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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5E8220 it is the complementary color #A17DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5E8220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5E8220 shade: #63821B, #74942E, #85A641, #96B854 and #A7CA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5E8220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5E8220 shade: #5E8220, #4D700D, #3C5E00, #2B4C00 and #1A3A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5E8220 shade: #5E8220, #788220, #827120, #825720 and #823C20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5E8220 shade: #5E8220, #448220, #298220, #208231 and #20824C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5E8220 shade matches the following richer shades: #5E8220, #628F13 and #659C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5E8220 shade: #5E8220, #5B752D, #57683B, #545A48 and #504D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5E8220 shade: #827220, #788220, #5E8220, #448220 and #2A8220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5E8220 shade: #2E4010, #466118, #5E8220, #76A328 and #8EC431

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5E8220 shade: #5E8220, #208258 and #7F2082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5E8220 shade: #5E8220, #205E82 and #82205E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5E8220 shade: #5E8220, #208258, #442082 and #82204B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5E8220 shade: #5E8220, #208275, #442082 and #82202D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

Complementary color

CMYK 28 / 44 / 0 / 13

HEX #A17DDF

RGB 161 125 223

HSL 262.04, 0.6%, 0.68%

LAB 59.5, 34.14, -45.09

 

CMYK 24 / 0 / 79 / 49

HEX #63821B

RGB 99 130 27

HSL 78.06, 0.66%, 0.31%

LAB 50.33, -26.16, 48.19

 

CMYK 22 / 0 / 69 / 42

HEX #74942E

RGB 116 148 46

HSL 78.82, 0.53%, 0.38%

LAB 57.16, -26.72, 48.12

 

CMYK 20 / 0 / 61 / 35

HEX #85A641

RGB 133 166 65

HSL 79.6, 0.44%, 0.45%

LAB 63.87, -27.08, 47.4

 

CMYK 18 / 0 / 54 / 28

HEX #96B854

RGB 150 184 84

HSL 80.4, 0.41%, 0.53%

LAB 70.46, -27.32, 46.4

 

CMYK 17 / 0 / 49 / 21

HEX #A7CA67

RGB 167 202 103

HSL 81.21, 0.48%, 0.6%

LAB 76.94, -27.47, 45.29

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 31 / 0 / 88 / 56

HEX #4D700D

RGB 77 112 13

HSL 81.21, 0.79%, 0.25%

LAB 43.06, -27.27, 45.3

 

CMYK 36 / 0 / 100 / 63

HEX #3C5E00

RGB 60 94 0

HSL 81.7, 1%, 0.18%

LAB 35.92, -26.19, 42.42

 

CMYK 43 / 0 / 100 / 70

HEX #2B4C00

RGB 43 76 0

HSL 86.05, 1%, 0.15%

LAB 28.6, -24.61, 36.32

 

CMYK 55 / 0 / 100 / 77

HEX #1A3A00

RGB 26 58 0

HSL 93.1, 1%, 0.11%

LAB 21, -22.87, 28.71

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 8 / 0 / 75 / 49

HEX #788220

RGB 120 130 32

HSL 66.12, 0.6%, 0.32%

LAB 51.91, -16.69, 48.47

 

CMYK 0 / 13 / 75 / 49

HEX #827120

RGB 130 113 32

HSL 49.59, 0.6%, 0.32%

LAB 47.83, -2.71, 44.85

 

CMYK 0 / 33 / 75 / 49

HEX #825720

RGB 130 87 32

HSL 33.67, 0.6%, 0.32%

LAB 40.68, 12.47, 37.73

 

CMYK 0 / 54 / 75 / 49

HEX #823C20

RGB 130 60 32

HSL 17.14, 0.6%, 0.32%

LAB 34.15, 28.09, 30.85

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 48 / 0 / 75 / 49

HEX #448220

RGB 68 130 32

HSL 97.96, 0.6%, 0.32%

LAB 48.63, -37.72, 44.16

 

CMYK 68 / 0 / 75 / 49

HEX #298220

RGB 41 130 32

HSL 114.49, 0.6%, 0.32%

LAB 47.68, -45.25, 42.88

 

CMYK 75 / 0 / 62 / 49

HEX #208231

RGB 32 130 49

HSL 130.41, 0.6%, 0.32%

LAB 47.62, -45.2, 35.27

 

CMYK 75 / 0 / 42 / 49

HEX #20824C

RGB 32 130 76

HSL 146.94, 0.6%, 0.32%

LAB 48, -40.74, 21.46

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 31 / 0 / 87 / 44

HEX #628F13

RGB 98 143 19

HSL 81.77, 0.77%, 0.32%

LAB 54.33, -33.09, 54.07

 

CMYK 35 / 0 / 96 / 39

HEX #659C06

RGB 101 156 6

HSL 82, 0.93%, 0.32%

LAB 58.56, -38.09, 59.99

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 22 / 0 / 62 / 54

HEX #5B752D

RGB 91 117 45

HSL 81.67, 0.44%, 0.32%

LAB 45.82, -21.71, 35.85

 

CMYK 16 / 0 / 43 / 59

HEX #57683B

RGB 87 104 59

HSL 82.67, 0.28%, 0.32%

LAB 41.6, -14.85, 23.24

 

CMYK 7 / 0 / 20 / 65

HEX #545A48

RGB 84 90 72

HSL 80, 0.11%, 0.32%

LAB 37.23, -6.02, 9.62

 

CMYK 6 / 9 / 0 / 67

HEX #504D55

RGB 80 77 85

HSL 262.5, 0.05%, 0.32%

LAB 33.28, 2.99, -4.27

 

CMYK 0 / 12 / 75 / 49

HEX #827220

RGB 130 114 32

HSL 50.2, 0.6%, 0.32%

LAB 48.11, -3.28, 45.13

 

CMYK 8 / 0 / 75 / 49

HEX #788220

RGB 120 130 32

HSL 66.12, 0.6%, 0.32%

LAB 51.91, -16.69, 48.47

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 48 / 0 / 75 / 49

HEX #448220

RGB 68 130 32

HSL 97.96, 0.6%, 0.32%

LAB 48.63, -37.72, 44.16

 

CMYK 68 / 0 / 75 / 49

HEX #2A8220

RGB 42 130 32

HSL 113.88, 0.6%, 0.32%

LAB 47.7, -45.02, 42.92

 

CMYK 28 / 0 / 75 / 75

HEX #2E4010

RGB 46 64 16

HSL 82.5, 0.6%, 0.16%

LAB 24.59, -16.02, 26.02

 

CMYK 28 / 0 / 75 / 62

HEX #466118

RGB 70 97 24

HSL 82.19, 0.6%, 0.24%

LAB 37.69, -22.2, 36.41

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 28 / 0 / 75 / 36

HEX #76A328

RGB 118 163 40

HSL 81.95, 0.61%, 0.4%

LAB 61.83, -33.42, 55.1

 

CMYK 28 / 0 / 75 / 23

HEX #8EC431

RGB 142 196 49

HSL 82.04, 0.6%, 0.48%

LAB 73.19, -38.6, 63.47

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 75 / 0 / 32 / 49

HEX #208258

RGB 32 130 88

HSL 154.29, 0.6%, 0.32%

LAB 48.23, -38.17, 14.95

 

CMYK 2 / 75 / 0 / 49

HEX #7F2082

RGB 127 32 130

HSL 298.16, 0.6%, 0.32%

LAB 32.16, 51.98, -33.97

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 75 / 28 / 0 / 49

HEX #205E82

RGB 32 94 130

HSL 202.04, 0.6%, 0.32%

LAB 37.71, -6.78, -25.78

 

CMYK 0 / 75 / 28 / 49

HEX #82205E

RGB 130 32 94

HSL 322.04, 0.6%, 0.32%

LAB 30.85, 47.1, -13.06

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 75 / 0 / 32 / 49

HEX #208258

RGB 32 130 88

HSL 154.29, 0.6%, 0.32%

LAB 48.23, -38.17, 14.95

 

CMYK 48 / 75 / 0 / 49

HEX #442082

RGB 68 32 130

HSL 262.04, 0.6%, 0.32%

LAB 23.25, 39.7, -48.79

 

CMYK 0 / 75 / 42 / 49

HEX #82204B

RGB 130 32 75

HSL 333.67, 0.6%, 0.32%

LAB 30.12, 44.79, -1.69

 

CMYK 28 / 0 / 75 / 49

HEX #5E8220

RGB 94 130 32

HSL 82.04, 0.6%, 0.32%

LAB 50.04, -27.96, 46.01

 

CMYK 75 / 0 / 10 / 49

HEX #208275

RGB 32 130 117

HSL 172.04, 0.6%, 0.32%

LAB 48.95, -30.62, -0.93

 

CMYK 48 / 75 / 0 / 49

HEX #442082

RGB 68 32 130

HSL 262.04, 0.6%, 0.32%

LAB 23.25, 39.7, -48.79

 

CMYK 0 / 75 / 65 / 49

HEX #82202D

RGB 130 32 45

HSL 352.04, 0.6%, 0.32%

LAB 29.33, 42.18, 17.11

 

Description

Color code: HEX #5E8220 | qconv.com Color code: HEX #5E8220 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 130 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 130 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 75 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 75% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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