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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E84B4 it is the complementary color #A17B4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E84B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E84B4 shade: #6384AF, #7496C2, #85A8D5, #96BAE8 and #A7CCFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E84B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E84B4 shade: #5E84B4, #4D72A1, #3C608E, #2B4E7B and #1A3C68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E84B4 shade: #5F85B4, #5F6EB4, #685FB4, #7E5FB4 and #955FB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E84B4 shade: #5F85B4, #5F6EB4 and #5F5FB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E84B4 shade matches the following richer shades: #5F85B4, #4C83C7, #3A80DA and #277EED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E84B4 shade: #5F85B4, #7287A1, #85898E, #988B7B and #AB8E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E84B4 shade: #5FB3B4, #5F9CB4, #5F85B4, #5F6FB4 and #675FB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E84B4 shade: #3E5C83, #4B709F, #5F85B4, #7C9AC1 and #98B0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E84B4 shade: #5E84B4, #9F5FB4 and #A7B45F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E84B4 shade: #5E84B4, #B45F85 and #85B45F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E84B4 shade: #5E84B4, #9F5FB4, #B48E5F and #75B45F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E84B4 shade: #5E84B4, #B45FB0, #B48E5F and #5FB464

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 27 / 0 / 29

HEX #5E84B4

RGB 94 132 180

HSL 213.49, 0.36%, 0.54%

LAB 54.21, 0.13, -29.39

 

Complementary color

CMYK 0 / 24 / 53 / 37

HEX #A17B4B

RGB 161 123 75

HSL 33.49, 0.36%, 0.46%

LAB 54.29, 8.82, 31.76

 

CMYK 43 / 25 / 0 / 31

HEX #6384AF

RGB 99 132 175

HSL 213.95, 0.32%, 0.54%

LAB 54.29, -0.06, -26.38

 

CMYK 40 / 23 / 0 / 24

HEX #7496C2

RGB 116 150 194

HSL 213.85, 0.39%, 0.61%

LAB 61.15, -0.46, -26.5

 

CMYK 38 / 21 / 0 / 16

HEX #85A8D5

RGB 133 168 213

HSL 213.75, 0.49%, 0.68%

LAB 67.87, -0.8, -26.66

 

CMYK 35 / 20 / 0 / 9

HEX #96BAE8

RGB 150 186 232

HSL 213.66, 0.64%, 0.75%

LAB 74.46, -1.09, -26.83

 

CMYK 33 / 19 / 0 / 2

HEX #A7CCFB

RGB 167 204 251

HSL 213.57, 0.91%, 0.82%

LAB 80.94, -1.34, -27.03

 

CMYK 48 / 27 / 0 / 29

HEX #5E84B4

RGB 94 132 180

HSL 213.49, 0.36%, 0.54%

LAB 54.21, 0.13, -29.39

 

CMYK 52 / 29 / 0 / 37

HEX #4D72A1

RGB 77 114 161

HSL 213.57, 0.35%, 0.47%

LAB 47.22, 0.75, -29.33

 

CMYK 58 / 32 / 0 / 44

HEX #3C608E

RGB 60 96 142

HSL 213.66, 0.41%, 0.4%

LAB 40.05, 1.55, -29.32

 

CMYK 65 / 37 / 0 / 52

HEX #2B4E7B

RGB 43 78 123

HSL 213.75, 0.48%, 0.33%

LAB 32.68, 2.65, -29.34

 

CMYK 75 / 42 / 0 / 59

HEX #1A3C68

RGB 26 60 104

HSL 213.85, 0.6%, 0.25%

LAB 25.11, 4.23, -29.38

 

CMYK 47 / 26 / 0 / 29

HEX #5F85B4

RGB 95 133 180

HSL 213.18, 0.36%, 0.54%

LAB 54.56, -0.21, -28.85

 

CMYK 47 / 39 / 0 / 29

HEX #5F6EB4

RGB 95 110 180

HSL 229.41, 0.36%, 0.54%

LAB 48.11, 13.61, -38.95

 

CMYK 42 / 47 / 0 / 29

HEX #685FB4

RGB 104 95 180

HSL 246.35, 0.36%, 0.54%

LAB 44.83, 25.13, -44.1

 

CMYK 30 / 47 / 0 / 29

HEX #7E5FB4

RGB 126 95 180

HSL 261.88, 0.36%, 0.54%

LAB 46.86, 31, -40.75

 

CMYK 17 / 47 / 0 / 29

HEX #955FB4

RGB 149 95 180

HSL 278.12, 0.36%, 0.54%

LAB 49.34, 37.55, -36.68

 

CMYK 47 / 26 / 0 / 29

HEX #5F85B4

RGB 95 133 180

HSL 213.18, 0.36%, 0.54%

LAB 54.56, -0.21, -28.85

 

CMYK 47 / 39 / 0 / 29

HEX #5F6EB4

RGB 95 110 180

HSL 229.41, 0.36%, 0.54%

LAB 48.11, 13.61, -38.95

 

CMYK 47 / 47 / 0 / 29

HEX #5F5FB4

RGB 95 95 180

HSL 240, 0.36%, 0.54%

LAB 44.11, 22.9, -45.31

 

CMYK 47 / 26 / 0 / 29

HEX #5F85B4

RGB 95 133 180

HSL 213.18, 0.36%, 0.54%

LAB 54.56, -0.21, -28.85

 

CMYK 62 / 34 / 0 / 22

HEX #4C83C7

RGB 76 131 199

HSL 213.17, 0.52%, 0.54%

LAB 53.91, 2.86, -40.77

 

CMYK 73 / 41 / 0 / 15

HEX #3A80DA

RGB 58 128 218

HSL 213.75, 0.68%, 0.54%

LAB 53.38, 8.48, -52.4

 

CMYK 84 / 47 / 0 / 7

HEX #277EED

RGB 39 126 237

HSL 213.64, 0.85%, 0.54%

LAB 53.46, 14.81, -62.96

 

CMYK 47 / 26 / 0 / 29

HEX #5F85B4

RGB 95 133 180

HSL 213.18, 0.36%, 0.54%

LAB 54.56, -0.21, -28.85

 

CMYK 29 / 16 / 0 / 37

HEX #7287A1

RGB 114 135 161

HSL 213.19, 0.2%, 0.54%

LAB 55.56, -1.29, -16.29

 

CMYK 6 / 4 / 0 / 44

HEX #85898E

RGB 133 137 142

HSL 213.33, 0.04%, 0.54%

LAB 56.91, -0.44, -3.19

 

CMYK 0 / 9 / 19 / 40

HEX #988B7B

RGB 152 139 123

HSL 33.1, 0.12%, 0.54%

LAB 58.57, 2.12, 10.32

 

CMYK 0 / 17 / 39 / 33

HEX #AB8E68

RGB 171 142 104

HSL 34.03, 0.29%, 0.54%

LAB 60.78, 5.51, 24.34

 

CMYK 47 / 1 / 0 / 29

HEX #5FB3B4

RGB 95 179 180

HSL 180.71, 0.36%, 0.54%

LAB 68, -25.15, -8.42

 

CMYK 47 / 13 / 0 / 29

HEX #5F9CB4

RGB 95 156 180

HSL 196.94, 0.36%, 0.54%

LAB 61.22, -13.17, -18.61

 

CMYK 47 / 26 / 0 / 29

HEX #5F85B4

RGB 95 133 180

HSL 213.18, 0.36%, 0.54%

LAB 54.56, -0.21, -28.85

 

CMYK 47 / 38 / 0 / 29

HEX #5F6FB4

RGB 95 111 180

HSL 228.71, 0.36%, 0.54%

LAB 48.38, 13, -38.52

 

CMYK 43 / 47 / 0 / 29

HEX #675FB4

RGB 103 95 180

HSL 245.65, 0.36%, 0.54%

LAB 44.75, 24.88, -44.24

 

CMYK 53 / 30 / 0 / 49

HEX #3E5C83

RGB 62 92 131

HSL 213.91, 0.36%, 0.38%

LAB 38.41, 0.83, -25.21

 

CMYK 53 / 30 / 0 / 38

HEX #4B709F

RGB 75 112 159

HSL 213.57, 0.36%, 0.46%

LAB 46.43, 0.84, -29.4

 

CMYK 47 / 26 / 0 / 29

HEX #5F85B4

RGB 95 133 180

HSL 213.18, 0.36%, 0.54%

LAB 54.56, -0.21, -28.85

 

CMYK 36 / 20 / 0 / 24

HEX #7C9AC1

RGB 124 154 193

HSL 213.91, 0.36%, 0.62%

LAB 62.72, -0.78, -23.5

 

CMYK 26 / 15 / 0 / 19

HEX #98B0CE

RGB 152 176 206

HSL 213.33, 0.36%, 0.7%

LAB 71, -1.5, -17.93

 

CMYK 48 / 27 / 0 / 29

HEX #5E84B4

RGB 94 132 180

HSL 213.49, 0.36%, 0.54%

LAB 54.21, 0.13, -29.39

 

CMYK 12 / 47 / 0 / 29

HEX #9F5FB4

RGB 159 95 180

HSL 285.18, 0.36%, 0.54%

LAB 50.51, 40.48, -34.76

 

CMYK 7 / 0 / 47 / 29

HEX #A7B45F

RGB 167 180 95

HSL 69.18, 0.36%, 0.54%

LAB 70.65, -17.45, 41.57

 

CMYK 48 / 27 / 0 / 29

HEX #5E84B4

RGB 94 132 180

HSL 213.49, 0.36%, 0.54%

LAB 54.21, 0.13, -29.39

 

CMYK 0 / 47 / 26 / 29

HEX #B45F85

RGB 180 95 133

HSL 333.18, 0.36%, 0.54%

LAB 51.36, 38.94, -5.57

 

CMYK 26 / 0 / 47 / 29

HEX #85B45F

RGB 133 180 95

HSL 93.18, 0.36%, 0.54%

LAB 68.35, -30.67, 38.23

 

CMYK 48 / 27 / 0 / 29

HEX #5E84B4

RGB 94 132 180

HSL 213.49, 0.36%, 0.54%

LAB 54.21, 0.13, -29.39

 

CMYK 12 / 47 / 0 / 29

HEX #9F5FB4

RGB 159 95 180

HSL 285.18, 0.36%, 0.54%

LAB 50.51, 40.48, -34.76

 

CMYK 0 / 21 / 47 / 29

HEX #B48E5F

RGB 180 142 95

HSL 33.18, 0.36%, 0.54%

LAB 61.55, 8.29, 30.45

 

CMYK 35 / 0 / 47 / 29

HEX #75B45F

RGB 117 180 95

HSL 104.47, 0.36%, 0.54%

LAB 67.46, -36.34, 36.93

 

CMYK 48 / 27 / 0 / 29

HEX #5E84B4

RGB 94 132 180

HSL 213.49, 0.36%, 0.54%

LAB 54.21, 0.13, -29.39

 

CMYK 0 / 47 / 2 / 29

HEX #B45FB0

RGB 180 95 176

HSL 302.82, 0.36%, 0.54%

LAB 52.97, 45.95, -28.39

 

CMYK 0 / 21 / 47 / 29

HEX #B48E5F

RGB 180 142 95

HSL 33.18, 0.36%, 0.54%

LAB 61.55, 8.29, 30.45

 

CMYK 47 / 0 / 44 / 29

HEX #5FB464

RGB 95 180 100

HSL 123.53, 0.36%, 0.54%

LAB 66.52, -42.57, 32.96

 

Description

Color code: HEX #5E84B4 | qconv.com Color code: HEX #5E84B4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 132 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 132 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 27 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 27% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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