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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E84AB it is the complementary color #A17B54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E84AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E84AB shade: #6384A6, #7496B9, #85A8CC, #96BADF and #A7CCF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E84AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E84AB shade: #5E84AB, #4D7298, #3C6085, #2B4E72 and #1A3C5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E84AB shade: #5F84AB, #5F70AB, #625FAB, #775FAB and #8B5FAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E84AB shade: #5F84AB, #5F70AB and #5F5FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E84AB shade matches the following richer shades: #5F84AB, #4B84BE, #3784D2, #2383E6 and #0F83FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E84AB shade: #5F84AB, #728497, #868583, #9A856F and #AE855B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E84AB shade: #5FABA8, #5F99AB, #5F85AB, #5F70AB and #615FAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E84AB shade: #3F5B78, #4D7093, #5F84AB, #7A99B9 and #95AEC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E84AB shade: #5E84AB, #945FAB and #A3AB5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E84AB shade: #5E84AB, #AB5F85 and #85AB5F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E84AB shade: #5E84AB, #945FAB, #AB855F and #75AB5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E84AB shade: #5E84AB, #AB5FAB, #AB855F and #5FAB5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 23 / 0 / 33

HEX #5E84AB

RGB 94 132 171

HSL 210.39, 0.31%, 0.52%

LAB 53.84, -2.55, -24.8

 

Complementary color

CMYK 0 / 24 / 48 / 37

HEX #A17B54

RGB 161 123 84

HSL 30.39, 0.31%, 0.48%

LAB 54.43, 9.71, 26.96

 

CMYK 40 / 20 / 0 / 35

HEX #6384A6

RGB 99 132 166

HSL 210.45, 0.27%, 0.52%

LAB 53.93, -2.65, -21.75

 

CMYK 37 / 19 / 0 / 27

HEX #7496B9

RGB 116 150 185

HSL 210.43, 0.33%, 0.59%

LAB 60.81, -2.93, -21.96

 

CMYK 35 / 18 / 0 / 20

HEX #85A8CC

RGB 133 168 204

HSL 210.42, 0.41%, 0.66%

LAB 67.54, -3.16, -22.19

 

CMYK 33 / 17 / 0 / 13

HEX #96BADF

RGB 150 186 223

HSL 210.41, 0.53%, 0.73%

LAB 74.14, -3.37, -22.44

 

CMYK 31 / 16 / 0 / 5

HEX #A7CCF2

RGB 167 204 242

HSL 210.4, 0.74%, 0.8%

LAB 80.63, -3.55, -22.7

 

CMYK 45 / 23 / 0 / 33

HEX #5E84AB

RGB 94 132 171

HSL 210.39, 0.31%, 0.52%

LAB 53.84, -2.55, -24.8

 

CMYK 49 / 25 / 0 / 40

HEX #4D7298

RGB 77 114 152

HSL 210.4, 0.33%, 0.45%

LAB 46.82, -2.09, -24.66

 

CMYK 55 / 28 / 0 / 48

HEX #3C6085

RGB 60 96 133

HSL 210.41, 0.38%, 0.38%

LAB 39.61, -1.49, -24.55

 

CMYK 62 / 32 / 0 / 55

HEX #2B4E72

RGB 43 78 114

HSL 210.42, 0.45%, 0.31%

LAB 32.21, -0.65, -24.47

 

CMYK 73 / 37 / 0 / 63

HEX #1A3C5F

RGB 26 60 95

HSL 210.43, 0.57%, 0.24%

LAB 24.57, 0.6, -24.42

 

CMYK 44 / 23 / 0 / 33

HEX #5F84AB

RGB 95 132 171

HSL 210.79, 0.31%, 0.52%

LAB 53.89, -2.29, -24.71

 

CMYK 44 / 35 / 0 / 33

HEX #5F70AB

RGB 95 112 171

HSL 226.58, 0.31%, 0.52%

LAB 48.21, 9.63, -33.55

 

CMYK 43 / 44 / 0 / 33

HEX #625FAB

RGB 98 95 171

HSL 242.37, 0.31%, 0.52%

LAB 43.83, 20.92, -40.45

 

CMYK 30 / 44 / 0 / 33

HEX #775FAB

RGB 119 95 171

HSL 258.95, 0.31%, 0.52%

LAB 45.7, 26.67, -37.37

 

CMYK 19 / 44 / 0 / 33

HEX #8B5FAB

RGB 139 95 171

HSL 274.74, 0.31%, 0.52%

LAB 47.77, 32.55, -33.97

 

CMYK 44 / 23 / 0 / 33

HEX #5F84AB

RGB 95 132 171

HSL 210.79, 0.31%, 0.52%

LAB 53.89, -2.29, -24.71

 

CMYK 44 / 35 / 0 / 33

HEX #5F70AB

RGB 95 112 171

HSL 226.58, 0.31%, 0.52%

LAB 48.21, 9.63, -33.55

 

CMYK 44 / 44 / 0 / 33

HEX #5F5FAB

RGB 95 95 171

HSL 240, 0.31%, 0.52%

LAB 43.59, 20.15, -40.84

 

CMYK 44 / 23 / 0 / 33

HEX #5F84AB

RGB 95 132 171

HSL 210.79, 0.31%, 0.52%

LAB 53.89, -2.29, -24.71

 

CMYK 61 / 31 / 0 / 25

HEX #4B84BE

RGB 75 132 190

HSL 210.26, 0.47%, 0.52%

LAB 53.72, -0.94, -35.94

 

CMYK 74 / 37 / 0 / 18

HEX #3784D2

RGB 55 132 210

HSL 210.19, 0.63%, 0.52%

LAB 53.99, 2.77, -46.93

 

CMYK 85 / 43 / 0 / 10

HEX #2383E6

RGB 35 131 230

HSL 210.46, 0.8%, 0.52%

LAB 54.35, 8.77, -57.63

 

CMYK 94 / 48 / 0 / 2

HEX #0F83FA

RGB 15 131 250

HSL 210.38, 0.96%, 0.52%

LAB 55.31, 15.38, -67.2

 

CMYK 44 / 23 / 0 / 33

HEX #5F84AB

RGB 95 132 171

HSL 210.79, 0.31%, 0.52%

LAB 53.89, -2.29, -24.71

 

CMYK 25 / 13 / 0 / 41

HEX #728497

RGB 114 132 151

HSL 210.81, 0.15%, 0.52%

LAB 54.36, -2.08, -12.34

 

CMYK 0 / 1 / 2 / 47

HEX #868583

RGB 134 133 131

HSL 40, 0.01%, 0.52%

LAB 55.57, -0.01, 1.2

 

CMYK 0 / 14 / 28 / 40

HEX #9A856F

RGB 154 133 111

HSL 30.7, 0.18%, 0.52%

LAB 56.87, 4.46, 14.81

 

CMYK 0 / 24 / 48 / 32

HEX #AE855B

RGB 174 133 91

HSL 30.36, 0.34%, 0.52%

LAB 58.54, 10.35, 28.64

 

CMYK 44 / 0 / 2 / 33

HEX #5FABA8

RGB 95 171 168

HSL 177.63, 0.31%, 0.52%

LAB 65.27, -24.27, -5.81

 

CMYK 44 / 11 / 0 / 33

HEX #5F99AB

RGB 95 153 171

HSL 194.21, 0.31%, 0.52%

LAB 60.03, -14.06, -15.34

 

CMYK 44 / 22 / 0 / 33

HEX #5F85AB

RGB 95 133 171

HSL 210, 0.31%, 0.52%

LAB 54.18, -2.87, -24.26

 

CMYK 44 / 35 / 0 / 33

HEX #5F70AB

RGB 95 112 171

HSL 226.58, 0.31%, 0.52%

LAB 48.21, 9.63, -33.55

 

CMYK 43 / 44 / 0 / 33

HEX #615FAB

RGB 97 95 171

HSL 241.58, 0.31%, 0.52%

LAB 43.75, 20.66, -40.58

 

CMYK 48 / 24 / 0 / 53

HEX #3F5B78

RGB 63 91 120

HSL 210.53, 0.31%, 0.36%

LAB 37.65, -1.85, -19.64

 

CMYK 48 / 24 / 0 / 42

HEX #4D7093

RGB 77 112 147

HSL 210, 0.31%, 0.44%

LAB 46.01, -2.45, -22.96

 

CMYK 44 / 23 / 0 / 33

HEX #5F84AB

RGB 95 132 171

HSL 210.79, 0.31%, 0.52%

LAB 53.89, -2.29, -24.71

 

CMYK 34 / 17 / 0 / 27

HEX #7A99B9

RGB 122 153 185

HSL 210.48, 0.31%, 0.6%

LAB 62.02, -2.9, -20.08

 

CMYK 25 / 13 / 0 / 22

HEX #95AEC7

RGB 149 174 199

HSL 210, 0.31%, 0.68%

LAB 70.03, -2.98, -15.57

 

CMYK 45 / 23 / 0 / 33

HEX #5E84AB

RGB 94 132 171

HSL 210.39, 0.31%, 0.52%

LAB 53.84, -2.55, -24.8

 

CMYK 13 / 44 / 0 / 33

HEX #945FAB

RGB 148 95 171

HSL 281.84, 0.31%, 0.52%

LAB 48.79, 35.26, -32.3

 

CMYK 5 / 0 / 44 / 33

HEX #A3AB5F

RGB 163 171 95

HSL 66.32, 0.31%, 0.52%

LAB 67.83, -14.46, 38.04

 

CMYK 45 / 23 / 0 / 33

HEX #5E84AB

RGB 94 132 171

HSL 210.39, 0.31%, 0.52%

LAB 53.84, -2.55, -24.8

 

CMYK 0 / 44 / 22 / 33

HEX #AB5F85

RGB 171 95 133

HSL 330, 0.31%, 0.52%

LAB 50.14, 35.79, -7.52

 

CMYK 22 / 0 / 44 / 33

HEX #85AB5F

RGB 133 171 95

HSL 90, 0.31%, 0.52%

LAB 65.7, -26.33, 34.92

 

CMYK 45 / 23 / 0 / 33

HEX #5E84AB

RGB 94 132 171

HSL 210.39, 0.31%, 0.52%

LAB 53.84, -2.55, -24.8

 

CMYK 13 / 44 / 0 / 33

HEX #945FAB

RGB 148 95 171

HSL 281.84, 0.31%, 0.52%

LAB 48.79, 35.26, -32.3

 

CMYK 0 / 22 / 44 / 33

HEX #AB855F

RGB 171 133 95

HSL 30, 0.31%, 0.52%

LAB 58.28, 9.5, 26.04

 

CMYK 32 / 0 / 44 / 33

HEX #75AB5F

RGB 117 171 95

HSL 102.63, 0.31%, 0.52%

LAB 64.75, -32.19, 33.52

 

CMYK 45 / 23 / 0 / 33

HEX #5E84AB

RGB 94 132 171

HSL 210.39, 0.31%, 0.52%

LAB 53.84, -2.55, -24.8

 

CMYK 0 / 44 / 0 / 33

HEX #AB5FAB

RGB 171 95 171

HSL 300, 0.31%, 0.52%

LAB 51.59, 42.29, -27.72

 

CMYK 0 / 22 / 44 / 33

HEX #AB855F

RGB 171 133 95

HSL 30, 0.31%, 0.52%

LAB 58.28, 9.5, 26.04

 

CMYK 44 / 0 / 44 / 33

HEX #5FAB5F

RGB 95 171 95

HSL 120, 0.31%, 0.52%

LAB 63.66, -39.43, 31.91

 

Description

Color code: HEX #5E84AB | qconv.com Color code: HEX #5E84AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 132 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 132 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 23 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 23% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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