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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E83AC it is the complementary color #A17C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E83AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E83AC shade: #6383A7, #7495BA, #85A7CD, #96B9E0 and #A7CBF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E83AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E83AC shade: #5E83AC, #4D7199, #3C5F86, #2B4D73 and #1A3B60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E83AC shade: #5D82AB, #5D6DAB, #625DAB, #775DAB and #8C5DAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E83AC shade: #5D82AB, #5D6DAB and #5D5DAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E83AC shade matches the following richer shades: #5D82AB, #4981BF, #3580D3, #227FE7 and #0E7EFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E83AC shade: #5D82AB, #718397, #858484, #988570 and #AC865C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E83AC shade: #5DABAA, #5D98AB, #5D83AB, #5D6EAB and #615DAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E83AC shade: #3E5978, #4C6E93, #5D82AB, #7897B9 and #93ACC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E83AC shade: #5E83AC, #955DAB and #A2AB5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E83AC shade: #5E83AC, #AB5D83 and #83AB5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E83AC shade: #5E83AC, #955DAB, #AB855D and #73AB5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E83AC shade: #5E83AC, #AB5DAA, #AB855D and #5DAB5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 24 / 0 / 33

HEX #5E83AC

RGB 94 131 172

HSL 211.54, 0.32%, 0.52%

LAB 53.59, -1.68, -25.76

 

Complementary color

CMYK 0 / 23 / 48 / 37

HEX #A17C53

RGB 161 124 83

HSL 31.54, 0.32%, 0.48%

LAB 54.68, 9.04, 27.83

 

CMYK 41 / 22 / 0 / 35

HEX #6383A7

RGB 99 131 167

HSL 211.76, 0.28%, 0.52%

LAB 53.68, -1.78, -22.71

 

CMYK 38 / 20 / 0 / 27

HEX #7495BA

RGB 116 149 186

HSL 211.71, 0.34%, 0.59%

LAB 60.56, -2.09, -22.9

 

CMYK 35 / 19 / 0 / 20

HEX #85A7CD

RGB 133 167 205

HSL 211.67, 0.42%, 0.66%

LAB 67.3, -2.35, -23.11

 

CMYK 33 / 17 / 0 / 12

HEX #96B9E0

RGB 150 185 224

HSL 211.62, 0.54%, 0.73%

LAB 73.91, -2.57, -23.34

 

CMYK 31 / 16 / 0 / 5

HEX #A7CBF3

RGB 167 203 243

HSL 211.58, 0.76%, 0.8%

LAB 80.4, -2.77, -23.58

 

CMYK 45 / 24 / 0 / 33

HEX #5E83AC

RGB 94 131 172

HSL 211.54, 0.32%, 0.52%

LAB 53.59, -1.68, -25.76

 

CMYK 50 / 26 / 0 / 40

HEX #4D7199

RGB 77 113 153

HSL 211.58, 0.33%, 0.45%

LAB 46.56, -1.18, -25.64

 

CMYK 55 / 29 / 0 / 47

HEX #3C5F86

RGB 60 95 134

HSL 211.62, 0.38%, 0.38%

LAB 39.35, -0.54, -25.56

 

CMYK 63 / 33 / 0 / 55

HEX #2B4D73

RGB 43 77 115

HSL 211.67, 0.46%, 0.31%

LAB 31.94, 0.36, -25.51

 

CMYK 73 / 39 / 0 / 62

HEX #1A3B60

RGB 26 59 96

HSL 211.71, 0.57%, 0.24%

LAB 24.3, 1.68, -25.5

 

CMYK 46 / 24 / 0 / 33

HEX #5D82AB

RGB 93 130 171

HSL 211.54, 0.32%, 0.52%

LAB 53.2, -1.65, -25.79

 

CMYK 46 / 36 / 0 / 33

HEX #5D6DAB

RGB 93 109 171

HSL 227.69, 0.32%, 0.52%

LAB 47.24, 10.95, -35.08

 

CMYK 43 / 46 / 0 / 33

HEX #625DAB

RGB 98 93 171

HSL 243.85, 0.32%, 0.52%

LAB 43.31, 22.16, -41.28

 

CMYK 30 / 46 / 0 / 33

HEX #775DAB

RGB 119 93 171

HSL 260, 0.32%, 0.52%

LAB 45.21, 27.87, -38.15

 

CMYK 18 / 46 / 0 / 33

HEX #8C5DAB

RGB 140 93 171

HSL 276.15, 0.32%, 0.52%

LAB 47.42, 33.99, -34.51

 

CMYK 46 / 24 / 0 / 33

HEX #5D82AB

RGB 93 130 171

HSL 211.54, 0.32%, 0.52%

LAB 53.2, -1.65, -25.79

 

CMYK 46 / 36 / 0 / 33

HEX #5D6DAB

RGB 93 109 171

HSL 227.69, 0.32%, 0.52%

LAB 47.24, 10.95, -35.08

 

CMYK 46 / 46 / 0 / 33

HEX #5D5DAB

RGB 93 93 171

HSL 240, 0.32%, 0.52%

LAB 42.91, 20.89, -41.94

 

CMYK 46 / 24 / 0 / 33

HEX #5D82AB

RGB 93 130 171

HSL 211.54, 0.32%, 0.52%

LAB 53.2, -1.65, -25.79

 

CMYK 62 / 32 / 0 / 25

HEX #4981BF

RGB 73 129 191

HSL 211.53, 0.48%, 0.52%

LAB 52.82, 0.78, -37.95

 

CMYK 75 / 39 / 0 / 17

HEX #3580D3

RGB 53 128 211

HSL 211.52, 0.64%, 0.52%

LAB 52.84, 5.29, -49.33

 

CMYK 85 / 45 / 0 / 9

HEX #227FE7

RGB 34 127 231

HSL 211.68, 0.8%, 0.52%

LAB 53.26, 11.54, -59.93

 

CMYK 94 / 50 / 0 / 2

HEX #0E7EFA

RGB 14 126 250

HSL 211.53, 0.96%, 0.52%

LAB 53.94, 18.46, -69.42

 

CMYK 46 / 24 / 0 / 33

HEX #5D82AB

RGB 93 130 171

HSL 211.54, 0.32%, 0.52%

LAB 53.2, -1.65, -25.79

 

CMYK 25 / 13 / 0 / 41

HEX #718397

RGB 113 131 151

HSL 211.58, 0.15%, 0.52%

LAB 54, -1.83, -12.88

 

CMYK 0 / 1 / 1 / 48

HEX #858484

RGB 133 132 132

HSL 0, 0%, 0.52%

LAB 55.23, 0.38, 0.13

 

CMYK 0 / 13 / 26 / 40

HEX #988570

RGB 152 133 112

HSL 31.5, 0.16%, 0.52%

LAB 56.7, 3.79, 13.98

 

CMYK 0 / 22 / 47 / 33

HEX #AC865C

RGB 172 134 92

HSL 31.5, 0.33%, 0.52%

LAB 58.6, 9.05, 28.13

 

CMYK 46 / 0 / 1 / 33

HEX #5DABAA

RGB 93 171 170

HSL 179.23, 0.32%, 0.52%

LAB 65.24, -24.23, -6.97

 

CMYK 46 / 11 / 0 / 33

HEX #5D98AB

RGB 93 152 171

HSL 194.62, 0.32%, 0.52%

LAB 59.64, -14.03, -15.94

 

CMYK 46 / 23 / 0 / 33

HEX #5D83AB

RGB 93 131 171

HSL 210.77, 0.32%, 0.52%

LAB 53.49, -2.23, -25.34

 

CMYK 46 / 36 / 0 / 33

HEX #5D6EAB

RGB 93 110 171

HSL 226.92, 0.32%, 0.52%

LAB 47.52, 10.33, -34.65

 

CMYK 43 / 46 / 0 / 33

HEX #615DAB

RGB 97 93 171

HSL 243.08, 0.32%, 0.52%

LAB 43.23, 21.9, -41.41

 

CMYK 48 / 26 / 0 / 53

HEX #3E5978

RGB 62 89 120

HSL 212.07, 0.32%, 0.36%

LAB 36.98, -0.88, -20.69

 

CMYK 48 / 25 / 0 / 42

HEX #4C6E93

RGB 76 110 147

HSL 211.27, 0.32%, 0.44%

LAB 45.35, -1.51, -23.97

 

CMYK 46 / 24 / 0 / 33

HEX #5D82AB

RGB 93 130 171

HSL 211.54, 0.32%, 0.52%

LAB 53.2, -1.65, -25.79

 

CMYK 35 / 18 / 0 / 27

HEX #7897B9

RGB 120 151 185

HSL 211.38, 0.32%, 0.6%

LAB 61.33, -2.35, -21.14

 

CMYK 26 / 14 / 0 / 22

HEX #93ACC7

RGB 147 172 199

HSL 211.15, 0.32%, 0.68%

LAB 69.35, -2.49, -16.6

 

CMYK 45 / 24 / 0 / 33

HEX #5E83AC

RGB 94 131 172

HSL 211.54, 0.32%, 0.52%

LAB 53.59, -1.68, -25.76

 

CMYK 13 / 46 / 0 / 33

HEX #955DAB

RGB 149 93 171

HSL 283.08, 0.32%, 0.52%

LAB 48.46, 36.69, -32.81

 

CMYK 5 / 0 / 46 / 33

HEX #A2AB5D

RGB 162 171 93

HSL 66.92, 0.32%, 0.52%

LAB 67.72, -15.08, 38.91

 

CMYK 45 / 24 / 0 / 33

HEX #5E83AC

RGB 94 131 172

HSL 211.54, 0.32%, 0.52%

LAB 53.59, -1.68, -25.76

 

CMYK 0 / 46 / 23 / 33

HEX #AB5D83

RGB 171 93 131

HSL 330.77, 0.32%, 0.52%

LAB 49.65, 36.56, -7.06

 

CMYK 23 / 0 / 46 / 33

HEX #83AB5D

RGB 131 171 93

HSL 90.77, 0.32%, 0.52%

LAB 65.55, -27.34, 35.73

 

CMYK 45 / 24 / 0 / 33

HEX #5E83AC

RGB 94 131 172

HSL 211.54, 0.32%, 0.52%

LAB 53.59, -1.68, -25.76

 

CMYK 13 / 46 / 0 / 33

HEX #955DAB

RGB 149 93 171

HSL 283.08, 0.32%, 0.52%

LAB 48.46, 36.69, -32.81

 

CMYK 0 / 22 / 46 / 33

HEX #AB855D

RGB 171 133 93

HSL 30.77, 0.32%, 0.52%

LAB 58.25, 9.29, 27.1

 

CMYK 33 / 0 / 46 / 33

HEX #73AB5D

RGB 115 171 93

HSL 103.08, 0.32%, 0.52%

LAB 64.61, -33.16, 34.36

 

CMYK 45 / 24 / 0 / 33

HEX #5E83AC

RGB 94 131 172

HSL 211.54, 0.32%, 0.52%

LAB 53.59, -1.68, -25.76

 

CMYK 0 / 46 / 1 / 33

HEX #AB5DAA

RGB 171 93 170

HSL 300.77, 0.32%, 0.52%

LAB 51.14, 43.16, -27.84

 

CMYK 0 / 22 / 46 / 33

HEX #AB855D

RGB 171 133 93

HSL 30.77, 0.32%, 0.52%

LAB 58.25, 9.29, 27.1

 

CMYK 46 / 0 / 45 / 33

HEX #5DAB5E

RGB 93 171 94

HSL 120.77, 0.32%, 0.52%

LAB 63.56, -40.18, 32.28

 

Description

Color code: HEX #5E83AC | qconv.com Color code: HEX #5E83AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 131 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 131 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 24 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 24% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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