29 / 0 / 47

HEX #355F86

RGB 53 95 134

HSL 208.89, 0.43%, 0.37%

LAB 39.01, -2.13, -26.13

 

CMYK 0 / 60 / 29 / 47

HEX #86355F

RGB 134 53 95

HSL 328.89, 0.43%, 0.37%

LAB 34.88, 39.4, -7.52

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 60 / 0 / 19 / 47

HEX #35866D

RGB 53 134 109

HSL 161.48, 0.43%, 0.37%

LAB 50.58, -31.02, 6.17

 

CMYK 31 / 60 / 0 / 47

HEX #5C3586

RGB 92 53 134

HSL 268.89, 0.43%, 0.37%

LAB 30.74, 34.49, -39.02

 

CMYK 0 / 60 / 41 / 47

HEX #86354F

RGB 134 53 79

HSL 340.74, 0.43%, 0.37%

LAB 34.35, 37.34, 1.96

 

CMYK 30 / 0 / 60 / 47

HEX #5E8635

RGB 94 134 53

HSL 89.63, 0.43%, 0.37%

LAB 51.48, -28.18, 38.42

 

CMYK 60 / 0 / 1 / 47

HEX #358685

RGB 53 134 133

HSL 179.26, 0.43%, 0.37%

LAB 51.27, -24.47, -6.82

 

CMYK 31 / 60 / 0 / 47

HEX #5C3586

RGB 92 53 134

HSL 268.89, 0.43%, 0.37%

LAB 30.74, 34.49, -39.02

 

CMYK 0 / 60 / 59 / 47

HEX #863537

RGB 134 53 55

HSL 358.52, 0.43%, 0.37%

LAB 33.75, 34.94, 16.55

 

Description

Color code: HEX #5E8635 | qconv.com Color code: HEX #5E8635 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 134 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 134 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 60 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 60% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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