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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E82C3 it is the complementary color #A17D3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E82C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E82C3 shade: #6382BE, #7494D1, #85A6E4, #96B8F7 and #A7CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E82C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E82C3 shade: #5E82C3, #4D70B0, #3C5E9D, #2B4C8A and #1A3A77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E82C3 shade: #5E82C3, #5E67C3, #715EC3, #8C5EC3 and #A75EC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E82C3 shade: #5E82C3, #5E67C3 and #5E5EC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E82C3 shade matches the following richer shades: #5E82C3, #4D7DD5, #3B78E7 and #2973F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E82C3 shade: #5E82C3, #7087B2, #828DA0, #94928E and #A5977C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E82C3 shade: #5EB9C3, #5E9EC3, #5E83C3, #5E68C3 and #6F5EC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E82C3 shade: #385A97, #436CB6, #5E82C3, #7D9ACE and #9BB1DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E82C3 shade: #5E82C3, #B25EC3 and #ACC35E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E82C3 shade: #5E82C3, #C35E83 and #83C35E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E82C3 shade: #5E82C3, #B25EC3, #C39E5E and #6FC35E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E82C3 shade: #5E82C3, #C35EB6, #C39E5E and #5EC36C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

Complementary color

CMYK 0 / 22 / 63 / 37

HEX #A17D3C

RGB 161 125 60

HSL 38.61, 0.46%, 0.43%

LAB 54.63, 6.46, 40.05

 

CMYK 48 / 32 / 0 / 25

HEX #6382BE

RGB 99 130 190

HSL 219.56, 0.41%, 0.57%

LAB 54.38, 5.58, -34.83

 

CMYK 44 / 29 / 0 / 18

HEX #7494D1

RGB 116 148 209

HSL 219.35, 0.5%, 0.64%

LAB 61.22, 4.94, -34.81

 

CMYK 42 / 27 / 0 / 11

HEX #85A6E4

RGB 133 166 228

HSL 219.16, 0.64%, 0.71%

LAB 67.92, 4.39, -34.83

 

CMYK 39 / 26 / 0 / 3

HEX #96B8F7

RGB 150 184 247

HSL 218.97, 0.86%, 0.78%

LAB 74.5, 3.93, -34.89

 

CMYK 35 / 21 / 0 / 0

HEX #A7CAFF

RGB 167 202 255

HSL 216.14, 1%, 0.83%

LAB 80.56, 0.73, -29.75

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 56 / 36 / 0 / 31

HEX #4D70B0

RGB 77 112 176

HSL 218.79, 0.39%, 0.5%

LAB 47.37, 6.87, -37.87

 

CMYK 62 / 40 / 0 / 38

HEX #3C5E9D

RGB 60 94 157

HSL 218.97, 0.45%, 0.43%

LAB 40.25, 8.05, -38

 

CMYK 69 / 45 / 0 / 46

HEX #2B4C8A

RGB 43 76 138

HSL 219.16, 0.52%, 0.35%

LAB 32.96, 9.63, -38.17

 

CMYK 78 / 51 / 0 / 53

HEX #1A3A77

RGB 26 58 119

HSL 219.35, 0.64%, 0.28%

LAB 25.5, 11.78, -38.34

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 52 / 47 / 0 / 24

HEX #5E67C3

RGB 94 103 195

HSL 234.65, 0.46%, 0.57%

LAB 47, 22.41, -49.4

 

CMYK 42 / 52 / 0 / 24

HEX #715EC3

RGB 113 94 195

HSL 251.29, 0.46%, 0.57%

LAB 46.25, 32.31, -50.51

 

CMYK 28 / 52 / 0 / 24

HEX #8C5EC3

RGB 140 94 195

HSL 267.33, 0.46%, 0.57%

LAB 48.91, 39.15, -46.11

 

CMYK 14 / 52 / 0 / 24

HEX #A75EC3

RGB 167 94 195

HSL 283.37, 0.46%, 0.57%

LAB 52.02, 46.45, -40.99

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 52 / 47 / 0 / 24

HEX #5E67C3

RGB 94 103 195

HSL 234.65, 0.46%, 0.57%

LAB 47, 22.41, -49.4

 

CMYK 52 / 52 / 0 / 24

HEX #5E5EC3

RGB 94 94 195

HSL 240, 0.46%, 0.57%

LAB 44.7, 27.99, -53.09

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 64 / 41 / 0 / 16

HEX #4D7DD5

RGB 77 125 213

HSL 218.82, 0.62%, 0.57%

LAB 53, 11.44, -50.15

 

CMYK 74 / 48 / 0 / 9

HEX #3B78E7

RGB 59 120 231

HSL 218.72, 0.78%, 0.57%

LAB 51.99, 18.28, -61.95

 

CMYK 84 / 54 / 0 / 2

HEX #2973F9

RGB 41 115 249

HSL 218.65, 0.95%, 0.57%

LAB 51.35, 26.36, -73.04

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 37 / 24 / 0 / 30

HEX #7087B2

RGB 112 135 178

HSL 219.09, 0.3%, 0.57%

LAB 56.07, 2.63, -25.28

 

CMYK 19 / 12 / 0 / 37

HEX #828DA0

RGB 130 141 160

HSL 218, 0.14%, 0.57%

LAB 58.35, 0.2, -11.4

 

CMYK 0 / 1 / 4 / 42

HEX #94928E

RGB 148 146 142

HSL 40, 0.03%, 0.57%

LAB 60.61, -0.02, 2.37

 

CMYK 0 / 8 / 25 / 35

HEX #A5977C

RGB 165 151 124

HSL 39.51, 0.19%, 0.57%

LAB 63, 0.75, 16.12

 

CMYK 52 / 5 / 0 / 24

HEX #5EB9C3

RGB 94 185 195

HSL 185.94, 0.46%, 0.57%

LAB 70.19, -24.34, -13.4

 

CMYK 52 / 19 / 0 / 24

HEX #5E9EC3

RGB 94 158 195

HSL 201.98, 0.46%, 0.57%

LAB 62.32, -10.13, -25.37

 

CMYK 52 / 33 / 0 / 24

HEX #5E83C3

RGB 94 131 195

HSL 218.02, 0.46%, 0.57%

LAB 54.61, 5.34, -37.34

 

CMYK 52 / 47 / 0 / 24

HEX #5E68C3

RGB 94 104 195

HSL 234.06, 0.46%, 0.57%

LAB 47.26, 21.79, -48.98

 

CMYK 43 / 52 / 0 / 24

HEX #6F5EC3

RGB 111 94 195

HSL 250.1, 0.46%, 0.57%

LAB 46.08, 31.84, -50.8

 

CMYK 63 / 40 / 0 / 41

HEX #385A97

RGB 56 90 151

HSL 218.53, 0.46%, 0.41%

LAB 38.53, 7.68, -37.15

 

CMYK 63 / 41 / 0 / 29

HEX #436CB6

RGB 67 108 182

HSL 218.61, 0.46%, 0.49%

LAB 46.04, 9.37, -43.5

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 39 / 25 / 0 / 19

HEX #7D9ACE

RGB 125 154 206

HSL 218.52, 0.45%, 0.65%

LAB 63.28, 3, -29.89

 

CMYK 29 / 19 / 0 / 15

HEX #9BB1DA

RGB 155 177 218

HSL 219.05, 0.46%, 0.73%

LAB 71.88, 1.74, -23.14

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 9 / 52 / 0 / 24

HEX #B25EC3

RGB 178 94 195

HSL 289.9, 0.46%, 0.57%

LAB 53.4, 49.49, -38.72

 

CMYK 12 / 0 / 52 / 24

HEX #ACC35E

RGB 172 195 94

HSL 73.66, 0.46%, 0.57%

LAB 75.21, -23.03, 47.61

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 0 / 52 / 33 / 24

HEX #C35E83

RGB 195 94 131

HSL 338.02, 0.46%, 0.57%

LAB 53.22, 44.35, -1.41

 

CMYK 33 / 0 / 52 / 24

HEX #83C35E

RGB 131 195 94

HSL 98.02, 0.46%, 0.57%

LAB 72.67, -38.41, 43.97

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 9 / 52 / 0 / 24

HEX #B25EC3

RGB 178 94 195

HSL 289.9, 0.46%, 0.57%

LAB 53.4, 49.49, -38.72

 

CMYK 0 / 19 / 52 / 24

HEX #C39E5E

RGB 195 158 94

HSL 38.02, 0.46%, 0.57%

LAB 67.17, 5.76, 38.38

 

CMYK 43 / 0 / 52 / 24

HEX #6FC35E

RGB 111 195 94

HSL 109.9, 0.46%, 0.57%

LAB 71.7, -44.98, 42.57

 

CMYK 52 / 33 / 0 / 24

HEX #5E82C3

RGB 94 130 195

HSL 218.61, 0.46%, 0.57%

LAB 54.33, 5.93, -37.78

 

CMYK 0 / 52 / 7 / 24

HEX #C35EB6

RGB 195 94 182

HSL 307.72, 0.46%, 0.57%

LAB 55.06, 51.94, -28.48

 

CMYK 0 / 19 / 52 / 24

HEX #C39E5E

RGB 195 158 94

HSL 38.02, 0.46%, 0.57%

LAB 67.17, 5.76, 38.38

 

CMYK 52 / 0 / 45 / 24

HEX #5EC36C

RGB 94 195 108

HSL 128.32, 0.46%, 0.57%

LAB 71.21, -47.88, 34.85

 

Description

Color code: HEX #5E82C3 | qconv.com Color code: HEX #5E82C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 130 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 130 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 33 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 33% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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