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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8312 it is the complementary color #A17CED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8312. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E8312 shade: #63830D, #749520, #85A733, #96B946 and #A7CB59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8312. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E8312 shade: #5E8312, #4D7100, #3C5F00, #2B4D00 and #1A3B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E8312 shade: #5D8212, #7C8212, #826A12, #824C12 and #822E12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E8312 shade: #5D8212, #3F8212, #218212, #128221 and #12823F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E8312 shade matches the following richer shades: #5D8212 and #618E06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E8312 shade: #5D8212, #59761E, #556A2A, #515E36 and #4D5242

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E8312 shade: #826A12, #7D8212, #5F8212, #418212 and #238212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E8312 shade: #293A08, #435E0D, #5D8212, #77A617 and #91CB1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E8312 shade: #5E8312, #12824C and #791282

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E8312 shade: #5E8312, #125F82 and #82125F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E8312 shade: #5E8312, #12824C, #351282 and #821248

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E8312 shade: #5E8312, #12826E, #351282 and #821226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 86 / 49

HEX #5E8312

RGB 94 131 18

HSL 79.65, 0.76%, 0.29%

LAB 50.28, -29.13, 50.71

 

Complementary color

CMYK 32 / 48 / 0 / 7

HEX #A17CED

RGB 161 124 237

HSL 259.65, 0.76%, 0.71%

LAB 59.99, 38.19, -52.12

 

CMYK 24 / 0 / 90 / 49

HEX #63830D

RGB 99 131 13

HSL 76.27, 0.82%, 0.28%

LAB 50.59, -27.21, 52.27

 

CMYK 22 / 0 / 79 / 42

HEX #749520

RGB 116 149 32

HSL 76.92, 0.65%, 0.35%

LAB 57.38, -28.04, 53.52

 

CMYK 20 / 0 / 69 / 35

HEX #85A733

RGB 133 167 51

HSL 77.59, 0.53%, 0.43%

LAB 64.05, -28.62, 53.54

 

CMYK 19 / 0 / 62 / 27

HEX #96B946

RGB 150 185 70

HSL 78.26, 0.45%, 0.5%

LAB 70.61, -29.03, 52.93

 

CMYK 18 / 0 / 56 / 20

HEX #A7CB59

RGB 167 203 89

HSL 78.95, 0.52%, 0.57%

LAB 77.07, -29.32, 52.02

 

CMYK 28 / 0 / 86 / 49

HEX #5E8312

RGB 94 131 18

HSL 79.65, 0.76%, 0.29%

LAB 50.28, -29.13, 50.71

 

CMYK 32 / 0 / 100 / 56

HEX #4D7100

RGB 77 113 0

HSL 79.12, 1%, 0.22%

LAB 43.34, -28.18, 48.58

 

CMYK 37 / 0 / 100 / 63

HEX #3C5F00

RGB 60 95 0

HSL 82.11, 1%, 0.19%

LAB 36.26, -26.67, 42.69

 

CMYK 44 / 0 / 100 / 70

HEX #2B4D00

RGB 43 77 0

HSL 86.49, 1%, 0.15%

LAB 28.96, -25.09, 36.61

 

CMYK 56 / 0 / 100 / 77

HEX #1A3B00

RGB 26 59 0

HSL 93.56, 1%, 0.12%

LAB 21.39, -23.34, 29.13

 

CMYK 28 / 0 / 86 / 49

HEX #5D8212

RGB 93 130 18

HSL 79.82, 0.76%, 0.29%

LAB 49.9, -29.07, 50.35

 

CMYK 5 / 0 / 86 / 49

HEX #7C8212

RGB 124 130 18

HSL 63.21, 0.76%, 0.29%

LAB 52.17, -15.45, 53.19

 

CMYK 0 / 18 / 86 / 49

HEX #826A12

RGB 130 106 18

HSL 47.14, 0.76%, 0.29%

LAB 45.77, 0.74, 48

 

CMYK 0 / 42 / 86 / 49

HEX #824C12

RGB 130 76 18

HSL 31.07, 0.76%, 0.29%

LAB 37.77, 18.37, 41.13

 

CMYK 0 / 65 / 86 / 49

HEX #822E12

RGB 130 46 18

HSL 15, 0.76%, 0.29%

LAB 31.22, 34.8, 35.33

 

CMYK 28 / 0 / 86 / 49

HEX #5D8212

RGB 93 130 18

HSL 79.82, 0.76%, 0.29%

LAB 49.9, -29.07, 50.35

 

CMYK 52 / 0 / 86 / 49

HEX #3F8212

RGB 63 130 18

HSL 95.89, 0.76%, 0.29%

LAB 48.34, -40.19, 48.38

 

CMYK 75 / 0 / 86 / 49

HEX #218212

RGB 33 130 18

HSL 111.96, 0.76%, 0.29%

LAB 47.41, -47.81, 47.19

 

CMYK 86 / 0 / 75 / 49

HEX #128221

RGB 18 130 33

HSL 128.04, 0.76%, 0.29%

LAB 47.24, -48.94, 41.9

 

CMYK 86 / 0 / 52 / 49

HEX #12823F

RGB 18 130 63

HSL 144.11, 0.76%, 0.29%

LAB 47.56, -45, 27.98

 

CMYK 28 / 0 / 86 / 49

HEX #5D8212

RGB 93 130 18

HSL 79.82, 0.76%, 0.29%

LAB 49.9, -29.07, 50.35

 

CMYK 32 / 0 / 96 / 44

HEX #618E06

RGB 97 142 6

HSL 79.85, 0.92%, 0.29%

LAB 53.92, -33.39, 56.2

 

CMYK 28 / 0 / 86 / 49

HEX #5D8212

RGB 93 130 18

HSL 79.82, 0.76%, 0.29%

LAB 49.9, -29.07, 50.35

 

CMYK 25 / 0 / 75 / 54

HEX #59761E

RGB 89 118 30

HSL 79.77, 0.59%, 0.29%

LAB 45.87, -24.27, 42.57

 

CMYK 20 / 0 / 60 / 58

HEX #556A2A

RGB 85 106 42

HSL 79.69, 0.43%, 0.29%

LAB 41.86, -18.82, 32.75

 

CMYK 14 / 0 / 43 / 63

HEX #515E36

RGB 81 94 54

HSL 79.5, 0.27%, 0.29%

LAB 37.88, -12.56, 21.28

 

CMYK 6 / 0 / 20 / 68

HEX #4D5242

RGB 77 82 66

HSL 78.75, 0.11%, 0.29%

LAB 33.99, -5.3, 8.73

 

CMYK 0 / 18 / 86 / 49

HEX #826A12

RGB 130 106 18

HSL 47.14, 0.76%, 0.29%

LAB 45.77, 0.74, 48

 

CMYK 4 / 0 / 86 / 49

HEX #7D8212

RGB 125 130 18

HSL 62.68, 0.76%, 0.29%

LAB 52.25, -14.99, 53.3

 

CMYK 27 / 0 / 86 / 49

HEX #5F8212

RGB 95 130 18

HSL 78.75, 0.76%, 0.29%

LAB 50.03, -28.24, 50.51

 

CMYK 50 / 0 / 86 / 49

HEX #418212

RGB 65 130 18

HSL 94.82, 0.76%, 0.29%

LAB 48.43, -39.54, 48.49

 

CMYK 73 / 0 / 86 / 49

HEX #238212

RGB 35 130 18

HSL 110.89, 0.76%, 0.29%

LAB 47.45, -47.43, 47.24

 

CMYK 29 / 0 / 86 / 77

HEX #293A08

RGB 41 58 8

HSL 80.4, 0.76%, 0.13%

LAB 22, -15.66, 26.8

 

CMYK 29 / 0 / 86 / 63

HEX #435E0D

RGB 67 94 13

HSL 80, 0.76%, 0.21%

LAB 36.42, -22.63, 39.19

 

CMYK 28 / 0 / 86 / 49

HEX #5D8212

RGB 93 130 18

HSL 79.82, 0.76%, 0.29%

LAB 49.9, -29.07, 50.35

 

CMYK 28 / 0 / 86 / 35

HEX #77A617

RGB 119 166 23

HSL 79.72, 0.76%, 0.37%

LAB 62.72, -35.15, 60.84

 

CMYK 29 / 0 / 86 / 20

HEX #91CB1C

RGB 145 203 28

HSL 79.89, 0.76%, 0.45%

LAB 75.34, -41.41, 71.11

 

CMYK 28 / 0 / 86 / 49

HEX #5E8312

RGB 94 131 18

HSL 79.65, 0.76%, 0.29%

LAB 50.28, -29.13, 50.71

 

CMYK 86 / 0 / 42 / 49

HEX #12824C

RGB 18 130 76

HSL 151.07, 0.76%, 0.29%

LAB 47.77, -42.54, 21.12

 

CMYK 7 / 86 / 0 / 49

HEX #791282

RGB 121 18 130

HSL 295.18, 0.76%, 0.29%

LAB 29.69, 54.82, -37.98

 

CMYK 28 / 0 / 86 / 49

HEX #5E8312

RGB 94 131 18

HSL 79.65, 0.76%, 0.29%

LAB 50.28, -29.13, 50.71

 

CMYK 86 / 27 / 0 / 49

HEX #125F82

RGB 18 95 130

HSL 198.75, 0.76%, 0.29%

LAB 37.71, -9.04, -25.81

 

CMYK 0 / 86 / 27 / 49

HEX #82125F

RGB 130 18 95

HSL 318.75, 0.76%, 0.29%

LAB 29.42, 51.42, -15.89

 

CMYK 28 / 0 / 86 / 49

HEX #5E8312

RGB 94 131 18

HSL 79.65, 0.76%, 0.29%

LAB 50.28, -29.13, 50.71

 

CMYK 86 / 0 / 42 / 49

HEX #12824C

RGB 18 130 76

HSL 151.07, 0.76%, 0.29%

LAB 47.77, -42.54, 21.12

 

CMYK 59 / 86 / 0 / 49

HEX #351282

RGB 53 18 130

HSL 258.75, 0.76%, 0.29%

LAB 19.23, 44.02, -55.47

 

CMYK 0 / 86 / 45 / 49

HEX #821248

RGB 130 18 72

HSL 331.07, 0.76%, 0.29%

LAB 28.5, 48.79, -2.08

 

CMYK 28 / 0 / 86 / 49

HEX #5E8312

RGB 94 131 18

HSL 79.65, 0.76%, 0.29%

LAB 50.28, -29.13, 50.71

 

CMYK 86 / 0 / 15 / 49

HEX #12826E

RGB 18 130 110

HSL 169.29, 0.76%, 0.29%

LAB 48.54, -34.17, 2.54

 

CMYK 59 / 86 / 0 / 49

HEX #351282

RGB 53 18 130

HSL 258.75, 0.76%, 0.29%

LAB 19.23, 44.02, -55.47

 

CMYK 0 / 86 / 71 / 49

HEX #821226

RGB 130 18 38

HSL 349.29, 0.76%, 0.29%

LAB 27.62, 46.2, 19.57

 

Description

Color code: HEX #5E8312 | qconv.com Color code: HEX #5E8312 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 131 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 131 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 86 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 86% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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