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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E85CD it is the complementary color #A17A32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E85CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E85CD shade: #6385C8, #7497DB, #85A9EE, #96BBFF and #A7CDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E85CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E85CD shade: #5E85CD, #4D73BA, #3C61A7, #2B4F94 and #1A3D81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E85CD shade: #5F86CE, #5F68CE, #745FCE, #925FCE and #B05FCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E85CD shade: #5F86CE, #5F68CE and #5F5FCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E85CD shade matches the following richer shades: #5F86CE, #4E81DF and #3D7CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E85CD shade: #5F86CE, #708BBD, #8190AC, #92959B and #A39A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E85CD shade: #5FC3CE, #5FA5CE, #5F88CE, #5F6ACE and #725FCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E85CD shade: #335CA7, #3F6EC4, #5F86CE, #7F9ED8 and #9EB6E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E85CD shade: #5E85CD, #BB5FCE and #B4CE5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E85CD shade: #5E85CD, #CE5F88 and #88CE5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E85CD shade: #5E85CD, #BB5FCE, #CEA55F and #72CE5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E85CD shade: #5E85CD, #CE5FBF, #CEA55F and #5FCE6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 35 / 0 / 20

HEX #5E85CD

RGB 94 133 205

HSL 218.92, 0.53%, 0.59%

LAB 55.65, 7.31, -41.38

 

Complementary color

CMYK 0 / 24 / 69 / 37

HEX #A17A32

RGB 161 122 50

HSL 38.92, 0.53%, 0.41%

LAB 53.74, 7.49, 43.96

 

CMYK 51 / 34 / 0 / 22

HEX #6385C8

RGB 99 133 200

HSL 219.8, 0.48%, 0.59%

LAB 55.68, 6.87, -38.47

 

CMYK 47 / 31 / 0 / 14

HEX #7497DB

RGB 116 151 219

HSL 219.61, 0.59%, 0.66%

LAB 62.47, 6.13, -38.42

 

CMYK 44 / 29 / 0 / 7

HEX #85A9EE

RGB 133 169 238

HSL 219.43, 0.76%, 0.73%

LAB 69.14, 5.5, -38.41

 

CMYK 41 / 27 / 0 / 0

HEX #96BBFF

RGB 150 187 255

HSL 218.86, 1%, 0.79%

LAB 75.6, 4.43, -37.48

 

CMYK 35 / 20 / 0 / 0

HEX #A7CDFF

RGB 167 205 255

HSL 214.09, 1%, 0.83%

LAB 81.35, -0.88, -28.54

 

CMYK 54 / 35 / 0 / 20

HEX #5E85CD

RGB 94 133 205

HSL 218.92, 0.53%, 0.59%

LAB 55.65, 7.31, -41.38

 

CMYK 59 / 38 / 0 / 27

HEX #4D73BA

RGB 77 115 186

HSL 219.08, 0.44%, 0.52%

LAB 48.74, 8.36, -41.49

 

CMYK 64 / 42 / 0 / 35

HEX #3C61A7

RGB 60 97 167

HSL 219.25, 0.47%, 0.45%

LAB 41.69, 9.7, -41.65

 

CMYK 71 / 47 / 0 / 42

HEX #2B4F94

RGB 43 79 148

HSL 219.43, 0.55%, 0.37%

LAB 34.49, 11.44, -41.82

 

CMYK 80 / 53 / 0 / 49

HEX #1A3D81

RGB 26 61 129

HSL 219.61, 0.66%, 0.3%

LAB 27.14, 13.79, -41.99

 

CMYK 54 / 35 / 0 / 19

HEX #5F86CE

RGB 95 134 206

HSL 218.92, 0.53%, 0.59%

LAB 56.03, 7.25, -41.34

 

CMYK 54 / 50 / 0 / 19

HEX #5F68CE

RGB 95 104 206

HSL 235.14, 0.53%, 0.59%

LAB 47.99, 25.52, -54.12

 

CMYK 44 / 54 / 0 / 19

HEX #745FCE

RGB 116 95 206

HSL 251.35, 0.53%, 0.59%

LAB 47.44, 35.58, -54.93

 

CMYK 29 / 54 / 0 / 19

HEX #925FCE

RGB 146 95 206

HSL 267.57, 0.53%, 0.59%

LAB 50.4, 42.85, -50.02

 

CMYK 15 / 54 / 0 / 19

HEX #B05FCE

RGB 176 95 206

HSL 283.78, 0.53%, 0.59%

LAB 53.89, 50.66, -44.26

 

CMYK 54 / 35 / 0 / 19

HEX #5F86CE

RGB 95 134 206

HSL 218.92, 0.53%, 0.59%

LAB 56.03, 7.25, -41.34

 

CMYK 54 / 50 / 0 / 19

HEX #5F68CE

RGB 95 104 206

HSL 235.14, 0.53%, 0.59%

LAB 47.99, 25.52, -54.12

 

CMYK 54 / 54 / 0 / 19

HEX #5F5FCE

RGB 95 95 206

HSL 240, 0.53%, 0.59%

LAB 45.73, 31.06, -57.76

 

CMYK 54 / 35 / 0 / 19

HEX #5F86CE

RGB 95 134 206

HSL 218.92, 0.53%, 0.59%

LAB 56.03, 7.25, -41.34

 

CMYK 65 / 42 / 0 / 13

HEX #4E81DF

RGB 78 129 223

HSL 218.9, 0.69%, 0.59%

LAB 54.71, 12.62, -53.06

 

CMYK 75 / 48 / 0 / 6

HEX #3D7CF0

RGB 61 124 240

HSL 218.88, 0.86%, 0.59%

LAB 53.71, 19.31, -64.2

 

CMYK 54 / 35 / 0 / 19

HEX #5F86CE

RGB 95 134 206

HSL 218.92, 0.53%, 0.59%

LAB 56.03, 7.25, -41.34

 

CMYK 41 / 26 / 0 / 26

HEX #708BBD

RGB 112 139 189

HSL 218.96, 0.37%, 0.59%

LAB 57.64, 3.37, -29.12

 

CMYK 25 / 16 / 0 / 33

HEX #8190AC

RGB 129 144 172

HSL 219.07, 0.21%, 0.59%

LAB 59.52, 1.02, -16.49

 

CMYK 6 / 4 / 0 / 39

HEX #92959B

RGB 146 149 155

HSL 220, 0.04%, 0.59%

LAB 61.63, 0.12, -3.54

 

CMYK 0 / 6 / 15 / 36

HEX #A39A8A

RGB 163 154 138

HSL 38.4, 0.12%, 0.59%

LAB 63.94, 0.5, 9.58

 

CMYK 54 / 5 / 0 / 19

HEX #5FC3CE

RGB 95 195 206

HSL 185.95, 0.53%, 0.59%

LAB 73.49, -26.09, -14.44

 

CMYK 54 / 20 / 0 / 19

HEX #5FA5CE

RGB 95 165 206

HSL 202.16, 0.53%, 0.59%

LAB 64.8, -10.47, -27.67

 

CMYK 54 / 34 / 0 / 19

HEX #5F88CE

RGB 95 136 206

HSL 217.84, 0.53%, 0.59%

LAB 56.58, 6.06, -40.47

 

CMYK 54 / 49 / 0 / 19

HEX #5F6ACE

RGB 95 106 206

HSL 234.05, 0.53%, 0.59%

LAB 48.51, 24.29, -53.3

 

CMYK 45 / 54 / 0 / 19

HEX #725FCE

RGB 114 95 206

HSL 250.27, 0.53%, 0.59%

LAB 47.26, 35.12, -55.22

 

CMYK 69 / 45 / 0 / 35

HEX #335CA7

RGB 51 92 167

HSL 218.79, 0.53%, 0.43%

LAB 39.83, 11.35, -44.64

 

CMYK 68 / 44 / 0 / 23

HEX #3F6EC4

RGB 63 110 196

HSL 218.8, 0.53%, 0.51%

LAB 47.23, 12.4, -49.71

 

CMYK 54 / 35 / 0 / 19

HEX #5F86CE

RGB 95 134 206

HSL 218.92, 0.53%, 0.59%

LAB 56.03, 7.25, -41.34

 

CMYK 41 / 27 / 0 / 15

HEX #7F9ED8

RGB 127 158 216

HSL 219.1, 0.53%, 0.67%

LAB 64.9, 4.03, -32.93

 

CMYK 30 / 19 / 0 / 12

HEX #9EB6E1

RGB 158 182 225

HSL 218.51, 0.53%, 0.75%

LAB 73.65, 1.59, -24.23

 

CMYK 54 / 35 / 0 / 20

HEX #5E85CD

RGB 94 133 205

HSL 218.92, 0.53%, 0.59%

LAB 55.65, 7.31, -41.38

 

CMYK 9 / 54 / 0 / 19

HEX #BB5FCE

RGB 187 95 206

HSL 289.73, 0.53%, 0.59%

LAB 55.28, 53.59, -41.96

 

CMYK 13 / 0 / 54 / 19

HEX #B4CE5F

RGB 180 206 95

HSL 74.05, 0.53%, 0.59%

LAB 78.85, -25.13, 51.55

 

CMYK 54 / 35 / 0 / 20

HEX #5E85CD

RGB 94 133 205

HSL 218.92, 0.53%, 0.59%

LAB 55.65, 7.31, -41.38

 

CMYK 0 / 54 / 34 / 19

HEX #CE5F88

RGB 206 95 136

HSL 337.84, 0.53%, 0.59%

LAB 55.16, 48.18, -1.32

 

CMYK 34 / 0 / 54 / 19

HEX #88CE5F

RGB 136 206 95

HSL 97.84, 0.53%, 0.59%

LAB 76.19, -41.44, 47.77

 

CMYK 54 / 35 / 0 / 20

HEX #5E85CD

RGB 94 133 205

HSL 218.92, 0.53%, 0.59%

LAB 55.65, 7.31, -41.38

 

CMYK 9 / 54 / 0 / 19

HEX #BB5FCE

RGB 187 95 206

HSL 289.73, 0.53%, 0.59%

LAB 55.28, 53.59, -41.96

 

CMYK 0 / 20 / 54 / 19

HEX #CEA55F

RGB 206 165 95

HSL 37.84, 0.53%, 0.59%

LAB 70.08, 6.69, 41.67

 

CMYK 45 / 0 / 54 / 19

HEX #72CE5F

RGB 114 206 95

HSL 109.73, 0.53%, 0.59%

LAB 75.17, -48.51, 46.3

 

CMYK 54 / 35 / 0 / 20

HEX #5E85CD

RGB 94 133 205

HSL 218.92, 0.53%, 0.59%

LAB 55.65, 7.31, -41.38

 

CMYK 0 / 54 / 7 / 19

HEX #CE5FBF

RGB 206 95 191

HSL 308.11, 0.53%, 0.59%

LAB 57.14, 56.12, -30.3

 

CMYK 0 / 20 / 54 / 19

HEX #CEA55F

RGB 206 165 95

HSL 37.84, 0.53%, 0.59%

LAB 70.08, 6.69, 41.67

 

CMYK 54 / 0 / 47 / 19

HEX #5FCE6E

RGB 95 206 110

HSL 128.11, 0.53%, 0.59%

LAB 74.64, -51.74, 38.21

 

Description

Color code: HEX #5E85CD | qconv.com Color code: HEX #5E85CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 133 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 133 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 35 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 35% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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